3,196 research outputs found
Ripensare l'esperienza musicale nell'epoca della rimediazione tecnologica
No full textIl saggio ripercorre il concetto di esperienza musicale in quanto esperienza estetica nella riflessione estetologica e musicologica del XX e del XXI secolo affrontandone gli snodi più significativi: la nascita dell'idea di autonomia dell'arte in Kant e Hegel, la riflessione di Adorno e quella più critica di Benjamin. Sostenendosi sulle più recenti posizioni di Shusterman in merito alla "fine dell'esperienza estetica" e sul concetto di "rimediazione" di Bolter & Grusin, l'autore esplora le novità tecnologiche che si sono consolidate nell'ultimo decennio e che hanno un impatto diretto sul concetto di esperienza musicale contemporaneo
A imagem de Alessandro Baricco no Brasil
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.Com a intenção de delinear o modo pelo qual o escritor italiano Alessandro Baricco se inseriu no sistema literário brasileiro e os caminhos percorridos pelos seus livros traduzidos, esta dissertação dá voz às experiências tradutórias de seus tradutores. A inserção de Bariccono Brasil tem seu início em 1997, através de uma proposição da Profa. Dra. Roberta Barni à editora Iluminuras da tradução de Oceano Mare. A partir daí, outras sete obras foram publicadas no Brasil, sendo três delas traduzidas por Roberta Barni e as outras quatro por quatro tradutores diferentes. De um lado, considera-se o tradutor como figura principal namediação entre culturas, e, de outro, se analisa a realidade desta figuradentro do sistema literário, sua invisibilidade, seus limites e o exercíciode sua profissão. A pesquisa conta, ainda, com críticas e resenhas referentes ao autor italiano publicadas em jornais consagrados no Brasil, considerando estas como parte constituinte da imagem de Baricco refletida em território nacional. Abstract : Intending to delineate the way the Italian writer Alessandro Baricco has been inserted in the Brazilian literary system and the paths his translated books have followed, this thesis gives voice to the translating experiences of his translators. Baricco's insertion in Brazil began in 1997, through a personal project of Dr. Roberta Barni, with her translation of Oceano Mare. Since then, seven other of his works have been published in Brazil, three of which were translated by Roberta Barni and the other four by four different translators. On the one hand,the translator is considered as the main figure in mediation betweencultures and, on the other, this figure's reality is analyzed within theliterary system: its invisibility, its limits and its professional practice. Criticisms and reviews of this Italian author published in well established Brazilian newspapers are also considered, with the understanding that they are part of Baricco's image reflected here
Canzoni, preghiere, danze. Psicofenomenologia dei CCCP
No full textThe present issue of Engramma (210) analyses the context, scope and aesthetics of the Italian punk group CCCP - Fedeli alla Linea, with the intention of involving scholars from different disciplines in order to outline, within a rigorous scientific framework, a psycho-phenomenology of CCCP as a “symptom” (in the Warburgian sense) and “connector” of a specific historical era. The starting point is the magnificent exhibition “Felicitazioni! CCCP - Fedeli alla linea 1984 - 2024” (Reggio Emilia, Chiostri di San Pietro, 12 october 2023-10 march 2024) to which the first section of this issue is dedicated. In the first contribution, Felicitazioni! Socialismo e schizofrenia. Note attorno alla mostra “Felicitazioni!, Francesco Bergamo addresses some of the main topics and possible interpretations of the exhibition “Felicitazioni! CCCP – Fedeli alla linea 1984-2024” in the monumental complex of the Chiostri di San Pietro in Reggio Emilia, homeland of the band. The exhibition is curated by CCCP themselves in collaboration with Stefania Vasques, who was interviewed in “È una questione di qualità”. Il progetto della mostra “Felicitazioni! CCCP – Fedeli alla linea 1984-2024” . Starting from “Felicitazioni!”, in CCCP. Felicitazione. Ovvero: il postmoderno spiegato agli anziani, Mario Farina constructs his writing by analysing the 'CCCP' device of memory, the phenomenon of nostalgia for something that never really existed, imbuing it with a deep and sharp theoretical reflection on the postmodern substance of the group.This section, dedicated to the band’s fortieth anniversary initiatives, concludes with Live in Berlin! CCCP in DDDR, Filippo Perfetti and Giulia Zanon’s account of the concerts CCCP gave in Berlin in February 2024. The contributions in this issue are organised in three sections: Canzoni (Songs), Preghiere (Prayers), Danze (Dances). The section Canzoni deals with what comes from outside. A series of writings that speaks of the context, i.e. those external conditions, be they historical or cultural, that allowed the CCCP to be born. The first contribution is by Luca Alessandrini, who in Reggio Emilia nella crisi della sinistra e delle sinistre negli anni Ottanta offers a historical reconstruction of the crisis of