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Tong, tong
'Tong, tong went with the wood chopper's axe. And there beside him was a girl dancing to the sound of his blows. He was entranced. Topical song
Komodifikasi Seni Musik Tradisional Tong-Tong (Analisis Strukturasi Giddens Dalam Dinamika Perubahan Struktur Kelompok Kesenian Tong-Tong Sebagai Industri Pariwisata Di Kabupaten Sumenep)
Penelitian Ini Mencoba Melihat Permasalahan Mengenai Komodifikasi Dan Perubahan Struktur Yang Terjadi Dalam Seni Musik Tong-Tong Sebagai Akibat Dari Kehadiran Globalisasi Dan Industri Pariwisata Di Kabupaten Sumenep. Kehadiran Dari Globalisai Dan Industri Pariwisata Di Kabupaten Sumenep Telah Menyebabkan Terjadinya Proses Komodifikasi Dalam Seni Musik Tong-Tong. Proses Komodifikasi Tersebut Kemudian Menyebabkan Terjadinya Perubahan Struktur Dalam Seni Musik Tong-Tong.
Teori Strukturasi Dari Giddens Digunakan Untuk Mengetahui Bagaimana Perubahan Struktur Yang Terjadi Dalam Seni Musik Tong-Tong Setelah Terjadinya Proses Komodifikasi. Konsep-Konsep Tentang Komodifikasi Budaya Dalam Industri Pariwisata Seperti Konsep Marginalisasi, Balinisasi Dan Touristfikasi , Serta Konsep-Konsep Dalam Teori Strukturasi Giddens Yakni Agen, Struktur, Ruang Dan Waktu, Signifikasi, Dominasi, Legitimasi Dan Konsep Kesadaran Digunakan Untuk Membahas Permasalahan Ini.
Proses Perubahan Struktur Dalam Seni Musik Tong-Tong Tidak Bisa Dilepaskan Dari Peran Para Agen Yang Telah Menyebabkan Hal Tersebut. Dalam Teori Strukturasi Giddens Agen Yang Terlibat Dalam Proses Perubahan Struktur Adalah, Seniman Musik Tong-Tong, Pelaku Pariwisata Dan Swasta. Skema Signifikasi Dalam Proses Pengkomodifikasian Seni Musik Tong-Tong Terjadi Pada Penyebutan Seni Musik Tong-Tong Sebagai Seni Musik Kontemporer, Dan Skema Dominasi Dalam Proses Tersebut Melibatkan Peran Dari Asosiasi Seni Musik Tradisional, Dan Swasta Yang Dalam Hal Ini Ada Pemilik Modal Dalam Seni Musik Tong-Tong. Sedangkan Struktur Legitimasi Dalam Pengkomodifikasian Seni Musik Tong-Tong Terjadi Pada Aturan-Aturan Yang Dibuat Festival Seni Musik Tong-Tong.
Penelitian Ini Mengungkapkan, Bahwa Poses Komodifikasi Dalam Seni Musik Tong-Tong Telah Menyebabkan Terjadinya Perubahan Struktur Dalam Seni Musik Tong-Tong, Dan Perubahan Tersebut Juga Menyebabkan Terjadinya Pengklasifikasian Seni Musik Tong-Tong Kedalam Beberapa Tipe Yakni, Tipe Seni Musik Tong-Tong Tradisional Yang Memiliki Struktur Paling Sederhana, Kemudian Terdapat Tipe Seni Musik Tong Festival, Dan Trakhir Adalah Tipe Seni Musik Tong-Tong Pentas Yang Memiliki Struktur Lebih Kompleks Jika Dibandingkan Dengan Tipe Seni Musik Tong-Tong Tradisional Dan Festival. Jadi Perubahan Struktur Dalam Seni Musik Tong-Tong Telah Menyebabkan Semakin Kompleksnya Struktur Yang Dimiliki Oleh Seni Musik Tong-Tong
Implementasi Kebijakan Pemerintah Kabupaten Sumenep Dalam Rangka Pengembangan dan Pelestarian Kesenian Musik Tradisional Tong - Tong
This qualitative descriptive research method is to describe and discuss a policy of the Sumenep Regency Government to implement the Sumenep Regency Government Policy in the Context of the Development and Preservation of Traditional Music Art of Tong-Tong Madura Island, East Java Province. At the beginning of the development of traditional Tong-Tong art music which was used as a sahur patrol music was played in waking people to perform the sahur worship in the holy month of Ramadan and Calling the Dwarf who wanted to go home to his cage. In accordance with the Sumenep Regent's Regulation No. 28/2008 concerning the duties and functions of the Regional Office, the Sumenep District Youth and Sports Culture Service, has the task and function of fostering