957 research outputs found
Jorge Pinheiro - obra figurativa : referenciais/diferenciais
No full textIn the sequence of the dissertation, Jorge Pinheiro: The Referential (2010) [Master’s degree in Painting] in FBAUL, aiming at the figurative work of the author in the last decade of the 20th century and the first decade of the 21st century, the current project of research emerges, deepening the knowledge about the representation and figuration of the pictorial work produced during this period of time. The figurative painting of Jorge Pinheiro, produced over 1990-2010, resorting to models of the Model, is the representation of images culturally produced in images obscurely dreamt in the game Composition and Representation. Jorge Pinheiro states that he first starts from the titles he searches for in Literature. Provocative, the title intertwined with the representation reaches the observer. The recognition of the appropriated figurative fragments is the key to decoding his painting. The initial spectator is the one the author looks for. The myths and symbolic values are represented in the Painting. They are representations of representations on behalf of the shapes of power in Composition and Representation. The Symbol-Figures of Representation taken from Painting, Photography, Cinema, and Photojournalism are sublimated icons, corrupted or ruined in the artwork of Jorge Pinheiro. The artwork questions its legitimacy and simultaneously reiterates it, reflects the concept of originality in the work’s identity, identifies the first authors, and makes us think of the authorship of the second authors, highlighting the position of the artist in relation to society and to his own craft with historical background. The cultural image prevails in the game of representation and aesthetic discourse because the object of imitation is not an object but an idea. Reinventing the Memory recall legacy, the painting of Jorge Pinheiro is a permeable territory where Painting evokes Painting, Art, and Western Humanistic Values, allowing a whole generation to identify itself in the artwork and question our way of being in the worl
Jorge Pinheiro - obra figurativa : referenciais/diferenciais
No full textIn the sequence of the dissertation, Jorge Pinheiro: The Referential (2010) [Master’s degree in Painting] in FBAUL, aiming at the figurative work of the author in the last decade of the 20th century and the first decade of the 21st century, the current project of research emerges, deepening the knowledge about the representation and figuration of the pictorial work produced during this period of time. The figurative painting of Jorge Pinheiro, produced over 1990-2010, resorting to models of the Model, is the representation of images culturally produced in images obscurely dreamt in the game Composition and Representation. Jorge Pinheiro states that he first starts from the titles he searches for in Literature. Provocative, the title intertwined with the representation reaches the observer. The recognition of the appropriated figurative fragments is the key to decoding his painting. The initial spectator is the one the author looks for. The myths and symbolic values are represented in the Painting. They are representations of representations on behalf of the shapes of power in Composition and Representation. The Symbol-Figures of Representation taken from Painting, Photography, Cinema, and Photojournalism are sublimated icons, corrupted or ruined in the artwork of Jorge Pinheiro. The artwork questions its legitimacy and simultaneously reiterates it, reflects the concept of originality in the work’s identity, identifies the first authors, and makes us think of the authorship of the second authors, highlighting the position of the artist in relation to society and to his own craft with historical background. The cultural image prevails in the game of representation and aesthetic discourse because the object of imitation is not an object but an idea. Reinventing the Memory recall legacy, the painting of Jorge Pinheiro is a permeable territory where Painting evokes Painting, Art, and Western Humanistic Values, allowing a whole generation to identify itself in the artwork and question our way of being in the worl
Projeto de implementação de um sistema de gestão da qualidade baseado na norma NP EN ISO 9001:2015 - estudo de caso Pinheiro Cardoso, Lda
No full textVersão Final (Esta versão contém as críticas e sugestões dos elementos do júri)O projeto apresentado consiste na implementação de um Sistema de Gestão da Qualidade na
organização Pinheiro&Cardoso, Lda., empresa do setor da Construção Civil – Carpintaria
de Limpos. O projeto tem por base um estudo de caso, com o intuito de melhorar o seu
desempenho organizacional. O Sistema de Gestão da Qualidade projetado é apoiado pela
versão portuguesa da Norma Europeia ISO 9001:2015.
