867 research outputs found
The Library of Babel
No full textThe production of artist's books in the twentieth century is directly related to the political and avant-garde movements. Latin American writers who were part of these movements returned to the exotic beauty of the indigenous codices, the simple forms of medieval literatura de cordel--chapbooks and explore the non-conformist typography of concrete poetry, giving a new vision to book design. Like their counterparts in Europe and the United States, artists and graphic designers experimented with typography, page design and binding. immersing themselves in mastering techniques such as engraving, woodcut, photography, collage, frottage, photomontage and digital design.Paper presented in the Book Arts Festival, Rutgers University Libraries, 2000
Alexandrium
No full text3.1 Descriptions of <i>Alexandrium</i> species identified <p> Eleven species (morphospecies) of <i>Alexandrium</i> were identified and are described and illustrated here. Morphological and morphometric characters and toxicity of the species found are given in Table 1, whereas the distribution of the species in this work is discussed below.</p>Published as part of <i>Hernández-Becerril, David U., Pichardo-Velarde, Jorge G., Alonso-Rodríguez, Rosalba, Maciel-Baltazar, Ebodio, Morquecho, Lourdes, Esqueda-Lara, Karina, Barón-Campis, Sofía A. & Quiroz-González, Nataly, 2023, Diversity and distribution of species of the planktonic dinoflagellate genus Alexandrium (Dinophyta) from the tropical and subtropical Mexican Pacific Ocean, pp. 539-557 in Botanica Marina (Warsaw, Poland) (Warsaw, Poland) 66 (6)</i> on page 542, DOI: 10.1515/bot-2023-0037, <a href="http://zenodo.org/record/11000291">http://zenodo.org/record/11000291</a>
Tres cuentos
No full textThree fictional stories written by the author Lourdes Consuelo Pacheco Ladrón de GuevaraTres relatos de ficción escritos por la autora Lourdes Consuelo Pacheco Ladrón de Guevar
Métricas de autor Teresita De Lourdes Bernal Romero
No full textInforme de las métricas de autor de la Dra Teresita De Lourdes Bernal Romero de las publicaciones indexadas en Google Académico cuyo objetivo es entregar un insumo para el fortalecimiento de las capacidades y potencialidades de los autores de la Universidad Santo Tomás en el posicionamiento y visibilidad de sus publicacionesReport of the author metrics of Teresita De Lourdes Bernal Romero of the publications indexed in Google Scholar whose objective is to provide an input for the strengthening of the capacities and potentialities of the authors of the Santo Tomás University in the positioning and visibility of their publications.http://unidadinvestigacion.usta.edu.c
Estudio socioeconómico de la Asociación Provincial de Acuicultores del cantón Morona en el periodo 2014, para un crecimiento sostenible y sustentable
No full textLa acuicultura es una actividad que genera ingresos económicos a los productores del Cantón Morona, es por ello que se ha visto de gran importancia ya que dinamiza la economía con fuentes de empleo, oferta y demanda de producto, alimentación a los habitantes, promoviendo así la salud alimentaria.\nLa Asociación Provincial de Acuicultores del Cantón Morona se encuentra dedicada a la piscicultura, es decir al cultivo de peces en estanques ya sea de tierra o de concreto, el objetivo general que persigue la Asociación es: el cultivo, producción, transformación, comercialización, industrialización, y exportación de productos acuícolas.\nEl siguiente trabajo comprende de tres capítulos el primer capítulo se trata de conceptos teóricos sobre el cultivo de peces en cautiverio, de la misma forma conceptos relacionados con el aspecto social y económico, como también sobre la base teórica de un plan para mejorar la capacidad de producción y calidad de producto; en el segundo capítulo se trata sobre la investigación de campo donde se estará tratando los problemas que tiene la Asociación, las entidades de apoyo, la capacidad de producción que ofrecen al Cantón Morona, los puntos críticos, las fuentes de financiamiento, se analizará el factor social y económico de cómo se encuentra operando la Asociación de Acuicultores, realizando así la interpretación de datos investigados; el tercer capítulo se estará tratando de la propuesta de un plan de mejoramiento para la actividad acuícola para que exista un mejor manejo, control y producción de calidad para el Cantón Morona, por ende se abastezca a la ciudadanía en alimentos de producción piscícola.Aquaculture is an activity that generates income to producers Morona Canton, is why has been of great importance since it boosts the economy with employment opportunities, product supply and demand, power to the people, thus promoting health food. The