145 research outputs found
DUNIA MAGIS DALAM CERPEN LEAK PEMOROAN KARYA I WAYAN SADHA
No full textof the occult not only lived in the past but penetrated freely until Era 4.0. Although the development of the world has advanced in such a way as with the sophistication of its technology, the belief in supernatural and magical things cannot be erased. The magical world has its own charms and problems in the lives of Balinese people. Undeniably, the attractiveness often invites the attention of the author in welcoming and recording the phenomenon into literary works. In this paper examines modern Balinese literary works in the form of short stories. The short stories studied were taken from a collection of Leak Pemoroan stories written by I Wayan Sadha. This study examines three short stories in a collection of Pemoroan Leak short stories entitled Jeg Pragat Ka Balian, Pemoroan Leak and Walik Sumpah. The focus of the discussion in this paper is to raise the magical aspects contained in the three short stories that have been mentioned. The magical aspects to be discussed are the Pangiwa aspect and the Panengen aspect contained in the short story.Keywords: Magic, Pangiwa, Panengen, Short Story, modern Balinese literatur
I Gusti Made Deblog: Master Seni Lukis Naturalis Dalam Medan Seni Rupa Denpasar-Bali
No full textHasil penelitian menunjukkan bahwa antara aspek agama dengan tradisi Bali pada lukisan I Gusti Made Deblog berdasarkan kriteria prosentase. Dari hasil penelitian dapat disimpulkan bahwa hipotesa yang menyebutkan "ada hubungan antara aspek agama dan tradisi Bali dengan lukisan I Gusti Made Deblog" dinyatakan dapat diterima. Pelukis Denpasar yang paling terkemuka adalah I Gusti Made Deblog. Dia lahir di Banjar Taensiat tahun 1906 dan meninggal tahun 1986, dalam usia 80 tahun. Karya-karya lukisannya yang hitam putih dengan corak magis dinamis dan penuh detail membuktikan bahwa Deblog adalah pelukis luar biasa dengan kualitas orisinalitas tinggi. Coraknya dengan mudah bisa dibedakan dari karya-karya pelukis Batuan, Ubud, dan Kamasan dari generasi 1930-an
Modernisasi dan Transformasi Seni Lukis Bali pada karya I Gusti Nyoman Lempad
No full textPita Maha was founded by Cokorda Gede Raka Sukawati, with Walter Spies and Bonnet Rodelf in. Pita Maha as an organization that embodies activity Balinese painters and sculptors at that time, 1937th contribute to the marketing of art works. Through this Pitamaha values-aesthetic identity Balinese art and artists built awareness (constructed), then be the names then began confirmed its position as an individual artist. So the position of an artist for most of Balinese painters at that time was in a state of given situation, rather than grow out of their consciousness as an individual artist (modern). Although the development is slowly starting to appear professional awareness of the individual artists but again, awareness is not as modern individual artist. I Gusti Nyoman Lempad is one of the most important generation of artists Pita Maha, displaying his works of art aesthetic transpormasi postHindu Balinese to fine art (painting) modern Balinese.Keywords: Pita Maha, aesthetic, transformation, indivial artist, visual art (Bali
Subconscious Memory Narrative In The Exploration Of Iconic Puppet Of I Ketut Teja Astawa’s Painting
No full textSalvation of The Soul I Nyoman Erawan
No full textDalam abad ini berkembang dua golongan seni lukis baru di Indonesia. Yang pertama berkembang di Bali sejak tahun-tahun tiga puluhan dan memperlihatkan hubungan yang jelas dengan kesenian dan kebudayaan Bali. Golongan kedua ialah seni lukis yang berkembang di kota-kota besar, terutama di Jakarta, Bandung dan Yogyakarta yang meskipun di dalamnya terdapat beberapa pelukis yang mencoba menggunakan unsur seni daerah (tradisi), namun tetap tidak dapat dimasukkan ke dalam kerangka perkembangan sesuatu kebudayaan daerah. Buku ini berisi tentang kritik dan interpretasi seni karya I Nyoman Erawan
THE DEVELOPMENT OF PITA MAHA FINE ARTS IN THE CONTEXT OF BALINESE CULTURE CONSTRUCTION
No full textColonial government's policy with Balinization policy of Bali brings an enormous influence in the development of Balinese culture and also in social systems of the society. Since from the beginning, this policy itself has contained a paradox, on one side to conserve Bali from the unchanged of the exotic was dreamed by the orientalist. But on the other hand the currents of modernization that brought along with the positionofBalias atourismdestinationareawhichhasbeguninthe 1920s, hasoccurredinthe development of modernization and even transformation on Balinese culture. The development of Pita Maha art has showed transformation process of Balinese art that has been begun since the 1930s. The developments in the context ofPitaMaha art show of traditional arts and then grew up in a new form, and while still showing the sustainability of the traditional visual language. Tradition fine arts in the hands of Pita Maha artists transformed into a more secular art, is no longer sacred for offerings only, and experienced in growth in terms of technique, style and themes, from Hindu mythology to social society themes.
