1,335 research outputs found
Research-Creation: Don Álvaro, or The Force of the Verse
No full textEn el presente escrito se documenta un proceso de “Montaje en Verso”, asignatura del programa de Artes Escénicas de la Universidad Distrital Francisco José de Caldas, que tuvo desarrollo durante el primer semestre del año 2024 y se presentó al público del 3 al 6 de junio en el Teatro Casa Teatrova de Bogotá. El objetivo de la asignatura es lograr como resultado una escenificación que para este caso fue interpretada por catorce estudiantes de actuación, bajo la dirección del dramaturgo, director, docente e investigador teatral Camilo Ramírez Triana, quien guio el abordaje escénico de La obra Don Álvaro o la fuerza del sino escrita en el contexto del romanticismo español por Ángel Saavedra, Duque de Rivas. El presente trabajo se enfoca en tres ejes metodológicos: 1. Análisis de la obra: contexto histórico del autor y del relato, biografía del autor. 2. Estudio teórico del verso español: estructura, axis, encabalgamiento, sinalefa, hiato, diptongo, tipos de tonemas, pausa versal. 3. Creación de personaje: Circunstancias dadas, resumen métrico y significado de palabras desconocidas. A partir de ello, se registran ideas concluyentes de las experiencias vividas en el proceso de creación, de los retos y los aciertos.This thesis documents a Montaje en Verso (Verse-Based Staging) process, developed within the course of the same name in the Performing Arts program at Universidad Distrital Francisco José de Caldas. The project took place during the first semester of 2024 and was presented to the public from June 3rd to 6th at Teatro Casa Teatrova in Bogotá. The course aimed to produce a theatrical staging, in this case performed by fourteen acting students under the direction of playwright, director, teacher, and theatre researcher Camilo Ramírez Triana, who guided the scenic approach to the play Don Álvaro o la fuerza del sino, written within the context of Spanish Romanticism by Ángel Saavedra, Duke of Rivas. This thesis focuses on three methodological components selected by the author: 1. Contextual analysis of the play, including the historical background of the author and the story, as well as the author’s biography; 2. Theoretical study of Spanish verse: structure, axis, enjambment, synalepha, hiatus, diphthong, types of intonation, and verse pause; 3. Character creation: given circumstances, metric summary, and interpretation of unfamiliar words. Based on these elements, the work presents conclusive reflections drawn from the creative process, highlighting the challenges and accomplishments encountered throughout the staging
ÁLVARO DE CAMPOS, ATHENA E A FILOSOFIA
No full textThe magazine Athena appears to Fernando Pessoa as a stage for philosophical debate and the essay “What is metaphysics?” written by the heteronym Álvaro de Campos plays a fundamental role in this debate, for it mobilizes a set of concepts around metaphysics and art that are fundamental to understanding the constitution of a philosophy of plurality in Pessoa. Thus, based on the text “What is metaphysics?” in comparison with philosophical texts from Pessoa's Archive signed by other literary personalities of the Portuguese author, this article aims to show the importance of this text signed by Álvaro de Campos in the context of the constitution of a plural philosophical thought in Pessoa's writings.A revista Athena configura-se para Fernando Pessoa como um palco de debate filosófico e o ensaio “O que é a metafísica?” do heterónimo Álvaro de Campos assume um papel fundamental nesse debate, na medida em que mobiliza um conjunto de conceitos em torno de metafísica e arte fundamentais para a compreensão da constituição de uma filosofia da pluralidade em Pessoa. Assim, tendo por base o texto “O que é a metafísica?” em confronto com textos filosóficos do espólio de Pessoa assinados por outras personalidades literárias do autor português, o presente artigo visa mostrar a importância desse texto de Álvaro de Campos no quadro da constituição de um pensamento filosófico plural nos escritos pessoanos
Author Correction: Excitotoxic inactivation of constitutive oxidative stress detoxification pathway in neurons can be rescued by PKD1
No full textThe original version of this Article contained an error in the spelling of the author Álvaro Sebastián-Serrano, which was incorrectly given as Álvaro Sebastián Serrano. This has now been corrected in both the PDF and HTML versions of the Article.</jats:p
Reseña. El Franquismo contra Álvaro Retana: José Martínez Rubio
No full textEl franquismo contra Álvaro Retana, by José Martínez Rubio, is a thorough study of the repression suffered by writer and illustrator Álvaro Retana under Franco’s dictatorship. Through a rigorous analysis of primary sources, such as censorship records and police reports, the author reconstructs the silencing process that marginalized Retana due to his transgressive work and his identity linked to dissident sexualities. This essay reclaims Retana’s figure as a symbol of cultural resistance, rescuing his legacy within a historiography that has traditionally consigned him to oblivion.El franquismo contra Álvaro Retana, de José Martínez Rubio, es un estudio exhaustivo sobre la represión sufrida por el escritor y dibujante Álvaro Retana durante la dictadura franquista. A través de un riguroso análisis de fuentes primarias, como expedientes de censura e informes policiales, el autor reconstruye el proceso de silenciamiento que marginó a Retana por su obra transgresora y su identidad vinculada a sexualidades disidentes. Este ensayo reivindica, de este modo, la figura de Retana como un símbolo de resistencia cultural, rescatando su legado dentro de una historiografía que tradicionalmente lo ha relegado al olvido