and preserving the Tong-Tong Traditional Music culture in the Sumenep district. The Tong - Tong se Madura Music Contest and the Sumenep Regency Tong - Tong Festival from 2016-2018 is in the context of fostering efforts as well as preserving the cultural heritage of the ancestors which is held regularly every year starting. The cost of conducting the Tong - Ton Traditional Arts Music Kirab Music Festival, the Tong Se Madura Music Contest and the Tong-Tong Festival is annually charged to the Sumenep Regency Regional Revenue and Expenditure Budget (APBD). The aim is to hold the Tong Tong Se Madura Music Competition and the Tong-Tong Festival every year in Sumenep Regency to improve and develop Sumenep Regency tourism promotion and marketing through the Madura tong-tong music competition
Apropriasi Seni Musik Gugah Sahur: Studi Kasus Tongklek Tuban dan Tong-Tong Madura
ABSTRACTThe Appropriation of Gugah Sahur Musical Art: A Case Study of Tongklek Tuban and Tong-Tong Madura. This study aims to identify the interrelation between Tongklek Tuban and Tong-tong Madura. Tongklek Tuban, which is a typical music art of Tuban, evolves from the Patrol art in the form of music created originally in Tuban Regency. Interestingly, at first glance, Tongklek Tuban seems to have similarities to Tong-tong art that develops in Madura. To examine both art work thoroughly in this study, the authors implemented qualitative approach, employing both the literature review and documentation techniques. The results of the study reveal that Tongklek Tuban has undergone various changes in its visual form in terms of costumes, equipment, and decorations. It takes both tangible and intangible property from Tong-tong Madura. Moreover, Tonglek Tuban is experiencing another development in terms of creativity reflected to the wheelbarrow used to push the iron xylophone. Over time, the wheelbarrow has undergone a very extraordinary change in shape. At this time, Tongklek Tuban music groups are competing to form their wheelbarrows which actually look like Madurese Tong-tong music. According to the results of the study, positively, appropriation between artworks can be interpreted both positively or negatively. On one hand, an adapted culture can develop through innovation, so that the culture can remain sustainable. On the other hand, negatively, the feelings of disapproval from the owners of the original culture could emerge since they feel that their culture is carried out as an addition to the artistic elements of the appropriating subject.ABSTRAKPenelitian ini bertujuan untuk mengetahui bagaimana apropriasi dalam kesenian antara Tongklek Tuban dan Tong-Tong Madura. Kesenian yang diambil dalam penelitian ini adalah Tongklek Tuban dan Tong-Tong Madura. Kesenian Tongklek Tuban yang muncul berawal dari kesenian Patrol merupakan kesenian yang berkembang di Kabupaten Tuban. Sekilas Tongklek Tuban jika dilihat ada kesamaan dengan kesenian Tong-Tong yang berkembang di Madura. Penelitian ini berjenis kualitatif dengan metode studi pustaka dan menggunakan teknik dokumen. Hasil penelitian menemukan bahwa Tongklek Tuban yang merupakan kesenian musik khas Tuban mengalami berbagai macam fase perubahan secara visual mulai dari kostum, peralatan yang digunakan, hingga dekorasi. Tongklek Tuban mengapropriasi secara tangible dan intangible dari Tong-tong Madura. Tongklek mengalami perkembangan lagi secara kreativitas yakni terkait gerobak dorong yang biasanya digunakan untuk mendorong gambang besi. Seiring berjalannya waktu gerobak dorong mengalami perubahan bentuk yang sangat luar biasa. Kini para grup musik Tongklek Tuban berlomba-lomba membentuk gerobak dorong mereka yang jika dilihat malah menyerupai musik Tong-tong Madura. Apropriasi dapat dimaknai secara positif maupun negatif. Secara positif, budaya yang di apropriasi mengalami perkembangan dengan inovasi sehingga budaya tersebut dapat tetap lestari. Sisi negatifnya adalah timbulnya rasa tidak terima dari pemilik budaya asal karena merasa budayanya diambil untuk digunakan sebagai penambah unsur seni subjek pelaku apropriasi
