81 research outputs found
Wangbang Wideya: “A Javanese Panji Romance” Karya “S. O. Robson”
No full textWangbang Wideya is one of the Classical Panji Romance stories originating from East Java. The Panji story is a folklore of the archipelago that is based on the history of the kingdoms in East Java. The setting of the Panji story is the Princess of the Kingdom of Kediri (Daha Raden Warastrasari) and the Prince of the Kingdom of Jenggala. There are many versions of Panji Stories circulating in the form of full stories and accompanying shows with various language versions. In this article the author tries to summarize (resume) Song of Panji "Wangbang Wideya: A Javanese Panji Romance" by S. O. Robson
Watak Wanita dalam Ms 46 Cerita Panji Hikayat Kelana Sita Kembara
No full textThe panji tales were popular in Java and gained widespread popularity throughout the Malay Archipelago at one point of time. Many manuscripts of these Panji tales have been studied using various approaches and research frameworks by both local and foreign researchers. However, there is still a dearth of the research, especially studies of the panji tales which were documented in Malaysia, despite the large number of manuscripts stored at the Malay Documentation Centre of Dewan Bahasa dan Pustaka, the National Library of Malaysia and the University of Malaya Library. Research related to the appearance of women character in the panji tales is still not thoroughly discussed by researchers, especially in helping readers to appreciate the beauty of the genre. Therefore, formalistic approach is used in this paper to examine the character’s appearance in the manuscript MS 46 panji tales entitled Hikayat Kelana Sita Kembara documented in the Malay Documentation Center, Dewan Bahasa dan Pustaka. The discussion in this paper aims (i) to identify women’s role of Ken Banjaransari in the panji tales of Hikayat Kelana Sita Kembara; (ii) to discuss the methods and techniques of writing used by the author to show the appearance of the women’s character of Ken Banjaransari; and (iii) to identify the effect of the role of women’s character of Ken Banjaransari on the work and readers of the panji tales Hikayat Kelana Sita Kembara. In conclusion, the appearance of a women’s character in panji tales Hikayat Kelana Sita Kembara successfully shows the ability of the author to use various writing techniques to build women’s character in order to produce an interesting story of the panji tales.
Full text: PDFCerita panji yang popular di Jawa telah berkembang ke seluruh Kepulauan Melayu pada suatu ketika dahulu. Banyak naskhah cerita panji telah dikaji dengan menggunakan pelbagai pendekatan dan rangka penyelidikan oleh pengkaji tempatan mahupun luar negara. Namun begitu, cerita panji yang didokumentasikan di Malaysia masih kurang dikaji meskipun terdapat sejumlah besar naskhah yang tersimpan di Pusat Dokumentasi Melayu, Dewan Bahasa dan Pustaka, Perpustakaan Negara Malaysia dan Perpustakaan Universiti Malaya. Penelitian berkaitan dengan penampilan watak sampingan dalam cerita panji juga masih kurang dibincangkan secara tuntas oleh para penyelidik khususnya untuk membantu pembaca menghayati keindahan genre tersebut. Sehubungan dengan itu, pendekatan formalistik digunakan dalam kertas ini untuk meneliti penampilan watak wanita Ken Banjaransari dalam manuskrip MS 46 cerita panji yang berjudul Hikayat Kelana Sita Kembara yang tersimpan di Pusat Dokumentasi Melayu, Dewan Bahasa dan Pustaka. Perbincangan ini bertujuan (i) mengenal pasti peranan watak wanita Ken Banjaransari yang ditemui dalam cerita panji Hikayat Kelana Sita Kembara; (ii) membincangkan kaedah dan teknik penulisan yang digunakan oleh pengkarya bagi memperlihatkan penampilan watak wanita Ken Banjaransari dan (iii) mengenal pasti kesan peranan watak wanita Ken Banjaransari terhadap karya dan pembaca cerita panji Hikayat Kelana Sita Kembara. Kesimpulannya, penampilan watak wanita Ken Banjaransari dalam cerita panji Hikayat Kelana Sita Kembara berjaya memperlihatkan keupayaan pengkarya menggunakan pelbagai teknik penulisan untuk membina watak wanita Ken Banjaransari demi menghasilkan sebuah naskhah cerita panji yang menarik.
