93 research outputs found
An Analysis Of Laskar Pelangi Novel By Using Biographical Criticism
No full textThis research showed that the biography of the author indirectly attached
and gave an overview of the actual content of the novel. The relationship between
Andrea Hirata as a author with his work entitled Laskar Pelangi was a
major topic of discussion. The objectives of this research were to find out the
theme of the novel and relationship between Laskar Pelangi novel with Andrea
Hirata’s Biography. Descriptive qualitative method was carried out to
analyze the data. The source of the data was taken from the novel Laskar Pelangi
by Andrea Hirata.In collecting the data, some references related biographical
criticism were applied. The data were analyzed by reading the novel,
underlining statement of Laskar Pelangi novel that related to Andrea Hirata,
analyzing and describing the relationship between Laskar Pelangi novel with
Andrea Hirata’s biography. It was concluded that the theme was the compelexity
of Ikal’s life , Andrea Hirata was someone who liked to dream in the run of his
life. However, the dream he would try to become a reality, and there was the
relationship between the biography of Andrea Hirata to the content of Laskar
Pelangi novel
ASPEK-ASPEK PSIKOLOGI DALAM NOVEL TETRALOGI LASKAR PELANGI KARYA ANDREA HIRATA
No full textTetralogi Laskar Pelangi consisting of first novel "Laskar Pelangi", second "Sang Pemimpi", third "Edensor", and last "Maryamah Karpov".Tetralogi Laskar Pelangi many give picture about culture background in location occupied or than just visited by leaders in him. Literature Psychology approach could explain on spiritual and research nature under author aware. Sastra psychology is a art that present situation does not hold water and a events that fantastik.People author have to have certain expertise to can give aesthetic values use psychological aspects. Karya Sastra Novel Tetralogi Laskar Pelangi Psychology aspect will provide new repertoire for sartra research development in this country. Besides will also reveal aspects that all this time become power a belleslettres that attract the beneficiary interest. In peneltian explain on spiritual aspects to leaders in tetralogi Laskar Pelangi belleslettres by know and decipher those characters by descriptive. Research divided into three stage, namely: (1) data collection, data processing, data.Penelitian interpretation on psychological next will direct to human psychology system existence to interpret, memaknai, assess, and take action against self existence and environment
SIAPAKAH PENCIPTA SESUNGGUHNYA DARI SEBUAH FILM LAYAR LEBAR ‘LASKAR PELANGI’?
No full textThroughout the history of the Indonesian film industry, the most frequent type of film adaptation produced has been film adaptations of novels. This is because there has always been a great public interest to experience an existing story or narrative in different media or formats. This is so for the adaptation of the novel ‘Laskar Pelangi ‘ with a film of the same title ‘Laskar Pelangi ‘. Then arises the question of who is the creator of a movie from the adaptation of the novel? To answer this question, a deep analysis was conducted on the scope of Intellectual Property Rights, specifically Copyright, for the film ‘Laskar Pelangi’. The juridical normative approach was used with the character perspective specification as it aims to obtain suggestions that could be used to solve a problem. Based on our analysis, an author is entitled to the ownership of their work for the transformation of a story from a novel into another form of media, such as film. The film itself would include the dramatization of the novel and include material changes and arrangements that would generate a new version of the narrative. A writer, as a creator, has been given ownership rights directly by Law of the Republic of Indonesia Number 28 of 2014 on Copyright. This suggests that the writer of the novel ‘Laskar Pelangi ‘ as well as its adaptations, Andrea Hirata, can enjoy the results of his work by transferring his economic rights and has the right to create any form of adaptation from his novel. Thus, Andrea Hirata as the writer of the novel ‘Laskar Pelangi’ is the creator of every form of adaptation of his novel, regardless of the parties that create