566 research outputs found
Sade em Lacan: uma ética da transgressão /
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão.Esta dissertação analisa o lugar do Marquês de Sade no ensino de Lacan. Começamos por reconstruir a recepção de Sade pela vanguarda francesa, particularmente no movimento surrealista e nos seus dissidentes. Em seguida, acompanhamos as modificações do lugar de Sade na obra de Lacan. Para isto nos orientamos nos seis paradigmas do gozo através dos quais J.-A. Miller ordena a doutrina lacaniana do gozo. Dos primeiro e segundo paradigmas Sade se encontra ausente por razões precisas; o terceiro paradigma reivindica a ética sadeana da transgressão; os paradigmas quarto e quinto relativizam a posição transgressiva de Sade; finalmente, no sexta paradigma, Sade é duramente questionado. O último capítulo explicita a pregnância da noção de transgressão tanto na ensaística literária francesa que reabilitou Sade quanto em toda a obra de Lacan, e mostra a matriz sadeana desta noção. A análise da noção de transgressão na obra de Lacan - quem inicialmente a reivindica, afastando-se dela nos últimos seminários - mostra-se extremamente esclarecedora tanto da obra de Lacan quanto da recepção de Sade por Lacan e pela ensaística francesa deste século
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SADE : a structural active-object system drawing editor
No full textStructural active-object systems (SAOSs) are transition-based object-oriented systems suitable as frameworks of various concurrent systems. AOSs are constructed from their component active objects by structural and hierarchical object composition (SHOC) like hardware systems. 1n this report, we demonstrate that the SAOS approach is effective in implementing a graphical editor. The SAOS Drawing Editor (SADE) is a SAOS program to aid creation of SAOS components, allowing its user to create, manipulate, and save graphical objects, which may be compound objects as well as such primitive objects as rectangles, lines, and ellipses. The implementation of SADE was simplified as structural active objects (SAOs) were used as its components including the canvas and the palette. Furthermore, since the graphical objects placed on the canvas are also SAOs, they can handle edit-operations for themselves.Keywords and Phrases: graphical editor, object-oriented programming, active-object system, structural composition, hierarchical composition, graphical user interface, compound object1993 best estimate for issue date based on available information
Uivos em favor de uma imagem sadeana
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2012.A pesquisa objetiva fazer dialogar o marquês de Sade com o cinema a partir da formação de um conceito de imagem sadeana, distinguindo-a radicalmente do sadismo, entendido mais como representação, absorção de imagens chocantes pelo senso comum. Para isso, leio, principalmente, além de Sade e alguns comentadores (Klossowski, Deleuze, Barthes, Foucault, Bataille e Lacan), os conceitos de (1) de imagem em vias de significar (sem imagem), em Agamben (lendo Debord); (2) de imagem-cristal em Deleuze; e (3) de imagem sem fundo (como violência) em Nancy. Sugiro então a imagem sadeana, a partir desses três parâmetros, como ataque violento à moral, porém feito pretensamente de fora da moral, a partir da Genealogia nietzscheana, da biopolítica (Foucault/Agamben) e do fim do humanismo (nas leituras que Agamben e Sloterdijk fazem de Heidegger). Tento então encontrar a imagem sadeana em Saló ou os 120 dias de Sodoma, de Pier Paolo Pasolini; O porteiro da noite, de Liliana Cavani; Café Flesh, de Stephen Sayadian; e Anticristo, de Lars von Trier. <br
Marquês de Sade: crime, destruição e excesso
No full textResumo: O presente artigo tem como objetivo primordial investigar a ligação entre o erotismo e a morte, que abrange questões como o crime, a destruição e o excesso, na obra sadiana. Marquês de Sade, senhor dos sádicos, estabeleceu a vida como um mero meio para a obtenção do prazer máximo. E esse prazer, segundo o autor francês, apenas se faz sentir de forma apoteótica quando destrói a vida. Assim, gozar é sinónimo de ver destruir, de abraçar e de satisfazer a morte. Além de destruir, torna-se imprescindível violar, violentar e matar sem freios, sem imposições morais. Para a elaboração deste estudo, recorreu-se não só à produção literária de Marquês de Sade, mas também a textos teórico-críticos, que focam as noções de erotismo, morte e sadismo.Palavras-Chave: Marquês de Sade; sadismo; crime; destruição; excesso.Abstract: This article studies the possible relations between eroticism and death, which covers issues such as crime, destruction and excess, in the Sadeian work. Marquis de Sade, master of the sadists, envisioned life as a mere mean for obtaining pleasure. And this pleasure, according to the French author, is only felt when life is destroyed. Thus, to enjoy is to destroy, to embrace and to serve death. Besides destruction, it becomes imperative to violate, rape and kill without limits, without moral impositions. Not only the literary production of Marquis de Sade proved to be paramount to this research, but also the theoretical texts which focus on eroticism, death and sadism.Keywords: Marquis de Sade; sadism; crime; destruction; excess
Customer relationship management model for SADE Innovations Oy
No full textThis thesis examines the development and early implementation of a customer relationship management (CRM) model at SADE Innovations Oy, a Finnish technology company specializing in IoT solutions. The objective was to create a structured CRM approach that enhances internal coordination, improves customer satisfaction, and supports scalable long-term relationship management. The author contributed directly to the CRM deployment and the establishment of customer care practices.
