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O escritor e o poeta nas vitrines
No full textThis study considers an interpretative reading of the literary discourse present in
Budapeste, a novel by Chico Buarque, in an attempt to detail, in the enunciative game of the
narrative, not an enunciative subject, but a polyphonic constellation of subjects, which, in the
fictitious relation among themselves, emerge historical, social and ideological questions that
cross them, such as the literature itself.
To reflect about the polyphony fiction itself, thus on the novel itself, we will start with
the premise that the narrative by Chico Buarque, much more than a metanarrative, constitutes
a fictional scene of the learned culture universe itself, understood as one amongst other forms
of communication, mainly if considering the contemporary society, marked by the mass
culture.
Fictionalizing the learned culture, in the production, spreading and circulation scope of
literary texts, Budapeste, through the figure of double, mainly under the ghost writer form, as
a double of the public author, becomes an appropriate narrative to think, for example, about
the relation between discursive fields, as double of each other, as well as a relation between
the social- historical context from the so-called market societies, with the language, whose
destination is in the society that speaks it in compliance with Bakhtin.
Through a transdisciplinary perspective, departing from the discourse analysis, we will
not only dialogue with the linguistics, the theory of the literature, the philosophy, the
anthropology, the psychoanalysis, but we will also try to evidence the hypothesis that the
singular in literature and, specia lly in Budapeste, when fictionalizing the question of the
double one, does not inhabit in this last one, but in the challenge to surpass it.
Thus, if the society where we live is weaved and interweaved by an endless double
net, or of dichotomies (reality versus fiction, explicit author versus ghost writer, fame versus
anonymity, fictional narrative verses poetry, masculine versus feminine), the language also
brings these duplicated scars, practically obligating us to inscribe ourselves, as language
beings, in the extremes of these polar regions, instigating us to think and to constitute
subjectivities from them, as writers, poets, known, unknown, men and women.
Making use of concepts such as ideologeme, by Bakhtin, impossible exchanges, by
Baudrillard, reification, by Marx, function author, by Foucault, territorialization and
deterritorialization, by Deleuze and Guattari, among others, we will try to argue that, when
fictionalizing the double one, Budapeste inscribes and stages its fiction, as the place of
alterity, or the language without reification.Este estudo propõe uma leitura interpretativa do discurso literário presente em
Budapeste, romance de Chico Buarque, na tentativa de perscrutar, no jogo enunciativo da
narrativa, não um sujeito de enunciação, mas uma constelação polifônica de sujeitos, os quais,
em suas relações ficcionais uns com os outros, fazem emergir questões históricas, sociais e
ideológicas que os atravessam, assim como a própria literatura.
Para refletir sobre a ficção da própria polifonia, logo sobre o próprio romance,
partirei da premissa de que a narrativa de Chico Buarque, bem mais que uma metanarrativa,
constitui uma encenação ficcional do universo da própria cultura letrada, entendida como uma
dentre outras formas de comunicação, principalmente se considerarmos a sociedade
contemporânea, marcada pela cultura de massa.
Ficcionalizando a cultura letrada, no âmbito da produção, divulgação e circulação
dos textos literários, Budapeste, através da figura do duplo, principalmente sob a forma de
ghost writer, como duplo do autor público, torna-se uma narrativa apropriada para pensarmos,
por exemplo, a relação entre campos discursivos, como duplos uns dos outros, assim como a
relação entre o contexto sócio- histórico, das sociedades ditas de mercado, com a linguagem,
cujo destino é o da sociedade que a fala, em conformidade com Bakhtin.
Através de uma perspectiva transdiciplinar, em que, partindo da análise de discursos,
dialogo também com a lingüística, a teoria da literatura, a filosofia, a antropologia, a
psicanálise, procuro evidenciar a hipótese de que o singular na literatura e, em especial, em
Budapeste, ao ficcionalizar a questão do duplo, reside não propriamente neste último, mas no
desafio de superá- lo.
Assim, se a sociedade em que vivemos é tecida e entretecida por uma rede sem fim
de duplos, ou de dicotomias (realidade versus ficção, autor explícito versus ghost writer, fama
versus anonimato, narrativa de ficção versus poesia, masculino versus feminino), a linguagem
também traz essas cicatrizes duplicadas, praticamente nos obrigando a nos inscrever, como
seres de linguagem, nos extremos desses pólos, instigando-nos a pensar e constituir
subjetividades a partir deles, como escritores, poetas, conhecidos, desconhecidos, homens e
mulheres.
Fazendo uso de conceitos tais como ideologemas, de Bakhtin, trocas impossíveis,
de Baudrillard, reificação, de Marx, função autor, de Foucault, territorialização e
desterritorialização, de Deleuze e Guattari, dentre outros, procurarei argumentar que, ao
ficcionalizar o duplo, Budapeste inscreve e encena a sua fissura, como o lugar da alteridade,
ou da linguagem sem reificação
Os dizeres nas esquizofrenias : uma cartola sem fundo
No full textOrientador: Claudia Thereza Guimarães de LemosTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da LinguagemResumo: Este trabalho não se propõe a formular uma hipótese acerca da esquizofrenia. A esquizofrenia aqui sai de seu lugar
tradicional de doença de um indivíduo para uma forma de dizer de um sujeito: o sujeito na esquizofrenia e o dizer na esquizofrenia. É, portanto, um trabalho sobre uma forma de dizer, sobre seus efeitos de estranha.mento sobre o outro, aquele que é convocado como leitor ou como ouvinte. Na primeira parte elaboro uma reflexão acerca do papel da linguagem na caracterização da esquizofrenia enquanto doença. A partir do DSM- III (Diagnostic Statistical Manual:), o principal manual de diagnóstico na psiquiatria praticada no Brasil, problematizo as noções de indivíduo e de sujeito determinantes para o di agnóstico, advindas da Psicologia. Essas noções são
sustentadas por uma visão em que a linguagem é transparente e o pensamento é por ela representado. Problematizo, ainda, a busca de teorias de linguagem e conceitos da Linguística, com o objetivo de fundamentar a credibilidade da designação "linguagem
esquizofrênica"...Observação: O resumo, na íntegra, poderá ser visualizado no texto completo da tese digitalAbstract: Not informed.DoutoradoDoutor em Ciência
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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