1,741,328 research outputs found

    SUBALTERNITAS TOKOH DIAH AYU DAN MAHARANI: ANTARA KUTUKAN DAN SENJATA

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    The story of “Kutukan Dapur” by Eka Kurniawan presents a colonial setting: Dutch colonialism and postcolonialism in the image of two characters, Diah Ayu and Maharani. Maharani is in patriarchal shackles, which is ingrained in her family life and social structure. Meanwhile, Diah Ayu is in the bonds of Dutch colonialism, which is brought back by the author. Both are in a subaltern position but in different conditions. Based on this description, this research asks two questions which are analyzed using Gayatri Spivak\u27s subaltern theory, (1) what the position of Diah Ayu and Maharani in "Kutukan Dapur" short story, and (2) how the subaltern is constructed through the efforts of the two characters to get out of that position is. The method used is qualitative. The narratives are classified and analyzed to understand the subaltern\u27s position and construction and its resistance efforts. This research indicates that Maharani and Diah Ayu are subalterns of Maharani dominated by patriarchy, while Diah Ayu is dominated by Dutch colonialism. Maharani fought back, but only with an idea or ideas. Unlike Diah Ayu, she is able to fight in a real form. However, as the author, Eka is trapped in a biased construction in addition to gender bias and representation. In subaltern studies, representation is only a tool towards more real domination. The two figures seem to be fighting against the power structure (colonial and patriarchal) but are still trapped in the dominance of the other.The story of “Kutukan Dapur” by Eka Kurniawan presents a colonial setting: Dutch colonialism and postcolonialism in the image of two characters, Diah Ayu and Maharani. Maharani is in patriarchal shackles, which is ingrained in her family life and social structure. Meanwhile, Diah Ayu is in the bonds of Dutch colonialism, which is brought back by the author. Both are in a subaltern position but in different conditions. Based on this description, this research asks two questions which are analyzed using Gayatri Spivak\u27s subaltern theory, (1) what the position of Diah Ayu and Maharani in "Kutukan Dapur" short story, and (2) how the subaltern is constructed through the efforts of the two characters to get out of that position is. The method used is qualitative. The narratives are classified and analyzed to understand the subaltern\u27s position and construction and its resistance efforts. This research indicates that Maharani and Diah Ayu are subalterns of Maharani dominated by patriarchy, while Diah Ayu is dominated by Dutch colonialism. Maharani fought back, but only with an idea or ideas. Unlike Diah Ayu, she is able to fight in a real form. However, as the author, Eka is trapped in a biased construction in addition to gender bias and representation. In subaltern studies, representation is only a tool towards more real domination. The two figures seem to be fighting against the power structure (colonial and patriarchal) but are still trapped in the dominance of the other

    MENYUTRADARAI FILM FIKSI DIAH DENGAN PENEKANAN EKSPRESI UNTUK MENGUATKAN PERUBAHAN EMOSI TOKOH DIAH

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    Sutradara merupakan orang yang bertanggung jawab atas penampilan pemain, teknik sinematik, dan konsistensi cerita bersama dengan elemen dramatik selama produksi film. Skenario Diah bergenre drama horor yang menceritakan tentang perjalanan seorang anak perempuan bernama Diah asal Jawa yang tidak mempercayai tradisi Jawa. Sutradara akan menguatkan perubahan emosi tokoh Diah berdasarkan situasi sosial yang dapat dilihat melalui penekanan ekspresi. Ekspresi sebagai bentuk reaksi tokoh terhadap keadaan dan kondisi tertentu yang dialami di dalam cerita. Sutradara akan mewujudkan penekanan ekspresi tokoh Diah berdasarkan ekspresi wajah, suara, sikap dan gerak tubuh. Penulis menerapkan konsep penekanan ekspresi untuk menguatkan perubahan emosi tokoh Diah pada scene 6, 8, 9, 11, 14, 15, 18, 21, 22, 25, 26, 28, 30. Penulis melakukan pendekatan casting to ability, Director as Interpretator, akting presentasi, ekspresi serta emosi dalam memperkuat perubahan emosi tokoh Diah. Penulis menggunakan metode penciptaan pra produksi, produksi dan paska produksi. Hasil yang penulis peroleh yaitu dibutuhkan dua penekanan ekspresi yang berbeda dalam satu adegan yang sama untuk menguatkan perubahan emosi tokoh Diah. Penulis juga menemukan penekanan ekspresi yang lebih dominan pada film fiksi Diah adalah ekspresi wajah dalam menguatkan perubahan emosi tokoh Diah

