30,404 research outputs found
Maria Bersani
No full textLa voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
O curso de licenciatura em educação física da Universidade Federal de Santa Catarina: suas concepções de ensino e de educação física
No full textDissertação (mestrado) - Universidade Federal de Santa Maria. Centro de Educação Fisica e Desporto
Erratum: Lack of immunity against rubella among Italian young adults. [BMC Infect Dis., 17, (2017) (199)] Doi: 10.1186/s12879-017-2295-y
No full textAfter publication of this article [1], the authors noted that the given names and family names of all authors had been inverted, and are therefore incorrect in the original article. In the original article, the author names appear as the following: Gallone Maria Serena, Gallone Maria Filomena, Larocca Angela Maria Vittoria, Germinario Cinzia and Tafuri Silvio. However, this is incorrect, and the author names should appear as per the below: Maria Serena Gallone, Maria Filomena Gallone, Angela Maria Vittoria Larocca, Cinzia Germinario, Silvio Tafuri. The author names have been corrected in the author list and the citation for this Erratum
MARIA ULFAH : KIPRAH PEREMPUAN DALAM KANCAH POLITIK INDONESIA (1935-1988)
No full textPenelitian ini berjudul “Maria Ulfah : Kiprah Perempuan dalam Kancah Politik Indonesia (1935-1988)”. Permasalahan utama yang dikaji adalah bagaimana kiprah Maria Ulfah dalam kancah perpolitikan Indonesia. Permasalahan itu peneliti kaji dengan menggunakan metode historis yang meliputi empat langkah penelitian sejarah yaitu heuristik, kritik sumber, interpretasi, dan historiografi. Berdasarkan hasil penelitian ini dapat dijelaskan bahwa Maria Ulfah sangat memperjuangkan masyarakat Indonesia khususnya kepada kaum perempuan. Maria Ulfah juga memiliki wawasan pengetahuan yang luas untuk maju ke dalam kancah politik Indonesia dengan mengikuti Kongres Perempuan Indonesia. Maria Ulfah juga turut serta dalam kongres tersebut dengan membawa suatu harapan yang sangat besar untuk dapat membantu serta melaksanakan cita-citanya untuk memperbaiki keadaan kaum perempuan di zaman penjajahan. Kemudian Maria Ulfah menjabat sebagai Menteri Sosial dalam Kabinet Sjahrir dan menjadi satu-satunya perempuan di dalam pemerintahan tersebut. Perjuangan Maria Ulfah meninggalkan berbagai macam hal-hal yang positif serta jasa-jasa yang diberikan kepada bangsa Indonesia seperti merancang Undang-Undang Perkawinan dan mencetuskan Hari Ibu bersama beberapa organisasi perempuan lainnya, yang telah mengubah mata dunia bahwa kaum perempuan juga bisa lebih maju, baik sebagai ibu rumah tangga maupun sebagai wanita karir.
