1,222 research outputs found
Eustáquio Neves: photographic subject - memory and image
No full textEsta pesquisa tem como ponto de partida o acesso ao ateliê e aos arquivos de criação do artista Eustáquio Neves. A investigação dos percursos identificados nas obras, esboços, anotações e falas de Neves busca relações entre os processos de criação e a presença comunicante materializada nos trabalhados do artista, visando descobrir de que maneira os procedimentos adotados pelo autor transformam imagens em estandartes que carregam memórias deliberadamente evocadas enquanto povoam universo ficcional com seus próprios tempos e espaços. Neves coloca a fotografia no contexto das artes visuais ao criar imagens complexas nas quais o clamor político e as marcas do processo – tanto fotográfico quanto extrafotográfico – se impõem. A presença resulta, portanto, de investimento semântico que perpassa todo o processo de criação e, no caso de Neves, é amplificado pelo uso não convencional desses procedimentos. O estabelecimento de vínculos entre obras, autor e contexto de produção tem como objetivo detectar nexos e recorrências entre os trabalhos de Neves, em suas diversas etapas de desenvolvimento, e questões pertinentes acerca das artes visuais contemporâneas. O tratamento acadêmico do material, feito sob a perspectiva da crítica de processos de acordo com contribuições teóricas de Cecilia Almeida Salles, faz emergir discussões sobre os tempos e espaços fotográficos, autoria, memória e arquivos. Ao lado de Salles aparecem autores que colaboram para uma abordagem interdisciplinar: Vincent Colapietro, Henri Bergson, Edgar Morin, Georges Didi-Huberman, Jacques Rancière e Michel FoucaultThis research has as its starting point the access to the studio and the creation archives of the Brazilian artist Eustáquio Neves. The investigation of the paths identified in Neves' s works, sketches, notes and speeches, seeks to establish relations between the creation processes and the communicating presence materialized in the artist's works, in order to discover how the procedures adopted by the author transform images into manifestos that carry memories deliberately evoked, as they populate a fictional universe within their own times and spaces. Neves places photography in the context of the visual arts by creating complex images in which the process reminiscences - both photographic and extra-photographic - impose themselves, as well as the political statement. Presence therefore results from a semantic investment that permeates the entire creation process and, in the case of Neves, is amplified by the unconventional use of these procedures. The establishment of links between works, author and context of production aims to detect nexuses and recurrences between the material, in its various stages of development, and pertinent questions about contemporary visual arts. The academic treatment is made from the perspective of process criticism in accordance with Cecilia Salles' theoretical contributions and gives rise to discussions about photographic times and spaces, authorship, memory and archives. Alongside Salles are authors who collaborate for an interdisciplinary approach: Vincent Colapietro, Henri Bergson, Edgar Morin, Georges Didi-Huberman, Jacques Rancière and Michel FoucaultConselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNP
The critical realism of João das Neves
No full textOrientador: Suzi Frankl SperberDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de ArtesResumo: Esta pesquisa analisa a produção dramatúrgica de João das Neves, compreendendo, assim, os seguintes textos: O último carro (1964), O quintal (1978), Mural mulher (1979), Café da manhã (1980) e A pandorga e a lei (1983-1984), que, na sua totalidade, foram produzidos durante a ditadura militar no Brasil. O engajamento político de João das Neves possibilitou o desenvolvimento de
um teatro voltado para os problemas candentes da realidade social brasileira, levando-o a formular uma obra de estrutura épica com suas especificidades próprias. Seu teatro, nesse sentido, procura esclarecer ao público certos aspectos da engrenagem social, integrar o espectador no espaço cênico e apresentar as personagens a partir de uma ótica social - e não individualizada, como é o caso do drama burguêsAbstract: This research analyses the dramaturgic production of João das Neves, encompassing the following plays: O último carro (1964), O quintal (1978), Mural mulher (1979), Café da manhã (1980) e A pandorga e a lei (1983-1984). These works were produced during the military dictatorship in Brazil. The political engagement of João das Neves made possible the development of a theatre turned to the effervescent problems of the Brazilian social reality, and leading the author to formulate an epic-structured play with its particular specificities. In this sense his dramaturgy aims to enlighten the public about some aspects of the social machinery, integrating the viewer to the scenic space. He also presents the characters from a social perspective ¿ non-individualized, as it is the case of the bourgeois dramaMestradoArtesMestre em Arte
