343 research outputs found
Implementasi Uji Coba Metode Translasi Visual Batik Pesisir Utara Jawa dan Sosok Wayang Kulit pada Mural
No full textAbstractThis paper contains a visual translation designed by the author that was prepared asa new method for academic purpose specially on practical courses namely illustration and Applicative Illustration in art and design discipline. Implementation of method visualized into mural furthermore sees as a first testing of several stages of work planning. This paper also describes the rationale, conceptual foundation, and visual sources all of these were a guideline in producing some images on mural. Two localvisual culture namely batik on north coast of Jawa and wayang figures were chosen as the main sources that translated into new shapes without losing the characteristics of its originality. The trial implementation this method was completely done in June 2020 at BSD area, South TangerangAbstrakTulisan ini berisi suatu perancangan translasi visual yang dibuat penulis yangdisiapkan sebagai suatu metode baru untuk kepentingan akademik khususnya pada mata kuliah praktika yaitu ilustrasi dan ilustrasi aplikatif dalam disiplinseni rupa dan desain. Penerapan tentang metode divisualkan kedalam mural yang selanjutnya dipandang sebagai tahap uji coba pertama dari beberapa tahap perencanaan kerja. Tulisan ini juga menjelaskan rasional, landasan konseptual, dan sumber sumber visual semua itu adalah pedoman dalam pengerjaan sejumlah citra pada mural. Dua dari budaya rupa lokal yaitu batik pesisir utara Jawa dan sosok wayang telah dipilih sebagai sumber utama yang ditranslasi kedalam bentuk baru tanpa menghilangkan karakteristik dari keasliannya. Percobaan penerapan metode ini telah tuntas dikerjakan padabulan Juni 2020 di Nusaloka sektor 14 – 5 BSD, Tangerang Selatan
Turning conflict into collaboration in managing commons: A case of Rupa Lake Watershed, Nepal
No full textabstract: A growing body of literature on the commons has provided fascinating and intricate insights on how some local institutions have successfully managed to avoid a seemingly inevitable “tragedy of the commons” once popularized by Garrett Hardin. Primarily benefitting from the recent studies on the commonpool resources conducted by Elinor Ostrom and colleagues, polycentric selforganization and autonomy, rather than the direct state or market control over the commons, are often recognized as key features of the long enduring commons. However, these commons are quite diverse and the outcomes are often multiple and complex, accentuating the needs to differentiate among multiple commons outcomes. Furthermore, relatively under-reported are the cases where the degradation of common-pool resources are actually halted, and even restored. This study examines both the turbulent history of fishery mismanagement in Rupa Lake, Nepal and its reversal built around the participation, engagement and inclusiveness in the governance of its watershed. We find that Rupa Lake’s experience tells two stories. Reflecting Hardin’s dire forecast, the Rupa Lake watershed verged on collapse as population grew and seemingly selfish behavior intensified under an open-access regime. But the users also found a way to rebound and reverse their course as they adopted a bottom-up approach to fishery management and established an innovative community institution, the ‘Rupa Lake Rehabilitation and Fishery Cooperative’, dedicated to the sustainable governance of the commons. This case highlights how one community at the threshold of ‘tragedy’ transformed itself by turning conflict into collaboration, which we hope contributes to the effort of better understanding multiple commons.The final version of this article, as published in International Journal of the Commons, can be viewed online at: https://www.thecommonsjournal.org/articles/10.18352/ijc.561
DUNIA SENI RUPA INDONESIA: KRITIK SENI PAMERAN LIKE/DISLIKE