Teks penuh: PD
Perancangan Serial Animasi Televisi Panji Tengkorak Dengan Judul Pendekar Sakti Dari Kidul
No full textSaat ini peminat film animasi di Indonesia semakin banyak. Hanya sayangnya
tayangan film animasi di televisi masih banyak didominasi oleh buatan luar negeri.
Sangat jarang film serial animasi buatan dalam negeri terutama bagi remaja yang
tayang di televisi, khususnya serial animasi yang mengandung konten lokal.
Berangkat dari fenomena tersebut, penulis mencoba peluang membuat film serial
animasi untuk tayangan televisi dengan konten lokal, dalam hal ini mengadopsi
cerita dan karakter dalam komik Panji Tengkorak, yang merupakan salah satu komik
silat asli buatan anak bangsa. Alasan memilih komik Panji Tengkorak ini adalah
sekaligus ingin memperkenalkan kepada remaja saat ini, satu tokoh komik yang
menjadi salah satu ikon di dunia komik Indonesia, yang saat ini semakin terlupakan.
Karakter dan plot cerita dalam perancangan serial animasi Panji Tengkorak, yang
diambil dalam buku komiknya, terbitan tahun 68, masih relevan untuk ditujukan
pada audiens remaja saat ini, karena memiliki ciri visual karakter yang menarik dan
khas. Juga plot cerita yang mempunyai keunikan dan berpotensi untuk menarik minat
remaja yang menjadi target audiens perancangan ini.
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Currently animated film enthusiasts in Indonesia are growing. Unfortunately,
many animated film shows on television are still largely dominated by foreign-made.
It is rare for animated series that made by local animators, especially animated
series for teenagers aired on television, spesifically animated series that contain
local content. Departing from this phenomenon, the author tries to make an
animated series for television contain with local content, in this case adopted the
story and characters in Panji Tengkorak comic book, which is one of the original
comic arts made in the nation. The reason for choosing this comic, Panji Tengkorak,
is because the author wanted to introduce to today's teens, a comic character who
became an icon in the world of Indonesian comics, which today started getting
forgotten. Plot and characters in this Panji Tengkorak animation series, based on the
original comic book, published in 68, is still relevant for teenagers at the present,
because of its interesting visual characteristic, and it has potential to attract
teenagers whom become main audience of this designing
REKA KAIN FELT SEBAGAI MEDIA BEREKSPRESI SENI SERAT
No full textABSTRACT
Panji Kurnia Nugraha 2019. Fabrication of Felt Fabric as a Media for Expressing Fiber Art. Department of Fine Arts Education, Faculty of Art and Design, Indonesian University of Education.
Felt or felt art was chosen by the writer as an exploration effort by raising the theme of Tanjung Tinggi Belitung beach. This beach has a unique beauty and characteristics, namely white sand with large rocks. The author creates three pieces of work with shades of beach sand, seawater, and rocks found on the beach. The stages of creation start from the preparation of yarn fibers according to the concept, then the giving of cornflour or maize mixture, after that the drying process and the last process is the finishing process. In the three works of the author, there is dry marine biota which the writer took directly from the shore so that his natural impression is maintained. Hopefully, the creation of writers' creation can be an inspiration for creating art with new media and techniques.
Panji Kurnia Nugraha 2019. Reka Kain Felt Sebagai Media Berekspresi Seni Serat. Departemen Pendidikan Seni Rupa, Fakultas Seni dan Desain, Universitas Pendidikan Indonesia.
Felt atau felt art dipilih penulis sebagai upaya ekplorasi dengan mengangkat tema pantai Tanjung Tinggi Belitung. Pantai ini memiliki keindahan dan ciri khas yang unik yaitu pasir putih dengan bebatuan yang besar. Penulis menciptakan tiga buah karya dengan nuansa pasir pantai, air laut, serta bebatuan yang terdapat di pantai tersebut. Tahapan penciptaan dimulai dari penyusunan serat benang sesuai konsep, kemudian pemberian adonan tepung jagung atau mayzena, setelah itu proses penjemuran dan proses terakhir yaitu proses finishing. Pada ke tiga karya penulis terdapat biota laut kering yang penulis ambil langsung dari bibir pantai agar kesan naturalnya terjaga. Semoga dengan terciptanya karya penciptaan penulis bisa menjadi inspirasi untuk berkarya seni dengan media dan teknik baru.