these adaptations. Therefore, Andrea Hirata is the creator of the film ‘Laskar Pelangi ‘ while the director (Riri Riza) and Miles Film & Mizan Production are the Copyright Recipients who would receive the economic rights from the movie ‘Laskar Pelangi’ as given by Andrea HirataDalam sejarah dunia perfilman Indonesia jenis film adaptasi yang paling sering diproduksi yaitu film adaptasi novel. Hal ini dikarenakan masyarakat selalu menginginkan suatu cara yang baru dalam menikmati sebuah karya cipta yang sudah ada. Seperti pengadaptasian novel ‘Laskar Pelangi’ yang terjadi pada film layar lebar dengan judul yang sama ‘Laskar Pelangi’. Kemudian timbul pertanyaan siapakah pencipta dalam sebuah film layar lebar hasil adaptasi novel tersebut? Untuk menjawab pertanyaan dilakukan analisis yang mendalam mengenai unsur-unsur pencipta pada lingkup Hak Kekayaan Intelektual khususnya bidang hak cipta (Copyright) yang terdapat pada Film layar lebar ‘Laskar Pelangi’. Metode pendekatan yang digunakan adalah yuridis normatif dengan spesifikasi penelitian bersifat perspektif yaitu bertujuan untuk mendapatkan saran yang digunakan agar dapat memecahkan permasalahan tertentu. Berdasarkan penelitian ini, Seorang Penulis berhak atas hak cipta dengan alasan pengadaptasian yang sah dari sebuah novel karyanya kedalam suatu bentuk karya lainnya seperti film layar lebar, yang didalamnya terdapat dramatisasi sebuah novel ciptaannya atau dengan perubahan material dan penataan ulang yang menghasilkan versi baru dari drama lama dalam novel hasil ciptaannya. Pengarang/Penulis sebagai Pencipta atas karyanya, hal ini diberikan langsung oleh Undang-Undang Negara Republik Indonesia Nomor 28 Tahun 2014 Tentang Hak Cipta. Penulis novel ‘Laskar Pelangi’ yaitu Andrea Hirata dapat menikmati hasil karyanya dengan melakukan pengalihan hak ekonomi yang dimilikinya. Ia mempunyai hak untuk melakukan pengadaptasian terhadap hasil karyanya. Dengan demikian, Andrea Hirata sebagaimana Penulis dari sebuah karya tulis novel ‘Laskar Pelangi’ sekaligus merupakan Pencipta atas setiap karya baru yang dihasilkan pihak-pihak yang melakukan pengadaptasian terhadap novelnya. Hal ini memberikan arti bahwa Andrea Hirata merupakan Pencipta dalam sebuah Film Layar Lebar ‘Laskar Pelangi’ sedangkan, sutradara Riri Riza dan pihak Miles Film & Mizan Production merupakan Penerima Hak Cipta berupa Hak Ekonomi atas Film layar lebar ‘Laskar Pelangi’ yang diberikan oleh Pencipta kepadany
ANALISIS NILAI MORAL DALAM NOVEL LASKAR PELANGI KARYA ANDREA HIRATA
No full textThis research is based on the fact that moral values are important, novels as written literary works must also contain moral values so that they can be used as an example, moreover the researchers themselves will be involved in the world of education, so that research on moral values can be taught more or less to students by reading literary works and looking for moral values contained in them. The problem in this study is whether there is a moral value in the novel Laskar Pelangi; then what are the moral values contained in the novel Laskar Pelangi; The purpose of this study was to analyze moral values in the novel Laskar Pelangi and describe the results of moral analysis research in the novel Laskar Pelangi. The method in this study is a descriptive method. The steps of data collection in this study are 1) Intensive reading of the novel entitled the irregulars of the rainbow 2) Recording quotes that contain moral values and analyze them. Based on the results of the study, it can be seen that there are so many moral values that the author wants to convey, including researchers finding religious or religious moral values and researchers find finding moral values related to society or social
METAFORA ANDREA HIRATA DALAM TETRALOGI LASKAR PELANGI (SEBUAH KAJIAN STILISTIKA)
No full textThis research had been used stylistics theoretical basis and supported by the
theory of semiotics. The purpose of this study is to discuss the metaphor of Laskar
Pelangi tetralogy to find the typical writing style of Andrea Hirata�s metaphor, meaning,
and functions, as well as frequency of use of Andrea Hirata�s metaphor, including much
use of metaphor and the functions. Laskar Pelangi tetralogy includes four novels of
Andrea Hirata, Laskar Pelangi, Sang Pemimpi, Edensor, and Maryamah Karpov.
