3,515 research outputs found
Tra spazio e tempo. I libri di Alessandro Zanella
No full textlo scritto è un ricordo dello stampatore Alessandro Zanella ed è la ripresa, riveduta e corretta, di un testo del 2014. Svolge anche alcune considerazioni generali sull'importanza del ruolo dello stampatore nella grafica d'art
Sidus Iuliarium resurgit 2003-2009
No full textCatalogo dell'omonima mostra tenuta presso la Biblioteca Centralizzata "Arturo Frinzi", 27 gennaio-5 marzo 2010. Sono presentati in questa occasione i volumi stampati con il torchio, sotto la guida del maestro tipografo Alessandro Zanella, dagli studenti del corso di laurea in Lingue e Culture per l'Editoria dal 2003 al 2009. Quell'esperienza tipografica nacque con il nome di "Sidus Iuliarium resurgit" a sottolineare un ideale legame con la "dimestica stamperia" di Bartolomeo Giuliari che pubblico all'insegna "Sidus Iuliarium" tra il 1796 e il 1809. Gian Paolo Marchi e Alessandro Zanella firmano le due introduzioni al catalogo, Alessia Parolotto le schede di presentazione dei volumi
Sidus iuliarium resurgit. Da motto ad auspicio per la rinascita dell'Arte nera. Nati sotto il segno di Alessandro Zanella, maestro tipografo
No full textL'articolo intende essere un omaggio al maestro tipografo Alessandro Zanella, prematuramente scomparso il 13 luglio 2012. In particolare, vengono illustrati la genesi e i contenuti della collana Sidus Iuliarium Resurgit, ideata e realizzata con gli studenti del corso di Laurea in Lingue e Culture per l'editoria dell'Università di Veron
A imagem de Alessandro Baricco no Brasil
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.Com a intenção de delinear o modo pelo qual o escritor italiano Alessandro Baricco se inseriu no sistema literário brasileiro e os caminhos percorridos pelos seus livros traduzidos, esta dissertação dá voz às experiências tradutórias de seus tradutores. A inserção de Bariccono Brasil tem seu início em 1997, através de uma proposição da Profa. Dra. Roberta Barni à editora Iluminuras da tradução de Oceano Mare. A partir daí, outras sete obras foram publicadas no Brasil, sendo três delas traduzidas por Roberta Barni e as outras quatro por quatro tradutores diferentes. De um lado, considera-se o tradutor como figura principal namediação entre culturas, e, de outro, se analisa a realidade desta figuradentro do sistema literário, sua invisibilidade, seus limites e o exercíciode sua profissão. A pesquisa conta, ainda, com críticas e resenhas referentes ao autor italiano publicadas em jornais consagrados no Brasil, considerando estas como parte constituinte da imagem de Baricco refletida em território nacional. Abstract : Intending to delineate the way the Italian writer Alessandro Baricco has been inserted in the Brazilian literary system and the paths his translated books have followed, this thesis gives voice to the translating experiences of his translators. Baricco's insertion in Brazil began in 1997, through a personal project of Dr. Roberta Barni, with her translation of Oceano Mare. Since then, seven other of his works have been published in Brazil, three of which were translated by Roberta Barni and the other four by four different translators. On the one hand,the translator is considered as the main figure in mediation betweencultures and, on the other, this figure's reality is analyzed within theliterary system: its invisibility, its limits and its professional practice. Criticisms and reviews of this Italian author published in well established Brazilian newspapers are also considered, with the understanding that they are part of Baricco's image reflected here
Robust Leave-One-Out Cross-Validation for High-Dimensional Bayesian Models
No full textLeave-one-out cross-validation (LOO-CV) is a popular method for estimating out-of-sample predictive accuracy. However, computing LOO-CV criteria can be computationally expensive due to the need to fit the model multiple times. In the Bayesian context, importance sampling provides a possible solution but classical approaches can easily produce estimators whose asymptotic variance is infinite, making them potentially unreliable. Here we propose and analyze a novel mixture estimator to compute Bayesian LOO-CV criteria. Our method retains the simplicity and computational convenience of classical approaches, while guaranteeing finite asymptotic variance of the resulting estimators. Both theoretical and numerical results are provided to illustrate the improved robustness and efficiency. The computational benefits are particularly significant in high-dimensional problems, allowing to perform Bayesian LOO-CV for a broader range of models, and datasets with highly influential observations. The proposed methodology is easily implementable in standard probabilistic programming software and has a computational cost roughly equivalent to fitting the original model once. Supplementary materials for this article are available online
Scuole, collegi e seminari nella trattatistica architettonica milanese tra Quattro e Cinquecento
No full textVengono considerate le parti dedicate a collegi, seminari e istituti di istruzione all'interno dei trattati d'architettura di ambito milanese tra Quattro e Cinquecento (Filarete, Cesariano, Pellegrino Tibaldi
Helmet Continuous Positive Airway Pressure: Clinical Applications
No full textDuring noninvasive continuous positive airway pressure (CPAP) the patient's respiratory system is maintained throughout the whole respiratory cycle at a constant pressure higher than the atmospheric pressure, usually termed the positive end-expiratory pressure (PEEP). Noninvasive CPAP is void of any active support for the patient's work of breathing and therefore cannot be considered a form of ventilation. © 2010 Springer-Verlag Berlin Heidelberg
La maturità di Alessandro Fei del Barbiere, in bilico tra Maniera e Riforma
No full textThis article studies the mature career of the Florentine painter Alessandro Fei del Barbiere (1537-1592), beginning with the rediscovery of the 'Ascension' altarpiece formerly in the Albizi Chapel in the destroyed church of San Pier Maggiore, Florence. Studying this painting and others recorded in 1584 by the biographer Raffaello Borghini, such as the two altarpieces for Santa Maria delle Grazie and the Madonna dell'Umiltà in Pistoia, the author reconstructs a body of works showing how in the 1580s Fei gradually went beyond the archaic style of his apprenticeship - he had been trained by Ridolfo del Ghirlandaio and Pierfrancesco Foschi, but was also marked by the Maniera of Vasari - evolving towards naturalism in both mimesis and pictorial handling. In Florence, his development partly parallels that of Santi di Tito and his circle, but Fei was also influenced by a probable sojourn during the early part of that decade in Rome, where he could have been inspired by Girolamo Muziano and the painters working for Pope Gregory XIII. Among other proposals, the author suggests that the artist was responsible for decorating the chancel of Fiesole Cathedral (c. 1584-1589), which consisted of an altarpiece, only rarely discussed by scholars, and a cycle of frescoes hitherto attributed to Nicodemo Ferrucci
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