The theatrical work of João das Neves in the Grupo Opinião
No full textTendo-se realizado uma pesquisa de mestrado em que se objetivou examinar os aspectos constitutivos do pensamento crítico de João das Neves a partir do processo de investigação e análise de seus trabalhos em teatro no pré-64, projetou-se dar sequência história a esse estudo na tese agora apresentada, centrando-se em sua atuação no contexto político da ditadura militar brasileira. Desse modo, pretendeu-se verificar quais aspectos de seu pensamento mantêm-se e quais prevalecem em suas propostas no Grupo Opinião. Para tanto, foram analisadas várias frentes de engajamento de Neves, a fim de se compreender o papel desempenhado pelo artista para a criação e manutenção do grupo entre os anos 1964 e 1980. Nesse sentido, destacam-se aqui os seguintes temas investigados: o primeiro espetáculo do grupo, o Show Opinião; o Concurso e o Seminário de Dramaturgia Opinião, idealizados e organizados por João das Neves da década de 1970; a escrita e a encenação de O último carro, talvez a peça mais conhecida do autor; sua apropriação da ideia brechtiana de modelo; a pesquisa de Neves sobre a peça radiofônica alemã e o intercambio artístico iniciado e difundido por ele entre o Brasil e Alemanha; as particularidades cênico-dramatúrgicas de Mural mulher, última peça que se apresenta no espaço do Opinião; sua definição pelo teatro documentário e popular. Além das peças teatrais de João das Neves e da fortuna crítica, as análises foram construídas com base em documentos primários levantados, em declarações e depoimentos do autor em diferentes momentos e em entrevista realizada diretamente com ele. Por fim, vale dizer que, ao evidenciar as transformações decorrentes do período ditatorial, o exame do trabalho teatral de João das Neves no Grupo Opinião enseja uma aproximação do processo cultural brasileiro das últimas cinco décadas, contribuindo, portanto, para uma melhor compreensão do cenário artístico atual.Having conducted a master\'s degree research in which the objective was to examine the constitutive aspects of João das Neves\' critical thought based on the investigation and analysis of his theatrical works in the years prior to 1964, the project was to give historical continuity to this study in doctoral dissertation now presented, focusing on his work in the political context of the Brazilian military regime. In this way, the intention was to verify which aspects of his thought remain and which prevail in his proposals in Grupo Opinião. To this end, different aspects of Neves\' political engagement were analyzed in order to understand the role played by the artist in the creation and maintenance of the group between 1964 and 1980. In this sense, the following investigated themes to be noted are: the group\'s first play, Show Opinião; the Concourse and Seminar of Dramaturgy Opinião, conceived and organized by João das Neves in the 1970s; the writing and staging of O Último Carro, possibly the author\'s most known play; his appropriation of the Brecht\'s idea of model; Neves\' research on the German radio play and the artistic interchange initiated and spread by him between Brazil and Germany; the scenic-dramaturgical particularities of Mural Mulher, the last play performed at Opinião; his definition of documentary and popular theater. In addition to João das Neves\' plays and critical fortune, the analyses were built on primary documents surveyed, on statements and testimonials from the author at different times, and on interviews conducted with him. In addition to João das Neves\' plays and critical fortune, the analyses were built on primary documents surveyed, on statements and testimonials from the author at different times, and on interviews conducted with him. To conclude, it is Worth mentioning that showing the transformations of the dictatorship period, the examination of all theatrical work of João das Neves in Grupo Opinião presents a communion of the brazilian cultural process within the last five decades, providing a vast contribuition, nontheless, to a viable compreehension of the artistic scenario we see nowadays
Gênero e ciência na ficção científica de Berilo Neves
No full textThis research proposes to analyze the dialogue between Berilo Neves considered to be the first author to systematically dedicate himself to science fiction in Brazil literature and the debates about countrys modernization and, in particular, about womens issue at 1920 and 1930 decades at Rio de Janeiro. While Neves speculations about scientific themes expressed certain understanding on the possibilities and consequences of his times scientific practices, they satirized his contemporary society, the feminine behavior being his favorite target. By means of a science fiction specific language, the author mobilized and elaborated representations about science and women, particularly about the places of one and another in a social change process. The research proposes, thus, to confront the following problem: in which way Neves writings articulate the ambiguities, tensions and contradictoriness of an