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A letter from Carlos Spector-Calderon regarding support for the Service Employees International Union.
No full textA letter from Carlos Spector-Calderon regarding support for the Service Employees International Union
Calderon family on porch, 203 King William Street, San Antonio, Texas, ca. 1974
No full textPhotograph shows Alicia Martinez Calderon standing on porch of her residence (203 King William Street) with her children and their families and two young friends. L. to r. (standing)" Carlos Calderon, Alicia Martinez Calderon, Elsa I. Gutierrez Calderon, Hector Calderon, Bertha Calderon (wife of Edward), and Rosalinda Calderon (wife of Carlos)"(seated): Jeanette Nandin (friend), Irene Nandin (friend), Edward A. Calderon (in wheelchair), Liza Calderon, Linda Rose Calderon, Cynthia Calderon, and Roland Calderon (he and the three Calderon girls were all children of Carlos and Rosalinda Calderon). Taken at the time Carlos Calderon family was visiting from California
Calderon family in parlor, 203 King William Street, San Antonio, Texas, ca. 1954
No full textPhotograph shows Alicia Martinez Calderon seated in parlor of her residence (203 King William Street) with her children. L. to r. (standing): Carlos A. Calderon, Ana Marie Calderon, and Hector M. Calderon; (seated): Albert Calderon, Alicia Calderon, Alicia Martinez Calderon, Beatriz Calderon, and Edward A. Calderon
Mexico -- 1960-68 -- Correspondence, OPV International -- letter, 1960-06-04
No full textLetter from Calderon, Carlos to Sabin, Albert B. dated 1960-06-04.Sabin Collection Fair Use Policy</a
Información Investigador: Arcila Calderon, Carlos Edmundo
No full textResumen Curricular
Profesor instructor del área de Teoría de la Comunicación. Licenciado en comunicación por la Universidad de Los Andes y master en periodismo de agencia por la Universidad Rey Juan Carlos de Madrid. Actualmente es doctorando del programa "Comunicación, Cambio Social y Desarrollo" del Departamento de Sociología IV (Teoría de la comunicación y métodos de investigación) de la Universidad Complutense de Madrid, donde desarrolla la investigación titulada "La producción comunicativa de la identidad en los entornos virtuales". Ha desarrollado investigaciones en el área de la comunicación digital entre las que destaca "Periodismo en línea: Nuevas prácticas de la comunicación en el entorno digital" y "Construcción del archivo fotográfico de El Comunicador". Asimismo ha publicado artículos en las revistas especializadas en comunicación "Chasqui" Y "Razón y Palabra" y ha asistido en calidad de ponente a numerosos congresos nacionales e internacionales. Forma parte de la junta directiva y editorial de la agencia de noticias venezolana Intopress y ha ejercido el periodismo en medios como la agencia Efe, el canal televisivo CMT, la emisora radial "La Mega" y el periódico "La voz de Cojedes". En el ámbito universitario se desempeñó como editor y web master del periódico universitario El Comunicador, además de fungir como preparador y representante estudiantil de la carrera de comunicación social.InstructorNúcleo Táchira (NUTULA)[email protected] de 2008MaestríaComunicación digital.Licenciado en Comunicación Social+58 276 340512
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Gilbert-Charles Picard (1913-1998) et les Religions de l'Afrique Antique
No full textThis article analyses, from a historiographic
perspective, the most important aspects of
Charles-Gilbert Picard’s work on the religious
world of the populations inhabiting the Maghreb
during the Punic and Roman periods, with
special emphasis on his magnum opus on the
subject, Les religions de l’Afrique Antique. In doing so, I have attempted to explain the evolution
in thought of an author who was one of the most
prominent scholars of the ancient religions in
North Africa between the end of the Second
World War and the process of decolonisation of
the Maghreb.This contribution is a product of the synergy between two different projects, EPIDI: Epítetos divinos: experiencia
religiosa y relaciones de poder en Hispania (HAR207-84789-C2-2-P), funded by the Spanish Ministry
of Science, Innovation and Universities, at University Carlos III of Madrid, and RomanIslam – Center
for Comparative Empire and Transcultural Studies, funded by the German Research Foundation (Deutsche
Forschungsgemeinschaft, DFG), at Universität Hamburg
O pluralismo juridico, os novos movimentos sociais e a exterioridade em Dussel
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Ciencias JuridicasO presente trabalho procura, em uma perspectiva interdisciplinar, aproximar a Filosofia da Libertação Latino-Americana elaborada pelo filósofo Enrique Dussel a um plano jusfilosófico de legitimação e sustentação do Direito Extra-Estatal produzido no âmbito dos novos moviemntos sociais e trabalhando preferencialmete pelo pluralismo jurídico comunitário participativo de Antônio Carlos Wolkmer
Association between iron deficiency and the New York Heart Association (NYHA) functional scales and left ventricular ejection fraction (LVEF) in patients diagnosed with decompensated heart failure
No full textObjective: To characterize iron deficiency patients diagnosed with heart failure and to analyze probable associations between the New York Heart Association (NYHA) scales and the left ventricular ejection fraction (LVEF) in a third level hospital in Bogotá Dc.