Provincial Farmers' Association of the Canton Morona is dedicated to aquaculture, ie fish farming in ponds either dirt or concrete, the overall objective of the Association is the cultivation, production, processing, marketing, manufacturing and export of aquatic products. The following three chapters work includes the first chapter is theoretical concepts about fish farming in captivity, in the same way concepts related to social and economic aspects, as well as on the theoretical basis of a plan to improve the ability of production and product quality; in the second chapter deals with the research field where you will be addressing the problems of the Association, support agencies, production capacity offered by the canton Morona, critical points, sources of financing, the factor will be analyzed social and economic of how it is operating the Aquaculture Association, thus making the interpretation of research data; The third chapter is dealing with the proposal of an improvement plan for aquaculture for the existence of better management, quality control and production for the canton Morona, therefore it is supplied to the public in food fish production
The Religious Crowd of Lourdes in Zola and Huysmans
No full textLe roman Lourdes, d’Émile Zola, systématiquement ignoré par les études sur la foule, dresse en 1894 le modèle de la foule pacifique et généreuse ouverte à une « religion nouvelle » de justice et de bonheur, mais également prête à être dirigée par un meneur conservateur. Zola est vraisemblablement le premier grand auteur à étudier la foule sous cet angle, anticipant de la sorte un changement de ton de la part des spécialistes de la foule de la fin du XIXe siècle, notamment Gabriel Tarde et Gustave Le Bon. Ces auteurs se font ainsi l’écho de cette foule si différente de la redoutée foule prolétaire urbaine. L’œuvre littéraire Les foules de Lourdes, de Joris-Karl Huysmans (1906), consolide la notion de foule positive, mais, contrairement à Zola, en l’intégrant dans la religion catholique officielle.The Émile Zola’s novel Lourdes is systematically ignored by Crowd’s studies and draw up in 1894 the model of the generous and peaceful crowd opened to “a new religion” of justice and happiness, but also willing to be ruled by a conservative leader. Probably Zola is the first great author to study the crowd by anticipating a change of tone from crowd’s specialists of the late nineteenth century, especially Gabriel Tarde and Gustave Le Bon. So, these writers become the voice of this very different crowd compared to the dreaded proletarian urban crowd. Unlike Zola, the Joris-Karl Huysmans’ literary work Les foules de Lourdes (1906) reinforces the notion of positive crowd by integrating it into the official Catholic religion.info:eu-repo/semantics/publishedVersio
. 1 Año 1 (1994) mayo-agosto. Dimensión Antropológica
No full text- Presentación por María Teresa Franco. – Introducción por El Consejo Editorial. - La población prehispánica de Monte Albán: algunos parámetros demográficos por Lourdes Márquez, Lourdes Camargo, Ernesto González y Minerva Prado. - Reflexionando una vez más: La etnohistoria y la época colonial por María de los Ángeles Romero Frizzi. - La oligarquía colimense y la Revolución 1910-1940 por Pablo Serrano Álvarez. - Agramaticalidad, ambigüedad sintáctica y metáfora: criterios e instrumentos para evaluar la adquisición de competencia lingüística por Bruna Radelli. - Cambios en la fecundidad y condiciones socioeconómicas en Yucatán, México por Lourdes Camargo-Valverde y Alfonso Sandoval-Arriaga. - Aportaciones a la investigación de archivos del México colonial y a la bibliohemerografía afromexicanista por Jesús Monjaráz-Ruiz. - Conchas y caracoles ese universo maravilloso ... por Carlos García Mora
Sem medo das palavras: Introdução à Obra de Lourdes Ramalho
No full textEsta dissertação é uma breve introdução à obra de uma das mais importantes dramaturgas da
atualidade: Lourdes Ramalho (Maria de Lourdes Nunes Ramalho, Jardim do Seridó-RN,
1926). A sua produção literária para adultos (peças de teatro e/ou cordéis) foi pensada aqui
considerando três aspectos que, relacionados, dão à sua escrita uma forma singular: as
imagens e personagens arquetípicos do imaginário medieval europeu e do Nordeste do Brasil,
o discurso regionalista firmado na cultura popular e o enfoque medieval ibérico sobre a
cultura nordestina brasileira. Ao mesmo tempo, essas características colocam a autora em
meio a uma extensa tradição literária que, ao longo do século XX, tentou encontrar uma
identidade cultural para o Nordeste brasileiro. Existe ainda, neste estudo, a tentativa de
aproximar o estilo da autora do realismo grotesco de François Rabelais, recorrendo às análises
