56,057 research outputs found

    Rastros freudianos em Mário de Andrade

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.A presente tese aborda as relações entre Mário de Andrade # leitor de Freud # e a psicanálise, ou seja, o uso feito pelo escritor de conceitos e noções psicanalíticas. Ao incorporar a psicanálise aos seus estudos sobre o folclore, Mário lança mão dos termos psicanalíticos recalcamento e sublimação, criando uma tradução própria que recobre, aproximadamente, a extensão de tais noções: seqüestro. Além deste termo, outros três são destacados da obra de Mário de Andrade como termos psicanalíticos e/ou articuláveis com a psicanálise: libido, loucura e inconsciente. Percorrendo as vias freudiana e lacaniana dos conceitos, destacamos trechos da obra do escritor nos quais surgem os temas em questão. A tese desenvolve-se em duas direções: por um lado, busca a psicanálise lida e interpretada por Mário de Andrade, e por outro, através da psicanálise, num exercício crítico, constrói leituras possíveis para alguns dos seus textos. Este percurso psicanalítico por textos do escritor perfaz o que chamamos de rastros freudianos em Mário de Andrade

    Estesia em tese: a nacionalização musical de Mário de Andrade

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2015.A nacionalização musical proposta pelo modernismo brasileiro por meio da apropriação erudita de elementos do cancioneiro popular e do folclore implica a identificação com uma musicalidade nacional. A afirmação de uma sensibilidade moderna, pressuposta pela referida identificação, subentende a construção de um sentido e de um sentimento nacional no interior de uma arte caracterizada, segundo uma concepção kantiana, pelo desinteresse e pela ininteligibilidade. Objetivamos compreender, a partir da nacionalização musical proposta por Mário de Andrade, as implicações do conceito de estesia, entendida como os efeitos sobre o corpo produzidos pelo contato com a arte. Em Andrade, a estesia recupera a etimologia de ?aisthesis? contra a sua subordinação ao modelo da representação e da contemplação, evidenciando a sensibilidade e, por conseguinte, o corpo. Como recusa da representação e da contemplação, a estesia designa uma reconciliação da arte com a vida, revelando, ao fim, um interesse eminentemente social. Ao propor um senso de comunidade, Andrade contraria tanto a ontologia nacional sustentada em teorias raciais positivistas, quanto o nacionalismo oficial do Estado Novo. Para tanto, revisamos os caracteres musicais de sua nacionalização musical em contraste com toda uma tradição ocidental, observando como as suas concepções musicais convergem, nos anos 1940, em um teatro cantado coletivo. Café, que representa um complemento para o poeta, permaneceria incompleto, no entanto, uma vez que os compositores Francisco Mignone e Camargo Guarnieri, que se responsabilizaram por sua musicalização, nunca o concluiriam. A tarefa caberia, ironicamente, a H. J. Koellreutter, acusado, desde que aportou no Brasil nos anos 1930, de formalista, sectarista e elitista, por empregar o atonalismo. No contexto de uma disputa de sentido em que as concepções musicais de Andrade serviriam para a legitimação e autorização do nacionalismo musical, de um lado, e o universalismo associado com o decadentismo da burguesia capitalista, de outro, o presente trabalho investiga, por fim, a busca de Koellreutter por uma interlocução com a obra de Andrade, que se consagra com a musicalização, nos anos 1990, do teatro cantado inacabado.Abstract : The musical nationalization proposed by Brazilian modernism through the appropriation of musical elements of popular music and folklore by classical composers implies an identification with national musicality. The affirmation of a modern sensibility, presupposed by such identification, involves the construction of a national sense and sensation through an art considered to be unintelligible and disinterested since Kantian aesthetics. Our goal, regarding Mário de Andrade?s musical nationalization proposal in particular, is to understand the implications of the concept of aesthesis, understood as contact with a work of art and its effects on the body. On Andrade?s work, aesthesis recovers the etymological sense of ?aisthesis?, going against its subordination to the model of representation and contemplation, highlighting the sensitivity and, consequently, the body. When refusal of representation and contemplation, aesthesis also names a reconciliation between art and life, revealing a social interest. Andrade?s musical nationalization therefore proposes a concept of community, contradicting both the national ontology sustained by positivist racial theories as a basis for the national State, and the official nationalism of the state from the Brazilian Revolution of 1930 forward, especially concerning its relation with the body. Therefore, we review the musical characters of Andrade?s nationalization and observe how his musical conceptions converge in Café. Conceived in the 1940s, the opera considered by the author to be his most socialist work and a complement of himself would remain incomplete, since Brazilian composers as Francisco Mignone and Camargo Guarnieri would never musicalize it. Ironically, H. J. Koellreutter, who has been accused of formalist, sectarian and elitist since he arrived in Brazil in the 1930s, would accomplish the task in the 1990s. In the context of a hegemonic dispute in which Andrade?s musical conceptions would serve to legitimize and authorize the musical nationalism discourse, on one hand, and the universalism connected to the decadence of the capitalist bourgeoisie, on the other, we investigate Koellreutter persuit for a dialogue with Andrade?s work, consolidated with his musical composition of Andrade?s opera in the 1990s

