1,744 research outputs found
O contracampo como movimento infinito: O legado fílmico e académico de Raquel Schefer
No full textEn junio de 2023, para la sección Podcast del proyecto «Speculum», la profesora y cineasta Raquel Schefer aceptó mi invitación para explicar su relación con el concepto de documental autobiográfico y explicar un poco su proceso creativo, entre la escritura académica y la realización de ocho cortometrajes, que ella divide en dos principales y seis secundarios. La hipótesis que aquí se plantea es analizar la obra de Schefer como una propuesta de cine expandido, con la idea de construir un contracampo imaginario que se materializa en palabras, gestos y objetos, pero también en escritos académicos y presentaciones artísticas de su obra.Em junho de 2023, para a seção Podcast do projeto “Speculum”, a professora e cineasta Raquel Schefer aceitou o meu convite feito para expor a sua relação com o conceito de documentário autobiográfico e explicar um pouco do seu processo criativo, entre a escrita académica e a realização de oito curtas-metragens, que a própria divide em 2 principais e 6 secundarias. Avança-se aqui a hipótese de analisar o trabalho de Schefer como uma proposta de cinema expandido, numa ideia de construção de um contracampo imaginário que se materializa em palavras, gestos e objetos, mas também em escritos académicos e apresentações artísticas do seu trabalho.
Abstract: In June 2023, for the Podcast section of the “Specu-lum” project, professor and filmmaker Raquel Schefer accepted my invitation to explain her relationship with the concept of autobiographical documentary and to explain a little about her creative process, between academic writing and the realisation of eight short films, which she divides into two main and six secondary films. The hypothesis put forward here is to analyse Schefer’s work as a proposal for expanded cinema, with the idea of constructing an imaginary counterfield that materialises in words, gestures and objects, but also in academic writings and artistic presentations of her work
Avó e O Jogo, Ou o Arquivo Colonial “em Movimento” nos Vídeos de Raquel Schefer
No full textEste ensaio examina a forma como a prática videográfica de Raquel Schefer (Portugal, 1981) tem contribuído para uma descolonização epistémica e ético -política do presente através da investigação crítica de vários tipos de arquivos coloniais, quer públicos, quer privados. Analisa até que ponto a estética de Avó (Muidumbe) (2009) e Nshajo (O Jogo) (2010) implica uma política e uma ética da história e da memória relevantes para pensar criticamente as amnésias coloniais e as nostalgias imperiais que ainda caracterizam uma condição pós-colonial marcada por padrões neo-coloniais de globalização e por relações difíceis com comunidades migrantes e diaspóricas. Em particular, é prestada atenção às histórias e às memórias da ditadura portuguesa e do império colonial; das lutas de libertação / guerras “coloniais” combatidas em Angola, Moçambique e Guiné-Bissau entre 1961 e 1974; da Revolução dos Cravos em Portugal em 1974; e da independência das antigas colónias portuguesas entre 1973 e 1975
Bilingual acquisition data: Dative Alternation_DA-L2 Adult dataset
No full textThis dataset is the result of the research carried out by Silvia Sánchez Calderón (UNED) and Raquel Fernández Fuertes (UVa) in the frame of the Research Group UVALAL (University of Valladolid Language Acquisition Lab, https://uvalal.uva.es/) whose Principal Investigator is Raquel Fernández Fuertes. In this project, the research is conducted on the second language (L2) acquisition of English Dative Alternation (DA) constructions by adult learners whose first language (L1) is Spanish. The results are compared to a control group of L1 English adults. An Acceptability Judgment Task (AJT) was designed for both groups to address grammaticality, sentence structure and word order of the two English DA structures.