desse autor e estilo feitas pelo teórico da Literatura Mikhail Bakhtin. Em seguida, após uma
discussão sobre a linguagem teatral, é mostrado como duas peças de Lourdes Ramalho (As
velhas e Romance do conquistador) foram transpostas para o palco através das interpretações
desses textos, feitas por um dos mais criativos diretores do teatro contemporâneo: Moncho
Rodriguez (Vigo/Espanha, 1951). Essas encenações dos textos ramalhianos vêm reforçar a
idéia de um Nordeste brasileiro ainda imerso em tradições e estéticas que remontam ao
medievo ibérico. Ambos os artistas vêem, imaginam e criam um Nordeste brasileiro como
espaço das tradições (ibéricas, judaicas, mouriscas, africanas) e também como um universo
onde a presença do sobrenatural, do fantástico, é muito forte.This dissertation is a brief introduction to the work of one of the most important playwriters
of the present time: Lourdes Ramalho (Maria de Lourdes Nunes Ramalho, Jardim do Seridó-
RN, 1926). Her literary production for adults (plays and cordéis ) has been thought here
considering three aspects that, connected, give to her writing a singular form: the
archetypicals images and characters of the european Middle Ages imaginary and of the
Northeast of Brazil, the regionalist discourse based on folk culture and the medieval iberian
focus on brazilian northeastern culture. At the same time, those marks put the author among a
large literary tradition that, during the XXth century, tried to find a cultural identity to the
brazilian Northeast. There is also, in this study, a attempt to approach the author style to the
grotesque realism of François Rabelais, bringing up the analysis of this author and style made
by the Literature theoretician Mikhail Bakhtin. After that, there is a discussion about the
theatrical language and it is shown how two of Lourdes Ramalho s plays ( As Velhas and
Romance do conquistador ) were brought to the stage through the interpretations of those
texts made by one of the most creative directors of contemporary theatre: Moncho Rodriguez
(Vigo/Spain, 1951). Those stagings of Lourdes Ramalho s texts become stronger the idea of
a brazilian Northeast still immersed into traditions and esthetics that go back to the iberian
Middle Ages. Both of the artists see, imaginate and create a brazilian Northeast as a space of
traditions (iberians, jewishes, moorishes, africans) and also as an universe where the presence
of the supernatural, of the fantastic, is very strong
En memoria de Lourdes Taboada, maestra de maestras
No full textThis article is a tribute to Lourdes Taboada, teacher of Early Childhood Education and Rural Schools in Galicia. She, a reference in innovation, a recognized advisor in education and author of a rich written production, receives in these sheets a tribute to her memory and a remind that her work must continue, even though she is no longer among us.Este artículo constituye un sentido homenaje a Lourdes Taboada, maestra de Educación Infantil y de Escuelas Rurales en Galicia. Ella, referente en innovación, reconocida asesora en educación y autora de una rica producción escrita, recibe en estas hojas un homenaje a su memoria y un recuerdo a que su obra ha de continuar, a pesar de que ella ya no esté
Lourdes: processioner og kraft i Zolas roman Valfartsstedet
No full textDenne artikel skitserer fremvæksten af Lourdes som helligsted fra midten til slutningen af 1800-tallet. Denne skitse tegner blandt andet konturerne af processionspraksissers betydning for helligtstedets etablering. Men artiklens egentlige tyngdepunkt er undersøgelsen af processionsskildringerne i den franske forfatter-journalist og intellektuelle, republikanske fritænker Émile Zolas roman Valfartsstedet fra 1894. Denne roman er en religions- og samtidskritik; men denne kritik nedtones påfaldende i beskrivelserne af processioners kraft og virkning. I disse passager viser Zola et måske overraskende slægtskab med den formative religionsvidenskabs interesse for ‘religiøse kræfter’ som den formuleres fx hos Émile Durkheim.This article outlines the emergence of Lourdes as a shrine. This sketch records how procession practices seem important in the cultural grounding of the site. But the article's real center of attention is a study of how French author-jounalist and intellectual, Republican free-thinker, Émile Zola’s novel Lourdes depicts processions. The novel is driven forth by a critique of contemporary religious life. Nevertheless, this critique is somewhat softened in the description of the ritual performances of the processions. Pertaining in particular to the interest in force-metaphors, Zola in these passages shows a perhaps surprising resemblance to formative figures within the study of religion such as Émile Durkheim
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