O presente estudo foi sustentado por reuniões com a gestão de topo da Pinheiro&Cardoso,
Lda., entrevista com os colaboradores, formação de sensibilização com toda a organização
e observações do autor, permitindo o desenvolvimento de uma proposta para futura
implementação de um Sistema de Gestão da Qualidade na empresa.
A metodologia utilizada neste trabalho é o estudo de caso de natureza qualitativa.
Primeiramente, foi feita uma análise das práticas da organização face aos requisitos do
referencial normativo, consentindo num conhecimento para desenvolver as ações
necessárias à implementação do Sistema de Gestão da Qualidade. Foi estudado o processo
do trabalho desenvolvido pela organização desde a consulta dos clientes ao fornecimento de
produtos e serviços, sendo parte fundamental a abordagem por processos recomendado pelo
referencial normativo.
O resultado permitiu adequar os processos existentes, analisar o contexto organizacional e
desenvolver a estratégia de implementação do Sistema de Gestão da Qualidade de acordo
com a norma NP EN ISO 9001:2015, sempre com o foco central na satisfação dos clientes e
outras partes interessadas.
A organização Pinheiro&Cardoso, Lda., com a proposta de implementação do presente
projeto, assumiu uma nova postura face ao pensamento sobre a Qualidade e sua importância.
A perceção do funcionamento e a clarificação do seu sistema documental também foram
adquiridos pela empresa, que se comprometeu a corrigir situações, procurando a melhoria
das ligações com todas as partes interessadas.The project presented consists on the implementation of a quality management system at the
Pinheiro&Cardoso, Lda., of the building construction sector, specifically “Carpintaria de
Limpos”. This project is based on a case study with the aim of improving its organizational
performance. The designed Quality Management System is supported by the Portuguese
version of the European Standard ISO 900:2015.
The actual study was supported by meetings with Pinheiro&Cardoso, Lda. leadership, by the
interviews to the employees and by the awareness formation with the whole organization
and author observations, allowing the development of a proposal to a Management System
of Quality future implementation in the company.
The methodology used for this work was the study of a case with a qualitative nature. Firstly,
the organization's practices in relation to the requirements of the normative framework were
analysed, allowing knowledge to develop the actions necessary for the implementation of
the Quality Management System. The work process developed by the organization was
studied from the customers to the products and services suppliers, being a fundamental part
in the approach by processes recommended by the referential normative.
The result allowed the adequacy of the existing processes, not only to analyse the
organizational context but also to develop the strategy of implementation of the Quality
Management System (NP EN ISO 9001: 2015), always with the central focus on the
customers’ satisfaction and other involved parts.
The Pinheiro&Cardoso, Lda. organization, with the proposed implementation of this project,
assumed a new posture regarding the thought about Quality and its importance. The
perception of the functioning and the clarification of its documental system were also
acquired by the company, which undertook to correct situations, seeking the improvement
of the connections with all the interested parts
DUAS LEITURAS DE “JULIETA: CONTO FANTÁSTICO”, DE PINHEIRO CHAGAS
No full textThe Portuguese writer Manuel Pinheiro Chagas (1842-1895) was very productive in the second half of the 19th century. Despite his diversified work, currently, he is practically forgotten, and he is not usually associated to Portuguese fantastic literature. The objective of this work is to read a narrative compiled in the collection A lenda da meia-noite (1874), “Julieta: conto fantástico”, in comparison with an article published in the journal O panorama (1868), in which the author makes theoretical-critical considerations on the fantastic. Our hypothesis is that Pinheiro Chagas, in the referred short story, inserts the fantastic in a similar way to his appointments in the respective article. In addition, we will show two possibilities of reading the short story, which are different, depending on the publication support.O escritor português