9,866 research outputs found
¿A dónde va la literatura?: Selección de ensayos críticos
No full textEste libro, Prologado y Seleccionado por la Dra. Daniela Alcívar Bellolio, reúne trece ensayos publicados por el autor, entre 1987 y 2007. Es el primer volumen de la colección titulada "Modos del ensayo", destinada a dar a conocer, en el ámbito ecuatoriano, la labor de ensayistas hispanoamericanos considerados relevantes.Fil: Giordano, Hector Alberto. Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Instituto de Estudios Críticos en Humanidades. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Rosario. Instituto de Estudios Críticos en Humanidades; Argentin
Alberto Giordano, El pensamiento de la crítica
No full textReseña bibliográficas sobre el último libro de Alberto Giordano, El pensamiento de la crítica
Apuntes: Sobre Con Barthes, de Alberto Giordano
No full textReseña de Con Barthes, de Alberto Giordano. Santiago: Marginalia Editores, 2016.</jats:p
Manuel Puig: Los comienzos de una literatura menor
No full textFil: Giordano, Alberto. Universidad de Rosario ; CONICET
Alberto Giordano: Una postura literaria en Facebook
No full textBased on Jerome Meizoz\u27s concept of posture littéraire, this work proposes the analysis of the gestures of Alberto Giordano, academic, recent diarist, who began publishing on Facebook before doing so in a publishing house—first Argentine, then Spanish. On the one hand, it will be analysed what does it mean to write a diary on Facebook, compared to the intimate diary and the diary in views of publication. Giordano is also a specialist in literature of the self and, especially, in the diary: hence the poetics of the diary becomes one of his recurring themes. At the same time, this scientific knowledge of the diary leads him to emulate paradigmatic gestures of the authors of that genre, so the question arises as to whether his diary is just an imposture or an authentic diaristic exercise. The fact that after starting the diary on Facebook, Giordano chooses to publish it in paper is another decision worthy of study and one more way to insert himself into the champ littéraire. Finally, it is of interest the way in which Giordano constructs his image as an author, that is, as a diarist and literary author. The precision of "literary" is pertinent since Giordano begins his journey from the awareness of being read primarily as an academic author and the conditions that this entails on his own style and on the reader\u27s expectations. Through certain gestures—the photographs on his Facebook profile, the style and vocabulary used, the themes he addresses and the daily life he recounts—Giordano builds a new image of himself: that of a literary author, without shying away from his status as a specialist of the genre.Partiendo del concepto de postura literaria de Jerome Meizoz, el presente trabajo se propone el análisis de los gestos de Alberto Giordano, académico, reciente diarista, que inicia publicando en Facebook antes de hacerlo en una editorial —primero argentina, luego española—. Por un lado, se analizará en qué consiste llevar un diario en Facebook, frente al diario del todo íntimo y el diario con miras a la publicación. Giordano, además, es especialista en literatura del yo y, en especial, en el diario: de allí que la poética del diario se torne uno de sus temas recurrentes. Cuanto más, si ese diario lo lleva en Facebook, que posee unas dinámicas específicas. A la vez, ese conocimiento científico del diario le lleva a emular gestos paradigmáticos de los autores de ese género, por lo que surge la cuestión sobre si su diario es apenas una impostura o un auténtico ejercicio diarístico. El que luego de iniciado el diario en Facebook opte por publicarlo, es otra decisión digna de estudio y una manera más de insertarse en el campo literario. Es de interés, finalmente, la manera en que Giordano construye su imagen de autor, esto es, de diarista y autor literario. La precisión de «literario» es pertinente, ya que Giordano inicia su andanza desde la conciencia de ser leído primeramente como autor académico y los condicionantes que eso supone en su propio estilo y en el imaginario del lector. A través de ciertos gestos —las fotografías en su perfil de Facebook, el estilo y el vocabulario empleado, los temas a los que se aboca y la cotidianidad que relata—, Giordano construye una nueva imagen de sí: la de autor literario, sin rehuir su condición de especialista del género
Thomas Jefferson, I dilemmi della democrazia americana, translated and edited by Alberto Giordano, with a preface by Dino Cofrancesco (Novi Ligure: Città del Silenzio, 2007)
No full textA review of Thomas Jefferson, I dilemmi della democrazia americana, translated and edited by Alberto Giordano, with a preface by Dino Cofrancesco (Novi Ligure: Città del Silenzio, 2007
Alberto Giordano: A posture littéraire in Facebook
