315,028 research outputs found

    Otto Sommerstorff als Faust / nach einer Originalaufnahme von J. C. Schaarwächter.

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    OTTO SOMMERSTORFF ALS FAUST / NACH EINER ORIGINALAUFNAHME VON J. C. SCHAARWÄCHTER. Otto Sommerstorff als Faust / nach einer Originalaufnahme von J. C. Schaarwächter. (1) Illustration 1: Otto Sommerstorff als Faust. (1) Illustration 2: Otto Sommerstorff als Faust. (3

    [Stammbuch C. F. Otto]

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    [STAMMBUCH C. F. OTTO] [Stammbuch C. F. Otto] ( - ) Cover ( - ) Einträge Bl. 1 - 10 (0v 1r) Einträge Bl. 13v - 20 (13v 14r) Einträge Bl. 22 - 29 (21v 22r) Einträge Bl. 31v - 40 (31v 32r) Einträge Bl. 41 - 48v (40v 41r) Einträge Bl. 52 - 59 (51v 52r) Einträge Bl. 62 - 69 (61v 62r) Einträge Bl. 70v - 74 (70v 71r) Einlage: 1 handschriftlicher Zettel von 22. Mai 1963, bei Bl. 15 ( - ) Einlage: 1 getrocknete Pflanze (Edelweiß) beiliegend ( -

    Measurement of the ratio of prompt χ c to J / ψ production in pp collisions at √s = 7 TeV

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    The prompt production of charmonium χ c and J / ψ states is studied in proton-proton collisions at a centre-of-mass energy of √s = 7 TeV at the Large Hadron Collider. The χ c and J / ψ mesons are identified through their decays χ c → J / ψ γ and J / ψ → μ + μ - using 36 pb - 1 of data collected by the LHCb detector in 2010. The ratio of the prompt production cross-sections for χ c and J / ψ, σ (χ c → J / ψ γ) / σ (J / ψ), is determined as a function of the J / ψ transverse momentum in the range 2 < p T J / ψ < 15 GeV / c. The results are in excellent agreement with next-to-leading order non-relativistic expectations and show a significant discrepancy compared with the colour singlet model prediction at leading order, especially in the low p T J / ψ region

    Maratus velutinus Otto & Hill 2012 c 2012

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    Maratus velutinus Otto & Hill 2012 Maratus velutinus Otto & Hill 2012 c, 2012e; Waldock 2015; Whyte & Anderson 2017 The male of this species has a stripe behind each AME.Published as part of Otto, Jürgen C. & Hill, David E., 2019, Catalogue of the Australian peacock spiders (Araneae: Salticidae: Euophryini: Maratus, Saratus), version 3, pp. 1-28 in Peckhamia 148 (3) on page 18, DOI: 10.5281/zenodo.373253

    The Relative Ages or the Otto Stock and Matachewan Dyke Magnetizations

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    A baked contact test was carried out between the Otto Stock, dated at 2114 Ma by Bell and Blenkinsop (1976) and its host rock, represented by the magnetically stable, Matachewan Dyke swarm dated at 2690 Ma by Gates and Hurley (1973). Paleomagnetic results from this study confirm the recently revised dating or the Otto Stock and Matachewan dykes at 2680±1 Ma and 2452+3/-2 Ma, resectively (Corru et.al. 1989; Heaman, 1988) . Matachewan dykes both distant and within the contact aureole or the Otto Stock all carry the same southwesterly shallow characteristic Matachewan direction or magnetization. The absense or an Otto Stock overprint on the Matachewan dykes implies that the intrusion or the Otto Stock must have occurred before the intrusion or the Matachewan Dyke swarm. The relative ages or the Otto Stock and Matachewan dyke magnetizations are inconsistent with the conventional early Proterzoic apparent polar wander path (APWP) for North America, which decreases in age from the Matachewan dyke pole t o the Otto Stock pole. It can be concluded that this part or the APWP is running backwards and must now be redefined. ThesisBachelor of Science (BSc

    Maratus spicatus Otto & Hill 2012 c 2012

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    Maratus spicatus Otto & Hill 2012 Maratus spicatus Otto & Hill 2012 c, 2012e; Hsiung et al. 2014; Whyte & Anderson 2017 Males of this small species have large spike-like setae fringing a fan marked with bright yellow chevrons on a blue background. These are frequently seen in and around Perth.Published as part of Otto, Jürgen C. & Hill, David E., 2019, Catalogue of the Australian peacock spiders (Araneae: Salticidae: Euophryini: Maratus, Saratus), version 3, pp. 1-28 in Peckhamia 148 (3) on page 17, DOI: 10.5281/zenodo.373253

    Imagens de Otto Maria Carpeaux: esboço de biografia

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2015.Este esboço de biografia procura citar algumas imagens de Otto Maria Carpeaux: construções biográficas de naturezas múltiplas, elaboradas em contextos, por atores e sob condições igualmente díspares. Está constituído a partir de uma visão crítica da História, o que permite que ?outras imagens?, fragmentárias e não monumentais, também tenham espaço. Em diálogo com o princípio da montagem, este esboço apresenta-se em duas partes. Na primeira, Imagens possíveis, estão citadas as imagens elaboradas em vida e post mortem acerca do austríaco-brasileiro que nasceu em Viena em 1900, se exilou no Brasil em 1939 e morreu no Rio de Janeiro, em 1978. Na segunda, Montagens possíveis, apresentam-se duas possibilidades de exercício biográfico: pela leitura alegórica do documentário O velho e o Novo (Otto Maria Carpeaux), entendido como instrumento de intervenção no contexto ditatorial brasileiro e de uma reelaboração biográfica concernentes às suas experiências europeias; e pelo Caderno de imagens críticas, registro dos encontros em Carpeaux pelo meio de imagens críticas produzidas a partir da cesura do presente.Abstract : This biographical sketch attempts to quote some images of Otto Maria Carpeaux: various types of biographical constructions, carried out in different contexts by disparate authors under conditions just as distinct. It stems from a critical view of history, allowing for ?other images? fragmented and non-monumental ? to share the space.In dialogue with the montage principle, this sketch has two parts. The first, Possible Images, quotes the images produced during and after the life of the Austrian-Brazilian, who was born in Vienna in 1900, went to Brazil in exile in 1939 and died in Rio de Janeiro in 1978. The second part, Possible Montages, presents two possibilities of a biographical exercise: through the allegorical reading of documentary O Velho e o Novo (Otto Maria Carpeaux), understood as an instrument of intervention in the Brazilian dictatorship context and as a biographical retelling of the author?s European experiences; and through my Scrapbook of Critical Images, a record of the encounters in Carpeaux through critical images produced from the caesura of the present

    Otto B. Cornell and J. W. Cherry in Albuquerque

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    Black and white photograph of Otto B. Cornell and J. W. Cherry at a train station in Albuquerque, New Mexico. The front is labeled over and the back is labeled August 9, 1925; Albuquerque, N. M. J. W. Cherry O. B. Chttps://digitalcommons.otterbein.edu/cornell_images/1122/thumbnail.jp
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