75,059 research outputs found
World War I record of service survey for Francis J. McCarthy, signed 27 April 1926.
No full textQuestionnaire about Francis Joseph McCarthy's service in World War I, 1917-1919, signed by McCarthy on 27 April 1926.Questionnaire originally part of a survey of Norwich University alumni conducted by a “Norwich in the World War” committee consisting of Charles N. Barber (chairman), Carl V. Woodbury, K.R.B. Flint, and Gustaf A. Nelson. Data from these questionnaires may have been used in a chapter of "Vermont in the world war, 1917-1919" by Harold P. Sheldon (1928)
Recommended from our members
Congressman John Young, Ralph W. Yarborough, Dr. Hector P. Garcia, Eugene McCarthy and Travis Pecler (photograph)
No full textLeft to Right: Congressman John Young, 14th Congressional District; Senator Ralph W. Yarborough; Dr. Hector P. Garcia; Senator Eugene McCarthy; Travis Pecler, Attorney
A curve depicting the sea-level changes in the Carmel coast. (J. McCarthy and E. Galili).
No full textA curve depicting the sea-level changes in the Carmel coast. (J. McCarthy and E. Galili).</p
Measurement of the ratio of prompt χ c to J / ψ production in pp collisions at √s = 7 TeV
No full textThe prompt production of charmonium χ c and J / ψ states is studied in proton-proton collisions at a centre-of-mass energy of √s = 7 TeV at the Large Hadron Collider. The χ c and J / ψ mesons are identified through their decays χ c → J / ψ γ and J / ψ → μ + μ - using 36 pb - 1 of data collected by the LHCb detector in 2010. The ratio of the prompt production cross-sections for χ c and J / ψ, σ (χ c → J / ψ γ) / σ (J / ψ), is determined as a function of the J / ψ transverse momentum in the range 2 < p T J / ψ < 15 GeV / c. The results are in excellent agreement with next-to-leading order non-relativistic expectations and show a significant discrepancy compared with the colour singlet model prediction at leading order, especially in the low p T J / ψ region
Asian ambivalence and South Australian parliamentary travel
No full textGreg McCarthy and Jennifer Bai
Ketchup and Blood: Documents, Institutions and Effects in the Performances of Paul McCarthy 1974-2013
No full textSince the 1970s, the work of Los Angeles-based artist Paul McCarthy (b. 1945) has included live performance, video, sculpture, kinetic tableaux, and installation. Tracing the development of McCarthy’s work between 1974 and 2013, I undertake a critical discussion of the development of performance in relation to visual art practices. Using one artist’s work as a guide through a number of key discussions in the history of performance art, I argue that performance has influenced every aspect of McCarthy’s artistic practice, and continues to inform critical readings of his work.
My thesis follows the trajectory of McCarthy’s performance practice as it has developed through different contexts. I begin with the early documentation and dissemination of performance in the Los Angeles-based magazine High Performance (1978-83), which established a context for the reception of performance art, and for McCarthy’s early work. I then examine specific examples of McCarthy’s practice in relation to his critical reception: live performances and videos from the 1970s are discussed alongside critical readings of his work influenced by psychoanalysis; and the wider public recognition of McCarthy’s object-based art in the 1980s and early 1990s. I then look more broadly at the recent trend of re-enacting historical performances in the Getty’s Pacific Standard Time project (2011-12), as a mode of engaging with performance history and exploring how histories of ephemeral art are re-iterated over time. Finally, I discuss a number of McCarthy’s recent exhibitions and installations that mobilises a wider consideration of the histories of performance and ephemeral practices in art institutions.
McCarthy’s work is firmly established in the art world, and I argue that his work also provides a significant touchstone for histories of performance. I look historically at how McCarthy’s work has been documented, disseminated, curated, and re-performed, and open wider discussions about ways of engaging with performance history. In turn, I complicate the relationship between performance and the art world; between ephemeral art and object-based art practices; and between scholarly engagements with performance history, and the public presentation of performance in curatorial practices and institutional contexts.This project was funded by a College Studentship from Queen Mary, University of London. Additional financial support for a research trip to Los Angeles in 2012 to undertake primary research and conduct interviews was provided by the Queen Mary Central Research Fund (now the Postgraduate Research Fund). I would also like to acknowledge the support of the Glynne Wickham Scholarship fund, which contributed to travel expenses for a conference presentation at Stanford University in 2013
Replication : an approach to the analysis of data from complex surveys
No full textDevelopment and evaluation of a replication technique for estimating variance.[By Philip J. McCarthy].Public Health Service publication, no. 1000-Series 2, no. 14.Bibliography: p. 31-32.19661038
Structures of the linear silicon carbides SiC 4 and SiC 6 : Isotopic substitution and Ab Initio theory
No full textV. D. Gordon,a) E. S. Nathan, A. J. Apponi, M. C. McCarthy, and P. Thaddeus are with
Harvard-Smithsonian Center for Astrophysics, 60 Garden Street, Cambridge, Massachusetts 02138 and
Division of Engineering and Applied Sciences, Harvard University, 29 Oxford Street, Cambridge,
Massachusetts 02138
-- P. Botschwina is with the
Institut fu¨r Physikalische Chemie der Universita¨t Go¨ttingen, Tammannstr, 6. D-37077 Go¨ttingen, GermanyThe structures of two linear silicon carbides, SiC4 and SiC6, have been determined by a combination
of isotopic substitution and large-scale coupled-cluster ab initio calculations, following detection of
all of the singly substituted isotopic species in a supersonic molecular beam with a Fourier transform
microwave spectrometer. Rotational constants obtained by least-squares fitting transition
frequencies were used to derive experimental structures; except for those nearest the center of mass,
individual bond lengths for both chains have an error of less than 0.008 Å. Accurate equilibrium
structures were derived by converting the experimental rotational constants to equilibrium constants
using the vibration–rotation coupling constants from coupled-cluster calculations, including
connected triple substitutions. Equilibrium dipole moments and harmonic vibrational frequencies
were also calculated for both chains. On the basis of the calculated vibration–rotation and l-type
doubling constants, weak rotational satellites from a low-lying vibrational state of SiC4 were
assigned to v6 , a bending mode calculated to lie about 205 cm -1 above the ground state. A
recommended ab initio equilibrium structure for SiC8 has also been established. © 2000 American
Institute of Physics. @S0021-9606~00!01537-3#Chemistr
Measurement of J/ψ production in pp collisions at s√=2.76TeV
No full textThe production of J/ψ mesons is studied with the LHCb detector using data from pp collisions at s√=2.76 TeV corresponding to an integrated luminosity of 71 nb−1. The differential cross-section for inclusive J/ψ production is measured as a function of its transverse momentum p T. The cross-section in the fiducial region 0 < p T < 12 GeV/c and rapidity 2.0 < y <4.5 is measured to be 5.6 ± 0.1 (stat) ± 0.4 (syst) μb, with the assumption of unpolarised J/ψ production. The fraction of J/ψ production from b-hadron decays is measured to be (7.1 ± 0.6 (stat) ± 0.7 (syst))%
Letter from Carl Hayden to P. J Moran
No full textLetter from Carl T. Hayden to P. J. Moran concerning the alignment of the road to Bright Angel Trail
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