2,808 research outputs found
Marsico, G., (2018). Cultural Psychology: a New Science of the Human Nature. In M. Lyra and M. Pinheiro (Eds.). Cultural psychology as basic science: Dialogues with Jaan Valsiner, (pp. v-vii), New York: Springer;
No full textThis book, thoughtfully edited by Maria Lyra and Marina Pinheiro, acknowledges the fruitful discourse between Jaan Valsiner and several generations of Brazilian researchers over the last several decades. The backbone of this work is built on three of Dr. Valsiner’s previous texts, considered to be milestones of the most advanced reflections in the field of Cultural Psychology of Dynamic Semiosis, and the works of respondents who commented and expanded Dr. Valsiner’s thoughts. At the soul of this volume is a discussion of the special nature of what Cultural Psychology is, beyong the dialogical formation of these dedicated young scholars commenting on the three foundational papers
Epigallocatechin-3-Gallate Delivery in Lipid-Based Nanoparticles: Potentiality and Perspectives for Future Applications in Cancer Chemoprevention and Therapy
No full textChemoprevention is a strategy aimed to not only reduce the risk but also delay the development or recurrence of cancer. An ideal chemopreventive agent is not dangerous and ought not to result in side effects or damage to human health. In this context, epigallocatechin-3-gallate (EGCG) is considered a suitable chemopreventive agent, but its clinical use is limited by many factors, namely, the difference in source, administration, individual metabolism, absorption, and distribution. Genetic and dietary differences greatly cause this variability, which has limited the rational use of EGCG in chemoprevention and, particularly, the definition of a safe and efficient concentration. In the present mini review, the main limitations to a complete understanding of the use of EGCG as a chemopreventive agent will be briefly illustrated. This review also indicates the introduction and trialing of lipid-based nanoparticles (NPs) as a proper strategy to deliver EGCG at a well-defined concentration for better investigation of the chemopreventive activity. Finally, some examples of cancers that might benefit from EGCG treatment in different stages of the disease are proposed
Jorge Pinheiro - obra figurativa : referenciais/diferenciais
No full textIn the sequence of the dissertation, Jorge Pinheiro: The Referential (2010) [Master’s degree in Painting] in FBAUL, aiming at the figurative work of the author in the last decade of the 20th century and the first decade of the 21st century, the current project of research emerges, deepening the knowledge about the representation and figuration of the pictorial work produced during this period of time. The figurative painting of Jorge Pinheiro, produced over 1990-2010, resorting to models of the Model, is the representation of images culturally produced in images obscurely dreamt in the game Composition and Representation. Jorge Pinheiro states that he first starts from the titles he searches for in Literature. Provocative, the title intertwined with the representation reaches the observer. The recognition of the appropriated figurative fragments is the key to decoding his painting. The initial spectator is the one the author looks for. The myths and symbolic values are represented in the Painting. They are representations of representations on behalf of the shapes of power in Composition and Representation. The Symbol-Figures of Representation taken from Painting, Photography, Cinema, and Photojournalism are sublimated icons, corrupted or ruined in the artwork of Jorge Pinheiro. The artwork questions its legitimacy and simultaneously reiterates it, reflects the concept of originality in the work’s identity, identifies the first authors, and makes us think of the authorship of the second authors, highlighting the position of the artist in relation to society and to his own craft with historical background. The cultural image prevails in the game of representation and aesthetic discourse because the object of imitation is not an object but an idea. Reinventing the Memory recall legacy, the painting of Jorge Pinheiro is a permeable territory where Painting evokes Painting, Art, and Western Humanistic Values, allowing a whole generation to identify itself in the artwork and question our way of being in the worl
Jorge Pinheiro - obra figurativa : referenciais/diferenciais