Perlindungan Hukum Keris Aeng Tong-Tong Sumenep Dalam Hukum Nasional dan Konvensi Internasional
Kris is an object of Indonesian culture which has beautiful artistic and high economic values. Kris making is still maintained in several areas, one of which is in Sumenep Regency. Since 2014, Sumenep Regency has been recognized by UNESCO as the area that has the most Mpu (makers of heirlooms) in the world and most of them are in Aeng Tong-Tong Village. The tradition of making kris in Sumenep has existed since the time of the Majapahit Kingdom and has continued to this day. The rapid development of the industry and the number of kris makers in Sumenep have made Sumenep the Indonesian Kris City. The aim of this research is to analyze the legal protection of the Aeng Tong-Tong Sumenep Kris based on national laws and international conventions using a statutory approach. The legal protection of the Aeng Tong-Tong Sumenep Kris in national law is contained in Law Number 28 of 2014 concerning Copyright and Law Number 5 of 2017 concerning the Promotion of Culture, while the legal protection of the Aeng Tong-Tong Sumenep Kris in International Conventions is contained in The Convention on the Protection and Promotion of the Diversity of Cultural Expressions 2005, The Convention for the Safeguarding of the Intangible Cultural Heritage 2003, and The Berne Convention for the Protection of Literary and Artistic Work. In realizing optimal legal protection for the Aeng Tong-Tong Sumenep Kris in national law and international conventions, a comprehensive legal protection must be provided including legal protection for Intellectual Property and Non-Intellectual Property.
(Keris merupakan benda hasil budaya bangsa Indonesia yang memiliki nilai seni yang indah dan nilai ekonomi yang tinggi. Pembuatan keris tetap dipertahankan di beberapa daerah, salah satunya di Kabupaten Sumenep. Sejak Tahun 2014, Kabupaten Sumenep diakui oleh UNESCO sebagai daerah yang memiliki Mpu (pembuat benda pusaka) terbanyak di dunia dan sebagian besar ada di Desa Aeng Tong-Tong. Tradisi pembuatan keris di Sumenep sudah ada sejak zaman Kerajaan Majapahit dan masih terus bertahan hingga kini. Pesatnya perkembangan industri dan jumlah perajin keris di Sumenep menjadikan Sumenep sebagai Kota Keris Indonesia. Tujuan pada penelitian ini untuk menganalisis perlindungan hukum Keris Aeng Tong-Tong Sumenep berdasarkan hukum nasional dan konvensi internasional dengan menggunakan pendekatan perundangan. Perlindungan hukum Keris Aeng Tong-Tong Sumenep dalam hukum nasional terdapat dalam UU Nomor 28 Tahun 2014 tentang Hak Cipta dan UU Nomor 5 Tahun 2017 tentang Pemajuan Kebudayaan, sedangkan perlindungan hukum Keris Aeng Tong-Tong Sumenep dalam Konvensi Internasional terdapat dalam The Convention on the Protection and Promotion of the Diversity of Cultural Expression 2005, The Convention for the Safeguarding of the lntangible Cultural Heritage 2003, dan The Berne Convention for the Protection of Literary and Artistic Work. Dalam mewujudkan perlindungan hukum yang optimal terhadap Keris Aeng Tong-Tong Sumenep dalam hukum nasional dan konvensi internasional, maka harus dilakukan perlindungan hukum secara menyeluruh meliputi perlindungan hukum atas Kekayaan Intelektual dan Non Kekayaan Intelektual.
