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    ORKES SIMFONI DALAM PERSPEKTIF HABITUS BOURDIEU

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    Symphony orchestra in Indonesia according to the perspective of “habitus Bourdieu” has managed tocreate a middle-class symphony orchestra music. Habitus is in the process of producing and reproducingthe group, and when the group was awakened, finally realizing that he is a group. The existence ofa symphony orchestra in Indonesia was pioneered by Radio Orchestra and Orchestra Studio in RRIJakarta in 1950. In 1966 on the initiative of Ali Sadikin, both the orchestra and being joins with nameOrkes Simfoni Jakarta (OSJ). OSJ as outset of symphony orchestra in Indonesia, further influencingthe emergence of various symphony orchestras such as: University of Indonesia Symphony Orchestra(1983), Twilite Orchestra (1991), Surabaya Symphony Orchestra (1996), Nusantara Symphony Orchestra(2000), Gita Bahana Nusantara (2003 ), and others

    PERAN KOORDINASI PADA KOMUNITAS INTELIJEN DAERAH MEMBANGUN KETAHANAN WILAYAH STUDI DI KABUPATEN DEMAK

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    Permendagri No. 16 2011 on the Change on Permendagri No. 11 2006 on Regional IntelligenceCommunity shows the strategic value for the regional government to detect every regional potentialthreats. Therefore there is an anticipation to solve the developing problems.This research was done tofind out coordination role in regional intelligence community activities at Demak regency. This researchis qualitative descriptive. The data collecting in use is observation and interview. The Demak regionalintelligence community does its role due to the intelligence functions such as investigation, securityand support. Therefore coordination is a very important in every activity. Optimal coordination andcommunication in routineactivities and incidental meetings are needed to maximize intelligenceinformation meeting. Strategy to optimize Demak regional intelligence community role is needed toorganize it to face every potential threats in supporting regional government and its related elements toestablish regional resilience

    MANIFESTASI IDENTITAS ISLAM SUKU BAJO DALAM NASKAH LONTARAK ASSALENNA BAJO

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    The Bajo people are known as the sea wanderers because they always wander the sea. However, aside from their unique characteristic as people of the sea, the Bajo are also known as Muslims. Therefore, Islam is an important element of their identity, either reflected in their daily life or written in the manuscript Lontarak Assalenna Bajo as the form of self-narration of their cultural history. Islam has been accepted through a continual process of negotiation and development.The Bajo people were not Muslim before they became sea wanderes. They received the influence of Islam from the land-bound people surrounding them as a result of interactions between the two groups

    MENGEJAR PEMIMPIN IDEAL

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    Berkali-kali sudah Indonesia mengalami pengantianpemimpin, baik di level lokal maupun nasional, tetapi seakanmasih jauh dari konsep kepemimpinan yang ideal. Soekarnolahir sebagai bapak bangsa yang menggebrak, tetapi padaakhirnya dia tergelincir oleh kediktatoran. Soeharto hadirmembawa konsep pembangunan. Ironisnya dia juga lengahResensidan akhirnya terperangkap dalam sistemorde baru yang korup. Habibie, Gus Dur,Megawati, hingga SBY pun akhirnyabelum mampu merepresentasikan konsepkepemimpinan ideal yang berhasil dan dapatditerima oleh semua pihak.Pada tahun 2014, Indonesia kembalimengadakan pemilu. Dua calon presiden,Joko Widodo dan Prabowo Subianto,keduanya adalah aset bangsa yang luarbiasa. Keduanya adalah orang hebat. Jokowimemiliki pengalaman panjang dalambirokrasi. Dia juga sosok yang sederhana danmerakyat. Sementara Prabowo adalah sosokyang tegas dan disiplin. Pengalamannyasebagai militer membuatnya pahambagaimana cara menjaga bangsa yang besarini. Maka siapapun pemenangnya, rakyatIndonesia layak untuk optimis akan semakinmakmurnya Bangsa Indonesia dan ketikaKPU akhirnya menetapkan Jokowi sebagaipresiden terpilih, maka rakyat Indonesia punperlu berbangga

    GERIA PUSAT INDUSTRI BANTEN NGABEN DI BALI PERSPEKTIF SOSIOLOGI KOMODIFIKASI AGAMA

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    In the 2000s, banten (offerings) of ngaben (cremation), a ritual of death in Balinese community is obtainedthrough market so it creates the commodification of banten. This condition is caused by the characteristicsof banten as an economic item, so the Balinese especially women is no longer to be able to make banten,and the expanding of market ideology turns someone to be more comfortable buying banten ngaben ratherthan making them independently. This condition provides an opportunity for geria (house of the priest)to develop the industry of banten. This is well corresponded with the ideology prevailing in geria, namelymarket ideology so that they see banten as a source of benefit. The position of geria is stronger than theconsumer of banten because geria dominates various capitals, such as economic, social, cultural, and symboliccapital synergistically. As the result, geria as banten manufacturer controls consumer hegemonically. Thisphenomenon is reflected on the price of banten set by geria and the consumer is just followin