The two DA structures under analysis involve, on the one hand, prepositional to-datives that alternate as Double Object Constructions (DOCs) (1) and, on the other hand, prepositional for-datives that alternate as DOCs (2). The main aim of this project is to explore the role played by the L2 English learners' L1 in their sensitivity towards the two syntactic variants, with a particular emphasis on the potential crosslinguistic influence effects (or lack thereof) from Spanish into English and the Universal Grammar (UG) effect on their acquisition.UVALAL1. GENERAL INFORMATION 1.1. Title of dataset 1.2. Author information 1.2.1. PI and co-PI 1.2.2. Lab 1.2.3 People involved in the data collection and the tasks design 1.3. Objectives 1.4. Funding sources 1.5. Citing information 2. ACCESS INFORMATION 2.1. Licenses or restrictions 2.2. Publications 3. METHODOLOGICAL INFORMATION 3.1. The participants 3.2. The experimental task: an Acceptability Judgment Task 3.3. Data extraction procedure 3.4. Data classification procedure: variables 4. DATA 4.1. Database 4.2. Last update 5. RELATED DATASETSSpanish Ministry of Science, Innovation and Universities and European Regional Development Fund (ERDF) [PGC2018-097693-B-I00],Regional Government of Castile and León (Spain) and ERDF [VA009P17
Sessão de lançamento da Aniki 3.2
No full textDossiê ‘Outros filmes’, editado por Sofia Sampaio, Raquel Schefer e Thaís Blank 23 Setembro | 19h Livraria Linha de Sombra/ Cinemateca (R. Barata Salgueiro, 39, Lisboa) Com a presença de Sofia Sampaio e Raquel Schefer. A apresentação será seguida da projeção das curtas-metragens Jornal Português nº25 (1941) e Supermemórias (Danilo Carvalho, 2010). A revista está disponível em acesso aberto aqui
Os ventos da América Latina, por raquel ochoa
No full textThis article analyzes The Wind of Others (2012), by
Raquel Ochoa, a contemporary Portuguese author
who presents a set of travel chronicles through Cen-
tral and South America, from a feminine perspecti-
ve in search of identity and questioning the native
Other. Passionate about writing and travelling, the
author wanders aimlessly like the wind through
the Andes from Costa Rica to Patagonia in Argen-
tina to emerge in the local culture away from the
more commercial tours. As part of travel literature,
the search for the Other(s) reveals alterity and traces
a critical portrait of the plight of the peoples of Latin
America, which result from the processes of coloni-
zation and globalization. The personal encounters
and adventures blend in a literature of the senses re-
vealing the landscapes, the peoples and the winds
of Latin America from a transatlantic perspective.Este artigo analisa O Vento dos Outros (2012), de
Raquel Ochoa, uma autora Portuguesa contem-
porânea que apresenta um conjunto de crónicas de
viagem da América Central à América do Sul, numa
narrativa de olhar feminista em questionamento
identitário com o Outro local. Apaixonada pela escri-
ta e pelas viagens, a autora vagueia sem rumo como
o vento pelos Andes desde a Costa Rica até à Pata-
gónia na Argentina com o objetivo de uma imersão
cultural afastando-se de um périplo mais comercial.
Inserindo-se na literatura de viagens a procura do(s)
outro(s) revela a alteridade e traça um retrato crítico
das difíceis condições de vida dos povos da América
Latina, resultantes dos processos de colonização e
de globalização. Os encontros e aventuras pessoais
misturam-se numa literatura dos sentidos revelan-
do as paisagens, as gentes e os ventos da Améri-
ca Latina a partir de uma perspetiva transatlântica
On making choices: some thoughts on an ethnographic film screening
No full textSee note 1 of the article: "This paper was written by four authors as a multi-vocal collaborative exercise that resulted from our experience as members of the jury of the ethnographic film screening that the Portuguese Anthropological Association (APA) organised in 2016. However, given the conference regulations, which establishes a maximum of three authors per paper, we have collectively decided to provide one name - that of the corresponding author. The de facto authors of this paper are: Humberto Martins ([email protected], UTAD/CETRAD), Ricardo Seiça Salgado ([email protected], CRIA-UMinho), Raquel Schefer ([email protected], Sorbonne Nouvelle – Paris 3) and Sofia Sampaio. We hope that, in the near future, the conference organisation may find a way to fully acknowledge this kind of collaborative work."In this paper we describe, analyse and reflect on our first-hand experiences as members of the jury of the Ethnographic Film Screening of the 6th Meeting of the Portuguese Anthropological Association (APA), which took place in the University of Coimbra, in June 2016 (http://vicongresso.apantropologia.org/mostra-de-filme-etnografico/). To quote from our call for the ethnographic films, our “simple invitation” was to “show through images how ‘Disputed Futures’ [the topic of the general meeting] mean the diversity of presents and pasts; because the world is made on different rhythms, impulses, desires towards the uncertainty and incompleteness of history.” Our criteria for the film selection process was divided into (1) cinematic quality and originality (cinematography, sound, etc.) and (2) the anthropological character of the films. In the end, we selected 21 out of a total number of 101 films received, among short, medium and feature-length formats. The selection proved a difficult process, raising important issues, namely: was this ‘practical’ division between ‘cinematic quality’ and ‘anthropology’ theoretically (and even empirically) sound? Was it able to overcome the separation between content and form? To what extent were our preferences determined by our different professional backgrounds? Is it possible to assess fairly the ‘ethnographicity’ of such a large number of films, originating from a wide range of geographical and even academic contexts? How did the context of the event – a meeting of anthropologists – impact on our viewings and final choices? Lastly, how did the cinema-going conventions and expectations associated with this kind of film exhibition frame constrain the films’ ‘ethnographicity’? Are there any exhibition alternatives?SFRH/BPD/100647/2014.info:eu-repo/semantics/publishedVersio
