14,804 research outputs found
Pietro Verri’s Contribution to the Economic Theory of the 18th Century: Commercial Society, Civil Society and Governance of the Economy
No full text'Count Pietro Verri (1728-97) - Schumpeter writes (History, p. 178) - - would have to be included in any list of the greatest economists'. Within the Milanese school, he certainly stands out, alongside with Cesare Beccaria, during one of the most interesting periods from a history of analysis point of view. Luigi Cossa's famous introduction to the study of political economy rates Pietro Verri to be inferior to Beccaria in ingenuity and scientific cultivation, but greatly to be ahead of him as an economist.1 This judgement by Cossa, in particular, seems to echo the relative position of the two men in the history of ideas, particularly after Beccaria's rise to fame with a book - On crimes and punishments - which had in fact been largely inspired by Verri himself and defended by him.2 It is proposed in the present paper to revisit some of the basic tenets of Pietro Verri's political economy, with more in view than dwell on specific intuitions and theorems: namely relate those to Verri's own - quite original - conception of the economy. The scholarly work of Pietro Verri - with a special reference to his Meditazioni sulla economia politica of 1771 - provides the first systematic contribution stemming from the quarters of Lombard enlightenment in the field of political economy, especially so if one considers that Cesare Beccaria's parallel work - namely his Elementi di economia pubblica, conceived and drafted at the same time as Verri's Meditazioni - would only be published posthumously several years later. From the vantage point afforded by Verri's political economy, we gain a considerably attractive view of the most significant elements and characteristic concepts of Lombard enlightenment during the latter half of the 18th century; Verri, moreover, as we shall see, builds on a number of them in a new and original way. This paper is aimed at discussing Verri's political economy mainly along two distinct, but related, lines. In the first place the conception of commercial society is considered such as it is treated by the author particularly in his Meditazioni. In this perspective the analysis of such issues as competition and the market or money and taxation occupy a central place. Secondly it will be necessary to emphasise that Verri's approach has little to do either with forms of pure economics on one side - largely yet to be born throughout the 18th century - or, on the other side, with such conceptions of the polis - contrariwise well alive among his own contemporaries - as are founded on a sovereign authority conceived to be situated above the law. What Verri's political economy ultimately amounts to is an economic conception of civil society. The latter has natural strong connections with his own fact-mindedness - emphasised by Schumpeter - as well as with his deep practical involvement in administrative affairs and in the reforming process taking place during the latter half of the 18th century in Milan. In our view, a thorough investigation along the mentioned lines is the precondition for an understanding of the intellectual stature and of the scholarly contribution of Pietro Verri. His main ground is distinctly analytical and only by appreciating his analysis is it possible to shed light on the meaning and intellectual significance also of his practical contributions. Moreover Verri's pronouncements on the criticism of despotic government, the relevance of intermediate powers or bodies and on multiple levels of governance will be examined in a new and original light, showing how close they are to the gist of his analysis.
Título: Gierusalemme liberata
No full textPorts. con grab. xilCon port. propia: "Cinque Canti di Camillo Camilli : aggiunti al Goffredo del sig. Torquato Tasso ... : con aggiunta de gli Argomenti a ciascun Canto del signor aggiunta de gli Argomenti a ciascum Canto del signor Francesco Melchiori Opitergino. - In Venetia : appresso Pietro Milocho, 1613"Sign.: [cruz latina]\p12\s, A-Z\p12\s, 2A\p12\s ; a-f\p12\s, g\p10\sPorts. con grab. xilCon port. propia : "Cinque Canti di Camillo Camilli : aggiunti al Goffredo del sig. Torquato Tasso ... : con aggiunta de gli Argomenti a ciascun Canto del signor Francesco Melchiori Opitergino. -- In Venetia : appresso Pietro Milocho, 1613"Cinque Canti di Camillo Camilli : aggiunti al Goffredo del sig. Torquato Tasso ... : con aggiunta de gli Argomenti a ciascun Canto del signor Francesco Melchiori Opitergino, con port. y pag. propia