No full textIn the sequence of the dissertation, Jorge Pinheiro: The Referential (2010) [Master’s degree in Painting] in FBAUL, aiming at the figurative work of the author in the last decade of the 20th century and the first decade of the 21st century, the current project of research emerges, deepening the knowledge about the representation and figuration of the pictorial work produced during this period of time. The figurative painting of Jorge Pinheiro, produced over 1990-2010, resorting to models of the Model, is the representation of images culturally produced in images obscurely dreamt in the game Composition and Representation. Jorge Pinheiro states that he first starts from the titles he searches for in Literature. Provocative, the title intertwined with the representation reaches the observer. The recognition of the appropriated figurative fragments is the key to decoding his painting. The initial spectator is the one the author looks for. The myths and symbolic values are represented in the Painting. They are representations of representations on behalf of the shapes of power in Composition and Representation. The Symbol-Figures of Representation taken from Painting, Photography, Cinema, and Photojournalism are sublimated icons, corrupted or ruined in the artwork of Jorge Pinheiro. The artwork questions its legitimacy and simultaneously reiterates it, reflects the concept of originality in the work’s identity, identifies the first authors, and makes us think of the authorship of the second authors, highlighting the position of the artist in relation to society and to his own craft with historical background. The cultural image prevails in the game of representation and aesthetic discourse because the object of imitation is not an object but an idea. Reinventing the Memory recall legacy, the painting of Jorge Pinheiro is a permeable territory where Painting evokes Painting, Art, and Western Humanistic Values, allowing a whole generation to identify itself in the artwork and question our way of being in the worl
Projeto de implementação de um sistema de gestão da qualidade baseado na norma NP EN ISO 9001:2015 - estudo de caso Pinheiro Cardoso, Lda
No full textVersão Final (Esta versão contém as críticas e sugestões dos elementos do júri)O projeto apresentado consiste na implementação de um Sistema de Gestão da Qualidade na
organização Pinheiro&Cardoso, Lda., empresa do setor da Construção Civil – Carpintaria
de Limpos. O projeto tem por base um estudo de caso, com o intuito de melhorar o seu
desempenho organizacional. O Sistema de Gestão da Qualidade projetado é apoiado pela
versão portuguesa da Norma Europeia ISO 9001:2015.
O presente estudo foi sustentado por reuniões com a gestão de topo da Pinheiro&Cardoso,
Lda., entrevista com os colaboradores, formação de sensibilização com toda a organização
e observações do autor, permitindo o desenvolvimento de uma proposta para futura
implementação de um Sistema de Gestão da Qualidade na empresa.
A metodologia utilizada neste trabalho é o estudo de caso de natureza qualitativa.
Primeiramente, foi feita uma análise das práticas da organização face aos requisitos do
referencial normativo, consentindo num conhecimento para desenvolver as ações
necessárias à implementação do Sistema de Gestão da Qualidade. Foi estudado o processo
do trabalho desenvolvido pela organização desde a consulta dos clientes ao fornecimento de
produtos e serviços, sendo parte fundamental a abordagem por processos recomendado pelo
referencial normativo.
O resultado permitiu adequar os processos existentes, analisar o contexto organizacional e
desenvolver a estratégia de implementação do Sistema de Gestão da Qualidade de acordo
com a norma NP EN ISO 9001:2015, sempre com o foco central na satisfação dos clientes e
outras partes interessadas.
A organização Pinheiro&Cardoso, Lda., com a proposta de implementação do presente
projeto, assumiu uma nova postura face ao pensamento sobre a Qualidade e sua importância.
A perceção do funcionamento e a clarificação do seu sistema documental também foram
adquiridos pela empresa, que se comprometeu a corrigir situações, procurando a melhoria
das ligações com todas as partes interessadas.The project presented consists on the implementation of a quality management system at the
Pinheiro&Cardoso, Lda., of the building construction sector, specifically “Carpintaria de
Limpos”. This project is based on a case study with the aim of improving its organizational
performance. The designed Quality Management System is supported by the Portuguese
version of the European Standard ISO 900:2015.
The actual study was supported by meetings with Pinheiro&Cardoso, Lda. leadership, by the
interviews to the employees and by the awareness formation with the whole organization
and author observations, allowing the development of a proposal to a Management System
of Quality future implementation in the company.
The methodology used for this work was the study of a case with a qualitative nature. Firstly,
the organization's practices in relation to the requirements of the normative framework were
analysed, allowing knowledge to develop the actions necessary for the implementation of
the Quality Management System. The work process developed by the organization was
studied from the customers to the products and services suppliers, being a fundamental part
in the approach by processes recommended by the referential normative.
The result allowed the adequacy of the existing processes, not only to analyse the
organizational context but also to develop the strategy of implementation of the Quality
Management System (NP EN ISO 9001: 2015), always with the central focus on the
customers’ satisfaction and other involved parts.
