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Semara Murti
Full text linkAbstract
Kesenian merupakan salah satu perwujudan kebudayaan, kesenian juga selalu mempunyai peranan tertentu di dalam masyarakat yang menjadi ajangnya. Gong kebyar merupakan suatu wujud gambelan berlaras pelog panca nada. Gambelan ini merupakan perkembangan dari barungan gong gede yang dibandingkan beberapa instrumennya dan merubah gangsa jongkok menjadi gangsa gantung. Penata ingin mengangkat sebuah cerita percintaan dalam bentuk tari kreasi baru yang diangkat dari cerita Babad Ksatria Taman Bali yang bertemakan oercintaan, dengan judul Semara Murti. Penata menyadari fleksibelitas serta potensi yang dimiliki gong kebyar, menyebabkan penulis memutuskan untuk menggunakan gong kebyar sebagai pengiring tari Semara Murti karena ungkapan dari gong kebyar itu sendiri sangat enerjik guna mengiringi tari-tari kreasi bebancihan seperti Semara Murti
Wayang Gana Murti performance in Rsigana ceremony
Full text linkThis research was intended to discuss and explore three formulated terms. 1) Why is the Wayang Gana Murti performance held in the Rsigana ceremony at the Pujung Sari Traditional Village, Tegallalang, Gianyar? 2) What is the process for the performance of the Gana Murti Wayang in the Rsigana Ceremony in the Pujung Sari Traditional Village, Tegallalang, Gianyar? 3) What are the implications of the Wayang Gana Murti performance at the Rsigana ceremony on the social, religious and cultural life of the people of the Pujung Sari Traditional Village? The purpose of this study in general is to analyze in depth the performance of Wayang Gana Murti in the Rsigana ceremony, hopefully it can be used as a reference and applied to Hinduism and Balinese culture
PENERIMAAN DIRI DALAM PERSPEKTIF KONSELING CATUR MURTI
Full text linkSelf-acceptance is the ability to embrace one's humanity without blaming oneself for situations beyond one's control. It involves awareness and acknowledgment of personal characteristics, confidence that is not influenced by external factors, the ability to present one's authentic self without fear of negative judgment, and leveraging one's strengths to live life responsibly. A high level of self-acceptance does not dwell on the number of weaknesses one may have. In this context, Catur Murti counseling, which is the focus of the technique discussed to enhance self-acceptance, is necessary to explore. This study reveals that Catur Murti counseling can improve self-acceptance using a quantitative method through a literature review approach. The research results offer a new paradigm of self-acceptance based on the principles of Catur Murti counseling as : (1) Ilmu catur murti (2) Murid gurune pribadi, Guru muride pribadi (3) Ilmu kantong bolong (4) Sugih tanpo bondho, digdaya tanpa aji (5) Trimah mawi pasrah (6) Ngupasi padhang ing peteng (7) Aum santih
Non-medical medicine culture on Siwa Murti Bali School
Full text linkThis research is expected to be useful in implementing traditional medicine, especially the cultural model of non-medical medicine such as at the Siwa Murti Bali School. Based on this thought, this study is expected to be useful (1) As a material consideration for the Government, especially the Hindu Community Guidance of the Ministry of Religion of the Republic of Indonesia together with the Hindu Indonesia University in making policies regarding the culture of non-medical medicine. (2) As a material of appreciation for students who pay attention to the culture of non-medical medicine, especially the Siwa Murti Bali School. (3) To be able to preserve culture, especially Balinese culture, regarding the culture of non-medical treatment of the Siwa Murti Bali School. (4) Enriching research on the culture of non-medical medicine, especially the Siwa Murti Bali School. This research uses a qualitative approach. To find answers to problem formulations, use phenomenal theory, structural-functional theory, and reception theory. This research is focused first on pasraman, the center of the Siwa Murti Bali School, namely Banjar Tegallinggah, Padangsambian Kaja Village, West Denpasar
Wariga Murti: Sebuah Transformasi Tumpek Wariga dalam Bentuk Karya Tari
Full text linkRINGKASANArtikel ini memaparkan hasil studi/projek independen program kegiatan MBKM yang dilakukan pada semester VII (September-Desember 2022). Kegiatan MBKM berupa projek independen yang bermitra kerja dengan Sanggar Semara Ratih, menciptakan sebuah karya tari hasil kolaborasi antara pencipta dengan Sanggar Semara Ratih. Proses penciptaan karya tari inovatif diwujudkan dengan menggunakan metode penciptaan Angripta Sasolahan yang tahapannya terdiri dari ngarencana, nuasen, makalin, nelesin dan ngebah. Tari Wariga Murti bertemakan tumbuhan-spirit religius, ditarikan oleh 6 orang penari. Tata rias Tari Wariga Murti menggunakan tata rias karakter untuk memperjelas karakter yang ingin ditonjolkan. Sedangkan tata busana Tari Wariga Murti yaitu memasukkan unsur atau elemen warna tumbuhan ke dalam busana. Karya tari ini memiliki struktur yang terdiri dari tiga bagian dan berdurasi 11 menit dengan musik tarinya menggunakan MIDI. Terciptanya karya Tari Wariga Murti, pencipta berharap peristiwa budaya Tumpek Wariga tetap dapat ditarikan dan terpelihara dengan baik.ABSTRACTWariga Murti : Transformation Of Tumpek Wariga In The Form Of Dance This article aims to present the results of independent studies/projects of the MBKM