31,783 research outputs found
Maria Schatte and Theresa Kasper
No full textPhotograph shows Maria Magdalena Zimmerman Schatte and Theresa Zimmerman Kasper in a studio photograph with decorative floral border
New results for special classes of (multivariate) copulas and some consequences to estimating dependence
No full textsubmitted by Thimo Maria KasperEnthält LiteraturangabenKumulative Dissertation aus fünf ArtikelnDissertation Paris-Lodron University Salzburg 202
New results for special classes of (multivariate) copulas and some consequences to estimating dependence
No full textsubmitted by Thimo Maria KasperEnthält LiteraturangabenKumulative Dissertation aus fünf ArtikelnDissertation Paris-Lodron University Salzburg 202
Maria Bersani
No full textLa voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
ERNST KASPER
No full textErnst Kasper nació en la ciudad de Trier, el año 1935, hijo de un minero del carbón. Cursando aún la Educación Media, trabajó corno minero y albañil. Estudió arquitectura en la Universidad Técnica de Aachen, donde se recibió de arquitecto en 1963 con el premio de la Corporación Regional Industrial. El año 1964 abrió su propia oficina de arquitectura, que mantiene hasta el día de hoy. En 1971 pasa a formar parte del cuerpo docente de profesores de la Academia de Arte de Dusseldorf, donde hoy ya es Profesor Emérito. Su vida profesional se ha basado en la participación en concursos de arquitectura europeos. Ha recibido numerosos premios entre los que se cuentan el Premio Alemán de Urbanismo (1995, Mención Especial), Premio de Diseño de la Fundación Wüstenrot "Colegios en Alemania / nueva construcción y revitalización" por el Colegio Maria Montessori en Aachen (2002, Primer Premio) y el Premio de Buenos Edificios (2003. BDA Aachen). Desde el año 2000 es ..
O curso de licenciatura em educação física da Universidade Federal de Santa Catarina: suas concepções de ensino e de educação física
No full textDissertação (mestrado) - Universidade Federal de Santa Maria. Centro de Educação Fisica e Desporto
Erratum: Lack of immunity against rubella among Italian young adults. [BMC Infect Dis., 17, (2017) (199)] Doi: 10.1186/s12879-017-2295-y
No full textAfter publication of this article [1], the authors noted that the given names and family names of all authors had been inverted, and are therefore incorrect in the original article. In the original article, the author names appear as the following: Gallone Maria Serena, Gallone Maria Filomena, Larocca Angela Maria Vittoria, Germinario Cinzia and Tafuri Silvio. However, this is incorrect, and the author names should appear as per the below: Maria Serena Gallone, Maria Filomena Gallone, Angela Maria Vittoria Larocca, Cinzia Germinario, Silvio Tafuri. The author names have been corrected in the author list and the citation for this Erratum
Mieszczanin krakowski Kasper Suski de casa Castiglione (zm. 1589) jako posesjonat w księstwie zatorskim
No full textThe son of the royal stonemason Nicolas Castiglione (d. 1545), who came from Florence to Kraków, Kasper entered into family connections with the nobility of Zator and Oświęcim through the purchase in 1554 of Sucha and Stryszawa, and then through his marriage in 1556 with Jadwiga, daughter of Stanisław Słupski and Anna née Grzymułtowska. In spite of Adam Kamiński's thorough study, the figure of Kasper as a bourgeois as well as a goldsmith from Kraków and a property owner turns out to be still not fully known. Thus, the settlement processes or cultural changes taking place thanks to Castiglione-Suski have been overlooked, and hence the picture of the 16th century in local communities is still rather hazy. Meanwhile, thanks to people like the Cracovian burgher Kasper, Renaissance fashions and patterns of thought, as well as Reformation trends, reached the Silesian district established in 1564. Complementing the existing knowledge on the person and activities of Kasper Suski, the author presented his family circle, his accumulated wealth, and the network of mutual relations with the nobility of the Zator and Oświęcim principalities (mainly the neighbouring estates).Syn przybyłego z Florencji do Krakowa królewskiego kamieniarza Mikołaja Castiglione (zm. 1545) – Kasper – poprzez zakup w 1554 r. Suchej i Stryszawy, a następnie przez ślub w 1556 r. z Jadwigą, córką Stanisława Słupskiego i Anny z Grzymułtowskich, wszedł w koligacje rodzinne ze szlachtą zatorsko-oświęcimską. Mimo wnikliwego studium Adama Kamińskiego postać Kaspra jako mieszczanina oraz złotnika krakowskiego, a przy tym posesjonata okazuje się jeszcze nie do końca poznaną. Niedostrzeżone zostały zachodzące za sprawą Castiglione-Suskiego procesy osadnicze czy zmiany kulturowe, a tym samym dość mglistym jest nadal obraz XVI w. w lokalnych społecznościach. Tymczasem za sprawą ludzi pokroju krakowskiego mieszczanina Kaspra docierały do utworzonego w 1564 r. powiatu śląskiego renesansowe mody i wzorce myślowe, a także nurty reformacyjne. Uzupełniając dotychczasowy stan wiedzy na temat osoby i działalności Kaspra Suskiego, autor przedstawił jego krąg rodzinny, zgromadzony majątek i sieć wzajemnych relacji ze szlachtą księstw zatorskiego i oświęcimskiego (głównie sąsiadującymi z jego majątkiem okolicznymi posesjonatami)
Imagens de Otto Maria Carpeaux: esboço de biografia
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2015.Este esboço de biografia procura citar algumas imagens de Otto Maria Carpeaux: construções biográficas de naturezas múltiplas, elaboradas em contextos, por atores e sob condições igualmente díspares. Está constituído a partir de uma visão crítica da História, o que permite que ?outras imagens?, fragmentárias e não monumentais, também tenham espaço. Em diálogo com o princípio da montagem, este esboço apresenta-se em duas partes. Na primeira, Imagens possíveis, estão citadas as imagens elaboradas em vida e post mortem acerca do austríaco-brasileiro que nasceu em Viena em 1900, se exilou no Brasil em 1939 e morreu no Rio de Janeiro, em 1978. Na segunda, Montagens possíveis, apresentam-se duas possibilidades de exercício biográfico: pela leitura alegórica do documentário O velho e o Novo (Otto Maria Carpeaux), entendido como instrumento de intervenção no contexto ditatorial brasileiro e de uma reelaboração biográfica concernentes às suas experiências europeias; e pelo Caderno de imagens críticas, registro dos encontros em Carpeaux pelo meio de imagens críticas produzidas a partir da cesura do presente.Abstract : This biographical sketch attempts to quote some images of Otto Maria Carpeaux: various types of biographical constructions, carried out in different contexts by disparate authors under conditions just as distinct. It stems from a critical view of history, allowing for ?other images? fragmented and non-monumental ? to share the space.In dialogue with the montage principle, this sketch has two parts. The first, Possible Images, quotes the images produced during and after the life of the Austrian-Brazilian, who was born in Vienna in 1900, went to Brazil in exile in 1939 and died in Rio de Janeiro in 1978. The second part, Possible Montages, presents two possibilities of a biographical exercise: through the allegorical reading of documentary O Velho e o Novo (Otto Maria Carpeaux), understood as an instrument of intervention in the Brazilian dictatorship context and as a biographical retelling of the author?s European experiences; and through my Scrapbook of Critical Images, a record of the encounters in Carpeaux through critical images produced from the caesura of the present
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