SURVIVAL STRATEGY OF KERIS CRAFTSMEN IN AENG TONG-TONG VILLAGE, SARONGGI DISTRICT, SUMENEP REGENCY
This study aims to analyze the survival strategies of keris craftsmen in Aeng Tong-Tong Village, Saronggi District, Sumenep Regency. This study uses a qualitative phenomenological method. The selected informants are the keris craftsman coordinator and the owner of the keris craft industry. The data collection techniques used are interviews and documentation in the keris craft industry in Aeng Tong-Tong Village. In this study, data validity testing was used through source triangulation which was then analyzed and conclusions were drawn. The results of the study indicate that the survival strategy of keris craftsmen in Aeng Tong-Tong Village utilizes assets or capital, including human capital, natural capital, financial capital, physical capital and social capital
Dampak Festival Tong Tong Terhadap Perekonomian Diaspora Indonesia Di Belanda Tahun 2019-2022
Gastrodiplomasi memiliki peranan yang signifikan dan berfungsi sebagai soft power diplomacy. Praktik gastrodiplomasi Indonesia salah satunya adalah dengan negara Belanda melalui event Tong Tong Fair. Keberadaan acara ini memiliki pengaruh yang signifikan pada keberhasilan diplomasi kontemporer Indonesia serta memberikan pengaruh pada perekonomian diaspora Indonesia di Belanda. Tujuan dari penelitian ini adalah untuk mengetahui pengaruh dampak festival Tong Tong terhadap perekonomian diaspora Indonesia di Belanda tahun 2019-2022. Metode yang digunakan dalam riset ini adalah kualitatif dengan teknik pengambilan data berupa wawancara dan studi pustaka. Informan dari penelitian ini adalah diaspora Indonesia di Belanda dan juga pegiat kuliner Indonesi di Belanda Gastrodiplomasi memiliki peranan yang signifikan dan berfungsi sebagai soft power diplomasi. Praktik gastrodiplomasi Indonesia salah satunya adalah dengan negara Belanda melalui event Tong Tong Fair. Keberadaan acara ini memiliki pengaruh yang signifikan pada keberhasilan diplomasi kontemporer Indonesia serta memberikan pengaruh pada perekonomian diaspora Indonesia di Belanda. Tujuan dari penelitian ini. Hasil dari studi ini menunjukkan bahwasannya Festival Tong Tong memiliki efek yang signifikan pada semakin dikenalnya kuliner di Indonesia. Hal ini kemudian membuka peluang diaspora Indonesia di Belanda untuk membuka berbagai usaha kuliner mulai dari katering, restaurant, hingga usaha kecil yang diperdagangkan di sosial media. Saat pandemi dan festival ini ditutup, diaspora Indonesia masih tetap berjualan makanan khas Indonesia melalui katering dan berbagai usaha kuliner yang lainnya. Hal ini didukung juga oleh KBRI yang turut mendukung tidak hanya dari segi legislatif tetapi juga dari segi mempromosikan dan mendayagunakan pelaku bisnis kuliner di Belanda. Integrasi antara diaspora Indonesia dan juga KBRI membuahkan hasil dari efektinya gastrodiplomasi serta mampu meningkatkan perekonomian diaspora Indonesia di Belanda.Gastrodiplomacy has a significant role and functions as soft power diplomacy. One of Indonesia's gastrodiplomacy practices is with the Netherlands through the Tong Tong Fair event. The existence of this event has a significant influence on the success of contemporary Indonesian diplomacy and has an impact on the economy of the Indonesian diaspora in the Netherlands. The purpose of this study is to determine the impact of the Tong Tong festival on the economy of the Indonesian diaspora in the Netherlands in 2019-2022. The method used in this research is qualitative with data collection techniques in the form of interviews and literature studies. The informants of this study are the Indonesian diaspora in the Netherlands and also Indonesian culinary activists in the Netherlands. The results of this study show that the Tong Tong Festival has a significant effect on the increasing recognition of culinary in Indonesia. This then opens up opportunities for the Indonesian diaspora in the Netherlands to open various culinary businesses ranging from catering, restaurants, to small businesses traded on social media. When the pandemic and this festival were closed, the Indonesian diaspora still sold Indonesian specialties through catering and various other culinary businesses. This is also supported by the Indonesian Embassy which also supports not only in legislative terms but also in terms of promoting and empowering culinary business actors in the Netherlands. The integration between the Indonesian diaspora and the Indonesian Embassy has resulted in effective gastrodiplomacy and has been able to improve the economy of the Indonesian diaspora in the Netherlands
Ethnomathematics: Mathematical concept in the local game of Tong Tong Galitong Ji for high school