No full textPartiendo del concepto de postura literaria de Jerome Meizoz, el presente trabajo se propone el análisis de los gestos de Alberto Giordano, académico, reciente diarista, que inicia publicando en Facebook antes de hacerlo en una editorial –primero argentina, luego española–. Por un lado, se analizará en qué consiste llevar un diario en Facebook, frente al diario del todo íntimo y el diario con miras a la publicación. Giordano, además, es especialista en literatura del yo y, en especial, en el diario: de allí que la poética del diario se torne uno de sus temas recurrentes. Cuanto más, si ese diario lo lleva en Facebook, que posee unas dinámicas específicas. A la vez, ese conocimiento científico del diario le lleva a emular gestos paradigmáticos de los autores de ese género, por lo que surge la cuestión sobre si su diario es apenas una impostura o un auténtico ejercicio diarístico. El que luego de iniciado el diario en Facebook opte por publicarlo, es otra decisión digna de estudio y una manera más de insertarse en el campo literario. Es de interés, finalmente, la manera en que Giordano construye su imagen de autor, esto es, de diarista y autor literario. La precisión de «literario» es pertinente, ya que Giordano inicia su andanza desde la conciencia de ser leído primeramente como autor académico y los condicionantes que eso supone en su propio estilo y en el imaginario del lector. A través de ciertos gestos –las fotografías en su perfil de Facebook, el estilo y el vocabulario empleado, los temas a los que se aboca y la cotidianidad que relata–, Giordano construye una nueva imagen de sí: la de autor literario, sin rehuir su condición de especialista del género.Based on Jerome Meizoz’s concept of posture littéraire, this work proposes the analysis of the gestures of Alberto Giordano, academic, recent diarist, who began publishing on Facebook before doing so in a publishing house–first Argentine, then Spanish. On the one hand, it will be analysed what does it mean to write a diary on Facebook, compared to the intimate diary and the diary in views of publication. Giordano is also a specialist in literature of the self and, especially, in the diary: hence the poetics of the diary becomes one of his recurring themes. At the same time, this scientific knowledge of the diary leads him to emulate paradigmatic gestures of the authors of that genre, so the question arises as to whether his diary is just an imposture or an authentic diaristic exercise. The fact that after starting the diary on Facebook, Giordano chooses to publish it in paper is another decision worthy of study and one more way to insert himself into the champ littéraire. Finally, it is of interest the way in which Giordano constructs his image as an author, that is, as a diarist and literary author. The precision of «literary» is pertinent since Giordano begins his journey from the awareness of being read primarily as an academic author and the conditions that this entails on his own style and on the reader’s expectations. Through certain gestures–the photographs on his Facebook profile, the style and vocabulary used, the themes he addresses and the daily life he recounts–Giordano builds a new image of himself: that of a literary author, without shying away from his status as a specialist of the genre
Lecciones de Literatura
No full textReseña de: Annick, Louis, ed. Enrique Pezzoni, lector de Borges. Lecciones de literatura 1984-1988. Buenos Aires: Sudamericana, 1999Fil: Giordano, Alberto. Universidad Nacional de Rosario; ArgentinaFil: Giordano, Alberto. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin
Goldoni e la Repubblica di Genova
No full textAlberto Beniscelli’s paper examines the volume Carlo Goldoni. Carteggio
consolare con la Repubblica di Genova, published in the National Edition of Goldoni’s works by Marsilio, 2021, and edited by Franco Paolo Oliveri and Giordano Rodda. This is an important contribution, conducted on the 108 dispatches regularly sent by the consul, residing in Venice, to the Genoese Senate during the period January 7, 1741 - March 16, 1743. Restored with philological care and supported by a broad historical-documentary apparatus, the epistolary material is offered as a chapter of the
culture and history of the Italian eighteenth century. On one hand, it illuminates central aspects of Goldoni’s life, and some phases of the theatrical journey. On the other hand, it opens up new approaches to the social and political system of eighteenth century Genoa, with particular attention to the entrepreneurial-noble reality of protections and commissions. Secondly, some aspects of Goldoni’s narrative as a reporter
are examined, especially highlighting the novelistic approach in the narration of cases and the literary consul’s mastery of war-torn Europe.
Giordano Rodda’s paper turns to two episodes of Goldoni’s consular period, which undergo a significant evolution in his subsequent accounts of the events, both in his autobiographical writing (the prefaces to the Pasquali edition and the Mémoires) and in the plays, as in L’impostore of 1754. The first episode concerns the disappearance of the snuffboxes seized by the consul from Domenico Bologna, a debtor to the Genoese
noble Domenico Sauli, and long missing until Goldoni was forced to admit his responsibility; the second is the affair of the so-called “Raguseo”, when Goldoni and his brother Gian Paolo were victims of a scam by a self-proclaimed captain from Ragusa. Both events left Goldoni, already without fixed emoluments for his position by the Genoese Senate, nearly destitute. The study of the dispatches and the newly recovered correspondence among the protagonists provide an illuminating example of Goldoni’s self-narrative strategy regarding an unhappy period of his career, when he sought to restore his reputation by alternating sincerity and dissimulation, remembrance and rehabilitation
A senha dos solitários: diários de escritores, de Alberto Giordano
No full textResenha do livro "A senha dos solitários: diários de escritores", de Alberto Giordano (Papéis Selvagens, 2016)
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