Keywords: Textile Art, Felting, Felt Art, Tanjung Tinggi Beach, Belitung Island
Metaphor in "Sĕrat cariyos ringgit purwa lampahan Dora Wĕca mawi sĕkar macapat" by Raden Mas Panji Arja Suparta
No full textThe Sĕrat cariyos ringgit purwa lampahan Dora Wĕca mawi sĕkar macapat is an example of a translation of a wayang play into poetry, a popular phenomenon in the late nineteenth century. To create aesthetic effects Raden Mas Panji Arja Suparta, the author of the text, makes ample use of metaphors. Some of these metaphors are well-known literary clichés. Others, which are woven into riddles (wangsalan), bring the real world of everyday life in Java vividly into view
Manajamen Sanggar Seni Angel Elkanean Sebagai Upaya Pelestarian Budaya di Pangururan Samosir
No full textThis thesis is entitled "Traditional Music Learning Based on Children's
Games at the Angel Elkanean Art Studio in Pangururan Samosir". Aspects of the
Angel Elkanean Art Studio, namely: (a) Learning Methods (b) Learning materials,
(c) Learning Media, (d) Obstacles in Learning, (e) Learning Outcomes in Angel
Elkanean Art Studio. This study uses a qualitative method with data collection
through field research, interviews, data recording and audio-visual. To examine
the learning of traditional musical instruments in the art studio the author uses
learning theory, To examine the learning methods of traditional musical
instruments the author uses the theory of learning methods, to examine learning
materials the author uses learning material theory, To examine learning media the
author uses learning media theory, to to examine the constraints in learning the
author uses the theory of constraints, and to examine the results obtained the
authors use the theory of results. The main issues that will be discussed in this
research are, (a) Learning Methods (b) Learning materials, (c) Learning Media,
(d) Obstacles in Learning, (e) Learning Outcomes in Angel Elkanean Art Studio.
The results of this study are, the trainer uses several methods in the learning
process, namely the demonstration method, the exercise method, the question and
answer method, and the assignment method. In the learning process, the trainer
only provides material in the form of directives through words and directly
practices playing musical instruments, without any books or other teaching
materials. The score given by the trainer to the studio children is only for viewing
and understanding the notation, and not all musical instruments are given sheet
music. Learning Media in the Art Studio consists of Taganing, Sarune Bolon,
Sarune Etek, Hasapi, Garantung, Ogung and Sulim. In the learning process, there
are several obstacles faced including the lack of concentration in learning, the
presence of new members who enter the Music Studio group, and the members of
the studio do not master the musical instrument so that it hinders the music
learning process. The results of the traditional music learning, get good results by
using several methods provided by the trainer135 HalamanTesis Magiste
LAPORAN PENGABDIAN PADA MASYARAKAT PELATIHAN TARI BALI KEKEBYARAN GABOR DAN PANJI SEMIRANG SISWA-SISWI SMK N 8 SURAKARTA
No full textCommunity service activities are held regularly agenda universities
throughout Indonesia as one of the elements of Tri Dharma University. This time
the author had the opportunity to perform these activities within three months of
the student trainees Vocational High School 8 Surakarta. The material consisted
of dance taught Gabor and Panji Semirang both are types of Balinese dance is
often accompanied kekebyaran or kebyar gong music. The first dance is a dance
group called 4,6,8 daughter dance as a dance or a welcome reception for the
guests. While dance usually danced Panji Semirang single but danced in the
training group with the intention to cause novelty, especially in the position of
dancer / goal in each of its parts. Both dances are very popular in Balinese society,
proved up to now widely used for various purposes. Due to the high interest of the
trainees so that they can understand and demonstrate both dance correctly.