The aim of this research was to describe the results of the exploration of mathematical concepts in Malang City’s traditional game Tong Tong Galitong Ji or Nasi Goreng Kecap. This research is a qualitative study with an ethnographic approach. Data were collected through field observations, documentation (photographing and video recording), and in-depth interviews. Data analysis to explore the internal structure of mathematical concepts in the five stages of the game Tong Tong Galitong Ji was performed by taxonomic analysis. Exploration of the concept of basic mathematical operations (addition, subtraction, and multiplication) occurs in stages one through five, exploration of the concept of arithmetic modulo 6 and 3 operations in stages two through four, and exploration of the concepts of arithmetic sequence and probability in stage five of the game Tong Tong Galitong Ji. Stage five features basic mathematic operations of addition, subtraction, and multiplication (division excluded), as well as the concept of arithmetic sequence during the determination of punishment quantity. Punishment quantity is determined by operating any one of the numbers 10, 4, and 7 decided on in stage three with a natural number (ji, ro, lu, …, n) in stage five. The concept of probability also appears in stage five during simultaneous finger showing
Desain Desa Wisata Keris Aeng Tong-Tong Bersertifikasi Halal Dalam Perspektif Maqashid Syariah
Tujuan penelitian ini untuk menelaah desain desa wisata keris Aeng Tong-Tong bersertifikasi halal dalam perspektif maqashid syariah. Metode penelitian ini menggunakan pendekatan kualitatif studi kasus configurative-ideographic studies. Hasil penelitian ini menunjukan bahwa Desa Aeng Tong-Tong, Kabupaten Sumenep terkenal dengan desa wisata keris yang menjadi salah satu warisan budaya tradisional yang masih di rawat hingga saat ini. Proses pembuatan dan pemeliharaan keris diperlukan keahlian artistik khusus, serta satu kesatuan pikiran dan penjiwaan mendalam untuk meneladani dan meneruskan ke-mpu-an secara turun temurun. Jiwa seorang mpu di era kiwari tidak lagi berpatron pada keris yang memiliki kekuatan magis ataupun supranatural, namun lebih pada penuangan filosofi jiwa dan pikiran yang tertuang dalam keris berdasar pada makna motif dan bentuknya yang bernilai estetika tinggi. Modal budaya keris yang tidak bertentangan dengan syariah islam berpotensi menjadi desa wisata keris bersertifikasi halal. Eksistensi tradisi budaya dan religiusitasnya sebagai nilai seni yang berdampak pada perkembangan pariwisata dan ekonomi lokal selaras dengan nilai maqashid syariah.
 
The Impact of Product Quality, Price and Distribution Channels on Purchasing Decisions: A Case Study of Keris Center in Aeng Tong-Tong, Sumenep
Indonesia, a nation rich in natural resources and cultural heritage, holds immense potential for its citizens\u27 benefit. The country\u27s diverse cultural landscape encompasses tangible and intangible elements, including the Keris, an ancestral artifact imbued with noble values. Aeng Tong-Tong Village, recognized as one of the top 50 tourist villages in ADWI 2022, stands out for its historical and cultural significance, particularly in Keris production. The Keris, known as Tosan Aji in Javanese, is a respected iron embodiment with consistent main components across regions. Sumenep district, home to Aeng Tong-Tong Village, has earned the title "City of Keris" due to its high concentration of master craftsmen, with its significance in Keris production acknowledged by UNESCO. This study examined the influence of product quality, price, and distribution channels on purchasing decisions for senta Keris in Aeng Tong-Tong Village. Descriptive analysis revealed generally favorable conditions across all research variables. The t-test results showed significant effects of product quality (p = 0.037), price (p = 0.000), and distribution channels (p = 0.036) on purchasing decisions. Hypothesis testing confirmed that all variables significantly influenced purchasing decisions (p = 0.000). Product quality impacts decisions due to the distinct characteristics of Aeng Tong-Tong Keris, featuring typical Sumenep shapes and decorations. Price influences decisions as there is no standardized benchmark, with prices varying based on pamor and pendok uniqueness. Distribution channels affect decisions through diverse networks, including collectors and retailers, enhancing product accessibility. These findings highlight the importance of these factors in shaping consumer behavior towards senta Keris purchases in Aeng Tong-Tong Village
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