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Frederic Chopin
Get PDFFrederic Chopin és considerat un dels música més poètics, per la sensibilitat de les seves obres pianístiques. En aquest document es vincula la seva vida i la seva obra
FREDERIC CHOPIN: ŽIVOT I STVARALAŠTVO
Get PDFIako je vodio kratak i hirovit život, Frederic Chopin nam je ostavio zaista fascinantan trag u klavirskoj glazbi i glazbi općenito. Chopin je svakom izvođaču njegovih djela omogućio vlastitu interpretaciju, nije se obavezao na pisanje naslova niti naredbi koje izvođač mora poštovati prilikom izvedbe. Po tome je Frederic Chopin veliki umjetnik, iako nije puno govorio kao čovjek, njegova djela su govorila umjesto njega. U Chopinovoj glazbi svaka nota je slog, svaki takt jedna riječ, a svaka rečenica misao
Frederic Chopin; his life, works, and letters
No full textTranslator's dedication, v. 2, signed: Elise J. Allen. --- "Catalogue of the published works of Frederic Chopin": v. 2, p. 129-134
Frederic Chopin
Get PDFFrederic Chopin was born in Zelazowa Wola, Warsaw on February 22, 1810. He was brought up in a private school among sons of Polish nobility. His musical education was entrusted to the Bohemian pianist Albert Zwyny and the Director of the Warsaw School of Music, Joseph Elsner. At the age of seven he played a piano concerto by Gyrowetz, and improvisations in public. His first attempts in composition were dances (Polonaises, Mazurkas and Waltzes), but he published as Opus 1 a Rondo, and as Opus 2 variations on La ci darem la mano , with orchestra
Frederic Chopin and George Sand Romanticized
Get PDFThis article discusses the relationship between Frederic Chopin and George Sand. It focuses on the idea that there are many contradictory accounts of this affair, and that the real truth may not be known
Frederic Chopin – 4 Balladia : raportti konsertin toteutuksesta
Get PDFThe author made his thesis in a concert form. The concert “Frederic Chopin – Four Ballades” was held on 10.10.2017 at Tampere Music Academy’s Pyynikki Hall. The concert consisted of only Chopin’s music and all the works were performed by the author of the thesis. The program was following: Frederic Chopin – Four Ballades: No.1 in G minor, Op. 23, No.2 in F major, Op. 38, No.3 in A-flat major, Op. 47, and No.4 in F minor, Op. 52. After the Ballades, Frederic Chopin's Mazurka in A minor Op. 17 No.4 was performed as an encore.
The main objective of this thesis was to delve into making a musically interesting and professional concert, which includes the whole cycle of works by one composer. The aim of this written report was to clarify the practicing process and the progress of the concert itself. In the report, the author tells about the composer, introduces the pieces played in the concert more closely, and explain the working process in detail. The ways of practising were gathered by participating in piano master-classes and collecting the advices of many teachers from different countries.
More attention has been paid to author’s own ideas and experience. As sources the author used biographies, general dictionaries, music analyses of composer’s works and different music scores. The poster, program and the video of the concert are found as attachments in the thesis. The results show that the performer and members of the audience were satisfied with the performance and the evaluator’s opinions gave interesting information for the developing process
Frederic Chopin (1810-1849) : 200 de ani de la naştere [Resursă electronică] : Expoziţie
No full textAniversări UNESCO 2010 Frederic Chopin (1810-1849) : 200 de ani de la naştere. Este o prezentare selectivă a documentelor din colecţia Bibliotecii Ştiinţifice USARB care ilustreză viaţa, creaţia şi activitatea lui Frederic Chopin
TINJAUAN KARYA KOMPOSISI PIANO NOCTURNE OP.9 NO.2 FREDERIC CHOPIN BERDASARKAN BENTUK DAN STRUKTUR
Get PDFPenelitian ini bertujuan untuk memperoleh data-data yang mendalam tentang lagu
Nocturne Op.9 No.2 karya Frederic Chopin ditinjau dari struktur dan bentuknya.