    DINAMIKA INTEGRASI SOSIAL DI PAPUA FENOMENA MASYARAKAT FAKFAK DI PROVINSI PAPUA BARAT

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    This paper aims to explain that the social dynamics in Papua does not always present the story ofconflict and disintegration, but also about the social integration, harmony, and peace as can be observedin the Fakfak community in West Papua Province. By using the methods of descriptive analysis of thequalitative data collected from field observations, interviews and documentation studies, the authorsmanaged to formulate several important findings. First, the results of acculturation between religiousvalues and culture are important elements that make the social norms of harmonious and tolerant inFakfak, as described in the local knowledge of “the three furnaces stone”. Second, the institutionalizationof values and social integration processes in the community can work well, if the support of local forcesand civil society groups work together to promote peace. At the same time, this paper also reminds thatthe conflict issues, such as religious radicalism and separatism, if not handled carefully can potentiallydamage the social integration that has been well maintained

    GAGASAN ACEH BARU: PEMBENTUKAN IDENTITAS ACEH DARI DALAM REAKTUALISASI RUANG PUBLIK BAGI AKSI PENGELOLAAN KEARIFAN LOKAL PASCA-KONFLIK DAN TSUNAMI

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    This paper quests the new Acehness identity that inspiring lokal revival in Aceh. Two important thingsthat would support the thesis how the ideas of new Aceh or Aceh revival are formulated from within?At least, the strengthening of public space as a local knowledge base management becomes an importantdiscourse in the course of the indicator measuring the local revival in Aceh. In addition, the process offormation of Acehnese identity is also one of the research questions of this paper, in which this practicehas marked the end of a local revival is being formulated in Aceh. Therefore, the questions about theprocess of dialogue and negotiation as what is growth in Aceh recently, will be discussed in this research.This research shows that the reactualization of public spaces that has been sunk by the conflict or thetsunami, now it is resurrected to turn the social bases that have been lost and even blurred. Whail,local wisdom and its discourse had reached the implementation of the policy through a qonun as aform of maintenance an intellectual heritage of Aceh to be kept alive and implemented. Communalconsciousness constructed by the fact that many of these actors have been integrated through variousforms of dialogue and long negotiation. So don’t be surprised if the recent in-meunasah, gampong orvillage activities turn on the mosque as a center of Islamic studies, and even coffee shops also determinethe direction of Acehnese identity is being created, especially as the idea of Aceh revival

    TRADITIONAL SILVICULTURE AND ITS OPPORTUNITY IN PRIVATELY OWNED FOREST MENOREH MOUNTAIN-KULONPROGO

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    Agroforestry systems (AFS) are emerged to adapt with farmers needs, balancing economic andecological conditions. In recent years, however, there has been shifting from ecology to economy, wheretraditional silviculture emphasizes toward more monoculture with high inputs. This condition willresult in decreasing ecological function of AFS as one of the epitomes of sustainable. This research aimsto know the role of traditional silviculture techniques practiced by farmers and to develop knowledgein AFS management as the basis to compose more productive and sustainable management. Thestudy was conducted in Menoreh mountains, Yogyakarta. There zones based on altitude differenceswere distinguished, namely lowlands ( 600 masl). Data collecting was done by conducting deep interviews from 46 respondents, whowere chosen randomly in each zone. The data included local knowledge practices, space dynamic andmanagement, traditional silviculture, and orientation of AFS management. The analysis itself was donedescriptively which was integrated through diagnosis approach and design in agroforestry systems.There are there models of AFS management based on there strata of space utilization both in homegardenand dry field, namely initial, intermediate and advanced agroforestry. In the lowland zone is initialagroforestry practicw, characterized by food production orientation. In the middle and upper zone areintermediate and advanced Based on this findings, aproductive and sustainable adaptive silviculture(AS) scheme for AFS management (AS AFS) is required, AS AFS_1 is oriented to keep agroforetybeing able to continualy produce food and its derivatis throughout the management. Intensive spacearrangements and resources sharing silvicuculture measures are important instruments in this model.The second model, AS AFS_2 is for productive intermediate and advanced agroforestry with multilayerproductions. It is suggested in this model to do intensive enrichment planting using tolerant species andcompatible management approach of inter unit lands owned by farmers

    KONSEP APIK DALAM KOREOGRAFI WAYANG BABAR

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    This article is titled “KONSEP APIK DALAM KOREOGRAFI WAYANG BABAR”. It aims to explainchoregraphic concept of wayang babar. In order to make it possible the article needs the medium of cocontinuity and development of traditional wayang orang. The concept of APIK is Artistic, performance,inovatif, and communicative. The APIK concept is arts workers of wayang babar’s choregraphicfor the future of wayang wong show. Furthermore, the play is shown by wayang babar of inovatifperformance of wayang babar from the modification of wayang wong, using the story, dance, and stageto choregraphy concept

