353 research outputs found

    Hidroterapia como método adjunto en el tratamiento de la artroplastía de rodilla

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    El objetivo general del trabajo es analizar cuáles son las estrategias utilizadas para el aumento de la fuerza y los beneficios que identifican los kinesiólogos en el tratamiento con hidroterapia de pacientes con artroplastia de rodilla en la ciudad de Mar del Plata en el año 2024, a partir del cual se propusieron dos objetivos específicos: - Identificar que abordajes utilizan los kinesiólogos para el aumento de la fuerza en pacientes con artroplastia de rodilla en el medio acuático; - Examinar que beneficios sobre la fuerza, rango de movimiento y marcha, perciben los kinesiólogos en el uso de la terapia acuática como parte de la estrategia de tratamiento en la fase postquirúrgica de la artroplastia de rodilla.Fil: Posternak, Blas. Universidad FASTA. Facultad de Ciencias Médicas; Argentina.Fil: Elizaga, Juan Ignacio. Universidad FASTA. Facultad de Ciencias Médicas; Argentina

    Joaquina Comella, Unacknowledged Author of the Libretti for Seven «Tonadillas» by Blas de Laserna

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    The starting-point of this study is the discovery of documents which identify Joaquina Comella (c. 1778-1800) as the author of seven libretti for tonadillas whose music would be composed by Blas de Laserna. The documents are requests for permission to perform seven works for three voices which were submitted in 1800. The discovery has led to the tracking down of two of the libretti, one of which, La pasiega y el hidalgo (The woman from Pas and the nobleman), is presented here in a critical edition. The ensuing research has involved the reconstruction of the textual, musical and performance possibilities of five of these works by analysing the texts in conjunction with theatre notes and musical scores. As a result we now have a considerable homogeneous body of work on which to base a study of the output of an author for whom until now only one libretto was extant; it also provides substantial evidence of Comella’s partnership with Laserna. The literary analysis which forms the complementary focus of this study highlights the quality of Joaquina Comella’s dramatic talent in the musical genre in question and aims to enrich the evaluation of the literary component of 18th-century tonadillas designed for dramatic performance.</p

    Prionospio gabriellae Delgado-Blas & Fonseca-González 2023, sp. nov.

