224 research outputs found
Una notable actualización italiana del mito antiguo: Lunga notte di Medea de Corrado Alvaro
No full text[ES] Tras una pequeña introducción sobre las reescrituras del mito de Medea y después de dar noticia del cómo y el porqué de la gestación de Lunga notte di Medea el autor del artículo se centra en la comparación de esta incursión de Corrado Alvaro en el mundo del teatro con las clásicas de Eurípides y Séneca para justificar la actualidad y el éxito en su momento, 1949 es la fecha del estreno, de la obra del calabrés.[EN] After a brief introduction to the rewritings of the myth of Medea and after explaining the how and why of the gestation of Lunga notte di Medea, the author of the article focuses on the comparison between this incursion of Corrado Alvaro in the world of the theatre and the classic works of Euripides and Seneca in order to justify its pertinence and success at the time of its debut in 1949
Very fragrant silence - reflections on the novel "La lunga vita di Marianna Ucrìa" by Dacia Maraini
No full textThe article devoted to novel La lunga vita di Marianna Ucrìa of Dacia Maraini constitutes a
reflection upon cognition by means of senses. The analysis concerns the experience of
cognition of the world (people, situations, places) by the main character, deaf and dumb
person, whose sensual cognition of the reality is dominated by the sense of sight and smell.
The analysis concentrates on the character of smelling sensations, indicating their crucial but
forgotten function of the contact with the reality and its interpretation. The article highlights
the problem of non verbality and non-divisibility of perceptions of the sense of smell, which
the author of the novel Dacia Maraini faced
Cosa è una vita se non viene raccontata? Intrecci temporali in La lunga attesa dell’angelo di Melania Mazzucco
No full textLa lunga attesa dell’angelo è la rivisitazione romanzata della vita di Jacomo Robusti detto Tintoretto e della figlia Marietta detta Tintoretta che nell’Ottocento era un vero e proprio mito. La storia si svolge in un felice equilibrio tra fantasia e puntigliosa documentazione che Melania Mazzucco ha effettuato su antiche carte contenute in archivi custoditi in diverse città. La storia individuale di Tintoretto fa parte di un epos collettivo, di un affresco generazionale del Cinquecento veneziano : è un romanzo corale in cui voci e comportamenti si intrecciano, dando alla narrazione una forma plurifocalizzata attraverso l’adozione dei punti di vista dei diversi personaggi. A questi si aggiunge un autore che muove i fili della narrazione e che spesso si azzera nel proprio oggetto (Tintoretto) fino a confondersi in un’unica soggettività. Ne consegue l’abolizione del distacco prospettico dell’autore e una sua immersione nel flusso del raccontoWhat is a life if it is not told ? Temporal framework in La lunga attesa dell’angelo by Melania Mazzucco · La lunga attesa dell’angelo is the fictional revisiting of Jacomo Robusti’s life, known as Tintoretto, and of his daughter Marietta, known as Tintoretta, who was a real myth in the Nineteenth century. The story strikes a felicitous balance between fantasy and meticulous documentation work carried out by Melania Mazzucco on ancient papers contained in archives of different cities. The individual history of Tintoretto is part of a collective epos, thus outlining a Sixteenth-century Venetian generational fresco. It is a choral novel in which voices and behaviors intertwine, giving the narration a multi-focused form through the adoption of the different characters’ points of view. To these characters, an author who moves the threads of narration is added. Indeed, Mazzucco often resets herself in her own object (Tintoretto) to the extent that they often merge into a single subjectivity. As a consequence, the detachment of the author’s perspective is abolished and we assist to her immersion in the flow of the stor
Appunti per una lunga fedeltà. Vittore Branca e l'Orfeo di Poliziano
No full textIl contributo esamina le postille manoscritte di Vittore Branca all’edizione critica dell’Orfeo di Poliziano, curata da Antonia Tissoni Benvenuti, rivelando un’intensa attività ermeneutica e filologica intorno all’opera volgare del poeta. Attraverso un’analisi puntuale dei marginalia, l’autore ricostruisce la posizione critica di Branca, in particolare sulla controversa datazione della Fabula d’Orpheo, sostenuta intorno al 1480. Le annotazioni mostrano anche l’interesse per l’interpretazione antiplatonica del mito e per i numerosi rimandi intertestuali con Dante, Petrarca e la produzione volgare dello stesso Poliziano. Il lavoro di postillatura testimonia una “lunga fedeltà” intellettuale, culminata nella monografia Poliziano e l’umanesimo della parola, e costituisce un documento prezioso del metodo critico di Branca, in bilico tra erudizione filologica e intuizione ermeneutica.The essay examines Vittore Branca’s handwritten annotations to Antonia Tissoni Benvenuti’s critical edition of Poliziano’s Orfeo, bringing to light an intense hermeneutic and philological engagement with the poet’s vernacular work. Through a close analysis of these marginalia, the author reconstructs Branca’s critical stance, particularly regarding the controversial dating of the Fabula d’Orpheo, which he situates around 1480. The annotations also reveal his interest in the anti-Platonic interpretation of the myth and in the numerous intertextual references to Dante, Petrarch, and Poliziano’s own vernacular production. This practice of annotation testifies to a “long fidelity” of intellectual commitment, culminating in the monograph Poliziano e l’umanesimo della parola, and constitutes a valuable document of Branca’s critical method, poised between philological erudition and hermeneutic insight