Manuel Pinheiro Chagas (1842-1895) foi bastante produtivo na segunda metade do século XIX. Embora tenha uma obra diversificada, atualmente, é praticamente esquecido e não costuma ser vinculado à literatura fantástica portuguesa. Objetiva-se, neste estudo, a leitura de uma narrativa compilada na coletânea A lenda da meia-noite (1874), “Julieta: conto fantástico”, em cotejo com um artigo publicado no periódico O panorama (1868), no qual o autor faz considerações teórico-críticas acerca do fantástico. A nossa hipótese é que Pinheiro Chagas, no referido conto, insere o fantástico de forma semelhante aos apontamentos defendidos por ele no respectivo artigo. Além disso, mostraremos duas possibilidades de leitura para o conto, que são diferentes, a depender do suporte de publicação
Pinheiro Chagas, a forgotten writer
No full textEste estudo tem por objetivo refletir sobre uma figura literária pouco estudada, Manuel Pinheiro Chagas (1842-1895), escritor português considerado pela crítica principalmente como romancista histórico. Ao eleger o romance histórico como narrativa romântica, parece que Chagas tenta disputar espaço com o romance realista/naturalista, mesmo depois da consolidação do Realismo. Por meio da análise de quatro de seus romances, A virgem Guaraciaba (1865), A máscara Vermelha (1873) e a sua continuação O juramento da Duquesa (1873), e A descoberta da Índia. Contada por um marinheiro (1890), verificamos como o projeto literário deste escritor, que se inicia com a efabulação da História, vai convergindo para um realismo pouco romantizado, que ele denominou de estudo histórico romântico.This study is intended to reflect about the literary understudied character, Manuel Pinheiro Chagas (1842-1895), portuguese writer considered by public opinion mainly as historical novelist. Choosing the historical novel as romance narrative, seems that Chagas tries to establish space with the realistic/naturalist novel, even after the Realism consolidation. Analyzing four of his novels, A virgem Guaraciaba (1865), A máscara Vermelha (1873) and its continuation O juramento da Duquesa (1873), and A descoberta da Índia. Contada por um marinheiro (1890), we could verify how the literary project from this author, that initiates itself with the history creation, starts to converge to a type of less romanticized realism, that he defines as romantic historical study
Yaka (ou o calcanhar de Aquiles?)
No full textO autor, a partir do romance do angolano Pepetela, YAKA, põe em evidência as consequências do sistema colonial, no plano dos colonizadores. Os aspectos dramáticos decorrentes da condição de ‘superioridade’ do colonizador face a uma situação colonial concreta são ressaltados por Alexandre Pinheiro Torres, configurados num drama inserido numa situação concreta.The author, as from the novel of the Angolan writer Pepetela, Yaka, puts in evidence the consequences of the colonial system in the plan of the colonizers. The dramatic aspects due to the conditions of superiority of the colonizers in view of situation concrete colonial are the results of Alexandre Pinheiro Torres, configured in an inserted drama in a concrete situation
Amphimedon estelae Santos, Docio & Pinheiro, 2014, sp. nov.
No full text<i>Amphimedon estelae</i> sp. nov. <p>(Figures 1–3; Tables 1–2)</p> <p> <b>Type Locality:</b> Brazil, Bahia State, Maraú, Taípus de Fora (near Camamu Bay).</p> <p> <b>Type Specimens: Holotype—</b> UFPEPOR 695, Taípus de Fora (13º53’49”S, 38º55’45”W), Maraú (near Camamu Bay), Bahia State, Brazil, intertidal 0.5 m depth, col. U. Pinheiro, 25.XI.2007. Paratype—UFPEPOR 689, Taípus de Fora (13º53’49”S, 38º55’45”W) Maraú (near Camamu Bay), Bahia State, Brazil, intertidal 0.5 m depth, col. U. Pinheiro, 20.V.2007.</p> <p> <b>Diagnosis.</b> <i>Amphimedon estelae</i> <b>sp. nov.</b> is the only <i>Amphimedon</i> in the Atlantic with strongyles, styles or oxeas covered by lumped swellings.</p> <p> <b>External morphology of holotype</b> (Fig. 2 A). Massive with volcano-shaped oscular projections, 2 x 1.6 cm (height x length). Surface punctate due to regularly distributed subdermal cavities, microconulose. Oscules circular, 5 mm in diameter. Ectosome a translucent membrane, not easily detachable. Consistency firm and relatively compressible, but difficult to tear. Color in life is dark green, turning beige after preservation in ethanol 80%.</p> <p> <b>Paratype.