Metaphor questioned the comparison between the one with the other as a composition
that reflects the expression of the author and cultural social codes including the highly
visible nature of tetralogy Laskar Pelangi by Andrea Hirata. If related to the style or the
style have been used by Andrea Hirata in his novels, Andrea Hirata has its own style or
styles in using metaphor as an expression, a container of ideas, or where his ideas to
convey a message at the time of Andrea Hirata creating literary works. Style language of
metaphor has a notion to compare something with something else without using the
words of comparator circuit. This metaphor figurative language such as comparison, just
did not use comparison words, such as, like, like, and so forth. Metaphor is seen as the
same thing or worth to something else, which really is not the same. Metaphor consists of
two terms or two parts, the term of principal (principal term) and the second term
(secondary term). The principal term called the tenor, the second term is called vehicle.
Principal term or tenor have mentioned the comparison, while the second term or the
vehicle is a thing to compare. For example Arai is a Sacred Hoop, Arai is the principal
term, is sacred hoop is the vehicle. In addition to these metaphors were also founded the
implicit metaphor and the dead metaphor. The division of metaphor type is based on the
Wahab�s theory by dividing of the metaphor to 9, namely: the being metaphor, cosmos,
energy, substance, terestrial, object, life, humans, and fauna.
The use of metaphor can not be separated by social experience and cultural
background of the author. That is, a metaphor that was created by Andrea Hirata is very
influenced by his environment, because the author's perception of natural phenomena and
social phenomena can not be separated from the state of the environment too.
Analysis of the meaning and function of metaphor in Laskar Pelangi tetralogy
prove that the use of metaphor pretty much found. Metaphor of life (human) are the
hallmark of Laskar Pelangi tetralogy because its presence dominates among other types
of metaphor. Metaphor Andrea Hirata show aesthetic function and in particular social and
cultural motivations, struggles, and education.
Finally, this study concludes that the use of metaphor is quite a lot in the
Laskar Pelangi tetralogy in a sequence that occupies most of the frequency Sang
Pemimpi, then Maryamah Karpov, Laskar Pelangi, and Edensor. Besides this, also found
that the use of metaphor in a novel improve the quality of the novel, so it is not surprising
that Laskar Pelangi tetralogy extraordinary acceptable by the reader. It�s the meaning, the
use of metaphor is the tendency of its own aesthetic, and one means of improving the
quality of literary creation
Potret Pendidikan dan Kemiskinan di Indonesia dalam Novel Laskar Pelangi Karya Andre Hirata
No full textThis paper will examine and reflect on the relationship between literature and education, by addressing the issues surrounding the development of the education system in Indonesia through Andrea Hirata's Laskar Pelangi "glasses". Andrea Hirata shows through the novel Laskar Pelangi that education is not a place where one seeks knowledge, but how to live it. Significantly, the most prominent problem discussed in the novel Laskar Pelangi is the theme of education in Indonesia, and the author is interested in seeing this problem through the realities of the ups and downs of education in Indonesia. As for this purpose, the author analyzes the problems to be highlighted by using the genetic-structuralism method. The use of this method is based on the reason that education like what is contained in the novel Laskar Pelangi is a reflection of the reality of education in Indonesia. And in order to understand the issue more clearly, the analysis of the novel will not only look at the educational issues as contained in the novel (intrinsic), but also in terms of their references to the real world of Indonesian education (extrinsic).AbstrakTulisan ini akan meneliti dan merenungkan hubungan antara sastra dan pendidikan, dengan menjurus kepada persoalan di sekitar perkembangan sistem pendidikan di Indonesia melalui “kacamata” Laskar Pelangi karya Andrea Hirata. Andrea Hirata menunjukkan lewat novel Laskar Pelangi bahwa pendidikan bukanlah tempat seseorang menuntut ilmu, tetapi bagaimana menjalaninya. Secara signifikan, masalah yang paling menonjol yang dibicarakan dalam novel Laskar Pelangi adalah tema pendidikan di Indonesia dan penulis tertarik untuk melihat masalah tersebut melalui persoalan kenyataan pasang-surut pendidikan di Indonesia. Adapun untuk tujuan tersebut, penulis melakukan analisis atas masalah yang hendak disoroti dengan menggunakan metode genetik-strukturalisme. Penggunaan metode ini didasarkan pada alasan bahwa pendidikan seperti apa yang terkandung dalam novel Laskar Pelangi adalah refleksi dari suatu realitas pendidikan di Indonesia. Demi memahami persoalan tersebut lebih jelas, maka analisis terhadap novel tersebut tidak hanya dilakukan untuk melihat persoalan pendidikan tersebut seperti apa yang terdapat dalam novel (intrinsik), tetapi juga dalam hal referensinya ke dunia nyata pendidikan Indonesia (ekstirinsik)