experience of the changes going on in that society, especially in gender relations? The consulted sources cover primarily Neves science fiction tales, but comprehend also other text by him and contemporary journal material which account on his repercussion and related debates. Its analysis allowed the understanding that his writings have an ambiguous effect that combines wonder and suspicion towards scientific endeavors, but share with his time scientific language and assumptions which define gender roles and identities, as well as the desire for a traditional values preserving modernization. The plural and contradictory aspects of his writings regard to the sensibility of an experience of profound social and technological changes. That sensibility was also one of the reasons of the enormous repercussion of his work and the multiple opinions and understandings around it by his contemporary.Esta pesquisa propõe-se a analisar o diálogo da literatura de Berilo Neves, considerado o primeiro autor a dedicar-se sistematicamente à ficção científica no Brasil, com os debates sobre a modernização do país e, em especial, sobre a questão da mulher nas décadas de 1920 e 1930 no Rio de Janeiro. Ao mesmo tempo em que as especulações de Neves sobre temas científicos expressavam certo entendimento sobre as possibilidades e consequências das práticas científicas de sua época, realizavam uma sátira da sociedade que lhe era contemporânea, tendo o comportamento feminino como seu alvo preferido. Por meio de uma linguagem própria da ficção científica, o autor mobilizou e elaborou representações sobre a ciência e a mulher, principalmente sobre o lugar de uma e outra em um processo de transformação social. A pesquisa se propõe, dessa forma, a confrontar o seguinte problema: em que medida os escritos de Neves articulam as ambiguidades, tensões e contraditoriedades de uma experiência das transformações em curso naquela sociedade, em especial nas relações entre os gêneros? As fontes consultadas abrangem primordialmente os contos de ficção científica de Neves, mas compreendem também outros textos escritos pelo autor e material reunido em periódicos da época que dê conta da sua repercussão e dos debates relacionados. Sua análise permitiu a compreensão de que seus escritos têm um efeito ambíguo que combina maravilhamento e desconfiança em relação aos empreendimentos científicos, mas compartilham com seu tempo uma linguagem e pressupostos científicos definidores de identidades e papéis sociais de gênero, bem como o desejo por uma modernização que preserve valores tradicionais. Os aspectos plurais e contraditórios de seus escritos diziam respeito a uma sensibilidade de uma experiência de profundas transformações sociais e tecnológicas. Essa sensibilidade foi, também, um dos motivos da enorme repercussão de sua obra e dos múltiplos posicionamentos e compreensões da mesma por seus contemporâneos
A sociedade mundial desde a periferia: a sociologia da exclusão de Marcelo Neves
No full textThis paper presents the work of Brazilian sociologist and constitutional author Marcelo Neves, interpreting his theoretical contribution as a non-Eurocentric postcolonial approach to the process of nation-building. It portrays how Neves engages with a long-standing tradition of Brazilian social thought. We argue that Neves stands against the epistemological nationalism of such tradition and is critical of its presuppositions and ideological functions. Nevertheless, he draws on insights from these theories about the peripheries of world society – such as the infiltration of private interests into public ones, and the reproduction of inequality. For Neves, social exclusion constitutes a building block in structuring a stable social order established on precarious forms of citizenship.El artículo presenta una interpretación de la obra del sociólogo y constitucionalista Marcelo Neves como contribución a una reflexión sobre el proceso de construcción del Estado brasileño desde una perspectiva poscolonial, no eurocéntrica. Para ello, presentamos su diálogo con la tradición sociológica brasileña representada en el “paradigma de la formación”. Argumentamos que Neves se distancia del nacionalismo metodológico de esta tradición, con críticas a sus supuestos y funciones ideológicas, pero aprovecha algunas de las observaciones sociológicas sobre las periferias descritas por estas teorías, como la infiltración de intereses privados sobre los públicos. y la reproducción de relaciones sociales profundamente desiguales. Para Neves, la exclusión social surge como un elemento fundamental en la estructuración de un orden social estable basado en formas precarias de ciudadanía.O artigo apresenta uma interpretação da obra do sociólogo e constitucionalista Marcelo Neves como uma contribuição a uma reflexão sobre o processo de construção do Estado brasileiro desde uma perspectiva pós-colonial, não eurocêntrica. Para isso, apresentamos seu diálogo com a tradição sociológica brasileira representada no “paradigma da formação”. Argumentamos que Neves se afasta do nacionalismo metodológico dessa tradição, com críticas a seus pressupostos e funções ideológicas, mas aproveita algumas das observações sociológicas sobre as periferias descritas por essas teorias – como a infiltração de interesses privados sobre o público e a reprodução de relações sociais profundamente desiguais. Para Neves, a exclusão social surge como peça fundamental a estruturar uma ordem social estável e fundada em formas precárias de cidadania
