2,237 research outputs found
Products of distinct Whittaker coefficients on the metaplectic group and the Relative Trace Formula
No full textIn this thesis we obtain a geometric identity between Relative Trace Formula on the metaplectic group and the general linear group. As a consequence of the spectral analysis, we expect to obtain a relation between products of distinct Whittaker coefficients of a cuspidal automorphic representation on the metaplectic group and a non-split period of a related representation on the general linear group. This would generalize famous work of Kohnen and Waldspurger.Ph. D.Includes bibliographical referencesIncludes vitaby Cesar Valverd
Memorial da palavra: discursos, apresentações e crônicas
No full textThe reader will find a collection of speeches and chronicles by the author and physician Astenio Cesar Fernandes, a multifaceted speaker, book presenter and columnist. “His chronicles are a plea for love. In them we identify one of the most striking traits of the author’s personality: a cultivator of friendships.” Berilo Borba Ramos.O leitor encontrará uma coletânea de discursos, e crônicas, do autor e médico Astenio Cesar
Fernandes, multifacetado orador, apresentador de livros e cronista. “Suas crônicas são um
pleito ao amor. Nela identificamos um dos traços mais marcantes da personalidade do autor:
um cultor de amizades.” Berilo Borba Ramos
The cinematographic cut in Ana Cristina Cesar
No full textThis article analyzis the cut procedures that we find in some poems of the Brazilian Ana Cristina Cesar (1952-1983). Author of an extremely fragmentary poetry, Ana C. constructed her workmanship very close to the artistic vanguards of the XX century, including the most experimental cinema. Our objective is to observe how the poet constructs the fragmentation in her poetry, keeping, at the same time, a singular fluency between the fragments; fluency that would not be narrative, but that approaches her poems to a certain cinematographic way of composition and experience
Ana Cristina Cesar e Sophie Calle: pistas e despistas
No full textIn Ana Cristina Cesar and Sophie Calle: clues and clues, the focus is given to the detective aspect of the works of Sophie Calle and Ana Cristina Cesar. The works Detective (CALLE, 1980) and Suite Vétinienne (1984), both by the artist Sophie Calle, are associated with Poe's Man in the Crowd (2010) and Baudelaire's The Painter of Modern Life (2010). The author Hugo Friedrich in Structure of the modern lyric (1991) has the role of helping the reading of works by Ana C. and Calle from their reflection on the Baudelairean method of “fantasy guided by the intellect” and “enthusiastic excitement” designed by Edgar Allan Poe. Ana Cristina Cesar's poetics is placed in the detective aspect when the poet cites several references in the body of her text leaving clues for her readers to identify (or not) excerpts from poems, works of art, songs, among others that she points out in her poetics.Em Ana Cristina Cesar e Sophie Calle: pistas e despistas, o enfoque é dado ao aspecto detetivesco das obras de Sophie Calle e Ana Cristina Cesar. Os trabalhos Detective (CALLE, 1980) e Suite Vétinienne (1984), ambos da artista Sophie Calle, são associados ao Homem na Multidão (2010), de Poe e o Pintor da Vida Moderna (2010), de Baudelaire. O autor Hugo Friedrich em Estrutura da lírica moderna (1991) tem o papel de auxiliar a leitura de trabalhos de Ana C. e de Calle a partir da sua reflexão sobre o método baudelairiano da “fantasia guiada pelo intelecto” e a “excitação entusiástica” concebida por Edgar Allan Poe. A poética de Ana Cristina Cesar é colocada no aspecto detetivesco quando a poeta cita várias referências no corpo de seu texto deixando pistas para seus leitores identificarem (ou não) trechos de poemas, obras de arte, músicas, dentre outros que ela aponta em sua poética
RETURN ON INVESTMENT IN CORPORATE RESPONSIBILITY: Measuring the Social, Economic, and Environmental Value of Sustainable Business
No full textIn today’s climate, companies must be economically successful and at the same time take social responsibility. Author Cesar Sandro Saenz Acosta introduces a new SROIM (Social Return on Investment Management) model, to design and measure the social value created by companies. © 2018 Emerald Publishing Limited
Editorial: Pioneros de la Facultad Ciencias de la Salud
No full textOn December 2, 2017 marks the 100th anniversary of the birth of Julio César Perafán Fajardo, who was one of the pioneering doctors who made possible the foundation of the Facultad de Ciencias de la Salud of the Universidad del Cauca. He died on March 30, 2008, at 90 years of age. This editorial is a recognition of the work of a lifetime of Julio César Perafán, dedicated to the service of his city, its people and health sciences.El día dos de diciembre de 2017 se cumplen cien años del natalicio del Julio César Perafán Fajardo, quien fuera uno de los médicos pioneros que hicieron posible la fundación de la Facultad de Ciencias de la Salud de la Universidad del Cauca. Murió el 30 de marzo de 2008, a los 90 años de edad. Sea esta nota un reconocimiento la labor de toda una vida del Julio César Perafán, dedicada al servicio de su ciudad, de sus gentes y de las ciencias de la salud
Correction to: Flexor tenodesis procedure in the treatment of lesser toe deformities
No full textThe article Flexor tenodesis procedure in the treatment of lesser toe deformities, written by Cesar de Cesar Netto, Eli L. Schmidt, Matthieu Lalevee and Nacime Salomao Barbachan Mansur, was originally published electronically on the publisher’s internet portal on 11 May 2021 without open access. With the author(s)’ decision to opt for Open Choice the copyright of the article changed on 30 June 2021 to © The Author(s) 2021 and this article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http:// creat iveco mmons. org/ licen ses/ by/4. 0/. The original article has been corrected
Determination of the similarity groups for scaling an electrical resistance heating physical model∗
No full textBásicamente se construye un modelo físico escalado, para observar comportamientos en el yacimiento que no podemos observar en un simulador de computador. Para la construcción de un modelo físico escalado, es necesaria la obtención de ciertos grupos adimensionales, que serán utilizados para hacer la similaridad entre un yacimiento prototipo con el modelo que se va a construir. El Calentamiento Eléctrico Resistivo (CER) es un método de recobro mejorado que ha sido poco explorado en lo que tiene que ver con modelos físicos escalados. Por lo tanto, si se piensa construir un modelo físico escalado para este proceso y en la literatura no sePregradoIngeniero de PetróleosBasically a scaled physical model is built, to observe behaviors in reservoir that we can not
observe in a computer simulator.