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    &lt;i&gt;Prionospio gabriellae&lt;/i&gt; sp. nov. &lt;p&gt;Figures 4A&ndash;I; 5A&ndash;E&lt;/p&gt; &lt;p&gt; &lt;b&gt;Material examined:&lt;/b&gt; Caribbean Sea: Sanguar&eacute; Natural Reserve, Gulf of Morrosquillo, Sucre (09&deg;42&prime;30.6&Prime;N, 75&ordm;41&acute;29.0&Prime;W), in &lt;i&gt;Thalassia testudinum&lt;/i&gt; seaweeds, holotype (CEMUA: ANNE: 002066); Sixty-seven paratypes (CEMUA: ANNE: 002282), colls. Delgado-Blas, VH., Fonseca-Gonz&aacute;lez, I., and Londo&ntilde;o-Mesa, MH., June 12 th 2019.&lt;/p&gt; &lt;p&gt; &lt;b&gt;Description:&lt;/b&gt; Holotype complete, 14.3 mm long for 71 chaetigers, 0.45 mm wide. Color in alcohol opaque white. 8 Paratypes complete 4.3&ndash;5.7 mm long, 0.25&ndash;0.3 mm wide, with 59&ndash;69 chaetigers. 59 Paratypes incomplete 2.4&ndash;7.2 mm long, 0.25&ndash;0.4 mm wide, with 19&ndash;41 chaetigers. Prostomium subtriangular, rounded on anterior margin, with a small medial peak in the dorsal region, tapered posteriorly, with blunt caruncle extending to the posterior edge of chaetiger 2 (Figs 4A, 5A), with large triangular nuchal organs on either side. Two pairs of subdermal black eyes, arranged in a trapezoid; the anterior pair, crescent to rounde in shape (Fig. 5B); the posterior pair, oval and very large (Figs 4A, 5A). Almost all specimens with palps missing, except one specimen with a pair of long palps with heavily scalloped ridges and ciliated groove, without basal sheaths (Fig. 4B), and some ones with regenerated palps (Fig. 4C). Peristomium small, collar-shaped, surrounding the prostomium, fused dorsally with very large rounded notopodial lamellae of chaetiger 1 (Figs 4C, 5C). Neuropodial postchaetal lamellae of chaetiger 1 rounded and very small (Fig. 4C), much smaller than 1/3 the size of the notopodial lamella.&lt;/p&gt; &lt;p&gt;Five pairs of long, thick branchiae present on chaetigers 2&ndash;6: first and fifth pairs longest, generally first pair longer than fifth (Figs 4C, 5B). All branchiae with thick, tapered tips (Fig. 4C). Pairs 1, 4, and 5 with long, dense digitiform pinnules on the posterior face, and long, naked, smooth, distal tips (Figs 4A, A&rsquo;, 5B). Pairs 2 and 3 cirriform, with sparsely lateral ciliation and blunt tips (Fig. 4C, D); equal in size, shorter than pinnate pairs, but larger than notopodial lamellae (Fig. 4C).&lt;/p&gt; &lt;p&gt;Notopodial postchaetal lamellae foliaceous and wider on chaetigers 2&ndash;6 (Figs 4C, D, 5C), lamellae shorter and subtriangular on chaetiger 2, largest on chaetigers 4&ndash;6, with blunt tips (Fig. 4C, D); lamellae of chaetigers 7&ndash;8 subtriangular, subsequent notopodial lamellae round (Fig. 5C, D), and small on far posterior chaetigers. Chaetigers 2&ndash;4 overlapping the ventral and dorsal edges of the noto- and neuropodial lamellae. Notopodial prechaetal lamellae very large in the branchial region, basally fused with notopodial postchaetal lamellae (Figs 4C, 5C), progressively decreasing in size after chaetiger 8, on posterior chaetigers rudimentary. Very low dorsal ridges across the dorsum (Fig. 4E) on chaetigers 8&ndash;29, highest on chaetigers 16&ndash;25.&lt;/p&gt; &lt;p&gt;Neuropodial postchaetal lamellae square on chaetiger 2 (Fig. 4C); all neuropodial lamellae rounded, biggest on chaetiger 3 (Figs 4C, 5C), and small on far posterior chaetigers. Prechaetal lamellae very small (Fig. 4C), rudimentary throughout. Inter-parapodial pouches lacking.