1,720,961 research outputs found
Kekerasan Simbolik Terhadap Perempuan Dalam Fotografi Portrait di Group Facebook: Studi pada Komunitas Fotografi Indonesia
Penelitian ini memaparkan pemikiran Pierre Bourdieu dan Theo van Leuween dalam membongkar kekerasan simbolik terhadap perempuan melalui medium fotografi di facebook. Pemaknaan foto melalui semiotika sosial Theo van Leuween merupakan hasil objektif-subjektif peneliti yang dikonfirmasi oleh informan, dilanjutkan dengan analisis mendalam dari pemikiran Pierre Boudieu tentang Habitus, doxa, modal, dan arena sebagai struktur pembentukan kekerasan simbolik. Bentuk-bentuk kekerasan simbolik yang dilihat dari semiotika sosial adalah fokus utama foto ada pada bagian payudara, penggunaan atribusi fotografi (kamera, lensa,tripod, tas kamera, warna kaos) untuk mendominasi perempuan, kata-kata vulgar dalam group facebook KFI, serta jenis pakaian yang dikenakan perempuan saat pemotretan. Hasil temuan dari penelitian ini adalah terbentuknya habitus fotografi portrait sebagai medium untuk mendominasi perempuan serta group facebook KFI sebagai arenanya yang dibangun atas dasar budaya patriarki, dimana dalam KFI tidak terdapat fungsi sensor dalam pembatasan pornografi. Kekerasan simbolik juga terpelihara karena adanya hubungan transaksional, fungsi rekreasi, nilai ekonomi serta upaya pendakian status anggota KFI dengan cara mengunggah fotoperempuan seksi di group facebook KFI. Struktur habitus ini dibentuk dari berbagai aspek, yaitu modal ekonomi, modal simbolik (edukasi), sejarah fotografi, hunting model, industri kamera serta facebook.
The research examines the thoughts of Pierre Bourdieu dan Theo van Leuween in uncovering symbolic violence against women in the social media Facebook account of Indonesian Photography Community (KFI). The meaning of image (portrait of women) through social semiotics by van Leuween is a result of the researcher’s analysis, both subjective and objective, which is confirmed by the informant and followed by in-depth analysis of the thoughts of Boudieu on Habitus, doxa, capital and arena as structures that form symbolic violence. The symbolic violence against women center on breast, use of photography attribution (camera, telephoto lens, tripod, camera bag, shirt) to dominate women, use of rude words in the KFI Facebook group, and types of clothes the women are wearing during photo session. The main result of this research argues that photography is the core medium to dominate womenand facebook group KFI as the arena that was constructed by the culture of patriarchy, where KFI does not establish censorship against pornography. The symbolic violence is preserved in KFI due to transactional relationship, recreational function, economic value, and social climb tool by uploading photographs of sexy women. This structure of Habitus is shaped by economic capital, symbolic capital (education), history of photography, hunting model, camera industry and Facebook
Literasi Visual Sebagai Penangkal Foto Hoax Covid-19
The spread of hoax on health issue is a compelling phenomenon in digital era. By focusing on visual literacy as a way to avoid hoax, this qualitative research attempts to find how visual hoax operated. The main concept of Visual Literacy proposed by Maria Avgerinou, reading the spectrum of an image by Roland Barthes and six dimension of photograph life by Widiatmojo are used to analysis visual hoax. The result shows that visual hoax on corona virus occurred as the time frame dimension were diminished, the meaning was changed as well as the narration of the original image, the topic was compromised, the lost of image quality and the distribution on social media by anonymous identity. Therefore, people need to have basic competence in visual literacy, which is the ability to understand visual language accompanied by the ability to think and analyze. It will make an individual produce a positive perception that should be use to avoid hoaxes
Analisis Semiotik Kebun Binatang Dalam Photobook Berjudul Wildtopia
This research conducts an attempt to extend the meaning of zoo in society by Sander Pierce\u27s semiotica analysis on Photobook titled Wildtopia. By qualitative method, this research finds that the zoo have a dualism function in a very contrast way. In one hand, the zoo gives a representational experience as objectivate the animal for human knowledge. On the other hand, zoo it self destruct the wildness of each animal as they are taking care by human. Another interesting finding shows photography is able to criticized phenomenon in society as a visual argument
Thematic Analysis on COVID-19 Photojournalism in Indonesia
The spread of COVID-19 in Indonesia is massive in terms of sufferers. This article aims to seek how national photo news agency ANTARA visualized the pandemic as part of contribution to COVID-19 research in the communication field. By utilizing thematic analysis and qualitative approach, the researchers want to identify, analyze, organize, describe, and report particular themes within an extensive data set of 466 photojournalism. The photos collected from www.antarafoto.com, start from 1 May until 12 May 2020. The finding shows that ANTARA visualized the current Indonesian condition of facing COVID-19 in 8 main themes, determined the countless efforts of ANTARA photojournalists working with a new protocol, and simultaneously also face the new resistance from society. The most popular theme produced by ANTARA photojournalists is economics (183 photos), Social (164), and health (80). Discussion on the most popular is divided into specific topics, namely location, subject’s gender, photographic approach, image format, and news photo category. By utilizing visual ethics on the field, photojournalists communicate the symbols and reality of the real world into a frame to change people’s views about COVID-19 amid the increasingly uncontrolled infodemic flow.
