5,842 research outputs found
O curso de licenciatura em educação física da Universidade Federal de Santa Catarina: suas concepções de ensino e de educação física
No full textDissertação (mestrado) - Universidade Federal de Santa Maria. Centro de Educação Fisica e Desporto
Imagens de Otto Maria Carpeaux: esboço de biografia
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2015.Este esboço de biografia procura citar algumas imagens de Otto Maria Carpeaux: construções biográficas de naturezas múltiplas, elaboradas em contextos, por atores e sob condições igualmente díspares. Está constituído a partir de uma visão crítica da História, o que permite que ?outras imagens?, fragmentárias e não monumentais, também tenham espaço. Em diálogo com o princípio da montagem, este esboço apresenta-se em duas partes. Na primeira, Imagens possíveis, estão citadas as imagens elaboradas em vida e post mortem acerca do austríaco-brasileiro que nasceu em Viena em 1900, se exilou no Brasil em 1939 e morreu no Rio de Janeiro, em 1978. Na segunda, Montagens possíveis, apresentam-se duas possibilidades de exercício biográfico: pela leitura alegórica do documentário O velho e o Novo (Otto Maria Carpeaux), entendido como instrumento de intervenção no contexto ditatorial brasileiro e de uma reelaboração biográfica concernentes às suas experiências europeias; e pelo Caderno de imagens críticas, registro dos encontros em Carpeaux pelo meio de imagens críticas produzidas a partir da cesura do presente.Abstract : This biographical sketch attempts to quote some images of Otto Maria Carpeaux: various types of biographical constructions, carried out in different contexts by disparate authors under conditions just as distinct. It stems from a critical view of history, allowing for ?other images? fragmented and non-monumental ? to share the space.In dialogue with the montage principle, this sketch has two parts. The first, Possible Images, quotes the images produced during and after the life of the Austrian-Brazilian, who was born in Vienna in 1900, went to Brazil in exile in 1939 and died in Rio de Janeiro in 1978. The second part, Possible Montages, presents two possibilities of a biographical exercise: through the allegorical reading of documentary O Velho e o Novo (Otto Maria Carpeaux), understood as an instrument of intervention in the Brazilian dictatorship context and as a biographical retelling of the author?s European experiences; and through my Scrapbook of Critical Images, a record of the encounters in Carpeaux through critical images produced from the caesura of the present
Ippolito Rosellini, l'Egitto, l'Egittologia /Ippolito Rosellini, Egypt and Egyptology
No full textThe paper focuses on Ippolito Rosellini, co-director with J.F. Champollion of the Franco-Tuscan Expedition to Egypt (1828-29) and first Professor of Egyptology in Europe, at the University of Pisa. His important contribution to the formative phase of the new-born Egyptology is highlighted through the study of his unpublished manuscripts and some drawings of the Expedition in the Biblioteca Universitaria of Pisa. These documents were studied, digitized and put on the web in the framework of a specific project, directed by the author, “Progetto Rosellini”. The volume including this paper, it too edited by M. Betrò, is the catalogue of the homonymous exhibition organized by the author in the Egyptian Museum of Cairo in 2010. The international exhibition exposed for the first time in Egypt about one hundred drawings and manuscripts among the most important and beautiful from Ippolito Rosellini and the Tuscan Expedition Archive
Esploratrice dei percorsi dell'invenzione. Maria Corti lettrice di Dante
No full textThe essay is focused on Maria Corti's contribution to the study of Dante, as an author of poetry - especially La divina Commedia - but also as "father of the Italian language", in his De vulgari eloquentia and certainly not there only. Many different levels of Dante's works are considered: his language, his various metalinguistic contributions, mainly on grammar at its different stages - on metaphor, on what can just be suggested or merely alluded, eventually his tremendous culture and originalit
MARIA DA CONCEIÇÃO TAVARES