the Italian left, which occurred at a time when the world was undergoing radical change. In L’incontro mancato. I CCCP e Aldino Togliatti, Ivan Carozzi tells the story of Aldino Togliatti, son of the communist leader Palmiro Togliatti, who spent most of his life in a psychiatric hospital. Chiara Velicogna, inspired by the piece of the Berlin Wall exhibited in the “Felicitazioni!” exhibition, in Saluti da Pankow. A proposito del Muro di Berlino e dei suoi resti explores the material and visual aspects of the history of the Berlin Wall. Gian Piero Piretto, interviewed by Christian Toson, in CCCP e СССР. Il mito sovietico italiano, da Cavriago a Berlino recounts the metamorphosis that the myth of the Soviet Union has undergone in Italy, from the late 1970s and 1990s to the present day. The section Preghiere takes an introspective look at the Emilian group and their artistic process. Guglielmo Bottin’s essay Fedeli a Berlino. Influenze della Neue Deutsche Welle nel post-punk emiliano dei CCCP focuses on the influence of the Berlin cultural scene on CCCP’s music. Michele Rossi in “Smettila di parlare, avvicinati un po’”. Mi ami? dei CCCP – Fedeli alla linea analyses the song Mi ami?, a poetic collage Ferretti made from the 1979 Italian translation of Roland Barthes’ Fragments d'un discours amoreux. Michele Nastasi in “Lasciami così”. Luigi Ghirri e i CCCP – Fedeli alla linea, writes about Ghirri’s photographic campaign for the album Epica Etica Etnica Pathos, and through the narration of this experience constructs a comparison, both theoretical and spiritual, between Ghirri and CCCP. Also spiritual is the analysis of Giorgiomaria Cornelio, who in Ferretti o il ritmo dell’apostasia speaks of the messianic aspects of Giovanni Lindo Ferretti’s singing. The section Danze is about expression: the representations and images CCCP shows of itself. Alessandro Bratus in Ideologia come stile, stile come ortodossia. La costruzione di un immaginario spettacolare nel progetto artistico dei CCCP offers a detailed analysis of the CCCP in the way they embrace and reject what influences them on stage. Alessadra Vaccari in “La storia siamo noi”. Moda e cultura popolare in Annarella ‘benemerita soubrette’ offers a reading of the clothes Annarella designs, sews and wears, not only in terms of their aesthetic and stylistic bearing. This is followed by an interview with Diego Cuoghi Forma e sostanza. Le copertine dai CCCP al CSI, curated by Michela Maguolo, a dialogue with the architect and designer who has worked with the group since their last CCCP covers in the late 1980s. Lastly in Frammenti elettrici, Filippo Perfetti draws up a treatise on the hermeneutics of the moving image, based on suggestions triggered by video fragments tangentially dealing with CCCP and their cultural background
Biofeedback rehabilitative treatment of hemiplaegic patients. A microprocessor based electropneumatic platform
No full textA proposal of a computer based biofeedback trainer for rehabilitative applications on hemiplaegic patients
No full textLa maturità di Alessandro Fei del Barbiere, in bilico tra Maniera e Riforma
No full textThis article studies the mature career of the Florentine painter Alessandro Fei del Barbiere (1537-1592), beginning with the rediscovery of the 'Ascension' altarpiece formerly in the Albizi Chapel in the destroyed church of San Pier Maggiore, Florence. Studying this painting and others recorded in 1584 by the biographer Raffaello Borghini, such as the two altarpieces for Santa Maria delle Grazie and the Madonna dell'Umiltà in Pistoia, the author reconstructs a body of works showing how in the 1580s Fei gradually went beyond the archaic style of his apprenticeship - he had been trained by Ridolfo del Ghirlandaio and Pierfrancesco Foschi, but was also marked by the Maniera of Vasari - evolving towards naturalism in both mimesis and pictorial handling. In Florence, his development partly parallels that of Santi di Tito and his circle, but Fei was also influenced by a probable sojourn during the early part of that decade in Rome, where he could have been inspired by Girolamo Muziano and the painters working for Pope Gregory XIII. Among other proposals, the author suggests that the artist was responsible for decorating the chancel of Fiesole Cathedral (c. 1584-1589), which consisted of an altarpiece, only rarely discussed by scholars, and a cycle of frescoes hitherto attributed to Nicodemo Ferrucci
Formation of TbPc2 Single-Molecule Magnets’ Covalent 1D Structures via Acyclic Diene Metathesis
No full textWe present here a reaction scheme to connect TbPc2 single-molecule magnets into 1D architectures using acyclic diene metathesis. To investigate the impact of the bonding through aliphatic chains on the magnetic properties of TbPc2, we isolate and characterize the dimeric species obtained as one of the products of the reaction. Remarkably, the
magnetic properties are only slightly modified after the formation of the bond between molecules, enlightening the great potential of this reaction scheme
Copyleft & internauti pirati. Editoriale di Engramma 222