Il monumento romano a Giuseppe Mazzini: una lunga storia (con qualche novità)
No full textThe monument dedicated to Giuseppe Mazzini, sculpted by Ettore Ferrari, had a long political and executive genesis that stretched from the end of the 19th century until its inauguration in 1949. Ferrari was also the author of the monument to Giordano Bruno in Campo de’ Fiori square, which was also the subject of much controversy. However, in the case of the Mazzini monument, an extensive political discussion emerged, involving prominent figures such as Francesco Crispi, Antonio Labriola, and Domenico Farini. In particular, Labriola’s influence was decisive for the political symbolism that populates the monument’s base. This symbolism was “censored” after World War II to be less displeasing to the Holy See.Il monumento dedicato a Giuseppe Mazzini scolpito da Ettore Ferrari ebbe luna lunga genesi politica ed esecutiva che dalla fine dell’Ottocento si protrasse fino alla sua inaugurazione nel 1949. Ferrari fu anche l’autore del monumento a Giordano Bruno in piazza Campo de’ Fiori che fu oggetto anche di molte polemiche. Ma nel caso del monumento a Mazzini si innestò una diffusa discussione politica alla quale presero parte figure di spicco come Francesco Crispi, Antonio Labriola e Domenico Farini. In particola la figura di Labriola risultò essere stata decisiva per la simbologia politica che popola il basamento del monumento. Un corredo che venne “censurato” dopo il secondo conflitto mondiale per risultare meno sgradito alla Santa Sede
Asphodelo sive Astula regia, Aristolochia lunga
No full text1. Nome scientifico: Asphodelus albus Miller
(Liliaceae)
Nome attuale: Asfodelo montano
2. Nome scientifico: Aristolochia clematitis L.
(Aristolochiaceae)
Nome attuale: Aristolochi
The misuse of power by church wardens : a challenge to pastoral care
No full textDissertation (MA)--University of Pretoria, 2011.This research seeks to reveal the misuse of power by some church wardens, who are in the upper echelon in the parish leadership of the Anglican Church, in the diocese of Mthatha. It also seeks to reveal that as a result of this power abuse, the clergy as well as parishioners who voted these church wardens into the parish administration suffer trauma. There are also ensuing results manifested by cracks and crevices that are created in the Anglican Church, which are signs of an unhealthy church. In the endeavour to achieve his purpose, the author has embarked in conducting a research, with affected parties. Firstly, he encounters his own experiences as an incumbent of a parish. Then he approaches a parishioner who was aspiring to be admitted into the ordained ministry of the church who suffered at the hands of the churchwardens. Lastly, he approaches an ordained minister who was an incumbent of a parish who also received ill-treatment at the hands of churchwardens, as well as other clergy of various parishes whose stories could not be accommodated in this exercise because of space. Having established that the church wardens did misuse power and exceeded their terms of reference in the exercise of their duties as shepherds of the flock of God, he embarks on devising ways to come up with positive remedies of healing this incompetent administration of lay church officials. Firstly, he seeks to curb the power the church wardens assume to have. Then he draws a church of his dreams, a healthy church, led by healthy church leaders who are not lords over God’s flock but who pastorally take care of them, and leaders who are not corrupted by power, but always conscious of the fact that they are the servants of God. This exercise demonstrates that abuse of power in any church has disastrous effects and perpetrators should be stopped, if the church which is endowed with propagating the Gospel, wishes to be effective in its mission.Practical Theologyunrestricte
I fattori di lunga durata dell'agricoltura italiana
No full textIn this note, the author gives an account of the different factors which have characterised the Italian agriculture for a long period of time. He also introduces one of the topics in which Italian economic historians have been very interested, in recent years
Pasolini Exercises: Pier Paolo Pasolini on a Journey through Italy (La lunga strada di sabbia)
No full textThe article analyses a holiday reportage La lunga strada di sabbia [TheLong Road of Sand] by Pier Paolo Pasolini, which is a record ofa journeymade by the Italian intellectual in 1959 along the coasts of Italian Penisula. The author seeks the answers to the following questions: Howdoes Pasolini talk about his journey? Which elements of the journey and theworld are the most important to the writer? She concludes that Pasolini uses thestrategy of holiday reportage to touch upon the essential themes of his laterworks – ordinary people, their living conditions, the pace of socio-economic changes. At the same time, Pasolini uses the literary genre of reportage to present a broader than usual affective [email protected] Literaturoznawstwa - Uniwersytet Śląski w KatowicachAchtelik Aleksandra (2015),Sprawcza moc przechadzki, czyli Polski literat we włoskim mieście, Katowice: Wydawnictwo Uniwersytetu Śląskiego.Agudo Arianna, de Castillo Ludovica (2021), Doppio movimento. 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A proposito di laicità. Una lunga e complessa storia semantica
No full textThe author, in her essay, describes the place occupied in the distant past of Western culture by the concept of secularism, and uses that are made. The author discovers the concept of secularism in ancient societies to bring it into modernity. He links it to issues related to youth education opportunities, training and multicultural issues. and it focuses on the concept of Citizenship and transmission of knowledge
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