</b> Massive, 3.5 x 1 cm (height x length). Consistency firm. Color in life is dark green, turning beige after preservation in ethanol 80%.</p> <p> <b>Specimens Color in life Spicules Skeleton.</b> The ectosomal skeleton consists of an irregular paratangential reticulation of uni-paucispicular (Fig. 2 B). Producing rounded meshes (150–500 Μm in diameter), covered by a fine membrane, which is lost in preserved specimens. Rounded meshes (240–750 µm in diameter) parallels to the surface (subectosomal), which may be poorly defined or masked by abundant free spicules (Fig. 2 C–D). Choanosomal skeleton is isotropic in some parts with multispicular tracts (36–100 µm in diameter), these being regularly distributed and cored by 6–20 spicules. Spongin not abundant, but always present cementing tracts and joining free spicules (Fig. 2 D).</p> <p> <b>Spicules</b> (Figure 3; Table 1–2). Three categories of spicules were observed: (1) Strongyles (89%) can also vary in styles (7%) and oxeas (4%) with just one category of size (115–154 / 6–9 µm). Theses spicules show surfaces lumped swellings, generally in the middle region, but sometimes occur near the tips (Fig. 3 A–B). Few spicules do not have surface with lumped swellings. (2) Oxeas smooth, robust, straight to slightly curved (158–184 / 7–11 µm) were observed. Tips short and sharp (Fig. 3 C).</p> <p>(3) Thin oxeas smooth, slender, slightly curved and pointed at both tips were observed (100–153 / 1–1.6 µm). The finest oxeas are raphidiform (Fig. 3 D).</p> <p>References: (1) Pulitzer-Finali (1986); (2) Verrill (1907); (3) van Soest (1980); (4) Hartman (1955); (5) Duchassaing & Michelotti (1864); (6) Cuartas (1988); (7) Wilson (1902);</p> <p>) Dendy (1887); (9) Muricy & Hajdu (2006); (10) Muricy <i>et al</i>. (2011); (11) Hechtel (1965); (12) Campos <i>et al.</i> (2005); (13) Goodwin <i>et al.</i> (2011). * In <i>Amphimedon estelae</i></p> <p>. <b>nov.</b> the strongyle can vary also in styles and oxeas.</p> <p> <b>Ecology.</b> The species is sciophilous and was collected at 0.5–1 m deep.</p> <p> <b>Distribution</b> (Fig. 1). Northeastern coast of Brazil, Bahia State, Brazil. The distributions of others species of <i>Amphimedon</i> from Brazilian coast are available in Muricy et al (2011)</p> <p> <b>Etymology.</b> The chosen specific name honors the senior author’s wife Maria Estela de Souza Alagão.</p> <p> <b>Remarks.</b> <i>Amphimedon estelae</i> sp. nov. differs from all other species of the genus because it is the only that has one category of spicules with surfaces lumped swellings, varying among strongyles, styles and oxeas (see Table 2, Fig. 3). Among the five species recorded for the Brazilian coast, <i>A. viridis</i> is the most similar to <i>A. estelae</i> sp. nov. in the spicules size (see Table 2), color green and massive shape. The new species differs from <i>A. viridis</i> in the skeleton: <i>A. estelae</i> sp. nov. presents ectossomal skeleton with paratangential reticulation of uni-paucispicular tracts against the ectosomal skeleton with a tangential reticulation of multispicular tracts of <i>A. viridis</i> (Pinheiro <i>et al.</i> 2005). However, the principal difference between the species is the type of spicules. Despite <i>A. viridis</i> be one of the most known species of the Brazilian cost and Caribbean (Zea 1987; Muricy & Ribeiro 1999; Pinheiro <i>et al.</i>, 2005; Muricy & Hajdu 2006; Moraes 2011; Muricy <i>et al.</i> 2011), it always had only oxeas and never was record strongyles and styles for this species or the presence of spicules with surface lumped swellings.</p> <p> Other species whose oxeas have lumped swellings is <i>Dendroxea adumbrata</i> Corriero, Scarela Liace & Pronzato (1996) from Mediterranean Sea. The authors used this characteristic as main diagnostic character of this species. Despite ecophenotypic variation had seen in the spicules of marine sponges (e.g. Uriz 1983; Uriz <i>et al</i>. 2003), nobody indicated the spicules with surface lumped swellings as consequence of silica concentration ranges in the environment. Finally, other sponges collected in the same locality of <i>A. estelae</i> <b>sp. nov.</b> did not present modifications in its spicules. Thus, we believe that the spicule with surface lumped swellings is a reliable character. De Laubenfels (1956) recorded <i>A. erina</i> to São Paulo State (Brazil) without describing it. However, this species never been collected again, even after several studies carried out in this region (e.g. Muricy & Ribeiro 1999; Santos & Hajdu 2003; Pinheiro <i>et al.