    DINAMIKA EKOWISATA TRI NING TRI DI BALI PROBLEMATIKA DAN STRATEGI PENGEMBANGAN TIGA TIPE EKOWISATA BALI

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    This study is aimed at explain the dynamic process in the development of ecotourism in Bali. Its objectivesare 1) to identify and analyze typologies of ecotourism in Bali, 2) to analyze each type of ecotourism, focusingon the aspects of ecotourism products, local community involvement, and its development strategy, and 3) toanalyze and formulate appropriate model of ecotourism development in Bali. This is a descritive qualitativeresearch with relevant data acquisition techniques, namely (a) in-depth interview, (b) field observation,(c) Focus Group Discussion(FGD), and (d) document studies. The four methods were used to capture theneeds of data in the field, in accordance with scope of the problem investigated and research objectives. Thisstudy found that ecotourism typology in Bali, in terms of its main moving actors (agent of change),is divided into three, namely: (1) investor-driven ecotourism (investor type), (2) community-drivenecotourism (community type), and (3) government-driven ecotourism (government type). This threetypeecotourism in Bali is also known as tri ning tri. In practice, each type of ecotourism has different levelof conformity with ecotourism principles (TIES, 2000), so that they can be categorized into three groups,which are major (utama), intermediate (madya) and contemptible (nista). Some particular Balinese lifestances such as rwa bhineda (dualism), paduwen sareng (common ownership), dan nempahang rage (selfdevotion) enable the different types of ecotourism to live and develop side by side harmonically inBali, without negating each other. Through observation in the micro level, this study found that thecharacteristic of each type tends to shift into hybrid type due to, among others, close interaction withdifferent kinds of stake holders. This also means that the type of ecotourism developed in a village, forexample, will most likely to be modified or improvised in such a way to accommodate the availableresource potency and characteristic of stakeholders involved on its development or management. Theability to manage all forms of ecotourism, which mainly come from outside of Bali, is then combined byBalinese with their life stance of rwa bhineda. Therefore, any ecotourism type or model that comes into,enters and develops in Bali, eventually transforms into a new type of ecotourism.Tulisan ini bermaksud untuk menjelaskankan proses dinamika yang terjadi dalam pengembanganekowisata di Bali. Adapun tujuan penelitian ini adalah sebagai berikut: 1) mengetahui danmenganalisis tipe-tipe ekowisata yang berkembang di Bali, 2) menganalisis perkembangan ekowisatapada masing-masing tipe, khususnya dalam aspek produk ekowisata, pelibatan masyarakatlokal, dan strategi pengembangan, dan 3) menganalisis dan merumuskan model pengembanganekowisata di Bali. Penelitian ini bercorak penelitian kualitatif deskriptif. Teknik pengumpulan datayang memiliki relevansi dengan pendekatan dan kerangka teori tersebut, ada empat cara, yaitu: (a)wawancara mendalam (indepth interview), (b) Pengamatan (observasi lapangan), (c) diskusi terfokus(Focus Group Discussion-FGD), dan (d) studi dokument. Penelitian ini menggunakan keempatmetode ini untuk menggali kebutuhan data di lapangan, sesuai dengan lingkup masalah dantujuan penelitian. Penelitian ini menemukan bahwa tipologi ekowisata Bali dilihat dari sisi aktorutama yang menggerakkan(agent of change) dapat dipilah menjadi tiga, yaitu: (1) ekowisata yangdigerakkan oleh investor (tipe Investor), (2) ekowisata yang digerakkan oleh masyarakat (tipePartisipatif), dan (3) ekowisata yang digerakkan oleh pemerintah (tipe pemerintah). EkowisataBali yang cenderung berpola tiga ini disebut sebagai tri ning tri. Dalam praktiknya masingmasingtipe memiliki tingkat kesuaian yang berbeda-beda dengan prinsip-prinsip ekowisata(TIES, 2000), sehingga bisa dikelompokkan ke dalam ekowisata utama, madya, dan nista. Beberapasikap hidup masyarakat Bali seperti rwa bhineda, paduwen sareng, dan nempahang rage membuatmasing-masing tipe ekowisata bisa berkembang berdampingan secara harmonis di Bali, tanpameniadakan satu sama lain. Dari pengamatan pada level mikro ditemukan bahwa karakteristikmasing-masing tipe cenderung bergeser ke arah tipe hibrid, akibat dari proses interaksinya denganberagam stakeholder. Artinya, ekowisata yang masuk ke suatu desa akan diimprovisasikan sesuaidengan potensi sumber daya yang tersedia dan keunikan stakeholder yang terlibat di dalampengelolaan ekowisata. Kemampuan mengolah segala bentuk ekowisata yang datang dari luartersebut berpadu dengan sikap hidup rwa bhineda sehingga menyebabkan kepariwisataan yang datang, masuk, kemudian berkembang di Bali ditransformasikan menjadi sebuah bentuk baru

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