Keywords: Colonial, transformation, fine art, and pita maha
DINAMIKA PERKEMBANGAN SEMI PATUNG (TIGA DIMENSIONAL) DI BALI
No full textSculpture in Pali was a part o f the departed spirit worship transformation practiced from thepre- history time until the coming o f the Hinduism & Buddhism and Chinese culture. At its early stage,sculpture was the materialization o f Gods in the Hindu belief placed in Pur a (house o f worship in Hindureligion) It became the fetus o f the Pali traditional sculpture that held its own fashions and rules. The nextphase ziyis the emergence o f the autodidact artists who mastered these fashions and rules. In their careercourses, they developed a new form o f sculpture that disobeyed them: This new form then appreciatedas a novel creativity which by many art observers defined as 'modern' sculpture. It ivas an assimilationo f the local values and the Western influence carried by Western artists and cultural observers to Bali.Even though it was stagnant once, Bali sculpture moved forward along tlte time dynamics. The youngartists coming from the academic world pioneered further development which led this art branch to thecontemporary art progression. The statues created were experimental, not only seen from the media andmaterial, but also from the ideas and thoughts underlying them which were represented in installation andmultimedia arts. That is why Pali sculpture has been developing dynamically up to now.Keyzvords: sculpture, Hindu, traditional, religious, modern, contemporary, and experimenta
Tradisi Ngambeng Sebagai Media Pendidikan Aanak Dalam Film Dokumenter Gaya Expository
No full textFilm dokumenter Ngambeng merupakan karya audio visual berdasarkan realita atau fakta mengenai
Tradisi Ngambeng. Kata ambeng dalam istilah bali yang berarti tajam ngambeng dalam hal ini, proses
mempertajam bakti dan keyakinan. Penyutradaraan dalam karya film ini, menggunakan gaya expository,
dikarenakan dapat membangun argument yang detail dan cenderung memaparkan informasi secara
langsung kepada penonton.
Pembuatan karya film dokumenter Ngambeng dengan pendekatan dokumenter gaya expository
lebih menitik beratkan pada informasi mengenai proses pendidikan anak sejak dini melalui tradisi
ngambeng. Bahan tersebut didapatkan dari hasil riset dan wawancara dengan 2 narasumber yaitu, I
Wayan Patra dan Gusti Mangku Ageng. Teori yang digunakan dalam film ini diantaranya teori
dokumenter, teori sinematografi, dan teori estetika.
Perwujudan karya film dokumenter Ngambeng menggunakan element serta visualisasi dengan
struktur tiga babak yaitu awal, tengah dan akhir. Pada babak awal dalam film dokumenter Ngambeng
memperlihatkan konflik awal dalam cerita yaitu pengenalan lokasi, objek, dan masyarakat sekitar. Pada
bagian tengah atau isi, film dokumenter Ngambeng menampilkan proses pelaksanaan Tradisi Ngambeng
serta pembahasan dari konflik cerita. Bagian akhir dari film ini rangkaian dari keseluruhan film atau
benang merah tentang harapan film dokumenter Ngambeng menjadi media visualisasi pendidikan anak
lewat sebuah tradisi yang berlanjut sampai sekarang.
Kata Kunci: Film dokumenter, Expository, Ngamben
Modeling of animal groups based on individual goals
No full textTitle: Modeling of animal groups based on individual goals Author: Ema Wayan Danielová Department: Department of Macromolecular Physics Supervisor: doc. RNDr. Viktor Holubec, Ph.D. Abstract: Collective motion represents a fascinating example of self-organization in non-equilibrium systems. This work introduces and examines a modified Vicsek model of collective motion, enhanced with alignment-induced local attractive and repulsive interactions. Numerical simulations demonstrate that such a system spontaneously forms stable clusters with a characteristic size determined by the interaction radius. The results show that group cohesion can be achieved even without periodic boundary conditions and by using using finite-range interactions that are reasonable from a biological perspective. Keywords: collective motion, Vicsek model, active matter, numerical simulations, self-organization, cohesion, interaction radius, non-equilibrium systemsNázev práce: Modelování skupin zvířat na základě cílů jednotlivců Autor: Ema Wayan Danielová Katedra: Katedra makromolekulární fyziky Vedoucí bakalářské práce: doc. RNDr. Viktor Holubec, Ph.D. Abstrakt: Kolektivní pohyb představuje fascinující příklad samoorganizace v nerovnovážných systémech. V této práci je navržena a zkoumána modifikace Vicsekova modelu kolektivního pohybu doplněná o lokální přitažlivé a odpudivé interakce vyvolané optimalizací směru. Numerické simulace ukazují, že takový systém spontánně vytváří stabilní skupiny s charakteristickou velikostí určenou interakčním poloměrem. Získané výsledky demonstrují, že koheze skupiny může být dosažena i bez použití periodických okrajových podmínek a s z biologického hlediska rozmumnými konečně-dosahovými interakcemi. Klíčová slova: kolektivní pohyb, Vicsekův model, aktivní hmota, numerické simualce, samoorganizace, koheze, interakční poloměr, nerovnovážné systémyDepartment of Macromolecular PhysicsKatedra makromolekulární fyzikyFaculty of Mathematics and PhysicsMatematicko-fyzikální fakult
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