The research applied qualitative methods, using semi-structured interviews with sales and project personnel. Thematic analysis addressed the current CRM state, employee expectations, recognized benefits, implementation challenges, and key performance indicators (KPIs). The study integrates theoretical frameworks from Buttle and Maklan (2015), Payne and Frow (2005; 2017), and Peppers and Rogers (2017).
Findings indicate that while CRM system usage has improved transparency and internal collaboration, full behavioral integration remains incomplete. Interviewees emphasized the need for clearer role definitions, systematic follow-up routines, and process-based KPIs to drive CRM maturity. Barriers such as fragmented practices and resource limitations were also identified. Based on these insights, the thesis offers recommendations for embedding CRM into organizational culture and proposes KPI-driven feedback mechanisms to sustain continuous development
Sade : opus contra theatrum
No full textDepuis 1999, date à laquelle il annonce son intention d’entamer un cycle de création ayant pour base les oeuvres du marquis de Sade, Enrico Frattaroli a créé 5 spectacles formant un ensemble intitulé Sade convivium. Dans le document qu’il a préparé pour L’Annuaire théâtral, il explique la démarche artistique singulière par laquelle il utilise la matière sadienne tout en évitant de mettre en scène à la fois son théâtre et son oeuvre romanesque.Since 1999, the date he announced his intention to write a cycle of plays based on the works of the Marquis de Sade, Enrico Frattaroli has created five works in this ensemble that bears the title The Sade convivium. In the document he has prepared for L’Annuaire théâtral, he explains his unique approach whereby he uses the works of Sade as a creative material rather than attempting to produce the plays or the novels of the French author
Sade
No full textSadeâs personal fate has too long encouraged critics to concentrate on his personal isolation and personal revolt. Extraordinary as his life was, the light that it throws on his work casts into shade the intellectual context that was much more important to its generation than his actual experience. This book is about how Sade took a pure version of eighteenth-century materialism and rendered it into an even purer form of pornography. The eternal yet unequal clashing of atomic bodies became the endless torture of human ones. It traces the intellectual genealogy that links Sade to his materialist forebears (dâHolbach, Condillac, Buffon, Diderot, La Mettrie, Robinet, Delisle de Sales) and shows how the germs of cruel pleasure were already present in elements of their work, as much in their rhetoric and stylistics as in their arguments. Sade, aided by his grounding in the interpretative techniques of illicit clandestine and libertine literature, read them attentively and developed their presentation as well as their content into a flawlessly logical and self-referential system. Thus the arrogant philosopher (the author / the libertine) did not just mouth his cruel positions but enacted them, proving the behaviour of matter as he/she did so. This reading of Sadeâs work refers its principal elements â shape, style and contents â back to the hardcore of materialism, offering an account which, while not making it more tolerable, renders it at once more accessible and more comprehensible. Acknowledgements Abbreviations Introduction 1. Sade and materialism since 1945 2. Sensationist materialism: system and technique 3. Persuasion: the philosopheâs rhetorical profile 4. Sadeâs system 5. âComme fondu dans le fonds communâ: clandestine and libertine ingredients in the Sadean melting pot 6. Literality 7. The Drama of matter Bibliography Index<br/
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