1,720,974 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Estetika jalinan subjek, objek dan nilai
No full textPembahasan estika secara komprehensif perlu mempertimbangkan subjek, objek, dan nilai estetis. Ketiganya terjalin dalam sebuah proses estetis atau "estetis". Subjek estetika dapat berupa spektator yang merasakan pengalaman estetis maupun kreator yang mengalami pengalaman artistik. Objek estetis dapat bersifat natural maupun kultural, objek kultural meliputi seni maupun nonseni. Adapun nilai estetis dapat berlingkup inklusif maupun eksklusif. Proses tersebut tidak terjadi dalam ruang kosong. Kajian estetika bersinggungan dengan filsafat, psikologi, semiotika, sosiologi, antropologi, kajian budaya, komunikasi, politik, ekonomi, sejarah, agama dan lainnya
On The Spot: Pameran Tunggal Lukisan Deni Je
Full text linkPameran tunggal seni lukis yang diselenggarakan tanggal 19 September - 10 Oktober 2021 dalam rangka launching Painting Explorer Merchandise di website GoStore (anak perusahaan GoJek
Menimbang Definisi Seni dalam Estetika
No full textRethinking Art Definition in Aesthetic Field. In the aesthetic definition of art, an object is an art, and only if it is produced with the intention that it possessed a capacity of affording aesthetic experience. Aesthetic experience refers to some mental states that a spectator brings to or undergoes in responding to artworks. Two major accounts of aesthetic experience are the affect-oriented accounts. The affect-oriented accounts are marked by disinterestedness, empathy, and contemplation. The content-oriented accounts can be sorted under three broad headings: unity, diversity, and intensity. If the aesthetics definition of art can be examined for all artworks, the definition is correct; otherwise, if the aesthetics definition of art cannot be examined for all artwork, the definition is incorrect. Keywords: aesthetic experience; art definitio
Apotheosis Freemansonry Dalam The Lost Symbol
No full textIn the latest novel, The Lost Symbol, Dan Brown explains about “apotheosis”: “Human became God” or “Divinized Man”. Like in older novels, Brown uses art masterpieces to support his ideas, now explores Brumidi’swork, The Apotheosis of Washington. He writes that apotheosis is in accordance with Bible, Koran, Bhagavad Gita, and others holy books; actually, there is no apotheosis concept in Koran. The world of Freemasonry can not be separated with his novels.Keywords: The Apotheosis of Washington, Constantino Brumidi,Freemasonry, The Lost Symbol
Model Estesis Berdasarkan Semiosis Piercean
No full textPenelitian Filsafat Estetika tentang "Model Estetis Berdasarlam Semiosis Peircean" ini merupakan upaya pemanfaatan proses penandaan atau semiosis dalam semiotika Charles Sander Peirce sebagai pembentuk proses estetis. Semiosis Peircean bersifat triadik, yaitu terdiri dari representamen, interpretant dan object. Representamen diganti dengan objek estetis; interpretant ditempat subjek estetis; dan objek diubah menjadi nilai estetis. Proses yang terjadi pada subjek estetis ketika menikmati dan membuat objek estetis di bawah parameter nilai estetis disebut estesis
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