A sociedade mundial desde a periferia: a sociologia da exclusão de Marcelo Neves
No full textThis paper presents the work of Brazilian sociologist and constitutional author Marcelo Neves, interpreting his theoretical contribution as a non-Eurocentric postcolonial approach to the process of nation-building. It portrays how Neves engages with a long-standing tradition of Brazilian social thought. We argue that Neves stands against the epistemological nationalism of such tradition and is critical of its presuppositions and ideological functions. Nevertheless, he draws on insights from these theories about the peripheries of world society – such as the infiltration of private interests into public ones, and the reproduction of inequality. For Neves, social exclusion constitutes a building block in structuring a stable social order established on precarious forms of citizenship.El artículo presenta una interpretación de la obra del sociólogo y constitucionalista Marcelo Neves como contribución a una reflexión sobre el proceso de construcción del Estado brasileño desde una perspectiva poscolonial, no eurocéntrica. Para ello, presentamos su diálogo con la tradición sociológica brasileña representada en el “paradigma de la formación”. Argumentamos que Neves se distancia del nacionalismo metodológico de esta tradición, con críticas a sus supuestos y funciones ideológicas, pero aprovecha algunas de las observaciones sociológicas sobre las periferias descritas por estas teorías, como la infiltración de intereses privados sobre los públicos. y la reproducción de relaciones sociales profundamente desiguales. Para Neves, la exclusión social surge como un elemento fundamental en la estructuración de un orden social estable basado en formas precarias de ciudadanía.O artigo apresenta uma interpretação da obra do sociólogo e constitucionalista Marcelo Neves como uma contribuição a uma reflexão sobre o processo de construção do Estado brasileiro desde uma perspectiva pós-colonial, não eurocêntrica. Para isso, apresentamos seu diálogo com a tradição sociológica brasileira representada no “paradigma da formação”. Argumentamos que Neves se afasta do nacionalismo metodológico dessa tradição, com críticas a seus pressupostos e funções ideológicas, mas aproveita algumas das observações sociológicas sobre as periferias descritas por essas teorias – como a infiltração de interesses privados sobre o público e a reprodução de relações sociais profundamente desiguais. Para Neves, a exclusão social surge como peça fundamental a estruturar uma ordem social estável e fundada em formas precárias de cidadania
Norway
No full textThis is a pre-copyedited, author-produced version of an article accepted for publication in the Yearbook of International Environmental Law following peer review. The version of record das Neves, M.M. (2019). C. Norway. Yearbook of International Environmental Law (2017) 28, 297-305, is available online at: https://doi.org/10.1093/yiel/yvy017
Typton anaramosae Neves 2020, sp. nov.
No full textTypton anaramosae sp. nov. (Figs. 1–3) urn:lsid:zoobank.org:act: 193CE50B-2599-44D3-AD7E-9EB9BB046E42 Type material. Cabo Verde Archipelago. Holotype: Ovigerous female (pocl 4.2 mm) [MNCN 20.04/12401], São Vicente Island, Porto Grande Bay, Enseada de Corais da Matiota, 16°53’47.4”N 24°59’32.9”W, snorkeling, depth: 2–3 m, in sponge growing under large rock, leg. K. Neves, September 2019. Paratypes: male (pocl 3.4 mm) [MNCN 20.04/12402] and ovigerous female (damaged and lacking second major cheliped, pocl not measured) [UCV 2020/00016], same collection data as for holotype. Two ovigerous females (one: pocl 3.8 mm, other: damaged, pocl not measured), São Vicente Island, Porto Grande Bay, Enseada de Corais da Matiota, 16°53’47.4”N 24°59’32.9”W, snorkeling, depth: 2–3 m, in sponge growing under large rock, leg. K. Neves, 29 December 2019 [UCV 2020/00017]. Description. Carapace (Fig. 1 A–C) subglobular, smooth, glabrous, slightly depressed, longer than deep. Rostrum (Fig. 1 A–C) short, triangular in dorsal view, unarmed, 0.67 length of ocular peduncle, tapering distally, acute, tip curved upwards in lateral view, ventral border convex throughout. Paraorbital processes (Fig. 1 A–C) well developed, 0.85 length of rostrum, slightly divergent in dorsal view, almost reaching base of cornea and pointing slightly upward in lateral view, reaching level of most-anterior pterygostomial margin. Orbit (Fig. 1B) feebly demarcated, without distinct inferior orbital angle or antennal spine; pterygostomial margin slightly produced anteriorly, somewhat angular. Eyes (Fig. 1 A–C) well developed, cornea rounded, set obliquely on stalk; stalk stout, subcylindrical, inner margin straight, longer than wide