No full textArt is one of the important aspects in various facets of human life, therefore art exhibitions serve as crucial platforms for artists to interact with art enthusiasts and convey their artistic messages. Art exhibitions play a significant role in the development of visual arts in Indonesia. In this study, the author will examine, elaborate, and critique a solo exhibition by Taat Joeda titled “Like/Dislike” held at the Bandung Center for Culture Gallery. This research method involves direct observation or visitation to the exhibition and an overall analysis using art critique methods and mechanisms. The findings of the study reveal that the “Like/Dislike” art exhibition presents a refreshing approach in its theme about the tangle of undergrowth and captivating painting techniques. In conclusion, this research highlights the overall depth of the “Like/Dislike” exhibition with its theme “The Beauty Hidden Within the Thicket.”Art is one of the important aspects in various facets of human life, therefore art exhibitions serve as crucial platforms for artists to interact with art enthusiasts and convey their artistic messages. Art exhibitions play a significant role in the development of visual arts in Indonesia. In this study, the author will examine, elaborate, and critique a solo exhibition by Taat Joeda titled “Like/Dislike†held at the Bandung Center for Culture Gallery. This research method involves direct observation or visitation to the exhibition and an overall analysis using art critique methods and mechanisms. The findings of the study reveal that the “Like/Dislike†art exhibition presents a refreshing approach in its theme about the tangle of undergrowth and captivating painting techniques. In conclusion, this research highlights the overall depth of the “Like/Dislike†exhibition with its theme “The Beauty Hidden Within the Thicket.â€
Keywords : Painting, Exhibition, art critique
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Seni adalah salah satu hal yang penting dalam berbagai sisi kehidupan manusia, karena itu pameran karya seni merupakan platform penting bagi para seniman untuk berinteraksi dengan penikmat seni dan menyampaikan pesan-pesan artistik mereka. Pameran seni berperan sangat penting dalam perkembangan dunia seni rupa di Indonesia. Dalam penelitian ini penulis akan menelaah, menguraikan dan mengulas sebuah pameran tunggal oleh Taat Joeda berjudul Like/Dislike yang diadakan di Galeri Pusat Kebudayaan Bandung. Metode Penelitian ini melibatkan observasi atau kunjungan langsung ke pameran tersebut dan analisis keseluruhan menggunakan metode dan mekanisme kritik seni. Hasil penelitian penulis mengungkapkan bahwa pameran seni Like/Dislike menghadirkan pendekatan yang segar dalam tema tentang semak belukar dan teknik lukisan yang menarik perhatian. Kesimpulannya, penelitian ini menyoroti keseluruhan/kedalaman pameran Like/Dislike yang bertemakan “Keindahan yang Tersimpan Dalam Semak Belukarâ€
Kata Kunci : Lukisan, Pameran, Kritik Sen
Plana Memora: Dekontekstualisasi Wujud Karya Seni Rupa
No full textPLANA MEMORA is a visual work created to respond to the shifting phenomena of contemporary aesthetic discourse. Beginning with the idea of ​​\u27celebration\u27 will fade the exclusivity of art leading to a pattern of continuity of creation. The conceptual purpose is the manifestation of the location of the authentic-specific personality spirit of postmodern art creative works; in the simplicity of visualization, philosophical elements can be found that require effort to understand their \u27depth\u27. The practical aim is to offer patterns of unconventional work creation techniques, and their visualization becomes an alternative display of two-dimensi works of art. The form of PLANA MEMORA is like a brief note, made to give a simple and quick warning of daily activities plans. It is handwritten using a ballpen on a piece of paper. The rationale is that postmodern artworks characterize the familiar and intense closeness of the creators\u27 daily lives. This reinforces the author that two-dimensi works of art are no longer (merely) about illustrations, representations of real/dreamy nature, imagination or ending in the composition of color splashes, which ends only show the skill