</i> 2005). We believe that the specimen reported by De Laubenfels is <i>A. viridis</i>, which is very common in the region, here synonymized. It is plausible that <i>A. erina</i> be a junior synonym of <i>A. viridis</i> requiring further studies for confirmation (Alcolado 1984; Zea 1987; Muricy & Ribeiro 1999; Muricy <i>et al.</i> 2011). <i>Amphimedon caribica</i> was recorded in Brazil by Campos <i>et al.</i> (2005) from Maranhão State. However, when we compared to the original description (Pulitzer-Finali 1986: 170) and this record differs in the shape of spicules, as well as the dimensions. Spicules vary between oxeas and styles with mucronate tips in Brazilian material, which are different from those present in Puerto Rican material, because the latter has only oxeas with simple tips. In addition, spicules of Caribbean material are larger and thicker (Tab. 2). Thus, we consider invalid the report <i>A. caribica</i> for Brazil, which requires a review to define the taxonomic status of these specimens.</p> <p> Sarmento & Correia (2002) made the only record of <i>Amphimedon complanata</i> for Brazil (from Alagoas State), providing a list of species. This material was revised and identified as <i>Halichondria</i> sp. (Hajdu E. pers. com.) therefore we also invalidate this record.</p> <p> <i>Amphimedon compressa</i> from Virgin Islands differs of new species by presents ramose to flabelliform shape, dark red color, surface smooth and, small oxeas (Tab. 2). In addition, <i>A. compressa</i> has skeleton like <i>A. viridis</i> with multispicular tracts against uni-paucispicular tracts of <i>A. estelae</i> <b>sp. nov.</b> According Moraes (2011), the skeleton characteristics of Brazilian specimens of <i>A. compressa</i> were not different from the Caribbean specimens. However, no ramose specimens were found in Brazil and the spicules size of Brazilian specimens was lower than Caribbean specimens. A systematic study with revision of Brazilian populations is necessary to confirm the co-specific status between both populations.</p> <p> Thus, only three valid species are considered to occur in Brazil: <i>Amphimedon estelae</i> <b>sp. nov.</b>, <i>A. compressa</i> and <i>A. viridis.</i></p>Published as part of <i>Santos, George Garcia, Docio, Loyana & Pinheiro, Ulisses, 2014, Two new species of the family Niphatidae van Soest, 1980 from Northeastern Brazil (Haplosclerida: Demospongiae: Porifera), pp. 265-274 in Zootaxa 3774 (3)</i> on pages 266-270, DOI: 10.11646/zootaxa.3774.3.3, <a href="http://zenodo.org/record/225014">http://zenodo.org/record/225014</a>
CHABY PINHEIRO E O FLUXO CULTURAL ENTRE BRASIL E PORTUGAL
No full textThis paper’s aim is to analyze the memoirs of Portuguese actor António Augusto de Chaby Pinheiro (1873-1933), also known as Chaby Pinheiro, heeding the procedures of biographical writing noticed in his memoirs, as well as the issue of the cultural flux between Brazil and Portugal fostered by the theater as a means of artistic expression, and, finally, the construction of the biographer’s image by means of the recurrence to diverse enunciative sources. The writing of the author’s memoirs has been interrupted due to his passing away, being completed with a variety of cuttings that he himself used to collect, among other pieces of information accessed by the organizers of the book. The author’s narrative, as well as the numerous cuttings it consists of, makes reference not only to his figure, but also to a range of issues and theatrical personalities. Such records, as well as the writing of his memoirs, prove relevant in the sense of their contribution to an understanding of the ways through which the theatrical activity took shape at the time, and of the value society used to attribute to this practice.Nossa pesquisa tem como objetivo principal analisar as memórias do ator português António Augusto de Chaby Pinheiro (1873-1933), conhecido como Chaby Pinheiro, atentando para os procedimentos da escrita biográfica presentes em suas memórias, bem como para a questão do fluxo cultural entre Brasil e Portugal promovido por meio do teatro como forma de expressão artística, além da construção de sua imagem pelo uso de diversas fontes enunciativas. A escrita das memórias foi interrompida devido à morte do ator, tendo sido complementada por variados recortes que ele mesmo colecionava, dentre outras informações adquiridas pelos organizadores do livro. A narrativa do ator, assim como os numerosos recortes que a integram, não faz referência apenas à sua figura, mas a diversos assuntos e personalidades do teatro. Tais registros possuem uma relevância significativa, pois, assim como a escrita de suas memórias em geral, contribuem para a compreensão do modo como a atividade teatral era desenvolvida na época e do valor que a sociedade atribuía a essa prática