Reasonable persuasion: speech in García de la Huerta's Raquel
No full textThis thesis investigates the nature of persuasive speeches made by Hernán García and Raquel in order to persuade King Alfonso to turn his attentions respectively toward the Castillian people and Raquel. Each speech uses particular techniques that are born within the genders of the speakers, and each speech is successful because of these strategies. These speeches reflect the contemporary political atmosphere of the author, García de la Huerta's, literary age and reflect a representation of the events surrounding the Esquilache riots. In this way, the author goes beyond a simple demonstration of the world as it is, but in fact accuses Esquilache of misdeeds by demonstrating him to have fallen into feminine habits of excessive greed and emotion that drive him. The author thus warns Carlos III against such influences that are evidenced in gendered persuasive discourse
Convergencias de pasados traumáticos de Europa y Latinoamérica en novelas españolas recientes
No full textThe author compares testimonial literature about past authoritarians in Latin America and Spain and focuses attention on the recent Spanish literary works. Hereby, she emphasizes peculiarities of the aesthetic treatment of the Iberian Peninsula's traumatic past.Fil: Macciuci, Raquel. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP-CONICET); Argentina
Convergencias de pasados traumáticos de Europa y Latinoamérica en novelas españolas recientes
No full textThe author compares testimonial literature about past authoritarians in Latin America and Spain and focuses attention on the recent Spanish literary works. Hereby, she emphasizes peculiarities of the aesthetic treatment of the Iberian Peninsula's traumatic past.Fil: Macciuci, Raquel. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP-CONICET); Argentina
Amores de Alfonso VIII y Raquel, la judía de Toledo
No full textLa leyenda de los amores del rey caste-
llano Alfonso VIII y Raquel, la bella judía de Toledo, se forjó para justificar la derrota de este rey
en
Alarcos en 1195. Esta apasionada y desdichada
historia conmovió desde el principio a sus coetáneos y más tarde despertó la imaginación de escritores españoles y extranjeros. La excepcionalidad
del personaje de Raquel, con su pasión, osadía y
encanto conecta fácilmente con nuestra alma y con
nuestra vida. En el artículo estudiamos los contextos histórico, social y biográfico en los que se de
senvolvió la vida de los amantes, el nacimiento literario de la leyenda y la versión de cuatros dramaturgos atraídos por el mito: Lope de Vega, Antonio
Mira de Amescua, Vicente García de la Huerta y
Franz Grillparzer. La selección de obras se justifica en el hecho de que Lope de Vega es autor de la
primera obra dramática sobre el tema y el que bautiza a la judía con el nombre de Raquel; Mira de
Amescua, es seguidor de Lope y García de la
Huerta, a su vez, es seguidor de Mira de Amescua;
finalmente, el gran poeta austríaco y admirador de
Lope, Grillparzer, es autor de la última versión dramática. Aunque de épocas y culturas diferentes,
con diferentes perspectivas, con su intuición y sensibilidad literaria dramatizan bellamente la conjunción de elementos que configuró las vidas de los
amantes y que contribuyó a que Raquel, fuera asesinada por los nobles del reino con el beneplácito
de la reina doña Leonor. Según su visión, la muerte de Raquel y el fracaso de su amor fue inevitable.The legend of the love affair between Alfonso VIII, King of Castille, and Raquel, the beautiful
Jewish girl from Toledo, was conceived to justify the
defeat of Alfonso in Alarcos in 1195. Right from the
beginning this passionate and unfortunate story made
an impression on their contemporaries and in time
aroused the imagination of both Spanish and foreign
writers. Raquel’s exceptional character, her passion,
audacity, intelligence and charm easily enter our
hearts and affect our lives. Her life becomes comprehensible to us. In this article we analyze the historical, social and biographical context in which the
two
lovers lived their lives, and the literary birth of
the legend and the scenical approach chosen by three
Spanish writers – Lope de Vega, Antonio Mira de
Amescua, Vicente García de la Huerta – and a foreign one, the Austrian Franz Grillparzer. The selection of works is justified by the fact that Lope de
Vega is the author of the first play on the subject
and
it is he that name the Jewish girl Raquel. Mira de
Amescua is a follower of Lope de Vega and García
de la Huerta, in turn, is a follower of Mira de Amescua. Although they belonged to different periods and cultures, and despite the different viewpoints adopted
in their treatment of the legend, the writers’ insights
and literary sensitivities enabled them to dramatize
the diversity of elements that shaped the lovers’ lives
and led to the murder of Raquel, the beautiful Jewish
girl, at the hands the kingdom’s noblemen with the
consent of Queen Leonor. Raquel’s death and the tragic end of their love affair were inevitable
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