    L-Andrade/LFA: Log Forensics for Autopsy 1.4

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    <p><strong>Log Forensics for Autopsy</strong> consists of two Jython modules for The Sleuth Kit's Autopsy.</p> <p>Tested in Autopsy 4.6.0. With this version, LFA targets Windows logs even further. If you have any question regarding LFA, please contact us:</p> <ul> <li>Luís Andrade: [email protected]</li> <li>João Silva: [email protected]</li> </ul> <p>Developed by Luís Andrade and João Silva under the guidance of Patrício Domingues and Miguel Frade.</p> <p><strong>Changelog</strong>:</p> <p><strong>1.4.</strong> (7th August 2018)</p> <ul> <li>Added licenses for BS4, XlsxWriter, netaddr and LFA.</li> <li>Added the Protocol attribute to the Logged IP artifact. <ul> <li>LFA looks for certain protocols in the same line that the IP was found.</li> </ul> </li> <li>Refactored some code to log exact exceptions instead of general errors.</li> <li>Added three new artifacts: <ul> <li>Invalid WER <ul> <li>When an error occurs while attempting to extract information from a .wer file, LFA now adds that file as an artifact so the user can figure what's wrong with that .wer.</li> <li>Attributes: <ul> <li>File path</li> <li>Reason</li> </ul> </li> </ul> </li> <li>Windows Startup files <ul> <li>When a Windows Startup file is found, and it's '-slack' counterpart. Each file contains information about apps that are in Windows Startup.</li> <li>Has the same attributes as any other artifact file type.</li> </ul> </li> <li>Windows Startup information <ul> <li>Information extracted from a Windows Startup file. Contains data about a process that was or is started by Windows on Startup.</li> <li>Attributes: <ul> <li>Name (the name of the process)</li> <li>PID</li> <li>Started in trace sec</li> <li>Command line</li> <li>Disk usage (B)</li> <li>CPU usage (ms)</li> <li>Parent PID</li> <li>Parent start time</li> <li>Parent name</li> <li>File path</li> </ul> </li> </ul> </li> </ul> </li> <li>Added the previously mentioned artifacts to the report module.</li> <li>Updated DB and UI, so that the user can disable Windows Startup file search.</li> <li>Added an 'All files' sheet to reports. Contains general information about all the artifact files.</li> <li>Fixed the links to each page on the HTML report.</li> <li>The DFXML report now only contains information about all files, and not logged IPs, reported programs, etc.</li> <li>Changed the behavior of charts in the Excel format and made them more dynamic.</li> <li>Changed the position of the Excel charts to make it easier to read.</li> <li>Added try-catches to attempt to avoid TSK exceptions and errors.</li> <li>Some bugs from previous versions have been fixed in this version, but are too minor to detail each one here.</li> <li>Updated the README a little, but should update it</li> </ul> <p><strong>1.3.</strong> (12th July 2018)</p> <ul> <li>Added Windows version to Reported programs.</li> <li>New UI for the file ingest module.</li> <li>User can now add, (de) activate, remove, clear, and save RegExs. <ul> <li>The file ingest module will search for these RegExs in .log files.</li> <li>Each RegEx is validated on entry.</li> <li>Counts occurrences per file.</li> <li>Individual artifact for each custom RegEx.</li> </ul> </li> <li>User can now disable the IP RegEx.</li> <li>RegEx information added to report (missing statistics).</li> </ul> <p><strong>1.2.</strong></p> <pre><code>Changed chart positions, so there are no overlapping charts. Added logging for execution times. Refactoring. Removal of useless files for the Zenodo version (.pyc, $py.class, Git files). Separated log file artifacts, now each format has its own artifact (Ad hoc logs, WER files, etc). </code></pre> <p><strong>1.1.</strong></p> <pre><code>DFXML now saves as UTF-8 from the start, to avoid errors when generating the report because of certain characters. Changed the position of some charts in the Excel report. Removed the 'Windows log' attribute since it had no value. </code></pre> <p><strong>1.0.</strong></p> <pre><code>Initial LFA version </code></pre&gt

    Políticas do primitivo: as estéticas modernistas de Mario de Andrade e Lezama Lima

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    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoEste trabalho visa, fundamentalmente, interpretar as tensões entre as estéticas de Mário de Andrade e de Lezama Lima na medida em que elas instauram discursividades alternativas que situadas no confronto primitivo/moderno, configuram identidades culturais diferenciadas. Enquanto problema da modernidade, a presença do primitivo coloca em crise a identidade cultural do Ocidente ao provocar o surgimento do Outro, vale dizer, a irrupção da diferença no âmbito do Mesmo. Neutralizada na abstração conceitual de "primitivismo", essa diferença é incorporada à identidade ocidental, ora a partir de concepções evolucionistas, ora a partir de operações dialéticas. Numa tentativa de interferir nesse processo incorporativo, postulamos a ressemantização do conceito de primitivo, com o propósito de recuperá-lo enquanto elemento perturbador dos efeitos padronizadores da modernidade. Nesse sentido, os primitivos latinos-americanos podem ser pensados como formas de apropriação trangressivas que, entre outras coisas, quebram com uma lógica causalista, fragmentam a linearidade das perspectivas evolucionárias e reelaboram, assim, estagnadas tradições estéticas e históricas. Consideramos, portanto, que as estéticas de Mário de Andrade e de Lezama Lima, inseridas nos conflitos de uma modernidade periférica, que se contrapõe aos efeitos globalizadores da racionalidade moderna