Methods: A descriptive cross-sectional study was carried out that reviewed retrospective information obtained from the medical records of patients over 18 years of age hospitalized in the Central East Integrated Health Services Subred, Bogotá, Colombia.
Results: Of a total of 139 hospitalized patients in the study period, a prevalence of heart failure with reduced LVEF was obtained 45.3%, mean age 53 years, 67.6% men, comorbidities such as atrial fibrillation 23.2%, coronary disease 59%. and dyslipidemia 27.9%, 57.2% patients had iron deficiency. They were found as factors associated with NYHA III and IV; male sex (OR: 2.8; 95% CI: 1.17;6.97), chronic obstructive pulmonary disease (OR: 2.7; 95% CI: 1.03;7.23), iron deficiency ( OR: 1.92; 95% CI: 1.13;3.25).
Conclusions: Most of the patients were classified with reduced and slightly reduced heart failure 45%, with anemia and iron deficiency. It was observed that male sex, chronic obstructive pulmonary disease, diagnosis of iron deficiency, total iron >40 mcg/dL, hemoglobin <13g, age younger than 65 years, and a history of coronary disease can be associated with reduced ejection fraction and NYHA classification stages III and IV.Hospital Santa Clara SubredcentroorienteEspecialista en Medicina InternaEspecializaciónResumen
Objetivo: Caracterizar los pacientes diagnosticados con insuficiencia cardiaca ferropénicos y analizar probables asociaciones entre las escalas New York Heart Association (NYHA) y la fracción de eyección del ventrículo izquierdo (FEVI) en un centro hospitalario de tercer nivel de Bogotá Dc.
Métodos: Se hizo un estudio descriptivo de corte transversal que revisó información retrospectiva obtenida de los registros de las historias clínicas de pacientes mayores de 18 años hospitalizados en la Subred integrada de servicios de salud centro oriente, Bogotá, Colombia.
Resultados: De un total de 139 pacientes hospitalizados en el periodo estudiado se obtuvo una prevalencia Insuficienica cardiaca con FEVI reducida 45.3%, edad promedio de 53 años, 67,6% hombres, comorbilidades como fibrilación auricular 23,2%, enfermedad coronaria 59% y dislipidemia 27,9%, El 57,2% pacientes tenian ferropenia. Se hallaron como factores asociado a NYHA III y IV; sexo masculino (OR: 2,8; IC 95%: 1,17;6,97), enfermedad pulmonar obstructiva cronica (OR: 2,7; IC 95%: 1,03;7,23), Ferropenia (OR: 1,92; IC 95%: 1,13;3,25).
Conclusiones: La mayoría de pacientes se clasificaron con insuficiencia cardiaca reducida y levemente reducida 45%, con anemia y ferropenia. Se visualizó que el sexo masculino, enfermedad pulmonar obstructiva cronica, diagnóstico de ferropenia, hierro total > 40 mcg/dL, hemoglobina < 13g, edad menor de 65 años y antecedente de enfermedad coronaria se pueden asociar con fracción de eyección reducida y clasificación NYHA estadios III y IV
Unpublished song by a Mexican band replacing the trombone with a French horn in a channel-by-channel recording developed in a home studio
No full textEste proyecto consiste en mostrar el paso a paso de la producción de una canción inédita de música regional mexicana, elaborada desde un home studio, canal por canal de audio, con un valor agregado y novedoso, en el que se reemplazaron los trombones y bombardinos por cornos franceses, lo cual es enteramente factible y se demostrará a través de la sustentación de este proyecto y de una estricta organización y orden secuencial en el proceso de grabación, teniendo en cuenta que los instrumentos requieren de una sincronización y orden consecutivo, con el fin de alcanzar así, el piso rítmico y melódico esperado para el genero de canción creada. Adicionalmente se verá como se grabó a satisfacción, todo el tema con un solo micrófono en la parte instrumental.Maestro en MúsicaPregradoThis project consists of showing the step by step of the production of an unpublished song of regional Mexican music, made from a home studio, channel by audio channel, with an added and innovative value, in which the trombones and euphoniums were replaced by French horns, which is entirely feasible and will be demonstrated through the support of this project and a strict organization and sequential order in the recording process, taking into account that the instruments require synchronization and consecutive order, in order to thus reaching the rhythmic and melodic floor expected for the genre of song created. Additionally, it will be seen how it was recorded satisfactorily, the entire theme with a single microphone in the instrumental part
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