MEMBACA FOTO JENAZAH COVID-19 KARYA JOSHUA IRWANDI DENGAN PERSPEKTIF LITERASI VISUAL
Reading Photograph of the Covid-19 Body by Joshua Irwandi using Visual Literacy. The photo of Joshua Irwandi's Covid-19 body went viral when influencer Anji posted Joshua's photo and gave negative comments. Various negative comments, interpretations and justifications from netizens actually represent challenges in the development of visual literacy in Indonesia, more specifically there is no literacy in terms of "reading" a photo. The purpose of this research is to find out how the method of reading a photographic with perspective of visual literacy. Researchers used Maria Avgerinou's visual literacy competency, namely understanding Visual vocabulary, Visual Convention, Visual Thinking, Visualization, Visual Reasoning, Critical Viewing, Visual Discrimination, Visual Reconstruction, Visual Association, Reconstructing meaning and Constructing meaning. By using the concept of visual literacy from Maria Avgerinou, Joshua Irwandi photo’s brings out the meaning that Covid-19 changes the cultural and social roots of the Indonesian people, especially the dialectic between death and the meaning of life at the same time. ABSTRAKFoto jenazah Covid-19 karya Joshua Irwandi menjadi viral saat influencer Anji memposting foto Joshua dan memberi komentar bernada negatif. Beragam komentar, tafsir dan justifikasi yang negatif dari netizen sebenarnya adalah representasi tantangan dalam pengembangan literasi visual di Indonesia, lebih spesifik terdapat nirliterasi dalam hal “membaca” sebuah foto. Maka tujuan penelitian ini adalah untuk mengetahui bagaimana metode baca sebuah karya fotografi dalam perspektif literasi visual. Peneliti menggunakan kompetensi literasi visual Maria Avgerinou, yaitu pemahaman kosakata visual (Visual vocabulary), memahami kesepakatan visual dari simbol yang ada (Visual Convention), kemampuan berpikir secara visual saat produksi dan saat membaca imaji (Visual Thinking), kemampuan menyajikan sebuah visual (Visualization), alasan visual pada saat produksi visual (Visual Reasoning), pembacaan visual dengan perspektif kritis (Critical Viewing), kemampuan membedakan stimulus visual (Visual Discrimination), kemampuan melakukan konstruksi ulang atas sajian visual yang ada (Visual Reconstruction), pemahaman makna asosiatif yang ada dalam semua objek (Visual Association), kemampuan merekonstruksi makna saat produksi visual (Reconstructing meaning) dan kemampuan membaca bangunan makna dari sajian visual atau disebut Constructing meaning. Dengan menggunakan konsep literasi visual dari Maria Avgerinou, foto karya Joshua Irwandi ini memunculkan makna bahwasanya Covid-19 mengubah akar kultural dan sosial masyakarat Indonesia, khususnya dialektika antara kematian dan makna kehidupan sekaligus
Thematic Analysis on COVID-19 Photojournalism in Indonesia
The spread of COVID-19 in Indonesia is massive in terms of sufferers. This article aims to seek how national photo news agency ANTARA visualized the pandemic as part of contribution to COVID-19 research in the communication field. By utilizing thematic analysis and qualitative approach, the researchers want to identify, analyze, organize, describe, and report particular themes within an extensive data set of 466 photojournalism. The photos collected from www.antarafoto.com, start from 1 May until 12 May 2020. The finding shows that ANTARA visualized the current Indonesian condition of facing COVID-19 in 8 main themes, determined the countless efforts of ANTARA photojournalists working with a new protocol, and simultaneously also face the new resistance from society. The most popular theme produced by ANTARA photojournalists is economics (183 photos), Social (164), and health (80). Discussion on the most popular is divided into specific topics, namely location, subject’s gender, photographic approach, image format, and news photo category. By utilizing visual ethics on the field, photojournalists communicate the symbols and reality of the real world into a frame to change people’s views about COVID-19 amid the increasingly uncontrolled infodemic flow.
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
THE APPLICATION OF SOCIAL MODEL FOR HANDLING COMMUNICATION OF CHILDREN WITH AUTISM IN THE FAMILY DOMAIN
orrowing studies on disability discourse, there are two leading models of disability discourse, namely the medical model and the social model (LoBianco & SheppardJones, 2008). Through these two models, the interaction of people with autistic children shows a different way. This study wants to show how the application of social models in handling the communication of children with autism. The case was taken in the life of Ry (14) - an autistic boy living in Malang, East Java. Research was carried out through participant observation, and interviews with the subject, namely Ry's parents. Data findings were analyzed using the concept of disability discourse. The result shows that the Ry family apply the social model more by following a typical child communication pattern but collaborated with social rules that allow both parties to feel comfortable communication. Ry's parents condition the other party that Ry has the potential to interact with-communication by giving detailed information about Ry's uniqueness
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