Metode yang digunakan adalah metode kualitatif dengan pendekatan musikologi
melalui tinjauan karya Nocturne op.9 No.2 Frederic Chopin. Untuk mendapatkan
hasil yang akurat, tinjauan karya ini menggunakan partitur lengkap dari Carl Mikuli,
penerbit G. Schirmer-New York/London tahun 1943. Sistematika penulisan meliputi
pengumpulan, pengolahan, dan menganalisis data pada lagu Nocturne Op.9 No.2
karya Frederic Chopin dan penelitian dilakukan selama 3 bulan.
Hasil penelitian menunjukan bahwa bentuk Nocturne Op.9 No.2 adalah A-B-A-Coda.
Penggunaan rubato dalam lagu Nocturne Op.9 No.2 sering terjadi, hal ini menjadikan
salah satu karakteristik pada zaman romantik yang melekat pada lagu ini. Harmoni
yang digunakan tidak menggunakan progresi akor I-IV-V atau yang selalu digunakan
pada zaman sebelumnya. Setiap unsur musik yang terkandung didalamnya saling
mendukung membuat satu kesatuan kesan auditori memberikan nuansa pada malam
hari, sesuai dengan namanya yaitu Nocturne. Karya Nocturne Op.9 No.2 memiliki
banyak ornamentasi sehingga mempengaruhi ritmik lagu tersebut sehingga
mempengaruhi tempo (rubato) sehingga menjadi pendukung ekspresi.
This research aims to obtain datas about Nocturne Op.9 No.2 songs by Frederic
Chopin review from Form and Structure. The method used is qualitative method
with a musical approach from Nocturne Op.9 No.2 by Frederic Chopin. To get
accurate results, this review using full score from Carl Mikuli, publishing by G.
Schirmer-New York/London years 1943. Systematic writing includes collecting,
processing and analyzing data from Nocturne Op.9 No.2 songs by Frederic
Chopin and this research was doing for 3 months.
The results show that the form of Nocturne Op.9 No.2 is A-B-A-Coda. Nocturne
Op.9 No.2 is almost using Rubato all the time, this makes one of the
characteristics of Romance Periods. Harmony used does not use chord progression
I-IV-V or chord progression has been used Periods before. Every element of the
music contained in the auditory feel gives a sense of the night, as a titled is
Nocturne. Nocturne Op.9 No.2 has a lot of ornamentation that affect the rhythm of
that song and the tempo’s too (rubato) and support the expression
I'm always chasing Rainbows, watching clouds drifting by [first line of chorus]
No full textverse and choruspiano and voiceads on inside bottom margins, on inside front and on back covers for Robbins Music stockmusic same as Box 189 Item 88 (Item 89 lacks introduction)Music is duplicated in 189.088.Music is duplicated in 189.089.Music is duplicated in 189.089a.Johns Hopkins University, Levy Sheet Music Collection, Box
189, Item 089Lyric by Joseph McCarthy. Music by Harry Carroll. [Frederic Chopin]Tyrone Power, Alice Fate, Al Jolson in "Rose of Washington Square." Darryl F. Zanuck in Charge of Production. Sung by Alice Faye.unattrib. photos of Power, Faye, Jolson (in blackface), and of trumpet player Louis Prima
I'm always chasing Rainbows, watching clouds drifting by [first line of chorus]
No full textverse and choruspiano and voiceads on inside bottom margins, on inside front and on back covers for Robbins Music stockmusic same as Box 189 Item 88 (Item 89 lacks introduction)Music is duplicated in 189.088.Music is duplicated in 189.089.Music is duplicated in 189.089a.Johns Hopkins University, Levy Sheet Music Collection, Box
189, Item 089Lyric by Joseph McCarthy. Music by Harry Carroll. [Frederic Chopin]Tyrone Power, Alice Fate, Al Jolson in "Rose of Washington Square." Darryl F. Zanuck in Charge of Production. Sung by Alice Faye.unattrib. photos of Power, Faye, Jolson (in blackface), and of trumpet player Louis Prima
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