Japanese lives from Álvaro Enrigue’s archive
No full textThe links between Asian cultures and Latin America have been primarily approached from the political, economic and historical sciences. However, not enough research has been done yet in terms of cultural production and it is still much less in the literary area. The immigration contingencies of these Asian groups, their modes of adaptation and establishment are evident in different artistic registers (cinema, photography, music, performance, narrative), probably due to the long stay in different Latin American countries, but especially to the economic and technological impact that an Asian country like Japan has on the territory. This work focuses on the story "Un samurái ve el amanecer en Acapulco" written by Álvaro Enrigue in which he addresses the historical presence of the first Japanese migratory groups to New Spain. The present text is interested in exploring the construction carried out by Álvaro Enrigue in relation to Japanese narrative and history and exploring the appropriation he makes of it to nurture his own literary project. We will observe that the author carries out an intensive work in the exploration of historical archives and makes them intervene in the contemporary, with this we will reveal that literature is for the author a space for the reconstruction of the existing gaps in the archives.Los vínculos entre las culturas asiáticas y América Latina han sido primordialmente abordados desde las ciencias políticas, económicas y la Historia. Sin embargo, no se ha investigado aún lo suficiente en términos de producción cultural y es mucho menor, aún, en el área literaria. Las contingencias inmigratorias de esos grupos asiáticos, sus modos de adaptación y establecimiento se hacen evidentes en distintos registros artísticos (cine, fotografía, música, performance, narrativa) debido, probablemente, a la larga estadía en distintos países de Latinoamérica, pero en especial al impacto económico y tecnológico que tiene un país asiático como Japón en el territorio. Este trabajo se centra en el relato "Un samurái ve el amanecer en Acapulco" escrito por Álvaro Enrigue en el cual aborda la presencia histórica de los primeros grupos migratorios japoneses a la Nueva España. El presente texto tiene el interés de explorar la construcción que realiza Álvaro Enrigue con relación a la narrativa e historia japonesa y explorar la apropiación que hace de ésta para nutrir su propio proyecto literario. Además, se señala que el autor realiza un trabajo intensivo en la exploración de archivos históricos y los hace intervenir en lo contemporáneo, con ello develaremos que la literatura es para el autor un espacio de reconstrucción de los vacíos que existen en los archivos
D. Álvaro d'Ors, foralista, y el derecho foral valenciano
No full textUna de las facetas más características de Álvaro d'Ors es su interés por el derecho foral. En este trabajo se reseñan sus principales contribuciones en especial aquella en la que contesta a la tajante negación de Federico de Castro de la existencia de derechos forales. Desde la perspectiva orsiana los derechos forales no obedecen a una razón de privilegio sino de subsistencia con lo que ello implica de realidad social. El autor utiliza las tesis orsianas para hacer referencia al derecho foral valenciano. One of the most characteristic facets of Álvaro d'Ors is his interest in regional law. This paper highlights his main contributions, especially that in which he answers to the clear denial of Prof. Federico de Castro of the existence of regional law. From the Orsian perspective, the their reason is not privilege but subsistence with what it implies of social reality. The author uses the Orsian theses to refer to Valencian regional law
BEYOND THE EDGE, “OS CANIBAIS” OF ÁLVARO DO CARVALHAL
No full textRESUMO: Álvaro do Carvalhal é um autor português que está posto às margens do cânone literário, seja por questões acadêmicas ou pelo enquadramento que se faz de sua obra. O presente trabalho tem como proposta elaborar um diálogo que possa abordar aspectos referentes a essa questão, por nós apontada, e uma breve análise de seu conto “Os Canibais” publicado no livro Contos (2004). Álvaro do Carvalhal is a Portuguese author standing in the fringe of literary canon, either by academics questions or by the way which his work is qualified. This paper aims to develop a dialogue in order to discuss this question and make a short analysis of his tale “Os Canibais” published in the book Contos (2004)
AN INSIGHT INTO HUMAN RELATIONS FROM SELECTED WORKS BY ÁLVARO POMBO