The research is entitled “Maria Ulfah : The Gait of Women in Indonesian Politics (1935-1988)”. The main problem studied is how Maria Ulfah’s role in Indonesian politics. The researchers examined the problem using the historical method which included four steps of historical research, namely heuristics, source criticism, interpretation, and historiography. Based on the results of this study, it can be explained that Maria Ulfah really fights for Indonesian society, especially for women. Maria Ulfah also has broad knowledge to advance into the Indonesian political scene by participating in the Indonesian Women’s Congress. Maria Ulfah also participated in the congress with a very big hope to be able to help and carry out her aspirations to improve the condition of women in the colonial era. Then Maria Ulfah served as Minister of Social Affairs in Sjahrir’s Cabinet and became the only woman in the government. Maria Ulfah’s struggle left various positive things and the services she gave to the Indonesian people such as drafting the Marriage Law and initiating Mother’s Day with several other women’s organizations, which have changed the eyes of the world that women can also be more advanced, both as housewife and as career women
Imagens de Otto Maria Carpeaux: esboço de biografia
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2015.Este esboço de biografia procura citar algumas imagens de Otto Maria Carpeaux: construções biográficas de naturezas múltiplas, elaboradas em contextos, por atores e sob condições igualmente díspares. Está constituído a partir de uma visão crítica da História, o que permite que ?outras imagens?, fragmentárias e não monumentais, também tenham espaço. Em diálogo com o princípio da montagem, este esboço apresenta-se em duas partes. Na primeira, Imagens possíveis, estão citadas as imagens elaboradas em vida e post mortem acerca do austríaco-brasileiro que nasceu em Viena em 1900, se exilou no Brasil em 1939 e morreu no Rio de Janeiro, em 1978. Na segunda, Montagens possíveis, apresentam-se duas possibilidades de exercício biográfico: pela leitura alegórica do documentário O velho e o Novo (Otto Maria Carpeaux), entendido como instrumento de intervenção no contexto ditatorial brasileiro e de uma reelaboração biográfica concernentes às suas experiências europeias; e pelo Caderno de imagens críticas, registro dos encontros em Carpeaux pelo meio de imagens críticas produzidas a partir da cesura do presente.Abstract : This biographical sketch attempts to quote some images of Otto Maria Carpeaux: various types of biographical constructions, carried out in different contexts by disparate authors under conditions just as distinct. It stems from a critical view of history, allowing for ?other images? fragmented and non-monumental ? to share the space.In dialogue with the montage principle, this sketch has two parts. The first, Possible Images, quotes the images produced during and after the life of the Austrian-Brazilian, who was born in Vienna in 1900, went to Brazil in exile in 1939 and died in Rio de Janeiro in 1978. The second part, Possible Montages, presents two possibilities of a biographical exercise: through the allegorical reading of documentary O Velho e o Novo (Otto Maria Carpeaux), understood as an instrument of intervention in the Brazilian dictatorship context and as a biographical retelling of the author?s European experiences; and through my Scrapbook of Critical Images, a record of the encounters in Carpeaux through critical images produced from the caesura of the present
ANALISIS PENGARUH KEPEMILIKAN MANAJERIAL, KEPEMILIKAN INSTITUSIONAL, KEBIJAKAN DEVIDEN, DAN RISIKO BISNIS TERHADAP KEBIJAKAN HUTANG PERUSAHAAN
No full textMaria Yulita Erni Wulandari, 2014; Analysis The Effect of Managerial Ownership, Institutional Ownership, Dividend Policy, and Business Risk to Company Debt Policy.; Advisors : (1) Nuramalia Hasanah, SE, M.Ak., (2) Rida Prihatni, SE, Akt., M.Si.
The purpose of this research is to know the effect of managerial ownership, institutional ownership, dividend policy, and business risk to company debt policy in the non-financial firms (manufacturing firms and non-manufacturing firms except financial firms) which listed in Indonesia Stock Exchange (IDX).
This research used secondary data in the form of companies’ financial statements that obtained from Indonesia Stock Exchange (IDX). Population of this research is non-financial firms, amounting to 370 companies. The technique used for sampling is purposive sampling and obtained the total company of 35 companies with 105 observed. Researcher uses quantitative analysis so that the number listed can represent the result of this research. The hypothesis testing uses multiple linear regression analysis test by using application programs SPSS version 17.