The Pinheiro&Cardoso, Lda. organization, with the proposed implementation of this project,
assumed a new posture regarding the thought about Quality and its importance. The
perception of the functioning and the clarification of its documental system were also
acquired by the company, which undertook to correct situations, seeking the improvement
of the connections with all the interested parts
Compras sustentáveis na UFSC: análise crítica do processo de inclusão de critérios de sustentabilidade nas licitações
No full textTCC (graduação) Universidade Federal de Santa Catarina, Centro Tecnológico, Curso de Engenharia Sanitária e Ambiental.As compras públicas são importantes movimentadores da economia no Brasil e no mundo. Se realizadas buscando integrar critérios sociais, ambientais e econômicos, são denominadas compras públicas sustentáveis e consistem numa importante ferramenta de estímulo ao desenvolvimento sustentável. A Universidade Federal de Santa Cataria (UFSC), como instituição pública, vem buscando se adequar ao processo de compras incluindo critérios de sustentabilidade nos editais de suas licitações, porém isto é algo ainda recente. Neste trabalho foi realizado o diagnóstico atual das compras sustentáveis na UFSC, através da análise da evolução da adoção de critérios de sustentabilidade entre 2010 e 2014 em editais licitatórios das categorias de produtos mais adquiridos pela Universidade: mobiliário em geral, equipamentos de processamento de dados e gêneros alimentícios. Por fim, o presente estudo encaminha sugestões de melhorias no processo de inclusão de critérios de sustentabilidade nas licitações desta instituição, com objetivo de dar subsídios ao Departamento de Compras (DCOM) para que este dê continuidade à implantação das licitações sustentáveis na UFSC
DUAS LEITURAS DE “JULIETA: CONTO FANTÁSTICO”, DE PINHEIRO CHAGAS
No full textThe Portuguese writer Manuel Pinheiro Chagas (1842-1895) was very productive in the second half of the 19th century. Despite his diversified work, currently, he is practically forgotten, and he is not usually associated to Portuguese fantastic literature. The objective of this work is to read a narrative compiled in the collection A lenda da meia-noite (1874), “Julieta: conto fantástico”, in comparison with an article published in the journal O panorama (1868), in which the author makes theoretical-critical considerations on the fantastic. Our hypothesis is that Pinheiro Chagas, in the referred short story, inserts the fantastic in a similar way to his appointments in the respective article. In addition, we will show two possibilities of reading the short story, which are different, depending on the publication support.O escritor português Manuel Pinheiro Chagas (1842-1895) foi bastante produtivo na segunda metade do século XIX. Embora tenha uma obra diversificada, atualmente, é praticamente esquecido e não costuma ser vinculado à literatura fantástica portuguesa. Objetiva-se, neste estudo, a leitura de uma narrativa compilada na coletânea A lenda da meia-noite (1874), “Julieta: conto fantástico”, em cotejo com um artigo publicado no periódico O panorama (1868), no qual o autor faz considerações teórico-críticas acerca do fantástico. A nossa hipótese é que Pinheiro Chagas, no referido conto, insere o fantástico de forma semelhante aos apontamentos defendidos por ele no respectivo artigo. Além disso, mostraremos duas possibilidades de leitura para o conto, que são diferentes, a depender do suporte de publicação
Pinheiro Chagas, a forgotten writer
No full textEste estudo tem por objetivo refletir sobre uma figura literária pouco estudada, Manuel Pinheiro Chagas (1842-1895), escritor português considerado pela crítica principalmente como romancista histórico. Ao eleger o romance histórico como narrativa romântica, parece que Chagas tenta disputar espaço com o romance realista/naturalista, mesmo depois da consolidação do Realismo. Por meio da análise de quatro de seus romances, A virgem Guaraciaba (1865), A máscara Vermelha (1873) e a sua continuação O juramento da Duquesa (1873), e A descoberta da Índia. Contada por um marinheiro (1890), verificamos como o projeto literário deste escritor, que se inicia com a efabulação da História, vai convergindo para um realismo pouco romantizado, que ele denominou de estudo histórico romântico.This study is intended to reflect about the literary understudied character, Manuel Pinheiro Chagas (1842-1895), portuguese writer considered by public opinion mainly as historical novelist. Choosing the historical novel as romance narrative, seems that Chagas tries to establish space with the realistic/naturalist novel, even after the Realism consolidation. Analyzing four of his novels, A virgem Guaraciaba (1865), A máscara Vermelha (1873) and its continuation O juramento da Duquesa (1873), and A descoberta da Índia. Contada por um marinheiro (1890), we could verify how the literary project from this author, that initiates itself with the history creation, starts to converge to a type of less romanticized realism, that he defines as romantic historical study
Yaka (ou o calcanhar de Aquiles?)