“A quiconque lira ce manuscrit”: Uma obra inédita de Silvestre Pinheiro Ferreira sobre Pantomima Clássica
No full textThe article offers a brief introduction to the Mémoire sur l'origine et les progrès des Pantomimes chez les anciens, the first ever work by Silvestro Pinheiro Ferreira (1769-1846). The essay, which concerns ancient pantomime, was never published by the author. It has come down to us through a single manuscript witness, an autograph preserved in the National Archives of Torre do Tombo in Lisbon. Forgotten until now, it is an original and truly archetypal study by Silvestre Pinheiro Ferreira.O estudo apresenta de modo breve e introdutório o Mémoire sur l'origine et les progrès des Pantomimes chez les anciens, a primeira obra de Silvestro Pinheiro Ferreira (1769-1846). Este ensaio de juventude sobre a pantomima clássica nunca foi publicado pelo autor e só chegou até nós através de um único testemunho, um manuscrito autógrafo que se conserva no Arquivo Nacional da Torre do Tombo em Lisboa. Esquecido até agora, trata-se de um texto no qual reconhecemos um estudo original e verdadeiramente arquetípico de Silvestre Pinheiro Ferreira
As redes cognitivas e a produção do conhecimento em ciência da informação no Brasil: um estudo nos periódicos da área
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Ciências da Educação. Programa de Pós-Graduação em Ciência da InformaçãoPesquisa que mapeou as redes cognitivas na área de Ciência da Informação no Brasil, a partir da análise de citações dos artigos publicados nos principais periódicos da área de Ciência da Informação, no período de 2001 a 2005. Considera que a Ciência da Informação é um campo científico emergente e interdisciplinar e que, por estar ainda em construção, necessita de estudos acerca da natureza, origens e limites do conhecimento na área, de forma que possibilitem a constituição da epistemologia da Ciência da Informação. Define como questões de pesquisa: Quais são as redes cognitivas mais significativas na construção do conhecimento científico da Ciência da Informação, no Brasil? Quais as influências teóricas mais presentes na construção do conhecimento em Ciência da Informação, no Brasil? Quais os autores mais influentes na construção do conhecimento na área, no Brasil? Estabelece como caminho metodológico para obtenção das respostas necessárias os pressupostos da metodologia reflexiva; para a abordagem do problema, a perspectiva quali-quantitativa; do ponto de vista de seus objetivos, o caráter exploratório-descritivo; e dos seus procedimentos técnicos, a pesquisa documental. Define como corpus de análise os artigos científicos publicados nas principais revistas brasileiras da área. Utiliza técnicas bibliométricas, especificamente a análise de citação, para a análise dos dados. Obtém como principais resultados: a indicação de que foram publicados 161 artigos científicos na área, por 295 autores; a identificação de grupo de autores mais produtivos que estão, em geral, vinculados às universidades e aos programas de pós-graduação da área; a percepção de que a temática mais incidente nos artigos está incluída no que se denominou Comunicação, Divulgação e Produção Editorial, conforme taxonomia adotada na pesquisa; a constatação de que os artigos de periódicos e os livros são os tipos de materiais mais citados; a revelação de que as influências teóricas mais presentes na construção do conhecimento na área advêm da Biblioteconomia, Administração e Sociologia; a identificação de que os autores mais influentes na construção do conhecimento são: Maria das Graças Targino, Suzana Pinheiro Machado Muller, Léa Velho, Aldo de Albuquerque Barreto, Bernadete Santos Campello, Nice Menezes de Figueiredo, Antônio Miranda, Dinah Aguiar Población e Lena Vânia Ribeiro Pinheiro, Arthur Jack Meadows