of hand techniques in making it. To support the representation of contemporary artworks, the author designed PLANA MEMORA as a response to the ongoing shift in aesthetic discourse symptoms, as a decontextual manifestation of the form of visual works. This work is not an illustration of events, more accurately called the continuity of symptoms itself. Although it may be similar to documentation, but more work (plan) today and the future.Dilatarbelakangi gagasan \u27perayaan\u27 memudarnya eksklusifitas seni menuju ke pola kontinuitas penciptaan, penelitian ini diiringi proses penciptaan dan menghasilkan karya seni rupa berjudul “Plana Memora†yang dirancang dalam rangka merespon fenomena pergeseran wacana estetika kontemporer. Tujuan konseptualnya adalah manifestasi letak spirit personalitas yang spesifik-otentik atas karya seni rupa pascamodernisme; dalam kesederhanaan visualisasi bisa jadi ditemukan unsur filosofi karya yang memerlukan upaya untuk memahami \u27kedalamannya\u27. Tujuan praktisnya adalah tawaran pola teknik penciptaan karya yang tidak konvensional, dan visualisasinya menjadi alternatif wujud karya seni rupa dua-dimensi. Wujud Plana Memora berupa tulisan tangan dengan menggunakan bolpoin pada sepotong kertas, tak ubahnya sebuah catatan singkat, dibuat dengan maksud memberi peringatan sederhana dan cepat akan rencana kegiatan harian. Dasar pemikirannya adalah bahwa karya seni rupa pascamodernisme mencirikan adanya kedekatan yang lazim dan intens dengan keseharian kreatornya. Hal ini menguatkan bahwa karya seni rupa dua-dimensi tidak lagi (melulu) tentang ilustrasi, representasi alam nyata/ alam mimpi, imajinasi atau berakhir pada komposisi cipratan warna, yang secara eksplisit sekedar menunjukkan kepiawaian tangan belaka. Studi literatur sebagai sumber data dan eksplorasi karya dilakukan sebagai metode dalam penelitian dan penciptaan ini. Dalam rangka mendukung representasi kekaryaan seni rupa kontemporer, penciptaan ini menghasilkan rancangan karya sebagai manifestasi dekontekstualisasi wujud karya seni rupa. Karya ini bukan ilustrasi konvensional. Karya ini mengusung konsep kontinuitas gejala dirinya sendiri yang meskipun bisa jadi mirip dokumentasi, namun merupakan karya (rencana) hari ini dan masa depan
Enhancing the performance experience: application of design concepts of form, space and choreography in Indian dance theatre
No full textThe thesis revisits the key concepts of Indian dance based on the contemporary performance space by introducing design as an integral part of Indian dance, addressing these designs as symbolic or suggestive form (natyadharmi) and not as a realistic form (lokadharmi). In doing so, the thesis aims to explore the possibilities of further integrating design in dance so as to enhance performance experiences. The thesis argues that enhancements are a necessary development in order to express Indian dance in such an integrated way as to allow the “essence” of traditional Indian dance, its spirituality, to be maintained and enhanced.
Expounding on theories of reception, to the extent where the performer is also configured as a receiver, the thesis demonstrates how the form and the formless are conceived by the performer and the receiver. The thesis also investigates how space transformation and choreography affect both the dance and the presentation. The thesis therefore emphasises on design as an important component to investigate how performance experience can be enhanced. It is conceived as a metaphor that develops ideas in dance and how it then creates other possibilities of interactions and communications.
During research, the exploration of design and dance was conducted not only for intellectual inquiry but also to deal with the experience of performances, performers and audiences. To develop a mode of executing Indian dance, the thesis creates a perspective of seeing design and dance as metaphors. The thesis further analyses the concept of symbolic representation in space, time, form and movement, of which the thesis argues, Lord Nataraja as the ideal example of conceptual inspiration.