La façade-temple de l'église S. Pietro de Tuscania
No full textSalet Francis. La façade-temple de l'église S. Pietro de Tuscania. In: Bulletin Monumental, tome 100, n°1-2, année 1941. pp. 139-140
A tradução como experiência e reflexão no Epistolario e no Zibaldone di Pensieri de Giacomo Leopardi
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2012Esta dissertação analisa as reflexões sobre tradução de Giacomo Leopardi (1798-1837) presentes no Epistolario (1807-1837) e no Zibaldone di Pensieri (1817-1832), no período de 1817 a 1832 por meio de um estudo comparativo. O primeiro capítulo traz uma breve contextualização do cenário histórico-literário do século XIX, que evidencia os acontecimentos que geraram o intenso debate entre Classicistas e Românticos, e contempla o percurso do autor de Recanati nessa discussão. O segundo capítulo aborda o Epistolario e o Zibaldone, à luz dos gêneros literários, e evidencia a importância deles no conjunto da obra do autor de Recanati. O terceiro capítulo apresenta uma análise dos principais aspectos sobre tradução discutidos pelo autor italiano, dos quais destacam-se: a tradução como exercício para se tornar um importante escritor; a importância da retradução dos Clássicos; a questão da (in)intraduzibilidade; a fidelidade ao original e a questão da língua no que diz respeito ao estilo, ao caráter e à adaptabilidade na tradução.Abstract : This dissertation analyzes the reflections on translation by Giacomo Leopardi (1798-1837) found in Epistolario (1807-1837) and Zibaldone di Pensieri (1817-1832), within the period from 1817 to 1832 through a comparative study. The first chapter presents a brief contextualization of the 19th century historical and literary scenery, that highlight the events which generated the intense debate between Classicists and Romantics, and it thinks over the path of Recanati#s author in this discussion. The second chapter approaches Epistolario and Zibaldone, under the light of literary genres, and highlight their importance within the entire work of Recanati#s author. The third chapter presents an analysis of the main aspects on translation discussed by the Italian author, which include: the translation as an exercise to become a good writer, the importance of retranslation of the Classics, the issue of (in)translatability; fidelity and the question of the original language with regard to style, the character and adaptability in translation
La façade-temple de l'église S. Pietro de Tuscania
No full textVerdier Philippe. La façade-temple de l'église S. Pietro de Tuscania. In: Mélanges d'archéologie et d'histoire, tome 57, 1940. pp. 178-189
Avella, S. Pietro, chiesa
No full textEdificio di culto paleocristiano (fig. 12). Fig. 12 Avella, S. Pietro. I resti dell’abside (Foto Soprintendenza Salerno). © DR Un piccolo edificio absidato, conservato a livello delle fondazioni, è stato individuato nel 2003 immediatamente a nord della scalinata di accesso della chiesa di S. Pietro, che sorge lungo l’attuale Corso Vittorio Emanuele, coincidente con il maggiore asse viario della città romana. Fonti archeologiche Strutture Dell’edificio resta la metà settentrionale dell’abside..
Dante con l'espositione di M. Bernardino Daniello da Lucca, sopra la sua Comedia dell'inferno, del purgatorio, & del paradiso ; nuovamente stampato, & posto in luce ...
No full textTexto rodeado de comentarioCopia digital : Diputación Provincial de Zaragoza. Servicio de Archivos y Bibliotecas, 2010Sign.: *\p6\s, A-Z\p4\s, 2A-2Z\p4\s, 3A-3Z\p4\s, 4A-4Y\p4\sGrab. xil. en port.Inic. grab.Grab. en h. con sign.: *\p6\s, 2F\p3\s, 3P v., 4Y\p4\s v
I quattro primi libri di Architettura di Pietro Cataneo Senese...
No full textPie de imp. de colofónMarca tip. en port. y al finalIl. xil. de planos y grab. arquitectonicos intercalados en el textoEl pliego O4 mal encuadernadoEnc. HolandesaSign.: [ ]2, A-O
Escuela de arte dramático y reordenación de la Isola di S. Pietro Di Castello. Venezia. Italia. [Hojas Resumen]
No full textEscuela de arte dramático y reordenación de la Isola di S. Pietro Di Castello. Venezia. Italia
Zovatto (Pietro) Ricerche su S. Pio X.
No full textDurand Jean-Dominique. Zovatto (Pietro) Ricerche su S. Pio X.. In: Archives de sciences sociales des religions, n°67/2, 1989. p. 341
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