and subequal to diameter of cornea; anterior margin of cornea reaching distal third of first article of antennular peduncle. Pleon elongate, smooth, glabrous, moderately expanded in ovigerous females, enclosing large number of small eggs; first 4 pleonites with pleura broadly rounded, 5th pleuron (Fig. 1D) slightly produced, posterior margin of 6th pleonite without dorsal medial tooth, posterolateral and posteroventral angles acutely produced (Fig. 1D). Telson (Fig. 1E) moderately slender, tapering, 1.9 times of 6th pleonite length, about twice as long as maximal width; lateral margins convex, posteriorly convergent; posterior margin feebly convex, without median process; dorsal surface with 2 pairs of spiniform setae, anterior pair 0.08 times telson length, situated at 0.2 of telson length, posterior pair similar in size, situated at about 0.6 of telson length; posterior margin with 3 pairs of non-setulose setae, lateral pair minute, 0.6 times as long as dorsal spines, intermediate pair long, slender, 0.17 telson length, median pair slightly shorter than intermediate pair. Antennular peduncle (Fig. 1F) with proximal article subcylindrical, 3.9 times longer than distal width, slightly broadened proximally; statocyst well developed, with statolith; stylocerite very short, acute, broad; intermediate article shorter than distal article, their combined length equal to about 0.4 length of proximal article; upper flagellum biramous, short, stout, four proximal articles of rami fused, short ramus with single short rounded subdivision, longer ramus short, slender, with 5–6 subdivisions; about 6–8 groups of aesthetascs; lower flagellum slender, short, with 7 subdivisions. Antenna (Fig. 1G) with stout unarmed basicerite bearing conspicuous antennal gland tubercle mesially; carpocerite slender, subcylindrical, about 5 times longer than distal width, 1.6 merocerite length; flagellum slender, short, 3.9 times as long as carpocerite; scaphocerite strongly reduced, 0.4 carpocerite length, 2.5 times as long as proximal width, tapering distally, terminally rounded, without distolateral spine or setae. Mouthparts typical for genus, without species-specific features. Third maxilliped (Fig. 1H) with antepenultimate article broad; penultimate article about half as long as antepenultimate article, 1.4 length of ultimate article; ultimate article slender, tapering towards apex; exopod reaching slightly beyond distal margin of antepenultimate article, with 1 short, simple, subdistal seta, in addition to 4 slender, plumose, distal setae. First pereiopods (Fig. 1 I–J) exceeding antennular peduncle by distal third of merus. Palm of chela slender, subcylindrical, slightly compressed, about 3 times as long as wide. Fingers robust, short, stout, 0.45 of palm length, strongly spatulate; finger cutting edges entire, blade-like, unarmed; dactylus distally rounded in dorsal view, fixed finger similar to dactylus, tip feebly bidentate; outer and mesial surfaces of fingers bearing some tufts of serrulate setae. Carpus about 6.6 times longer than distal width, 2.2 times as long as palm, tapering proximally. Merus slen- der, about 7.4 times longer than broad, 1.1 times as long as carpus. Ischium short, stout, broader than merus, about 2.7 times as long as broad, 0.6 times merus length. Basis shorter and slenderer than ischium. Second pereiopods well developed, unequal in size, dissimilar in shape, reaching beyond the antennal peduncle by entire carpal length. Major second pereiopod (Fig. 2 A–E) greatly enlarged, longer and more robust than minor second pereiopod; chela greatly enlarged, moderately swollen; palm bearing several small granules on mesial surface, extending to ventral and dorsal margins, slightly compressed laterally, sub-oval in cross-section, flattened medially, slightly tapering distally, length about 1.7 maximal height; dactylus laterally compressed, 0.34–0.37 times length of palm, with stout, corneous, bluntly hooked tip; dactylar cutting edge thickened, entire, unarmed; pollex about as long as dactylus, with curved, distally sub-acute, corneous tip; cutting surface opposed to dactylus with deep groove accommodating dactylar cutting edge; mesial edge of pollex with single, strong, blunt tooth proximally, lateral margin unarmed; both fingers curved mesially (inwards) at their tips; carpus 0.4–0.5 length of palm, ventral surface irregular, without distinct teeth, about 1.4 times as long as maximal width, narrow proximally, distally widening; merus 1.4 times as long as broad, 0.77 length of carpus and 0.37 length of palm, ventral surface with small, conical, sharp teeth; ischium 0.7 length of merus, unarmed. Minor second pereiopod (Fig. 2 F–H) smaller than major second pereiopod; chela 0.68 of major chela length; palm suboval in cross-section, 1.7 times as long as maximal height, bearing sparse granules on mesial surface; dactylus 0.4 palm length, compressed, with curved tip; cutting edge sharp, entire; pollex excavated on surface opposed to dactylus; lateral edge sharp, entire; mesial edge projecting proximally as blunt triangular tooth, fingertips sharp, curved; carpus