As a theory of theatricality the thesis argues for the extent to which the value of a performance is enhanced through a shared experience. The experience is enhanced by the multiple design elements integrated within a performance, and directed to induce rasa in both the performer and the audience. Therefore by heightening the performance experience, Indian dance is reflected upon as a spiritual journey enhanced
Governing the Commons: A Case Study of Rupa Lake Rehabilitation and Fishery Cooperative
No full textabstract: This case study explores the institutions and governing strategies involved in the management of Rupa Lake in Kaski district in Western Nepal, particularly Rupa Lake Rehabilitation and Fishery Cooperative. Methods used for data collection include key informant interviews, household interviews, a focus group discussion and archival records. Institutions were examined for their effectiveness in sustaining natural and socioeconomic systems as perceived by community members. Based on a literature review and the results of the data collected, this thesis builds a case study highlighting Rupa Lake Rehabilitation and Fishery Cooperative's strategies for governing its local watershed and formulates a framework for commons institutions that aim to achieve sustainable outcomes. Based on findings, I argue that no single form of governance is a panacea for solving commons problems, governing strategies should be implemented on a case-by-case basis, and institutions should be involved at multiple levels and always include local input. Additionally, a sustainable institution should provide benefits to society that it can see, function democratically and with transparency, promote a biodiverse ecosystem, elevate marginalized groups, and collaborate with other institutions. These "clumsy" institutions create a series of complex interactions that are robust and adaptive to reflect the ever-changing systems they aim to govern
Lingkar Rupa Community Strategy in Developing the Actualization of Street Artists in Kota Tua, Jakarta
No full textThis study will describe the method used by the initiators of the Lingkar Rupa Community as a basis for a strategy to develop the quality of the work of street artists in Kota Tua, as well as a description that archives the movement of a new art community in Jakarta. Lingkar Rupa in an effort to protect and actualize themselves and the work of street artists in Kota Tua. The community, which was initiated by an art and culture teacher, Ferry Kurniawan, is a social activity that arose from the founder's personal anxiety about art life at the grassroots level. This research will discuss the background, art activities and exhibitions, art strategies and the impact that Lingkar Rupa has carried out. With a qualitative method, namely using in-depth interview techniques from several founders and members of Lingkar Rupa's own informants. The theory of participatory art will be a surgical tool that examines the direction of this community's journey. It should be noted that the 'street art' that the author describes here is an art that is different from the terminology of 'street art' in the West which often emerges from elite academic circles and tries to present works of protest against the social situation around them in a very 'educated' manner. This research is also important to identify the 'underground' movement which is often not recognized because it is less popular and dapper. Strategi Komunitas Lingkar Rupa dalam Mengembangkan Aktualisasi Seniman Jalanan di Kota Tua, JakartaAbstrakPenelitian ini akan mengurai metode apa yang dipakai oleh penggagas Komunitas Lingkar Rupa sebagai dasar strategi mengembangkan kualitas berkarya para seniman jalanan di Kota Tua, selain sebagai deskripsi yang mengarsipkan gerakan sebuah komunitas seni baru di Jakarta. Lingkar Rupa dalam upaya mengayomi dan mengaktualisasi diri dan kekaryaan para seniman jalanan di Kota Tua. Komunitas yang digagas oleh seorang guru seni dan budaya, Ferry Kurniawan, merupakan aktivitas sosial yang muncul dari kegelisahan personal pendirinya mengenai kehidupan seni di kalangan akar rumput. Dalam penelitian ini akan dibahas mengenai latar belakang, kegiatan seni dan pameran, strategi kesenian, serta dampak yang telah Lingkar Rupa kerjakan, dengan metode kualitatif yaitu menggunakan teknik wawancara yang mendalam dari beberapa informan pendiri dan anggota Lingkar Rupa itu sendiri. Teori seni partisipatoris akan menjadi alat bedah yang mengkaji arah perjalanan komunitas ini. Perlu diketahui bahwa ‘seni jalanan’ yang penulis jabarkan di sini adalah seni yang berbeda dari terminologi ‘street art’ di Barat yang kerap kali muncul dari kalangan akademi elit dan mencoba menghadirkan karya protes terhadap situasi sosial di sekitarnya dengan sangat ‘terdidik’. Penelitian ini juga penting untuk mengidentifikasi gerakan ‘bawah tanah’ yang sering kali tidak terekognisi karena kurang populer dan necis
Clinically Relevant Imaging in Tuberous Sclerosis
No full textTuberous sclerosis (TS), also known as Bourneville disease or Bourneville–Pringle disease, is an autosomal dominant genetic disorder classically characterized by the presence of hamartomatous growths in multiple organs. TS and tuberous sclerosis complex (TSC) are different terms for the same genetic condition. Both terms describe clinical changes due to mutations involving either of the two genes named TSC1 and TSC2, which regulate cell growth. The diagnosis of TSC is established using diagnostic criteria based on clinical and imaging findings. Routine screening and surveillance of patients with TSC is needed to determine the presence and extent of organ involvement, especially the brain, kidneys, and lungs, and identify the development of associated complications. As the treatment is organ specific, imaging plays a crucial role in the management of patients with TSC.</jats:p
Altered Functional Activation and Network Connectivity Underlies Working Memory Dysfunction in Adolescents with Epilepsy
No full textKONFLIK MANUSIA DAN ORANGUTAN DALAM SENI RUPA KONTEMPORER
No full textABSTRAK
Siti Nurmalena. 2021. Konflik Manusia dan Orangutan dalam Seni Rupa Kontemporer. Laporan Skripsi Penciptaan Karya Seni Rupa. Prodi Pendidikan Seni Rupa. Fakultas Bahasa Dan Seni. Uvinersitas Negeri Jakarta.