Based on analysis F test showed that managerial ownership, institutional ownership, dividend policy, and business risk are simultaneously have significant effect toward company debt policy. From the analysis T test showed that managerial ownership, dividend policy, and business risk are had negative and significant effect toward company debt policy. Meanwhile, the institutional ownership had no effect toward company debt policy
Maria José ao encontro de Tchekov
No full text“A Carta da Corcunda para o Serralheiro” (“Letter from the Hunchback Girl to the Metalworker”), signed by Maria José, was first performed in a theatre show in 1988 (by actress-director Maria do Céu Guerra), two years before the typescript was published in book form for the first time by Teresa Rita Lopes. The evidence upon which this article is built is that it was the theatre that revealed the dramatic destination of this singular epistle of the only female heteronym that Fernando Pessoa invented, which was also the last heteronym to be created by the author. The dramatic construction of Maria José can be approximated to the character-building strategies in Anton Chekhov’s realist dramaturgy, in a way that differs from Pessoa’s other dramaturgical experiences. The analysis of Chekhov’s ascendancy over Stanislavski’s research, as well as the importance of Schopenhauer’s conception of the tragicomic, which is simultaneously projected onto Chekhov’s theatre and Maria José’s profile, are favourable lines of reading for this rapprochement between Pessoa and the Russian fiction writer and playwright. Pessoa’s readings of Chekhov’s texts (such as the play Uncle Vania and the short story “Vanka”) provide relevant data for assessing the magnitude of this encounter.“A Carta da Corcunda para o Serralheiro”, assinada por Maria José, começou por ser difundida num espectáculo de teatro em 1988 (pela actriz-encenadora Maria do Céu Guerra) dois anos antes de o dactiloscrito se ver publicado em livro, pela primeira vez, por Teresa Rita Lopes. Parte-se da evidência de ter sido o teatro a revelar a destinação dramática da epístola singular do único heterónimo mulher que Fernando Pessoa inventou, que terá sido também o último a ser criado pelo autor. A construção dramática de Maria José pode ser aproximada às estratégias de construção de personagem na dramaturgia realista de Anton Tchekov, de um modo que se distingue de outras experiências dramatúrgicas de Pessoa. A análise do ascendente de Tchekov sobre as pesquisas de Stanislavski, bem como a importância da concepção de tragicómico em Schopenhauer, que se projecta em simultâneo sobre o teatro de Tchekov e sobre o perfil de Maria José, são linhas de leitura propícias para esta aproximação entre Pessoa e o ficcionista e dramaturgo russo. As leituras de textos de Tchekov por parte de Pessoa (como o caso da peça Tio Vânia e o conto “Vanka”) fornecem dados relevantes para avaliar a magnitude deste encontro
O negro como personagem na literatura infantil, na obra de Maria Rita Py
No full textTried to when analyzing the works of Coleção História da Vó Preta, of the Santa Mariense author Maria Rita Py, the representation of black people, showing how the issues surrounding it in society, his yearnings, sorrows, lived since last century , are present in contemporary children's literature. The literature has shown an increasing concern in presenting a cultural identity that expresses the relationship of social inclusion. The Brazilian reality shows that the black, after the liberations of slaves, and most recently with the growth of the black movement, assumed a new vision, creating a new discourse in this literature, when passing to be personage of the transformation of black spirit (sense). It is in this context that the black literature of Maria Rita Py inserts, dedicated to child audience, search for solutions to solve the problems of this personage such as frustration, rejection, desire to be white, doubts and anxieties of children black in society, affect self-esteem and identityProcurou-se ao analisar nas obras da Coleção História da Vó Preta, da autora santa-mariense Maria Rita Py, a representação do negro, demonstrando como as questões que o envolvem na sociedade, seus anseios, mágoas, vividas desde o século passado, estão presentes na literatura infantil contemporânea. A literatura tem evidenciado uma preocupação cada vez maior em apresentar uma identidade cultural que expresse as relações de inclusão social. A realidade brasileira mostra que o negro, após a libertação dos escravos, e mais recentemente com o crescimento do movimento negro assumiu uma nova visão, criando um novo discurso nessa literatura, quando passa a ser personagem da transformação da consciência negra. Neste contexto que se insere a literatura negra de Maria Rita, dedicadas ao público infantil, destaca-se a preocupação em buscar soluções para resolver os problemas dos seus personagens tais como: frustração, rejeição, desejo de ser branco, dúvidas e os anseios de crianças negras na sociedade, mas que afetam a auto-estima e a sua identidade
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