activity program while the creators are participating in semester VII (September-December 2022). MBKM activities are in the form of independent projects in partnership with Sanggar Semara Ratih. The independent project activity by creating a dance work is the result of a collaboration between the creator and Sanggar Semara Ratih. The process of creating innovative dance works with Sanggar Semara Ratih was realized using the Angripta Sasolahan creation method, the stages of which consisted of planning, nuasen, makalin, nelesin and singing. The Wariga Murti dance has the theme of religious plants and is danced by 6 dancers. Wariga Murti Dance make-up uses character make-up to clarify the character you want to highlight. Meanwhile, the fashion for the Wariga Murti Dance involves incorporating elements or elements of plant colors into the clothing. This dance work has a structure consisting of three parts and is 11 minutes long with dance music using MIDI. With the creation of the Wariga Murti dance, the creator hopes that the Tumpek Wariga cultural event can still be danced and maintained properly
Non-medical Medicine Culture on Siwa Murti Bali School
No full textThis research is expected to be useful in implementing traditional medicine, especially the cultural model of non-medical medicine such as at the Siwa Murti Bali School. Based on this thought, this study is expected to be useful (1) As a material consideration for the Government, especially the Hindu Community Guidance of the Ministry of Religion of the Republic of Indonesia together with the Hindu Indonesia University in making policies regarding the culture of non-medical medicine. (2) As a material of appreciation for students who pay attention to the culture of non-medical medicine, especially the Siwa Murti Bali School. (3) To be able to preserve culture, especially Balinese culture, regarding the culture of non-medical treatment of the Siwa Murti Bali School. (4) Enriching research on the culture of non-medical medicine, especially the Siwa Murti Bali School. This research uses a qualitative approach. To find answers to problem formulations, use phenomenal theory, structural-functional theory, and reception theory. This research is focused first on pasraman, the center of the Siwa Murti Bali School, namely Banjar Tegallinggah, Padangsambian Kaja Village, West Denpasar
Konsep Tri Murti Dalam Teks Tutur Aji Sasaraswati
Full text linkThe text of Aji Saraswati's speech is a vehicle for storing the cultural heritage of the Balinese people. This text belongs to the Siwaistis text and inspires the diversity of Hindus in Bali. Few know the contribution of this manuscript to the formation of civilization and the various teachings stored in it. The various teachings contained therein are the result of contemplation of habits, thoughts, literature and values passed down from generation to generation. This acts like a compass in providing guidance for all situations that may arise at any time. Both in individual life and in collective life (society). In the speech text, Aji Saraswati explains about the fundamental role of Tri Murti. Tri Murti consists of Lord Brahma as the creator god (utpeti), Lord Wisnu as the guardian god (Sthiti) and Lord Siwa as the god of fusion (pralina). Keywords: Tri Murti, Utpeti, Sthiti, Pralin
Murti Ningsih 165100124P
No full textHak Atas Kekayaan Intelektual adalah hak eksklusif yang diberikan suatu hukum atau peraturan kepada seseorang atau sekelompok orang atas karya ciptanya. Menurut UU yang telah disahkan oleh DPR-RI pada tanggal 21 Maret 1997, HaKI adalah hak-hak secara hukum yang berhubungan dengan permasalahan hasil penemuan dan kreativitas seseorang atau beberapa orang yang berhubungan dengan perlindungan permasalahan reputasi dalam bidang komersial (commercial reputation) dan tindakan / jasa dalam bidang komersial (goodwill).
Dengan begitu obyek utama dari HaKI adalah karya, ciptaan, hasil buah pikiran, atau intelektualita manusia. Kata “intelektual” tercermin bahwa obyek kekayaan intelektual tersebut adalah kecerdasan, daya pikir, atau produk pemikiran manusia (the Creations of the Human Mind) (WIPO, 1988:3). Setiap manusia memiliki memiliki hak untuk melindungi atas karya hasil cipta, rasa dan karsa setiap individu maupun kelompok.
Kita perlu memahami HaKI untuk menimbulkan kesadaran akan pentingnya daya kreasi dan inovasi intelektual sebagai kemampuan yang perlu diraih oleh setiap manusia, siapa saja yang ingin maju sebagai faktor pembentuk kemampuan daya saing dalam penciptaan Inovasi-inovasi yang kreatif
Murti Ningsih 165100124P
No full textHaki dibagi dalam dua Kategori, yaitu :
1. Hak Cipta
2. Hak Kekayaan Industri, seperti :
• Hak Paten
• Hak Merek
• Hak Desain Industri
• Hak Desain Tata Letak Sirkuit Terpadu
• Hak Rahasia Dagang
• Hak Indikasi
Maka dalam hal ini Pembahasan berupa HAKI Produk Knowledge Toyota New Alpard dan Jenis Spesifikasinya dalam Hak Atas Kekayaan Intelektual, dan juga Produk produk Samsung
Murti Ningsih 165100124P
No full textHaki dibagi dalam dua Kategori, yaitu :
1. Hak Cipta
2. Hak Kekayaan Industri, seperti :
• Hak Paten
• Hak Merek
• Hak Desain Industri
• Hak Desain Tata Letak Sirkuit Terpadu
• Hak Rahasia Dagang
• Hak Indikasi
Maka dalam hal ini Pembahasan berupa HAKI Produk Knowledge Toyota New Alpard dan Jenis Spesifikasinya dalam Hak Atas Kekayaan Intelektual, dan juga Produk produk Samsung
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