about half-length of palm, with minute conical teeth on ventral surface, 1.1 times maximal height, much wider distally; merus 1.4 times as long as broad, about 0.8 of carpal length and 0.41 of palm length, with minute conical teeth on ventral surface; ischium about as long as merus, unarmed. Third pereiopod (Fig. 3 A–C) stout; dactylus biunguiculate, compressed, 0.22 propodus length and 1.4 times longer than basal width, ventral margin of corpus slightly concave, distal half bearing minute sharp denticles and acute, triangular, ventrally pointing secondary unguis; terminal unguis distinctly demarcated, about half as long as corpus, strongly curved, bearing minute sharp denticles; propodus 3.7 times as long as wide, with pair of stout distoventral spines and 4 or 5 irregularly spaced spines along ventral margin; carpus 0.95 length of propodus, 3.2 times as long as distal width, unarmed; merus about 2.3 as long as broad and 1.2 times length of carpus, unarmed; ischium about 0.7 times length of merus, unarmed. Fourth pereiopod (Fig. 3 D–E) generally similar to third pereiopod; dactylus biunguiculate, 2.5 times as long as basal width; ventral margin of corpus bearing several minute denticles in its distal half, with triangular, ventrally pointing secondary unguis; terminal unguis equal or slightly shorter than half-length of corpus, ventral margin with several minute denticles; propodus about 4 times as long as wide; ventral margin with three or 4 spines and distal pair of stouter spines; carpus 0.84 times propodus length, 2.5 times as long as distal width; merus about 2.5 times as long as wide. Fifth pereiopod (Fig. 3 F–G) noticeably slenderer than third and fourth, with dactylus biunguiculate, compressed, about 0.2 of propodus length, 2.2 times as long as basal width; ventral margin of corpus slightly convex, distal half bearing minute denticles and acute, ventrally pointing secondary unguis; terminal unguis well-demarcated, slender- er than that of third and fourth pereiopods, 0.4 length of corpus, curved, with minute denticles; propodus 5.9 times as long as broad; ventral margin with 1 subdistal and 1 pair distal spines; distolateral surface with brush of grooming setae; carpus 0.6 times length to propodus, about 2.5 times as long as distal width, unarmed; merus 3.4 times as long as wide and 1.7 length of carpus, unarmed; ischium 0.7 length of merus, unarmed. First female pleopod (Fig. 3H) with endopod reaching half-length of exopod, margins with long plumose setae. Second female pleopod (Fig. 4I) about as long as exopod; appendix interna inserted at mid-length of mesial margin, with 2 long, lateral, plumose setae and about 12 subdistal cincinnuli distributed in two rows. Second male pleopod (Fig. 4J) with endopod 0.9 length of exopod, appendix interna inserted at 0.4 of mesial margin, with four subdistal cincinnuli; appendix masculina with corpus obsolete, reduced to single stiff setulose seta protruding beyond appendix interna. Uropods (Fig. 4K–N) with protopod unarmed; exopod broadly oval, with lateral margin slightly convex, nonsetose; distolateral margin serrated in its distal third, with 14–15 acute or subacute teeth; distolateral angle with acute tooth and larger, movable spine mesially; diaeresis inconspicuous; endopod elongate, oval, slightly longer than exopod; proximal parts of lateral and mesial margins non-setose. Color pattern. Largely transparent with yellowish-brown hue; eggs olive green. Etymology. It is a great pleasure for the author to dedicate this species to Dr. Ana Ramos of the Spanish Institute of Oceanography, Vigo, and leader of the ECOAFRIK research team, in appreciation and recognition of her dedication to improve the knowledge of the benthic fauna of African coasts and for her inestimable support throughout the years. Distribution. Presently known only from the type locality: Enseada de Corais da Matiota, Porto Grande Bay, São Vicente Island, Cabo Verde. Biology. Typton anaramosae sp. nov. is, like all other species in the genus, an obligate associate of demosponges; all five specimens of the type series were extracted from unidentified sponges of yellowish-brown color and very elastic texture, probably belonging to the genus Spongionella Bowerbank. The irritated shrimps produced a snapping sound by rapidly closing the dactylus of the major second pereiopod (major chela). The pollex of this appendage has a deep groove accommodating the thickened, almost bulging cutting edge of the dactylus. Typton spongicola and T. fapespae Almeida, Anker & Mantelatto, 2014, both having a very similar configuration of the major second pereiopod fingers, are also known to produce snapping sounds (Almeida et al. 2014). Remarks. Only six species of Typton are known to have the distal part of the outer margin of the uropodal exopod serrated, viz T. spongicola (eastern Atlantic), T. holthuisi (central Atlantic), T. fapespae and T. prionurus (western Atlantic), T. serratus and T. granulosus (eastern Pacific). Typton anaramosae sp. nov. doesn’t seem to be closely related to T. spongicola, T. holthuisi and T. fapespae for it can be readily