e Pierre Bourdieu; a identificação de seis frentes de pesquisa, cada uma relacionada a uma temática de estudo da Ciência da Informação. Constata, considerando os resultados, que as redes cognitivas mais significativas na construção do conhecimento científico em Ciência da Informação, no Brasil, podem ser mapeadas a partir das principais comunidades estabelecidas pelas citações, que são compostas por afinidades temáticas, o que denota uma proximidade paradigmática, e pela proximidade institucional. Conclui que a Ciência da Informação brasileira é influenciada por um grupo de pesquisadores - principais autores dos artigos científicos publicados - que atua em universidades e estabelece, de certa forma, as diretrizes temáticas da área. A Ciência da Informação, no Brasil, é conduzida por um grupo específico, que acaba interferindo nas relações que esta estabelece para embasar o desenvolvimento dos estudos e pesquisas e, conseqüentemente, fortalece determinados enfoques da área e é responsável pelo envolvimento interdisciplinar da área no país. This research has mapped the cognitive nets in the Information Science area in Brazil, based on an analysis of the quotations present in published articles of the main journals of that area during the period between 2001 and 2005. It considers that Information is an emergent scientific field, also interdisciplinary, which is still under construction and, for that reason, requires a series of studies about the nature, sources and limits of knowledge in order to enable the constitution of its epistemology. The study defines the following research questions: Which are the most significant cognitive nets in the construction of the scientific knowledge of Information Science, in Brazil? Which are the most present theoretical influences in the construction of knowledge in such case? Which are the most influent authors in Brazil for the construction of knowledge in this field? The work establishes the reflexive methodology for obtaining the searched answers; the qualitative and quantitative perspective for issue approach; the exploratory and descriptive character for its objectives and the documental research for technical procedures. The defined corpus of analysis consists on scientific articles published in the main Brazilian journals of the studied area. It uses for data analysis the bibliometric techniques, more specifically the analysis of quotations. The main results are as follows: 161 scientific texts in the area have been published by 295 authors; the most productive group is formed by authors who are usually connected to universities and post graduation programmes in the area; according to the taxonomy adopted, the most incident thematic in the studied articles is that of Communication, Divulgation and Editorial Production; the articles in periodic journals and books are the most present type and the areas that most influence theoretically the construction of knowledge in the Information Science field are Biblioteconomics, Administration and Sociology. Also, the study has identified the most influent authors in the area (Maria das Graças Targino, Suzana Pinheiro Machado Muller, Léa Velho, Aldo de Albuquerque Barreto, Bernadete Santos Campello, Nice Menezes de Figueiredo, Antônio Miranda, Dinah Aguiar Población e Lena Vânia Ribeiro Pinheiro, Arthur Jack Meadows and Pierre Bourdieu), as well as six research fronts, each of them related to a studied theme in the Information Science. Based on the results, it is observed that the most significant cognitive nets for the construction of scientific knowledge in Information Science, in Brazil, can be mapped from the main communities established by the quotations, which are formed by institutional proximity and thematic affinity, showing a paradigmatic proximity. It has been concluded that the Brazilian Information Science is influenced by a group of researchers who work at universities - main authors of published scientific articles - and, in a certain way, establishes the thematic directions of the area. Science of Information, in Brazil, is led by a specific group, which interferes in the relations that this science establishes for the development of researches and studies, and strongly supports certain foci, being responsible for the interdisciplinary insertion of this science in the country
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