    SK Inpassing Diah Ayu P

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    SK Inpassing Diah Ayu

    Story of a Broken Diah

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    "Story of a Broken Diah," written and dramatized by the late Kido Okamoto, which is scheduled to be played by Nizaemon Kataoka and Sumizo Ichikawa with their respective troupe at the Shinjuku Daiichi Theatre in November

    Dramatari Diah Jambawati

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    Dramatari adalah gerak-gerak indah yang dikomposisikan untu suatu bentuk pertunjukan yang memakai lakon, berdialog dengan menggunakan vokal / tembang. Cerita yang diangkat dalam dramatari ini adalah cerita carangan dari Pencalonarangan yang bertemakan luapan dendam. Tokoh sentral "Diah Jambawati" memberi kesan perempuan yang berwatak angker / menyeramkan & keras. Cerita ini bersumber dari cerita Sudarsana (cabang dari Calon Arang) yang diperkuat oleh beberapa informan

    Perjalanan Kesenian ISI Denpasar "Ni Diah Tantri" Ke Istana Negara

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    Perjalanan Kesenian ISI Denpasar "Ni Diah Tantri" Ke Istana Negara 1 dis

    TEMPLATE ECommerce - ID.SHINE-dikonversi

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    NPM : 17011139 NAMA : DIAH HARNI KOMARIAH PRODI : Management FAKULTAS : Ekonomi dan Bisnis EMAIL : [email protected]

    PENA TAJAM PATRIOT MUDA: PERAN INTELEKTUAL BURHANUDIN MOHAMAD DIAH PADA MASA REVOLUSI INDONESIA (1945-1949)

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    Penelitian ini berjudul “Pena Tajam Patriot Muda: Peran Intelektual Burhanudin Mohamad Diah pada Masa Revolusi Indonesia (1945 – 1949)”. Penelitian bertujuan untuk menjelaskan mengenai Burhanudin Mohamad Diah (B.M. Diah) perihal peran, pandangan, gagasannya, serta dampak dan respon yang terjadi pada masa Revolusi Indonesia tahun 1945 – 1949. Metode penelitian yang digunakan dalam skripsi ini yaitu metode historis yang terdiri atas beberapa langkah, yakni; pencarian sumber (heuristik), kritik sumber (internal dan eksternal), interpretasi dan historiografi. Hasil temuan dalam penelitian ini menunjukan bahwa dalam perjalanan B.M Diah sebagai seorang jurnalis dan politikus ia mendapatkan banyak pengalaman ketika bersekolah. Pada masa revolusi Indonesia B.M. Diah secara konsisten menyuarakan empat pandangan dan gagasannya dalam catatan pojok surat kabar Merdeka menggunakan nama alias Dr. Clenik. Empat gagasan tersebut yakni pertama adalah unitarisme kerakyatan, bahwa kemerdekaan sepenuhnya 100% dalam bingkai kesatuan adalah keinginan rakyat. Kedua adalah skeptisme terhadap manipulasi politik yang dilakukan oleh Belanda. Ketiga adalah nasionalisme dan krisis jati diri merupakan fenomena yang terjadi pada bangsa Indonesia kala itu. Keempat ada pula laten orang-orang sosialis di Indonesia. Selain itu, B.M. Diah aktif dalam organisasi kewartawanan. Dalam karir politiknya B.M. Diah terdaftar sebagai anggota KNIP, yang dalam praktiknya ia menolak kabinet Sjahrir yang menginginkan diplomasi dengan Belanda sedangkan Diah memberikan dukungan kemerdekaan 100% untuk Indonesia. Pandangan B.M. Diah mengenai dukungan kemerdekaan 100% memberikan pengaruh yang signifikan pada tubuh KNIP. Di samping itu B.M Diah pun menerima banyak konsekensi atas kegiatan politik dan publikasinya tersebut. This research is entitled “The Sharp Pen of Young Patriots: The Intellectual Role of Burhanudin Mohamad Diah during the Indonesian Revolution (1945 – 1949)”. This study is aims to explain Burhanudin Mohamad Diah (BM Diah) regarding his role, views, ideas, impacts and responses toward his ideas during the Indonesian Revolution in 1945-1949. This thesis is using historical method which consists of several steps, including; source search (heuristics), source criticism (internal and external), interpretation and historiography. The result of this study indicating that during B.M Diah's journey as a journalist and politician, he gained a lot of experience while in school. During the Indonesian revolution B.M. Diah has consistently expressed his four views and ideas through editorial header on Merdeka daily using the alias Dr. Clenik. The four ideas involved, the first is people unitarism, that 100% independence within the framework of unity is the will of the people. The second is the skepticism of the political manipulation carried by the Dutch. Third, nationalism and identity crisis becoming phenomenon in Indonesian at that time. Fourth, there are also latent socialists in Indonesia. In addition, B.M. Diah is active in journalist organizations. In his political career B.M. Diah is registered as a member of the KNIP, he is rejected Sjahrir's cabinet who wanted diplomacy with the Netherlands while Diah gave 100% independence support for Indonesia. B.M Diah, views on supporting Indonesia 100% Independence, had a significant influence on KNIP. B.M Diah also accepts many consequences for his political activities and publications