distinguished from them by the absence of a median tooth on the posterodorsal margin on the sixth pleonite. Furthermore, the serration of the uropodal exopod is restricted to a relatively small area in these three species, whilst it is over a much larger area in the new species; in addition, the number of teeth is also higher in the new species compared to the other three (cf. Bruce 2009; De Grave 2010; Almeida et al. 2014). Typton anaramosae sp. nov. is morphologically more similar to T. granulosus, T. prionurus and T. serratus, forming a distinct species group within the genus, characterized by the outer margin of the uropodal exopod serrated in at least its distal third and the posterodorsal margin of the sixth pleonite without median tooth. Whether this species group is monophyletic remains to be tested by a phylogenetic analysis. Typton anaramosae sp. nov. can be distinguished from T. prionurus by (1) the antennal peduncle reaching the distal margin of the second antennular article instead of reaching the end of the antennular peduncle in the latter species (cf. Fig. 1C; Holthuis 1951b, pl. 52, fig. a; Pachelle et al. 2015, fig. 1a–b); (2) the mesial surface of the major chela palm bearing several minute granules, which are absent in T. prionurus (cf. Fig. 2C; Pachelle et al. 2015, fig. 1h); (3) the much higher number of teeth in the serrated margin of the uropodal exopod (cf. Fig. 3 K–N; Holthuis 1951b, pl. 52, fig. c; Pachelle et al. 2015, fig. 1m); (4) the slenderer first pereiopod, exceeding the antennular peduncle by the distal third of the merus, instead of by the length of the carpus in T. prionurus (cf. Fig. 1I; Holthuis 1951b: pl. 52, fig. h); (5) the relatively shorter first pereiopod fingers, with finger-palm ratio equal to 0.45 in the new species versus fingers slightly more than half length of the palm in T. prionurus; (6) the dactylus of second major cheliped proportionally shorter in comparison to the palm length (0.34–0.37 vs. 0.5); (7) the scaphocerite terminally rounded and reaching to about 0.3 length of first article of the antennal peduncle vs. pointed and reaching distal third of first article of the antennal peduncle in T. prionurus (cf. Fig. 1G; Holthuis 1951b, pl. 52, fig. e); (8) the carpus of second major cheliped slightly more produced ventrally, being 1.3–1.4 times as long as maximal width vs. about 1.7 times as long as maximal width in T. prionurus; (9) the dactylar corpus of the third pereiopod with denticles restricted to its distal half vs. extending for almost its entire length in T. prionurus (cf. Fig. 3C; Pachelle et al. 2015, fig. 1l); (10) the third pereiopod dactylus stouter; and (11) the third pereiopod carpus somewhat larger in comparison to the propodus (0.95 vs. 0.83) and merus (0.84 vs. 0.71) (cf. Fig. 3A; Holthuis 1951b: pl. 52, fig. k). Typton anaramosae sp. nov. can be distinguished from T. granulosus by (1) the slenderer first pereiopod, with the carpus being about 6.6 and the merus 7.4 times longer than wide vs. 4.7 and 6.4 times longer than wide, respectively, in T. granulosus; (2) the much higher number of teeth on the serrated margin of the uropodal exopod (cf. Fig. 3 K–N; Ayón-Parente et al. 2015, fig. 5D–I); (3) the presence of several minute denticles on the unguis of the third to fifth pereiopod dactylus (cf. Fig. 3 B–C, E, G; Ayón-Parente et al. 2015, fig. A–F); (4) the relatively length of the scaphocerite, reaching to about 0.3 length of first article of the antennal peduncle vs. reaching to its half-length in T. granulosus (cf. Fig. 1G; Ayón-Parente et al. 2015, Fig. 2B); (5) the somewhat broader telson, about twice as long as wide in the new species vs. 2.5 times longer than wide in T. granulosus; and (6) the smaller spines on the dorsal surface of the telson (0.08 of telson length in T. anaramosae sp. nov. vs. 0.14 in T. granulosus) (cf. Fig. 1E; Ayón- Parente et al. 2015, fig. 1G). Finally, T. anaramosae nov. sp. can be easily distinguished from T. serratus, for instance, by (1) the second pair of dorsal spines of the telson set in its posterior half vs. both pairs closely set together in the anterior quarter of the telson in T. serratus (cf. Fig. 1E; Holthuis 1951b: pl. 53, fig. c); (2) the slenderer first pereiopod, exceeding antennular peduncle by the distal third of the merus vs. exceeding that article by only part of carpus in T. serratus; (3) the major cheliped palm slightly convex on dorsal and ventral margins vs. with straight margins in T. serratus (cf. Fig. 2 A–C; Holthuis 1951b: pl. 53, fig. i); (4) the uropodal exopod serration with more smaller teeth and starting at about 0.6 length of the outer (lateral) margin vs. with fewer and larger teeth, starting at mid-length of the outer margin in T. serratus (the uropodal exopod also being broader and more ovate in the new species) (cf. Fig. 3 K–N; Holthuis 1951b: pl. 53, fig. c); and (5) the noticeably shorter rostrum (cf. Fig. 1 A–B; Holthuis 1951b, pl. 53, fig. b). Acknowledgments I am indebted to Sandra Correia and Marcia Costa (Instituto do Mar—former Instituto Nacional para o Desenvolvimento das Pescas, Mindelo, Cabo Verde) for their help and arrangements during the use of facilities and equipment during the description of the new species. I am also grateful to Paulo Pachelle, Sammy De Grave and Zdeněk Ďuriš for corrections and very useful comments during the preparation of the manuscript and (S. De Grave) for correction of the English language. I am deeply grateful with the comments and suggestions of A. Anker and other anonymous reviewer that help to improve the quality of this manuscriptPublished as part of Neves, Keider, 2020, A new species of the shrimp genus Typton Costa, 1844 (Malacostraca, Decapoda Palaemonidae) from the Cabo Verde Archipelago, pp. 264-270 in Zootaxa 4768 (2) on pages 265-270, DOI: 10.11646/zootaxa.4768.2.7, http://zenodo.org/record/377976