No full textThis issue of Engramma, titled Copyleft & internauti Pirati, critically examines the contemporary state of digital resource accessibility, the economic and legal frameworks governing knowledge infrastructures, and advocates for the unrestricted dissemination of knowledge. The editorial introduces the pirate as a symbol of resistance against traditional legal confines, drawing upon Carl Schmitt’s The Nomos of the Earth. The issue opens with two contributions that outline the theoretical and militant framework. Peppe Nanni, in ©Tutti i diritti riservati. Proprio tutti?Per un diritto costituente, critiques the contradictions of copyright in digital spaces, calling for a foundational rethinking of law; Engramma Open Access. Aperta origine by the Engramma editorial board, outlines the journal’s long-standing commitment to genuine, non-institutional open access.The issue is then divided in three sections: “Invenzione”, “Chiusura”, “Apertura”. The Section “Invenzione” presents Riprodurre il patrimonio culturale. Quando l’abuso diventa (la) regola in which Mirco Modolo traces the historical control over artistic reproduction; Lorenzo Gigante in Per un’iconografia della noia. Dal Cinquecento al meme: i notai e la xilografia, tra appropriazione e trasgressione explores early visual appropriation by notaries as a proto-meme culture; Maurizia Paolucci in A Tale of Two Misfits. The Sabbath/Shabbat across William Hogarth’s A Harlot’s Progress Series examines copyright’s origins via Hogarth’s fight against pirate copies; Bernardo Prieto presents the volume Yan Thomas, Il valore delle cose, Quodlibet [2002] 2022 with critical glosses. The section “Chiusura” includes Giorgiomaria Cornelio’s No logo? Sul plagio e la vita dei segni, da Melania Trump ai magazzini criminali del Medioevo, a reflection on the irreducibility of signs to ownership; in Il potere segreto. Wikileaks e la digitalizzazione dell’informazione Alessandro Visca interviews Stefania Mauriz about WikiLeaks, Assange, and freedom of information; Museums and the Enclosure of the Public Domain in the Digital Age by Douglas McCarthy denounces digital restrictions by museums on public domain art; Barbara Pasa in Piracy Shield, diritto d’autore e monopoli intellettuali: il caso italiano reconstructs Italy's anti-piracy system as reinforcing monopolies and limiting cognitive justice; in Note su alcune aperture giurisprudenziali al principio del “libero utilizzo” e sugli effetti nelle culture del riuso, Alessia Brandoni explores the jurisdictional horizons supporting creative reuse and transformative citation. In the section “Apertura”, Copyright e Copyleft nell’era dell’intelligenza artificiale. Scenari tecnologici e risposte normative, by Alessandro Del Ninno, analyzes how AI challenges outdated copyright frameworks; Contro il copyright. Pirateria, disobbedienza civile e creatività collettiva by Francesco D’Isa defends piracy and civil disobedience as collective cultural practices; Christian Toson and Elizaveta Kozina present Anna, the Universal Library, presenting Anna’s Archive, the project of a universal digital library; Per una liberazione della retorica dell’archivio. Verso una pratica dell’immagine come relazione is a dialogue with the artist Alessandro Gagliardo on rethinking the archive as a space of relation, not preservation. The “Dalla cambusa” appendix presents a selection of exemplary texts, with a particular focus on open access and copyleft: Corrispondenza con un editore, the epistolar exchange between the International Situationist and the publisher Feltrinelli; Guerilla Open Access Manifesto by the American scholar and activist Aaron Swartz; Elogio de la piratería by the Bolivian film critic Mauricio Souza Crespo; and 10 tesi sull’archivio by the pad.ma collective. This issue of Engramma is dedicated to the memory and work of Aaron Swartz
Tra socialdemocrazie e Perestrojka. Le relazioni internazionali del Pci attraverso le carte di Alessandro Natta
No full textThis essay reconstructs the foreign policy of the Italian Communist Party during the four
years of Alessandro Natta’s secretariat (1984-1988) through largely original archival documentation,
from the Alessandro Natta Fonds of the Historical Archive of the Chamber of
Deputies. Natta’s papers are also cross-referenced with those kept in the PCI Archive at the
Gramsci Foundation. The author analyses the relationship that the PCI establishes with
Gorbachev’s Perestroika, Deng’s China, and European social democracies during the last
years of the Cold War
Pensare l’esperienza musicale
No full textQuesto libro nasce da un dialogo a più voci: da una parte musicisti e musicologi dell'Istituto Superiore di Studi Musicali "Luigi Boccherini" di Lucca, dall'altra studiosi (perlopiù filosofi) dell'Università di Pisa e dell'Higher School of Economics di Mosca. Gli autori hanno risposto all'invito a pensare l'esperienza musicale proponendo saggi che si dispongono lunghe due linee tematiche principali: la musica come lavoro plastico sulla temporalità e gli aspetti performativi della musica come arte incarnata e realizzata nell'interazione sociale
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