Penciptaan karya dengan judul Konflik Manusia dan Orangutan dalam Seni Rupa Kontemporer ini sebagai upaya untuk menunjukan rasa prihatin kepada masyarakat tentang permasalahan yang terjadi pada Orangutan. Permasalahan tersebut merupakan Konflik Manusia dan Orangutan yang perupa angkat dalam seni rupa kontemporer, dimana karya mengangkat tema lingkungan yang sedang urgensi dimasa kini. Karya kontemporer ini mengedepankan nilai reflektif tentang prilaku manusia yang mengancam keberadaan orangutan. Karya menampilkan bentuk-bentuk semi figuratif dengan gaya ekspresi personal yaitu gaya pop surealis, dimana karya menampilkan objek imajinatif dengan warna yang dramatis (kontras gelap dan terang) serta penggunaan outline dalam mempertegas karakter pada semua objek yang ditampilkan. Media yang digunakan yaitu serabut kelapa sawit dan tanah liat sebagai tekstur nyata. Kemudian teknik yang digunakan yaitu teknik lukis plakat, tempel dan membentuk. Media dan teknik ini diperoleh dari berbagai eksplorasi untuk menghasilkan bentuk visual dengan karakteristik yang baru dalam karya seni kontemporer ini. Harapan perupa dengan melakukan penulisan ini dapat menyadarkan masyarakat akan pentingnya menjaga keberadaan Orangutan dengan cara berperilaku baik terhadap Orangutan dan lingkungannya. Penulis juga berharap penciptaan karya ini menjadi sebuah gerakan kecil untuk ikut serta dalam menjaga kelestarian Orangutan.
Kata kunci : Konflik manusia, kontemporer, Orangutan, pop surealis, seni rupa, semi figurative.
ABSTRACT
Siti Nurmalena. 2021. Human and Orangutan Conflict in Contemporary Art. Report of Fine Art Creation Thesis. Fine Arts Education Program. Faculty of Language and Arts. Uvinersitas State of Jakarta.
The creation of the work titled Human and Orangutan Conflict in Contemporary Art is an effort to show public concern about the problems that occur in orangutans. The problem is the Human and Orangutan Conflict, which is an adopter in contemporary art, where the work raises the theme of the environment that is in urgency today. This contemporary work promotes reflective values of human behavior that threaten the existence of orangutans. The work displays semi figurative forms with a personal expression style that is a surreal pop style, where the work displays imaginative objects with dramatic colors (dark and light contrasts) and the use of outlines in emphasizing the character on all objects displayed. Media used are palm fibers and clay as a real texture. Then the technique used is the technique of painting plaques, paste and shape. These media and techniques are derived from various explorations to produce visual forms with new characteristics in this contemporary work of art. The artist hopes that by doing this writing, he can realize the importance of maintaining the existence of orangutans by behaving well with orangutans and their environment. The author also hopes that the creation of this work will be a small movement to participate in preserving orangutans.
Keywords: Human conflict, contemporary, orangutan, pop surreal, fine art, semi figurative
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