&lt;/p&gt; &lt;p&gt;Anterior chaetae all capillaries limbate, thin, with long capillary tips (Fig. 4D); anterior row with chaetae slightly granulated and posterior row striated and lacking granulations (Fig. 4F); notopodial and neuropodial capillaries of chaetiger 1 arranged in one rows, with short and thin chaetae, notopodial chaetae longer; from chaetiger 2 onwards arranged in two rows, anterior row shorter than posterior row; chaetae on middle and posterior notopodia arranged in one row, dorsal chaetae very long and ventral chaetae short. Sabre chaetae in neuropodia from chaetigers 12&ndash;13 (one specimen in chaetiger 12), one or two per fascicle, robust, very long, moderate granulated, with long tips but no sheaths (Fig. 4G). Neuropodial hooded hooks from chaetigers 13&ndash;14, up to eight (5&ndash;8) per fascicle, accompanied by up to three capillaries (chaetiger 38) (Fig. 4G). Notopodial hooded hooks from chaetigers 29&ndash;43, up to 2 per fascicle, accompanied by capillaries (Fig. 4H); all hooks with four pairs of small teeth above the main tooth and a small secondary hood (Fig. 4G, H). Neuropodial hooks with a small principal hood, and notopodial hooks with large hoods.&lt;/p&gt; &lt;p&gt;Pygidium with one long dorso-medial cirrus and two short lateral lobes (Figs 4I, 5E).&lt;/p&gt; &lt;p&gt; &lt;b&gt;Etymology.&lt;/b&gt; The name of the species is dedicated to the daughter of the second author Gabriela Colorado Fonseca, a sweet young woman, sensitive to nature, who enjoys painting and loves the sea, and is already a little guardian of marine life.&lt;/p&gt; &lt;p&gt; &lt;b&gt;Type locality.&lt;/b&gt; Caribbean Sea, Sanguar&eacute; Natural Reserve, Sucre, Colombia.&lt;/p&gt; &lt;p&gt; &lt;b&gt;Remarks:&lt;/b&gt; &lt;i&gt;Prionospio gabriellae&lt;/i&gt; &lt;b&gt;sp. nov.&lt;/b&gt; is distinguished from all other &lt;i&gt;Prionospio&lt;/i&gt; species with five branchial pairs by having dorsal crests across the dorsum on chaetigers 16&ndash;25. Closely related species are &lt;i&gt;P. heterobranchia&lt;/i&gt; Moore, 1907 and &lt;i&gt;P. caribensis&lt;/i&gt; Delgado-Blas, 2014 all sharing the following characters with &lt;i&gt;Prionospio gabriellae&lt;/i&gt; &lt;b&gt;sp. nov.&lt;/b&gt;: dorsal folds on several postbranchial chaetigers, very large notopodial prechaetal lamellae fused with the notopodial postchaetal lamellae, neuropodial postchaetal lamellae of chaetigers 4 and 5 rounded and neuropodial hooded hooks with 4 pairs of teeth.&lt;/p&gt; &lt;p&gt; &lt;i&gt;Prionospio gabriellae&lt;/i&gt; &lt;b&gt;sp. nov.&lt;/b&gt; differs from &lt;i&gt;P. heterobranchia&lt;/i&gt; and &lt;i&gt;P. caribensis&lt;/i&gt; in that the former has a small medial peak in the dorsal region of prostomium, the first neuropodial lamellae is very small, the shaped of branchial pairs 2 and 3 are cirriform, neuropodial postchaetal lamellae of chaetiger 2 is square, all chaetae of chaetiger 1 are arranged in a row. In addition, &lt;i&gt;P&lt;/i&gt;. &lt;i&gt;gabriellae&lt;/i&gt; &lt;b&gt;sp. nov.&lt;/b&gt; differs from &lt;i&gt;P. heterobranchia&lt;/i&gt; in that the former has very low anterior neuropodial prechaetal lamellae.Also, &lt;i&gt;P. gabriellae&lt;/i&gt; &lt;b&gt;sp. nov.&lt;/b&gt; differs from &lt;i&gt;P. caribensis&lt;/i&gt; in that the former has a small peristomium, all the anterior chaetae with granulations and striated, the sabre chaetae appear from chaetigers 12&ndash;13, and sabre chaetae are less granulated, and the pygidium having two lateral lobes.&lt;/p&gt;Published as part of &lt;i&gt;Delgado-Blas, Víctor H. &amp; Fonseca-González, Idalyd, 2023, Two new species of spionids from the genera Apoprionospio Foster, 1969 and Prionospio Malmgren, 1867 (Annelida: Spionidae) from the Colombian Caribbean, pp. 158-172 in Zootaxa 5256 (2)&lt;/i&gt; on pages 167-169, DOI: 10.11646/zootaxa.5256.2.4, &lt;a href="http://zenodo.org/record/7745509"&gt;http://zenodo.org/record/7745509&lt;/a&gt