    Measurement of the ratio of branching fractions B(B0→K∗0γ )/B(B0s→φγ ) and the directCP asymmetry inB 0→K∗0γ

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    The ratio of branching fractions of the radiative B decays B0→K⁎0γ and B0s→ϕγ has been measured using an integrated luminosity of 1.0 fb−1 of pp collision data collected by the LHCb experiment at a centre-of-mass energy of s√=7TeV. The value obtained is B(B0→K⁎0γ)B(B0s→ϕγ)=1.23±0.06(stat.)±0.04(syst.)±0.10(fs/fd), where the first uncertainty is statistical, the second is the experimental systematic uncertainty and the third is associated with the ratio of fragmentation fractions fs/fd. Using the world average value for B(B0→K⁎0γ), the branching fraction B(B0s→ϕγ) is measured to be (3.5±0.4)×10−5. The direct CP asymmetry in B0→K⁎0γ decays has also been measured with the same data and found to be ACP(B0→K⁎0γ)=(0.8±1.7(stat.)±0.9(syst.))%. Both measurements are the most precise to date and are in agreement with the previous experimental results and theoretical expectations

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Measurement of b-hadron masses

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    Measurements of b-hadron masses are performed with the exclusive decay modes B +→J/ψK +, B 0→J/ψK +, B0→J/ψKS0, Bs0→J/ψφ and Λb0→J/ψΛ using an integrated luminosity of 35pb -1 collected in pp collisions at a centre-of-mass energy of 7 TeV by the LHCb experiment. The momentum scale is calibrated with J/ψ→μ +μ - decays and verified to be known to a relative precision of 2 ×10 -4 using other two-body decays. The results are more precise than previous measurements, particularly in the case of the Bs0 and Λb0 masses

    Evidence for the decay B0→J/ψω and measurement of the relative branching fractions of meson decays to J/ψη and J/ψη′

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    First evidence of the B 0 → J / ψ ω decay is found and the B s 0 → J / ψ η and B s 0 → J / ψ η ′ decays are studied using a dataset corresponding to an integrated luminosity of 1.0 fb -1 collected by the LHCb experiment in proton-proton collisions at a centre-of-mass energy of sqrt(s) = 7 TeV. The branching fractions of these decays are measured relative to that of the B 0 → J / ψ ρ 0 decay:frac(B (B 0 → J / ψ ω), B (B 0 → J / ψ ρ 0)) = 0.89 ± 0.19 (stat) - 0.13 + 0.07 (syst),frac(B (B s 0 → J / ψ η), B (B 0 → J / ψ ρ 0)) = 14.0 ± 1.2 (stat) - 1.5 + 1.1 (syst) - 1.0 + 1.1 (frac(f d, f s)),frac(B (B s 0 → J / ψ η ′), B (B 0 → J / ψ ρ 0)) = 12.7 ± 1.1 (stat) - 1.3 + 0.5 (syst) - 0.9 + 1.0 (frac(f d, f s)), where the last uncertainty is due to the knowledge of f d / f s, the ratio of b-quark hadronization factors that accounts for the different production rate of B 0 and B s 0 mesons. The ratio of the branching fractions of B s 0 → J / ψ η ′ and B s 0 → J / ψ η decays is measured to befrac(B (B s 0 → J / ψ η ′), B (B s 0 → J / ψ η)) = 0.90 ± 0.09 (stat) - 0.02 + 0.06 (syst)

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Measurement of the CKM angle gamma from a combination of B->Dh analyses

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    A combination of three LHCb measurements of the CKM angle gamma is presented. The decays B->DK and B->Dpi are used, where D denotes an admixture of D0 and D0-bar mesons, decaying into K+K-, pi+pi-, K+-pi-+, K+-pi-+pi+-pi-+, KSpi+pi-, or KSK+K- final states. All measurements use a dataset corresponding to 1.0 fb-1 of integrated luminosity. Combining results from B->DK decays alone a best-fit value of gamma = 72.0 deg is found, and confidence intervals are set gamma in [56.4,86.7] deg at 68% CL, gamma in [42.6,99.6] deg at 95% CL. The best-fit value of gamma found from a combination of results from B->Dpi decays alone, is gamma = 18.9 deg, and the confidence intervals gamma in [7.4,99.2] deg or [167.9,176.4] deg at 68% CL, are set, without constraint at 95% CL. The combination of results from B->DK and B->Dpi decays gives a best-fit value of gamma = 72.6 deg and the confidence intervals gamma in [55.4,82.3] deg at 68% CL, gamma in [40.2,92.7] deg at 95% CL are set. All values are expressed modulo 180 deg, and are obtained taking into account the effect of D0-D0bar mixing
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