No full textAnnotation Vítková, Veronika. An insight into human relations from selected works by Álvaro Pombo. České Budějovice: Pedagogical faculty of the University of South Bohemia in České Budějovice, 2009, 74 pages, Diploma Thesis. This diploma thesis deals with the analyses of selected fictional works by contemporary Spanish prosaist Álvaro Pombo with a special emphasis on human relations. It focuses on homosexual relationships which is a typical feature of the characters in Álvaro Pombo{\crq}s work. The thesis is divided into four chapters, the last one being the most important. The thesis includes the author´s production and his place in the context of Spanish literature, the analyses of five novels and human relations in pieces written in 1983-2005
ÁLVARO VIEIRA PINTO E A EDUCAÇÃO DE ADULTOS
No full textEste trabalho tem por objetivo principal conhecer um pouco da trajetória do autor Álvaro Borges Vieira Pinto e suas obras e, em específico, examinar o texto Sete lições sobre educação de adultos, tomando inicialmente como base a compreensão de sua biografia e uma parcela de seu pensamento, ambientado entre os anos de 1950 até os últimos anos de sua vida, nos idos de 1980. Parte-se inicialmente de alguns estudos já realizados a seu respeito e verifica-se como o pensador brasileiro expôs aquilo que considerava essencial no ato educacional destinado ao público adulto, capaz de produzir concomitantemente formação humana crítica e desenvolvimento socioeconômico nacional.Palavras-chave: Educação de Adultos. Desenvolvimento Nacional. Álvaro Vieira Pinto.This paper aims to know the trajectory of the author Alvaro Vieira Pinto Borges and his work. Specifically, we examine the text “Seven lessons about adult education”, initially based on the understanding of his biography and a portion of his thought, between the years of 1950 and the last years of his life, in 1980. We started from some previous studies about him and then we investigated how the Brazilian thinker exposes what he considered essential in the education aimed at adults, able to concurrently produce the critical human development and the national socioeconomic development.Keywords: Adult Education. National Development. Álvaro Vieira Pinto
Álvaro Menen Desleal’s Speculative Planetary Imagination
No full textScience fiction has long held a marginalized status within the Latin American literary canon. This is due to myriad assumptions: its supposed inferior quality, sensationalist content, and disconnect from socio-historical reality. In this article, I argue for the recuperation of Salvadoran author Álvaro Menen Desleal as a foundational writer of Central American speculative fiction. I explore why Menen Desleal turns to sci-fi - abstracting his fictive worlds to far-off futures or other planets - at a moment when the writing of contemporaries of the Committed Generation was increasingly politicized and realist. I argue that Menen Desleal’s speculative planetary imagination toggles between scaling up localized concerns and evading them altogether to play with “universal” categories. By thinking with the categories of the human or the planet from an ex-centric position, Menen Desleal playfully appropriates generic convention, only to disrupt it from within.La ciencia ficción tradicionalmente ha tenido una posición marginada dentro del canon latinoamericano. Esto se debe a varias suposiciones: su presunta baja calidad, contenido sensacionalista y desconexión con la realidad sociohistórica. En este artículo, abogo por la recuperación del escritor salvadoreño Álvaro Menen Desleal como autor fundacional de la ficción especulativa centroamericana. Examino por qué Menen Desleal recurre al género de la ciencia ficción - y abstrae sus mundos ficticios a futuros lejanos o galácticos - en un momento cuando la escritura de sus contemporáneos de la Generación Comprometida era intensamente politizada y realista. Propongo que la imaginación especulativa y planetaria de Menen Desleal alterna entre ampliar preocupaciones locales a escalas más grandes o evadir completamente lo nacional para retomar categorías y debates “universales”. Al pensar las categorías de lo humano o lo planetario desde una posición ex-céntrica, Menen Desleal se apropia lúdicamente de las convenciones del género especulativo y las trastoca desde adentro.Science fiction has long held a marginalized status within the Latin American literary canon. This is due to myriad assumptions: its supposed inferior quality, sensationalist content, and disconnect from socio-historical reality. In this article, I argue for the recuperation of Salvadoran author Álvaro Menen Desleal as a foundational writer of Central American speculative fiction. I explore why Menen Desleal turns to sci-fi - abstracting his fictive worlds to far-off futures or other planets - at a moment when the writing of contemporaries of the Committed Generation was increasingly politicized and realist. I argue that Menen Desleal’s speculative planetary imagination toggles between scaling up localized concerns and evading them altogether to play with “universal” categories. By thinking with the categories of the human or the planet from an ex-centric position, Menen Desleal playfully appropriates generic convention, only to disrupt it from within
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