1,720,962 research outputs found
The Form of the Brahim Nalo Song in the Kalinong Musical Tradition in Kampung Baruh, Tabir District, Merangin Regency, Jambi Province
This study aims to analyze the form and function of the song Brahim Nalo in the Kalinong musical tradition in Kampung Baruh, Tabir District, Merangin Regency, Jambi Province. The research employed a qualitative method with a descriptive-analytical approach through literature review, observation, interviews, and documentation. The findings reveal that Brahim Nalo has a simple compositional structure with short verses, a repeated answer melody performed twice, and no division between sections. Its musical form consists of a single complete melodic cycle with an interrogative phrase as the opening and a responsive phrase as the closing. Repetition functions as both a transition and reinforcement of the song’s message. In terms of function, Brahim Nalo serves as a medium of communication, emotional expression, entertainment, and aesthetic satisfaction, while also strengthening cultural identity, ensuring continuity of tradition, and fostering social cohesion among the people of Kampung Baruh. This study concludes that Brahim Nalo is not only of musical value but also plays a vital socio-cultural role, making it an integral part of community life and contributing to the preservation and enrichment of Indonesian traditional music
KESENIAN TRADISIONAL DAN REVITALISASI
Kebudayaan akan menjadi sesuatu yang bermakna bagi suatu masyarakat jika dikelola dan dipandu secara sadar, agar pada akhirnya kebudayaan itu dapat berfungsi sebagai suatu sarana identitas yang bersifat mengangkat martabat manusia. Banyak pihak yang sebenarnya berkepentingan dan seharusnya bertanggung jawab mengenai perkermbangan kebudayaan, pihak-pihak utama dalam masyarakat yang bertanggung jawab dalam proses kebudayaan antara lain orang tua atau pendidk dan pihak-pihak lain yang memang berkompeten dibidang itu</jats:p
The Development of Minang Pop Music From the Chain to the Home Village
The development of Pop Minang music started in overseas areas and then developed into the area of origin. The development of the art of music in Minangkabau, in line with industrial and media developments, has led to the emergence of a new era in Minangkabau music called Modern Minang music. The emergence of Pop Minang music did not start in West Sumatra, but in Jakarta in the 1950s with the presence of the Gumarang Orchestra under the leadership of Asbon Masjid. The Gumarang Orchestra was founded in 1953 by a group of Minang immigrants in Jakarta who incidentally were musicians. The Gumarang Orchestra became famous after the record album Ayam Den Lapeh, sung by Nurseha, hit the market in 1957. In the mid-1970s, the recording business shifted from Jakarta to West Sumatra. In line with this, Minang POP songs began to develop in West Sumatra. This development greatly influenced Minangkabau traditional music universally
Changes in The Performance of Toba Batak Gondang Music in a Batak Custom Wedding Ceremony in Bukittinggi City, West Sumatra Province
Musik gondang merupakan musik yang digunakan masyarakat Batak dalam berbagai upacara adat, salah satunya dalam upacara pernikahan. Pada saat masyarakat etnis Batak mulai merantau dan masuk ke Kota Bukittinggi, di situ pula mulai masuk Musik Gondang Batak. Musik Gondang Batak dalam acara pernikahan yang ditampilkan dengan beberapa instrumen asli yaitu gondang, sulim, sarune, hasapi dan garatung, ditemukan beberapa perubahan unsur musik dari aslinya. Penelitian ini bertujuan untuk mendeskripsikan perubahan pertunjukan Musik Gondang Batak dalam upacara pernikahan adat Batak di Kota Bukittinggi Provinsi Sumatera Barat. Metode yang digunakan adalah kualitatif dengan pendekatan penelitian deskriptif analisis karena dapat memberikan gambaran dan menjelaskan mengenai perubahan pertunjukan Musik Gondang Batak yang ada di Bukittinggi. Hasil penelitian Musik Gondang Batak Bukittinggi menggambarkan sebuah inovasi sebagai ide baru, praktek, atau objek dianggap baru. Gondang Batak Bukittinggi adalah inovasi teknologi yang berkaitan dengan alat musik karena dianggap menjadi ide baru dan potensial. Oleh karena itu, Musik Gondang dengan adanya aranssemen musik baru serta masuknya keyboard dan saxophone, Musik Gondang Batak sedang disajikan sebagai ide baru dan segar. Teknologi berupa media alat musik media yang berubah dan memperkenalkan bentuk baru. Oleh karena itu, sangat penting untuk memiliki pemahaman yang solid tentang bagaimana memperkenalkan ide-ide baru perubahan ke dalam sistem sosial masyarakat Batak.
Reception of Students of SMA Negeri 5 Sarolangun for The Silent Piece (1949) Music Composition by John Cage
Broadly speaking, we can associate music with sound. The association received a "challenge" from John Cage, an American composer of the Avand-Garde era who in 1949 made the most famous work, namely 4\u2733\u27 or can be called four thirty three, the purpose of this research/article is to discuss responses, responses, interpretation, and the percentage of student respondents to John Cage\u27s unconventional music. The author uses a qualitative and quantitative mix-method research method in data collection and data analysis. Discussion and analysis of data using the theory of reception and interpretation. Various receptions/responses were presented by the students, some of whom responded "silence, murmuring, and wondering". The interpretation presented by the students is th at the answers given are subjective and not influenced by anyone. The quantitative data that the researcher has analyzed provides an overview of the percentage of students listening to John Cage 4\u2733\u27 in the form of a percentage graph
PEMBELAJARAN LAGU ADA ANAK BERTANYA PADA BAPAKNYA DENGAN FORMASI DRUMBAND DI SMP N 5 PADANGPANJANG
Dengan adanya pembelajaran lagu Ada Anak Bertanya Pada Bapaknya dengan formasi drumband ini akan dapat meningkatkan kreatifitasnya dalam bermusik. Pembelajaran ini menggunakan metode penelitian tindakan Action Reasearch yang juga didukung oleh metode penerapan lainnya yaitu metode ceramah, metode demonstrasi, dan metode eksperimen. Hasil yang diperoleh dari pembelajaran lagu Ada Anak Bertanya Pada Bapaknya dengan formasi drumband kepada peserta didik adalah peserta didik mampu untuk mempertunjukkan hasil dari pembelajaran lagu Ada Anak Bertanya Pada Bapaknya dengan formasi drumband. Mereka mendapatkan pengetahuan musik khususnya dalam bidang drumband, dan lebih bisa berkreativitas dengan instrumen drumband yang ada di ruang instrumen SMP N 5 Padangpanjan
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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