No full textO autor, a partir do romance do angolano Pepetela, YAKA, põe em evidência as consequências do sistema colonial, no plano dos colonizadores. Os aspectos dramáticos decorrentes da condição de ‘superioridade’ do colonizador face a uma situação colonial concreta são ressaltados por Alexandre Pinheiro Torres, configurados num drama inserido numa situação concreta.The author, as from the novel of the Angolan writer Pepetela, Yaka, puts in evidence the consequences of the colonial system in the plan of the colonizers. The dramatic aspects due to the conditions of superiority of the colonizers in view of situation concrete colonial are the results of Alexandre Pinheiro Torres, configured in an inserted drama in a concrete situation
As interfaces do maravilhoso na obra Doze reis e a moça no labirinto do vento de Marina Colasanti
No full textThe present study is part of the literature studies and research of the post-graduation in
languages of Universidade Federal de Sergipe, and it analyzes the marvelous that
arises in Marina Colasanti's tales, noting the characteristics that they rescue from the
traditional tales and to what extent they break with the classical structure promoting
innovation. This qualitative research seeks to examine the interfaces of the marvelous,
as well as the symbolic and compositional aspects of “Doze reis e a moça no labirinto
do vento” and “Um desejo e dois irmãos”. Our hypothesis is that Marina Colasanti's
tales are marvelous of faire nature which present certain regularity in terms of structural
composition, however they innovate in terms of the proposed themes, promoting a
parodic view of patriarchal society by reclaiming traditional narratives from a critical
perspective and by highlighting female characters. The study is guided by this
perspective, and it proposes the following questions: What are the interfaces of the
marvelous that are manifested in Marina Colasanti's fairy tales? How do they take place
in this literary work? Do the author's tales promote any kind of innovation in terms of
language, narrative structure and thematic proposition when compared to traditional
tales? Where are the ruptures and how do they are materialized in the narratives?
These questions guide the development of the research analysis that do not intend to
exhaust the understanding of the object of study, but it intends to contribute by
encourage a critical and detailed view regarding the marvelous of the poetics of Marina
Colasanti, taking into consideration a varied critical and theoretical references which is
composed of: Colasanti (1982, 2015) Coelho (2020), Todorov (2017), Perdigão (1993),
Propp (1984, 2002), Adam (2009, 2011), Genette (2018), Eliade (2013), Campbell
(2007), Patai (1982), Mielietinski (1987, 2019), Gotlib (2006), Hutcheon (1991) among
others.Este trabalho, que se insere na área dos Estudos Literários e na linha de pesquisa
Literatura e Recepção do Programa de Pós-Graduação em Letras da Universidade
Federal de Sergipe, analisa como o maravilhoso se apresenta nos contos de Marina
Colasanti, observando que características eles resgatam dos contos tradicionais e em
que medida rompem com a estrutura clássica promovendo inovação. Esta pesquisa de
feição qualitativa busca examinar as interfaces do maravilhoso, mas também aspectos
simbólicos e composicionais da obra Doze reis e a moça no labirinto do vento, corpus
desta análise, de forma exploratória, por meio da compilação de conceitos, teorias e
análises dos contos, mais detidamente dos contos “Doze reis e a moça no labirinto do
vento” e “Um desejo e dois irmãos”. Nossa hipótese é de que os contos de Marina
Colasanti são maravilhosos de natureza feérica e que apresentam certa regularidade
quanto à composição estrutural, contudo inovam quanto aos temas propostos,
promovendo uma visão paródica da sociedade patriarcal ao retomar narrativas da
tradição sob uma perspectiva crítica e conferir destaque a personagens femininas. O
estudo, guiado por esse pensamento, propõe as seguintes inquirições: Quais interfaces
do maravilhoso se manifestam nos contos de fadas de Marina Colasanti? Como essas
interfaces se realizam na obra? Os contos da autora promovem alguma espécie de
inovação no tocante à linguagem, à estrutura narrativa e à proposição temática quando
comparados a contos tradicionais? Onde se encontram as rupturas e como elas se
materializam nas narrativas? Estas perguntas norteiam o desenvolvimento das análises
feitas, que não pretendem esgotar o entendimento do objeto, mas, ao menos, contribuir
para que haja uma reflexão crítica e minudenciada acerca do maravilhoso na poética
de Marina Colasanti, considerando para isso um variado referencial teórico e crítico
composto por: Colasanti (1982, 2015) Coelho (2020), Todorov (2017), Perdigão (1993),
Propp (1984, 2002), Adam (2009, 2011), Genette (2018), Eliade (2013), Campbell
(2007), Patai (1982), Mielietinski (1987, 2019), Gotlib (2006), Hutcheon (1991) dentre
outros.São Cristóvã
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