PANDANGAN DUNIA ANDREA HIRATA DALAM NOVEL LASKAR PELANGI ANALISIS STRUKTURALISME GENETIK LUCIEN GOLDMANN
No full textThe main object in this study is novel Laskar Pelangi by Andrea Hirata. The
concern are the structures of the novel and the author`s view. This novel tells the
spirit to strive of main figures belonging to the �Laskar Pelangi�. They are Ikal,
Mahar, Lintang, Harun, Syahdan, A Kiong, Trapani, Borek or Samson, Kucai, Sahara
and Flo. This study aims to reveal the structure of the novel Laskar Pelangi and
world view of Andrea Hirata in Laskar Pelangi. Due to the novel purposes, the theory
which used the genetic structuralism of Lucien Goldmann. This study applies the
dialectical method. The method of describing at the text as a starting point and end
point of the study and it also pay attention to the coherence of the meaning of a text.
The results of this study indicate that the structure of the novel Laskar Pelangi
awakened by four elements, namely eleven problematic hero, the object sought or the
authentic values, Malay Belitung as the world's degraded and how the hero quest in
finding the authentic values. The structure is framed by a problematic hero quest will
be authentic values in a degraded world in a way that is also degraded. The eleven
members of the \"Laskar Pelangi\" to faces a lot of problems in life in the world that
has been degraded because it does not have the authentic values. They went to strive
an achieve a better balance in relation to fellow human beings, God, the world and
beyond, as well as the relationship between the outer and inner.
The novel is a reflection of the times that represent the author's view of the
world. Laskar Pelangi showing the romantic view of the world. The romance
ideology so important what Hirata Hirata describe eleventh problematic hero whom
rised pursue their dreams to have a high quality of life as when they collapsed in the
bondage of poverty, it is shown by Hirata whit keep trying and passed to pursue the
ideal lif
BENTUK CAMPUR KODE DALAM NOVEL LASKAR PELANGI KARYA ANDREA HIRATA
No full textThis article discusses the phenomenon of code mixing in the novel Laskar Pelangi by Andrea Hirata. Code mixing is the use of language or style of language that mixes two or more different language codes. The purpose of this study is to analyze and explain the form of code mixing used in the novel and to identify the reasons for using code mixing by the author.
 
Power quality issues and need of intelligent PQ monitoring in the smart grid environment
No full textECRANISATION OF LASKAR PELANGI NOVEL AND ITS FUNCTION AS EDUCATIVE MEDIA (STUDY OF LITERATURE RECEPTION)
No full textPurpose: The purpose of this research is to describe the reception of the community about ecranisation of Laskar Pelangi novel and its function as educative media.
Methodology: This descriptive qualitative research was conducted by the literature reception synchronized approach. The research data was collected through the reference technique, content analysis, and in-depth interviewing. Data validation was checked through a triangulation source. Data analysis was performed by a synchronized analysis in literature reception and then analyzed by an inductive method, with interactive analysis model.
Results: The results of this research are first, the community has good reception about ecranisation of the best-seller Laskar Pelangi that being box office film. Generally, the community assumes that the beauty of the story in the novel can be well visualized through the image and dialogue of the character’s cast, although there is a slight change in storyline and characterizations. Secondly, Laskar Pelangi film is a product of a successful creative industry both at home and abroad.
Implications: Thus, the Laskar Pelangi film has functioned as an educative media for people to understand the value of human relationships with themselves, with others and environment, and with God, which is the moral value conveyed by the author. The education process is effective because the values are delivered through a means of beautiful, interesting, and touching stories
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