    Noticias del Cabo de San Lucas, último término de la California meridional, 1769 febrero 16

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    Relato de la expedición que fue del puerto de San Blas a Monterey. El autor se centra en el estado de los paquebotes durante la expedición, señalando la dificultad que experimentaron los soldados con ellos. Describen las fallas de los barcos y las reparaciones que necesitaban mientras se dirigían a California. También describe cómo los soldados obtuvieron alimentos, los suministros que recibieron del gobierno real y los encuentros con misioneros y lugareños en el camino. —— Account of the expedition that went from the port of San Blas to Monterey. The author focuses on the state of the boats during the expedition, noting the difficulty the soldiers experienced with them. They describe the boats' failures and the repairs they needed as they made their way to California. It also describes how the soldiers obtained nourishment, the supplies they received from the royal government, and encounters with missionaries and locals along the way. 4 f. (8 p.

    Inhabiting Heterotopia: The Begijnhoven

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    Doctoral research by the author published in the book PhD CULT, which includes the contributions of doctoral students and doctors who contributed around the Doctoral Meetings (formerly PhDfest), a training activity of the PD in Advanced Architectural Projects, to which add more general reflections on doctoral research.Space & Typ

    Importancia de las Salinas de San Blas durante el Periodo Formativo en la sierra central del Perú

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    Basado en excavaciones en el sitio de San Blas en 1974, el autor presenta una secuencia desde el Periodo Arcaico Tardío al Periodo Intermedio Temprano, complementada con una breve descripción del tardío estilo San Blas (tardío Periodo Intermedio Temprano al Horizonte Tardío) usando analogías de fuentes etnohistóricas. Discute la importancia de la producción de sal y la conexión con otras áreas como Kotosh, Huánuco, y el flanco oriental de los Andes (Palcamayo, Tarma, Chanchamayo) mostrando que la zona de Chinchaycocha no estaba aislada sino más bien conectada de forma estrecha a sistemas más amplios.The Salinas de San Blas Site’s Importance during the Formative Period in the Central Highlands of PerúBased on excavations at San Blas in 1974 the author presents a sequence from Late Archaic to Early Intermediate Period, completed by a short description of the latest San Blas style (late Early Intermediate Period to Late Horizon). Using analogies of ethnohistoric sources discusses the importance of salt production and connections with other areas like Kotosh, Huanuco, and the eastern flank of the Andes (Palcamayo, Tarma, Chanchamayo) showing that Chinchaycocha was not an isolated area but connected closely to wider systems

    El encabalgamiento en los sonetos de Ancia, poemario de Blas de Otero

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    El presente trabajo es un análisis exhaustivo del encabalgamiento en los sonetos de Ancia (1958), poemario de Blas de Otero (1916-1979). Se analiza, pues, un fenómeno estilístico muy concreto en una forma poemática de gran tradición con el fin de observar el uso específico y original que el autor hace de este y, de una forma más general, plantear una vez más qué es y cómo funciona el encabalgamiento.This essay offers an exhaustive analysis of the enjambment in the sonnets of Ancia (1958), Blas de Otero´s collection. Therefore, an extremely specific stylistic phenomenon is analyzed in a poetic form from a long tradition, in order to focus on the concrete and original use that the author make of it and tackle general issues regarding enjambment, its definitions and its uses.Ministerio de Educación EDU/1868/201

    El encabalgamiento en los sonetos de "Ancia", poemario de Blas de Otero

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    This essay offers an exhaustive analysis of the enjambment in the sonnets of Ancia (1958), Blas de Otero ́s collection. Therefore, an extremely specific stylistic phenomenon is analyzed in a poetic form from a long tradition, in order to focus on the concrete and original use that the author make of it and tackle general issues regarding enjambment, its definitions and its uses.El presente trabajo es un análisis exhaustivo del encabalgamiento en los sonetos de "Ancia" (1958), poemario de Blas de Otero (1916-1979). Se analiza, pues, un fenómeno estilístico muy concreto en una forma poemática de gran tradición con el fin de observar el uso específico y original que el autor hace de este y, de una forma más general, plantear una vez más qué es y cómo funciona el encabalgamiento.

    Jean-Marie Blas de Roblès: Where The Tigers Are At Home a contemporary baroque novel?

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    (in English): The goal of this dissertation is to demonstrate that the novel Where Tigers Are at Home from the French author Jean-Marie Blas de Roblès belongs to baroque aesthetics. The main terms are explained in the first part and also the formal side of the novel is described there. In the second part then is briefly mentioned the life of the author Jean-Marie Blas de Roblès and the plot of the novel. Chapters concerning the individual baroque characteristics are found in the third part. At the beginning we can find the chapter treating the typification of the characters, following are the chapters about inconstancy, theatre of the world, women in the novel, morbidity and brutality, baroque blending of passion and faith, chapters discussing intertextuality and symbolism and at the end is the chapter dealing with the blending of the author with the novels characters. A specific feature that is found in baroque literature is treated in each chapter and then applied on the text of the novel. After considering all of these baroque features I clearly proved with this dissertation that the novel shows such an amount of baroque features that it belongs to the baroque aesthetics

    Entre la presencia y la ausencia: "Esto no es un libro", de Blas de Otero

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    El autor analiza la poesía de Blas de Otero y su postura frente a una escritura que asume la "ausencia" del poeta en sus mismas palabras. También discute temas como la tensión entre palabra escrita y palabra hablada, la dimensión "social" de su poesía, la incapacidad del poema para comunicarse con el lector y el abismo que separa a la poesía de la vida. The author analyzes the poetry of Blas de Otero and his position before a writing that assumes the "absence" of the poet in his own words. He also discusses themes such as the tension between written word and spoken word, the "social" dimension of his poetry, the incapacity of the poem to communicate with the reader and the abyss the separates poetry from life
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