    Application of Denaturing Gradient Gel ElectrophoresisApplication of Denaturing Gradient Gel Electrophoresis(DGGE) Methods on Parent-Offspring Relationship of the Coral Pocillopora damicornis

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    DGGE (Denaturing Gradient Gel Electrophoresis) is the most powerful methods for mutation detection currentlyavailable. In DGGE, DNA fragments of the same length but with different sequences can be separated. Thesensitivity of DGGE to slight sequence differences is high since single base changes could be observed. Therehas been a debate about whether planulae of the coral Pocillopora damicornis are produced sexually or asexually.If produced sexually, planulae are expected to be genetically different from each other and also from theirparents. In order to detect possible genetic difference between planulae and their parents, DGGE analysis ofITS2 region of rDNA was used. If there are genetic differences, it is proved that planulae are producedsexually. A total 49 adult colonies and 78 planulae from 11 localities were used for analysis. However, only in2 families (Bise01#02 and Bise02#03YL) showed different DGGE profile, suggesting genetic difference betweenparent and offspring. The attempt to detect genetic difference in planulae of P. damicornis and their parentsusing DGGE method was not completely success since DGGE method can not prove clearly the genetic differencebetween parent and offspring. However, the possibility that DGGE method is applicable for studying coral canbe suggested. PCR-DGEE amplification may perform with new STR (short tandem repeat) polymorphic loci ofP. damicornis that currently found to answer whether planulae are produced sexually or asexually. DGGE (Denaturant Gradient Gel Electrophoresis) merupakan salah satu teknik akurat untuk mengetahui mutasiDNA. Sensivitas DGGE sangat tinggi, karena dengan menggunakan DGGE, fragmen DNA yang memiliki panjangbasa yang sama dapat dipisahkan hanya berdasarkan perbedaan satu basa penyusunnya saja. Model reproduksikarang Pocillopora damicornis telah lama menimbulkan perdebatan. P. damicornis dilaporkan memproduksi planulaesecara seksual dan aseksual. Jika diproduksi secara seksual, planula akan berbeda secara genetik denganinduknya. Analisa DGGE dikombinasikan marker ITS2 dari rDNa digunakan untuk mendeteksi perbedaan tersebut.Jika terdapat perbedaan genetik, dapat disimpulkan planulae diproduksi secara seksual. Analisa dilakukan terhadap53 koloni dan 78 planulae dari 11 lokasi yang berbeda. Dua famili (Bise01#02 and Bise02#03YL) mempunyaiprofil DGGE berbeda antara planulae dan induknya. Hal ini menunjukkan adanya perbedaan susunan gen antaraplanulae dan induknya dan kemungkinan produksi planulae dilakukan secara seksual. Namun demikian, kombinasianalisa DGGE dan marker ITS2 dari rDNA kurang memberi hasil memuaskan. Saat ini telah ditemukan STR (shorttandem repeat) spesifik untuk P. damicornis. Kombinasi penggunaan amplifikasi PCR-DGGE dengan STR diharapkanlebih akurat untuk menjawab permasalahan produksi planulae pada karang P. damicornis
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