3,121 research outputs found
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Imparare le lingue per abbracciare il mondo
No full textL’autrice che si colloca, come Daniela Zorzi, tra i fautori di una linguistica “impegnata”, propone in ricordo della studiosa amica, una riflessione sul ruolo cruciale del multilinguismo e delle lingue- culture, per il successo professionale e il benessere sociale, nella società contemporanea. Il multilinguismo appare come un’urgenza educativa che interpella studiosi e formatori a tutti i livelli al fine di promuovere nei giovani un apprendimento consapevole efficace ed autonomo.Multilingualism constitutes an urgent objective for education, which needs to involve teachers and researchers at all levels if we are to promote effective and autonomous learning in the young. Like Daniela Zorzi, the author considers herself a socially engaged linguist, and in memory of her friend’s work, offers a reflection on the key roles of languages and cultures and of multilingualism for professional success and social welfare today
Reclamações ambientais em Aveiro, Portugal: atores, preocupações, padrão territorial e resoluções
Full text linkThis paper presents an environmental diagnosis based on public complaints on environmental
issues submitted to the Environmental Department of the Aveiro City Council, Portugal, between
2000 and 2005. It discusses the potential influences of these in local environmental planning
and governance. The paper has been organised into five sections. The first of these introduces
the study. The second section focuses on the conceptual approaches relating to environmental
grassroots movements, the main actors involved in these movements and the role played by
local government. It also contains a brief review of the most recent urban environmental
quality challenges in the European context together with a description of the main features of
the associated political and legal framework in Portugal. The third section describes the case
study and the methodology used. The results of the empirical study are detailed in the fourth
section. The final section critically analyses these results with emphases on the temporal
evolution of the submission of complaints, the actors involved, the local environmental problems
and their associated spatial pattern as well as the responses given by the City Council. This
information may then be used to provide a useful indicator for the perception of environmental
quality as well as a credible instrument for the visualisation and evaluation of local performance
in terms of environmental planning and management.AlBan Programme - n. E05M053040B
Jak rozumieć „historyczność” biblijnego Daniela? Różne kierunki wyjaśniania orędzia Księgi Daniela
Full text linkThe subject of this article is the issue of the historicity of the figure of Daniel, who is the main character of the biblical book bearing his name. The question of whether Daniel is a historical or just a literary figure is important because it influences the exegesis of the text of the Book of Daniel. First, the author will indicate the reasons for questioning the historicity of Daniel, and then he will present different approaches to interpreting the content of the Book of Daniel.Przedmiotem artykułu jest kwestia historyczności postaci Daniela, który jest głównym bohaterem księgi biblijnej noszącej jego imię. Pytanie o to, czy Daniel jest postacią historyczną, czy tylko literacką, jest ważne z tego powodu, że ma wpływ na egzegezę tekstu Księgi Daniela. Najpierw autor wskaże powody, na podstawie których podważa się historyczność Daniela, a następnie przedstawi różne podejścia w interpretacji treści Księgi Daniela
Selected Works of Daniela Krolupperová in Leisure Education for Reading
No full textThis thesis is concerned with usage of selected works of contemporary Czech author Daniela Krolupperová in leisure time education to reading. The thesis is divided into two parts - theoretical and practical. In theoretical part the curriculum vitae and literary creation of the crucial author of publishing houses Albatros, Mladá fronta and Portál Daniela Kroulupperová is presented. Further, literary genre preferred by the author, target groups and selected methods of her work incl. texts used in practical parts, are described. There are also working sheets, their verification in practice and reflection in practical part
Interactions between Reflection and Praxis in the History of Economic Thought. The case of the Franciscan Cicles from XIII Century Assisi to the Present
No full textResumen: Daniela Parisi analiza el impacto de la vida de San F rancisco de Asís desde la perspectiva de la historia del pensamiento económico. Haciendo referencia particularmente a la atención otorgada en los círculos franciscanos a los signos de los tiempos, la autora traza el camino desde la vida de San Francisco, pasando por la vida de la Orden hasta el presente, y revela los orígenes del movimiento franciscano como un intento de reforma social y religiosa. En primer lugar, el artículo presenta la vida que llevó San Francisco como una “pobreza material voluntaria” en el contexto de los cambios socio-económicos que tuvieron lugar en el siglo XIII, con el advenimiento de la sociedad comercial. Luego, explica cómo la propuesta de San Francisco creció hasta convertirse en una orden religiosa. Finalmente, el artículo intenta iluminar aquellos aspectos en que la Orden Franciscana puede todavía considerarse un signo de los tiempos a través de una existencia comprometida con la pobreza, eliminando lo superfluo de nuestra vida y viviendo en consonancia con el Evangelio.Abstract: Daniela Parisi analyses the impact of the life of Saint Francis of Assisi, from the perspective of the history of economic thought. By referring in particular to the attention given in Franciscan circles to the signs of times, the author draws the path from Saint Francis’s life to the life of the Order until the present, and reveals the origins of the Franciscan movement as an attempt for social and religious reformation. First, the article presents St. Francis’s life of a “voluntary material poverty” in the context of the social and economic changes that took place in the XIII century, with the rise of the commercial society. Then, the author explains how St. Francis’ proposal grew into an Order. Finally, the article aims at illuminating the aspects in which the Franciscan Order can be still considered a sign of the times by living the commitment to poverty and minority, eliminating the superfluous from our lives and living close to the Gospel