Learning outcome has been staged for the benefit of Indonesia's independence day
celebrations to the next 67 authors hope the experience gained during the training
can be applied to students in the public environment that require
LAZIMKANLAH YANG BENAR, JANGAN SELALU MEMBENARKAN YANG LAZIM, KARENA YANG LAZIM TIDAK SELALU BENAR,SALAH KAPRAH DALAM PEMAKAIAN BAHASA INDONESIA
No full textAbstractIndonesian language users in official forums are expected to use Indonesian in accordance with applicable rules, both in spoken and written form. In accordance with the reality, currently there are still uses of Indonesian that are not in accordance with the rules of good and correct Indonesian or also known as standard language. This study was expected to be able to broaden Indonesian speakers to gain knowledge and to understand the rules for using the Indonesian language properly and correctly. The method used in obtaining data was observation method with note-taking techniques. Furthermore, the data obtained were analyzed using descriptive qualitative interpretive analysis methods. Based on data analysis, it can be seen that in the use of Indonesian there are forms of language that are misguided, such as ambiguous/contaminated sentences, wrong diction, and wrong reasoning. In this regard, the author suggests that Indonesian language users must pay attention to and comply with good and correct Indonesian language rules to create a dignified language and be proud to use Indonesian in accordance with what is mandated by the 1945 Constitution, namely in chapter XV, article 36.Keywords: Misguided, Standard Indonesia
Inhibition of Cellulase Activity Fusarium oxysporum f. sp. lycopersici Pathogens in Tomato Plants Using Essential Oils from Citronella in Vitro
No full textThe purpose of this study is to determine the ability of essential oils from citronella plants to inhibit cellulase enzyme activity in the fungus Fusarium oxysporum f. sp. lycopersici. and evaluate its potential as a disease-control material in tomato plants. This research was carried out in August 2023 until completed in February 2024. The method used in this study is experimental which consists of the process of exploring the fungus that causes disease in tomato plants, microscopic characterization of fungal isolates, molecular identification, inhibition test of fungal colony growth using essential oils from citronella plants, cellulase enzyme activity test, and cellulase enzyme activity inhibition test using essential oils from citronella plants. The variables observed in this study consisted of inhibiting the growth of Fusarium oxysporum f. sp. lycopersici. By essential oils, test the activity of quantitative cellulase enzymes, and cellulase enzymes activity inhibition test using essential oil from citronella plant. The results of microscopic characterization and molecular tests show that the fungal isolate used in this study has 99% similarity with Fusarium oxysporum f. sp. lycopersici. Essential oils extracted from citronella plants effectively inhibit the formation of fungal colonies. This is evidenced by the results of observation at the age of 7 HSI mushrooms with the growth diameter of fungal colonies of 5.06 cm, 3.56 cm, and 2.44 cm after applying essential oils with concentrations of 333 ppm, 666 ppm, and 1000 ppm. Results of observation and calculation of cellulase enzyme activity values in Fusarium oxysporum f. sp. lycopersici isolate. Cellulase enzyme activity of 0.831 U/mL was obtained. The application of essential oils with sequential concentrations (333 ppm, 666 ppm, and 1000 ppm) was able to decrease the activity of cellulase enzymes, with activity inhibition of 31%, 39%, and 44% in Fusarium oxysporum f. sp. lycopersici isolates
A study of the dramatic poems of the Panji cycle in Thailand.
No full textDespite the important pioneer work of H.R.H. Prince Damrong Rajanubhab and H.H. Prince Dhani Nivat, Kromamun Bidyalabh Bridhyakorn, no fully detailed descriptive study of the Thai versions of dramatic poems deriving from the Malay-Javanese Panji cycle has been made. The aim of this thesis is to provide such a descriptive study based chiefly on the printed texts of the two major poems in the Thai tradition, Dalang and Inao, and with reference to surviving manuscript items which have been available to the author in Bangkok and London. Thai translations of certain Malay texts belonging to the Panji tradition have also been taken into account. The thesis consists of eight chapters and five appendixes. The Chapters. Chapter 1 deals with the origin of the Thai versions according to traditional evidence and presents historical evidence on their development. Chapter 2 relates the history of the texts with comparative references to manuscripts and printed texts. In Chapter 3, the overall structure of the complex poems Dalang and Inao is analysed, and the fundamental variations are set out and related to the Malay versions as known in Thailand. Chapters 4 and 5 present the content of the poems in terms of setting and major aspects of treatment. Poetic techniques are examined in Chapters 6 and 7. Chapter 6 presents an analysis of the versification, and Chapter 7 examines poetic diction. Chapter 8 contains a concluding general statement on the subject of court drama. The Appendixes. Appendix 1 sets out the lexical variants, not involving structural rhyme, between the Somdet Phra Racha Pitula manuscript and the printed text of Dalang. Appendix 2 sets out the lexical variants involving structural rhyme between the above two texts. Appendix 3 provides comparative tables of lexical variants existing between the India Office Library manuscript and the printed text of Inao. Appendix 4 lists the epithets used in the Dalang and Inao printed texts. Appendix 5 is a glossary of Malay-Javanese terms used in the poems
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