Portas abertas: poesia
No full textOpen Doors: Poetry by Adamantina Neves is a standout work in the Paraíba Literária collection. This book of poetry is a true gem of Paraíba literature, reflecting the rich cultural and emotional tapestry of the region. Neves, with her lyrical and evocative writing, invites readers to enter a world of deep emotions and introspective thoughts. Each poem is an open door to a unique universe, full of vivid imagery and intense feelings. The author skillfully balances the delicacy of lyrical poetry with the strength of human emotions, creating an unforgettable reading experience. In short, Open Doors: Poetry is a valuable addition to the Paraíba Literária collection. It is a work that celebrates the beauty of poetry and the depth of human experience. It is a book that deserves to be read and appreciated by all lovers of literature.Portas Abertas: Poesia de Adamantina Neves é uma obra que se destaca na coleção Paraíba
Literária. Este livro de poesia é uma verdadeira joia da literatura paraibana, refletindo a rica
tapeçaria cultural e emocional da região.
Neves, com sua escrita lírica e evocativa, convida os leitores a entrar em um mundo de
emoções profundas e pensamentos introspectivos. Cada poema é uma porta aberta para um
universo único, cheio de imagens vívidas e sentimentos intensos. A autora habilmente
equilibra a delicadeza da poesia lírica com a força das emoções humanas, criando uma
experiência de leitura inesquecível.
Em suma, Portas Abertas: Poesia é uma adição valiosa à coleção Paraíba Literária. É uma
obra que celebra a beleza da poesia e a profundidade da experiência humana. É um livro que
merece ser lido e apreciado por todos os amantes da literatura
Autoria em causos contados por Milton Neves sobre futebol
No full textThe figure of the sport commentator is needed in football in order to evaluate a team or a specific player. In Brazil, Milton Neves is an example of a very well-known sport commentator, who enjoys credibility but is also the target of criticism because he engages in polemics due to the particular type of comments that he makes. The author publishes stories monthly in Placar magazine, in the column entitled “Causos do Miltão”. Our aim in this paper is to report a study that we conducted using four of these stories in order to find out if there were any indicators that may characterize this sport commentator as author, taking into account mainly Foucault´s postulates (1999) and Possenti´s concepts (2002). We attribute authorship to the stories based on the argument that they contain linguistic and discursive devices that individualize them as narrations. Para analizar el fútbol, discutir sobre un equipo o sobre un jugador específico existe la figura del comentarista. En Brasil, Milton Neves es un ejemplo de comentarista reconocido, de credibilidad y objeto de críticas por involucrarse en polémicas debido a ciertos comentarios que emite. Mensualmente en la revista Placar, el autor publica “causos” en la columna titulada “Causos do Miltão”. El objetivo de este trabajo es presentar un estudio realizado sobre cuatro de esos “causos” con la intención de averiguar si existe en ellos indicios que puedan caracterizar al comentarista como autor, considerando, principalmente, los postulados de Foucault (1999) y las concepciones de Possenti (2002). Se atribuye la autoría de sus “causos”, una vez que ellos contienen artificios lingüísticos y discursivos capaces de particularizar las narraciones.Para analisar o futebol, discutir sobre um time ou sobre um jogador específico há a figura do comentarista. No Brasil, Milton Neves é um exemplo de comentarista conhecido, de credibilidade e alvo de críticas por se envolver em polêmicas devido a certos comentários que profere. O autor publica causos na revista Placar, mensalmente, na coluna intitulada “Causos do Miltão”. Nosso objetivo, neste trabalho, é apresentar um estudo que realizamos acerca de quatro desses causos com o intuito de averiguar se existem neles indícios que possam caracterizar o comentarista como autor, levando em consideração, principalmente, os postulados de Foucault (1999) e nas concepções de Possenti (2002). Atribuímos autoria aos seus causos, uma vez que eles contêm artifícios linguísticos e discursivos capazes de particularizar as narrações
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