Impact of the single nucleotide polymorphism S218G on the functionality and structure of Orai1 channels
No full textAuthor Daniela Geishüttner BScMasterarbeit Universität Linz 202
A forma da cidade e sua apropriação: análise propositiva de diretrizes de arquitetura da cidade para Cumbayá em Quito/Equador
Full text linkDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro Tecnológico, Programa de Pós-Graduação em Urbanismo, História e Arquitetura da CidadeEste trabalho busca entender a relação entre as diversas formas que a cidade vem adquirindo com o passar do tempo e as formas de apropriação contemporâneas, a partir de discussão teórica de conceitos e critérios de autores que discutem o desempenho da forma da cidade em relação à apropriação dos espaços públicos. Com base neste debate, elegemos critérios relacionados à apropriação nas escalas da estrutura da cidade e da configuração dos lugares, e procedeu-se à caracterização e análise da cidade contemporânea de Quito para verificar padrões espaciais diretamente associados com uma apropriação positiva da cidade na cultura quitenha. A partir dos critérios selecionados e dos padrões positivos identificados, lançamos diretrizes de projeto de arquitetura da cidade para uma área de expansão da cidade contemporânea de Quito no Equador - a Paróquia de Cumbayá - buscando responder a critérios de bom desempenho da forma urbana que potencializem a apropriação de seus espaços públicos.The research seeks to understand the relationship between the different forms that the city has acquired over time and contemporary forms of appropriation, based on a theoretical discussion of concepts and criteria of authors who discuss the performance of the form of the city in relation to the appropriation of public spaces. Based on this debate, we selected criteria related to appropriation, both at the scale of city structure and at the scale of place configuration, and proceeded to the characterization and analysis of the contemporary city of Quito in a search to identify spatial patterns directly associated with a positive appropriation of the city in Quito´s culture. The selected criteria and the positive patterns identified oriented the design guidelines here proposed for the architectural design of the Paróquia of Cumbayá - an area of expansion in the city of Quito, Ecuador - in an attempt to comply with the criteria of good urban form performance so as to enhance the appropriation of its public spaces
Daniela Fischerová and her radio plays
No full textThe main aim of this bachelor thesis is to analytically and critically investigate the radio plays of the Czech author and playwright Daniela Fischerová. It explores her work from 1989 to the present which comprises eight radio plays, three micro radio plays, one radio fairy tale and ten one minute long plays. It also deals with the term "radio play" and its specifics. I work in the Czech, respectively the Czechoslovakian context.
As a theoretical basis for this thesis I use publications, theoretical texts and lectures by Eva Ješutová, Jan Czech, Přemysl Rut, Vaclav Růt, Jan Vedral and many others. I use the theoretical basis for the analysis of the radio plays by Daniela Fischerová and the directors approaches of Hana Kofránková, Josef Červinka and Aleš Vrzák. My bachelor thesis is based not only on reading the scripts, but mainly on listening of the radio plays. Other sources of my bachelor thesis were the annexed interviews with the creators of these radio plays.
The major objective of this bachelor thesis is to seamlessly introduce Daniela Fischerová's radio plays. In the analyzed plays I deal with the themes, topics and narratives. I also observed the compositional elements and techniques that I tried to summarize and define in the concrete plays
La auto(r)ficción bífida en Isla partida de Daniela Tarazona
Full text linkThis article explores the bifid author fiction developed by Daniela Tarazona in Isla partida. Employing Sabine Schlickers’ concept of author fiction, it traces the series of splits that the authorial voice undergoes in order to account for the complications of the writing exercise. At least three splits are proposed: that of Daniela Tarazona as a narrator-writer, as a character in a (meta)novel, and as a she who is in reality Eunice Odio, the Costa Rican poet who lived in Mexico in the sixties. It is concluded that the bifid author fiction allows the author to develop a social critique of her familiar and political context, and at the same time, a professional introspection and reflection. As Sabine Schlickers suggests, author fiction draws on the vulnerability of the writer to expose aspects of their daily life that will be reevaluated or reconsidered by them.El presente artículo explora la auto(r)ficción bífida que desarrolla Daniela Tarazona en Isla partida. A partir del concepto de auto(r)ficción de Sabine Schlickers se traza la serie de desdoblamientos que sufre la voz autoral para dar cuenta de las complicaciones del ejercicio escritural. Se proponen al menos tres desdoblamientos: el de Daniela Tarazona como narradora-escritora, como personaje de una (meta)novela y como un ella que en realidad es Eunice Odio, la poeta costarricense que vivió en México en los sesenta. Se concluye que la auto(r)ficción bífida le permite a la autora desarrollar una crítica social de su contexto familiar y político, y a su vez, una introspección y reflexión profesional. Como sugiere Sabine Schlickers, la auto(r)ficción recurre a la vulnerabilidad del escritor para exponer aspectos de su vida cotidiana que serán reevaluados o reconsiderados por él
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