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    Musik revolusi Indonesia / Wisnu Mintargo

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    Musik Revolusi indonesia

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    KONTINUITAS DAN PERUBAHAN MAKNA LAGU KEBANGSAAN INDONESIA RAYA

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    The main objective of this paper is to analyze function of “heroic” Indonesia songs related to the struggle for Indonesian independence ( from 1945 to 1949) from a historical perspective. Through this analysis it is hoped that the process of the past, particularly the history of music development in Indonesia and the background of the use of the “heroic”Indonesia songs, can be reconstructed. Important aspects of Indonesian songs, as this paper shows, include a constructive function for ceremonies and advice for development. The ceremonial character is shown in the song of “Indonesia Raya”. the national anthem

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Peran Lagu Perjuangan dan Pendidikan Kesadaran Nasionalisme di Indonesia

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    Paper ini membahas peran lagu-lagu perjuangan dan lagu-lagu pendidikan dalam menumbuhkan kesadaran nasionalisme pada masyarakat Indonesia. Kajian fungsi lagu pada masyarakat Indonesia dilakukan melalui pendekatan sosiologi musik dengan menerapkan analisis kontekstual dan konstruktif musikologis. Kajian ini menyimoulkjan bahwa lagu-lagu kebangsaan Indonesia adalah ekspresi para pejuang bangsa yang seara musikologis melodinya dibuat sederhana, menggunakan teks berbahasa Indonesia. Secara sosiologis lagu-lagu tersebut tercipta akibat adanya tekanan dari bangsa penjaja

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Lagu Propaganda dalam Revolusi Indonesia: 1945-1949

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    Di dalam dunia politik disebutkan bahwa fungsi musik adalah sebagai alat yang ampuh untuk propaganda dan agitasi politik. Lagu-lagu propaganda di masa pendudukan Jepang dan revolusi Indonesia dikenal dengan istilah musik fungsional yang diciptakan untuk mencari dukungan politik. Salah satu contoh musik fungsional, dalam sejarah musik, dikenal musik yang berfungsi mengiringi peribadatan agama (ritual), dan musik yang mengiringi tari sebagai sarana hiburan. Fungsi utama lagu-lagu propaganda adalah alat penyebarluasan opini bersifat simpel, tetapi implikasinya bersifat kompleks. Pandangan ini berkaitan dengan teori yang menyatakan bahwa lagu-lagu propaganda sebagai media komunikasi guna menyampaikan pesan tertentu kepada massa untuk mengimbangi kekuatan propaganda musuh di dalam ajang perang urat saraf (Sastropoetro, 1983: 22). Sebagai sarana propaganda, kedudukan pemain dan peserta di dalam seni pertunjukan ini terlibat seluruhnya, hingga bisa disebut sebagai Art of Participation (Soedarsono, 1998:39)
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