Designing a scaled physical model, it is necessary to have certain dimensionless groups
that they will be used to make similarity among a reservoir prototype and the model which
it is pretended to build. Electrical Resistance Heating (ERH) is an improved recovery method which has been explored little in physical scaled model subject. Therefore, if is planning to design a physical scaled model in which similarity groups are not found in literature; then, it is necessary to obtain these similarity groups
The criticism of Ana Cristina Cesar in \'Escritos no Rio\'
No full textEsta pesquisa se propõe ao estudo dos textos críticos de Ana Cristina Cesar presentes na edição póstuma, Escritos no Rio. A dissertação se divide em três partes: \"O impacto do autoritarismo\", que discute sua relação com as questões autoritárias no campo da literatura e da cultura em geral. \"O impasse com a tradição\", que analisa alguns juízos de valor da autora levando em conta sua relação com a tradição crítica e literária. E \"A problematização de posições\", que aborda alguns posicionamentos de Ana Cristina sobre a relação do escritor com o momento histórico.This research is focused on the Ana Cristina Cesar\'s critical texts which are found in the posthumous edition, Escritos no Rio. This paper is divided in three parts: \"The impact on the authoritarianism\" which discusses its relation between the authoritarian issues in the literary field and culture in general. \"The impasse in the tradition\" which analyzes some of the author\'s value judgements taking into consideration her relation between critical and literary tradition. And \"The problematization of positions\" which approaches some Ana Cristina\'s opinions on the relation between the author and his/her social context
O que há em um nome? Ressonâncias entre Ana Cristina Cesar e James Joyce / What’s in a name? Resonances between Ana Cristina Cesar and James Joyce
No full textResumo: Ana Cristina Cesar, em Luvas de Pelica (1980)1, mostra-nos um tipo singular de dicção íntima em que a finalidade do segredo é desativada, e uma mistura de diário de viagem, cartas e anotações pessoais é transformada em um espaço de deriva poética, no qual a posição do sujeito torna-se matéria de literatura. Há neste texto uma outra possibilidade de entendimento do que poderíamos chamar de “âmbito íntimo”, já que aqui, a intimidade acaba ganhando um estatuto diferente daquele da clausura, característico de décadas anteriores. Sabemos que nesta obra, Katherine Mansfield e Virginia Woolf são referenciadas, mas, em que medida a obra de um outro autor moderno, James Joyce, poderia dar uma nova luz à escritura de Ana Cristina? Joyce abordou de maneira intensa a temática da intimidade em seu livro Ulysses (1922), não somente através de cartas, mas também de um fluxo de consciência, em que a matéria corporal corre “junto” ao que nos é apresentado textualmente. Levando em conta o trabalho de problematização da instância íntima realizado por Ana C., haveria em Luvas de Pelica uma espécie de tonalidade joyceana refletida em seu corpus textual? Este trabalho pretende desbravar este tema, apontando para possíveis relações entre as estratégias de escrita de Ulysses e de Luvas de Pelica, a fim de descobrir pontos em comum que possam iluminar ainda mais a poética da escritora carioca.Palavras-chave: Ana Cristina Cesar; James Joyce; Intimidade; Feminino.Abstract: Ana Cristina Cesar, in Luvas de Pelica (1980), shows us a singular type of intimate diction in which the purpose of the secret is deactivated, and a mixture of travel diary, letters and personal notes is transformed into a space of poetic drift, in which the subject’s position becomes a matter of literature. There is in this text another possibility of understanding what we could call “intimate sphere”, since here, intimacy ends up gaining a different status from that of enclosure, characteristic of previous decades. We know that in this work Katherine Mansfield and Virginia Woolf are referenced, but to what extent could the work of another modern author, James Joyce, shed new light on Ana Cristina’s writing? Joyce intensely addressed the theme of intimacy in his book Ulysses (2012), not only through letters, but also through a stream of consciousness, in which the body matter of the character runs “along” with what is presented to us textually. Taking into account Ana C.’s problematization of the intimate instance, would there be in Luvas de Pelica a kind of Joycean tone reflected in her textual corpus? This paper intends to explore this theme, pointing to possible relationships between the writing strategies of Ulysses and Luvas de Pelica, in order to discover common points that can further illuminate the poetics of the writer from Rio de Janeiro.Keywords: Ana Cristina Cesar; James Joyce; Intimacy; Feminine
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