200,578 research outputs found
Mastering Pascal and Delphi programming.
This work provides an introduction to programming with Pascal and extends this to show how Borland Delphi is used to develop Microsoft Windows programs. It provides real life applications and splits into three main sections: Pascal programming, Pascal applications, and Delphi programming. Practical applications include: software interrupts, hardware interrupts, graphics, date and time, system commands, RS 232 and parallel ports. This work is intended for GNVQ, A Level, further and adult education, first year undergraduate students, and for professionals and computing enthusiasts
Išme-Dagan J (2.5.4.10 et 4.08.a)
Traduction
Išme-Dagan J (2.5.4.10 et 4.08.a)
Pascal Attinger, 201
Measurement of the time-dependent CP asymmetry in B0 -> J/ψ KS0 decays
This Letter reports a measurement of the CP violation observables SJ/ψK0S and CJ/ψK0S in the decay channel B0→J/ψK0S performed with 1.0 fb−1 of pp collisions at s√=7 TeV collected by the LHCb experiment. The fit to the data yields SJ/ψK0S=0.73±0.07(stat)±0.04(syst) and CJ/ψK0S=0.03±0.09(stat)±0.01(syst). Both values are consistent with the current world averages and within
expectations from the Standard Model
Measurement of the ratio of prompt χ c to J / ψ production in pp collisions at √s = 7 TeV
The prompt production of charmonium χ c and J / ψ states is studied in proton-proton collisions at a centre-of-mass energy of √s = 7 TeV at the Large Hadron Collider. The χ c and J / ψ mesons are identified through their decays χ c → J / ψ γ and J / ψ → μ + μ - using 36 pb - 1 of data collected by the LHCb detector in 2010. The ratio of the prompt production cross-sections for χ c and J / ψ, σ (χ c → J / ψ γ) / σ (J / ψ), is determined as a function of the J / ψ transverse momentum in the range 2 < p T J / ψ < 15 GeV / c. The results are in excellent agreement with next-to-leading order non-relativistic expectations and show a significant discrepancy compared with the colour singlet model prediction at leading order, especially in the low p T J / ψ region
Evidence for the decay B0→J/ψω and measurement of the relative branching fractions of meson decays to J/ψη and J/ψη′
First evidence of the B 0 → J / ψ ω decay is found and the B s 0 → J / ψ η and B s 0 → J / ψ η ′ decays are studied using a dataset corresponding to an integrated luminosity of 1.0 fb -1 collected by the LHCb experiment in proton-proton collisions at a centre-of-mass energy of sqrt(s) = 7 TeV. The branching fractions of these decays are measured relative to that of the B 0 → J / ψ ρ 0 decay:frac(B (B 0 → J / ψ ω), B (B 0 → J / ψ ρ 0)) = 0.89 ± 0.19 (stat) - 0.13 + 0.07 (syst),frac(B (B s 0 → J / ψ η), B (B 0 → J / ψ ρ 0)) = 14.0 ± 1.2 (stat) - 1.5 + 1.1 (syst) - 1.0 + 1.1 (frac(f d, f s)),frac(B (B s 0 → J / ψ η ′), B (B 0 → J / ψ ρ 0)) = 12.7 ± 1.1 (stat) - 1.3 + 0.5 (syst) - 0.9 + 1.0 (frac(f d, f s)), where the last uncertainty is due to the knowledge of f d / f s, the ratio of b-quark hadronization factors that accounts for the different production rate of B 0 and B s 0 mesons. The ratio of the branching fractions of B s 0 → J / ψ η ′ and B s 0 → J / ψ η decays is measured to befrac(B (B s 0 → J / ψ η ′), B (B s 0 → J / ψ η)) = 0.90 ± 0.09 (stat) - 0.02 + 0.06 (syst)
Encontro e confronto do (in) visível na tradução do romance Il fu Mattia Pascal de Pirandello
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.O objetivo desta dissertação é o de analisar duas traduções brasileiras do romance Il Fu Mattia Pascal, de Luigi Pirandello; verificar como Pirandello se inseriu na literatura italiana e os principais traços estilísticos de sua obra em geral e de Il Fu Mattia Pascal, em particular; observar se as traduções distanciaram-se ou aproximaram-se do original e se os tradutores brasileiros Mário da Silva e Helena Parente Cunha foram visíveis ou invisíveis de acordo com a teoria de Lawrence Venuti. Assim sendo, esta dissertação divide-se em três capítulos. Parte-se de um capítulo no qual se apresenta o escritor Luigi Pirandello, o contexto histórico-social do qual o autor faz parte e a sua presença no cenário brasileiro. Em um segundo momento, aborda-se a questão do estilo presente nas obras de Pirandello e em especial no romance Il Fu Mattia Pascal. Por fim, analisam-se duas traduções brasileiras deste romance e se os aspectos relacionados ao estilo do autor italiano permaneceram nelas ou não e se os tradutores foram visíveis ou invisíveis
A FORTRAN implementation of Concurrent Pascal
This paper describes the transportation of sequential and concurrent Pascal from the SOLO distribution tape to a non‐PDP‐11 like mainframe (IBM 370/145). An interpreter for the idealized virtual machine was written in FORTRAN. Subsequently the PDP‐11 dependencies were removed from the interpreter and compilers so that a more transportable version of concurrent Pascal could be generated. A FORTRAN system was then constructed which simulated an operating system environment in which the interpreter could run. Clock and device interrupts are simulated so that process scheduling can be undertaken as if real interrupts were being generated.The system was constructed for a teaching environment so that several students could make use of the Polytechnic's interactive computer system each running their own concurrent system
Samuel Beckett and the Writers of Port-Royal
It has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
J. Miel. Pascal and Theology
Orcibal Jean. J. Miel. Pascal and Theology. In: Revue de l'histoire des religions, tome 179, n°2, 1971. pp. 225-226
Pascal et sa famille dans les fonds d’archives d’Auvergne
Les divers fonds d’archives conservés en Auvergne, et principalement à Clermont-Ferrand, ont commencé à être exploités pour la connaissance de Pascal au XIXe siècle. Plusieurs érudits y ont fait de belles découvertes : J.-B. Bouillet, « inventeur » de l’acte de baptême de Pascal (1840), Benoît Gonod, Ambroise Tardieu, A. Bellaigue de Bughas, Élie Jaloustre (auteur d’une importante série d’études sur les proches parents de Pascal), Albert de Remacle (qui a publié, dans le précieux petit volume..
- …