No full textRESUMO: Biografia de Maria da Conceição Tavares, da professora emérita do IE-UFRJ. Este texto foi originalmente apresentado na forma de um discurso proferido pelo autor durante a homenagem prestada a Maria da Conceição Tavares durante o Seminário “30 Anos de Pós-graduação”, realizado pelo Instituto de Economia da UFRJ em 23 de novembro de 2009, no Salão Pedro Calmon do Fórum de Ciência e Cultura da UFRJ, campus da Praia Vermelha.ABSTRACT: Biography of Maria da Conceição Tavares, emeritus professor at the IE-UFRJ. This text is based on a speech in honor of professor M. C. Tavares made by the author during the seminar "30 years of the Post-Graduate Program in Economics", which took place on November 23, 2009, at the Institute of Economics / UFRJ
Professor dr hab. Maria Lisiewska
No full textThe article presents the biography and scientific achievements of Professor Maria Lisiewska. She earned master’s degree and Ph.D. in natural sciences from Adam Mickiewicz University in Poznań. After earning her doctoral degree, she stayed at Adam Mickiewicz University in Poznań and conducted her thrilling research on mycology and taught until now. Prof. Maria Lisiewska is an author of many books, articles, and other scholarly reports
d'Antoni Maria Alcover
No full textSummary: In this article the author attempts to outline the main characteristics of the Vocabulari del bestiar cabrum, a lexicographic work by Antoni M. Alcover published in the Bolletí de Dialectologia Catalana IX (1917). It is demonstrated that the dialectal and lexicographic information of the Vocabulari shows no little difference with the entry cabra of the Diccionari Català-Valencià-Balear. [Keywords: Antoni Maria Alcover; Vocabulari del bestiar cabrum; Diccionari Català-Valencià-Balear; lexicography; dialectology; history of Catalan linguistics
Author Correction: A shared neural basis underlying psychiatric comorbidity
No full textCorrection to: Nature Medicine. Published online 24 April 2023. In the version of this article initially published, the STRATIFY data also included cohort data from the ESTRA consortium, though this was not acknowledged in the author list and the section in Methods on the Stratify dataset. The Methods are now updated, and the author list is amended to combine the STRATIFY and ESTRA consortium names and to include the following authors: Marina Bobou, M. John Broulidakis, Betteke Maria van Noort, Zuo Zhang, Lauren Robinson, Nilakshi Vaidya, Jeanne Winterer, Yuning Zhang, Sinead King, Hervé Lemaître, Ulrike Schmidt, Julia Sinclair, Argyris Stringaris and Sylvane Desrivières. The STRATIFY and ESTRA consortia are now combined to list Marina Bobou, M. John Broulidakis, Betteke Maria van Noort, Zuo Zhang, Lauren Robinson, Nilakshi Vaidya, Jeanne Winterer, Yuning Zhang, Sinead King, Gareth J. Barker, Arun L. W. Bokde, Hervé Lemaître, Frauke Nees, Dimitri Papadopoulos Orfanos, Ulrike Schmidt, Julia Sinclair, Argyris Stringaris, Henrik Walter, Robert Whelan, Sylvane Desrivières and Gunter Schumann as members, and the IMAGEN consortium is updated to also include Sylvane Desrivières. Affiliations, author contributions and acknowledgements have been updated to reflect the new authorship, and all changes have been made in the HTML and PDF versions of the article
“Anatomy, Knowledge, and Conspiracy: in Shakespeare's Rome with the Words of Cassius"
No full textSi presenta qui il capitolo “Anatomy, Knowledge, and Conspiracy: In Shakespeare’s Arena with the Words of Cassius”, capitolo incluso nel volume Questioning Bodies in Shakespeare’s Rome; volume di cui l‘autrice è ‘editor in chief’ e in quanto tale autrice dell’introduzione critica al volume (“Shakespeare’s Rome and Renaissance ‘Anthropographie’, pp.13-19). Il volume nel suo insieme (24 saggi per 388 pp.) è uno dei risultati della ricerca interdisciplinare europea (Socrates-/Acume 2), "Interfacing Sciences, Literature and Humanities" ( 227942-CP-1-2006-1-IT-ERASMUS-TN2006-2371/001-001 SO2-23RETH) ricerca assolutamente innovativa per metodologie e contenuti all’interno della quale come si evince dagli Acknowledgments, Maria Del Sapio Garbero ha ideato e coordinato, insieme a Manfred Pfister (Freie Universität di Berlino) la sezione dedicata a Shakespeare e alla teorie/riconcettualizzazioni dei corpi in età rinascimentale.
Nel saggio “Anatomy, Knowledge, and Conspiracy: In Shakespeare’s Arena with the Words of Cassius”, Maria Del Sapio Garbero propone una lettura del dramma alla luce di una episteme early modern caratterizzata dallo spirito esplorativo della nuova scienza (e in particolare della scienza anatomica), una relazione sollecitata (come l’autrice scrive nell’introduzione programmatica al volume) da una concezione ancora unitaria del sapere , ovvero da una modalità analogica che mette in relazione microcosmo e macrocosmo, e all’interno della quale il tropo corporeo gioca un ruolo di assoluta centralità. Tale centralità nel Julius Caesar diventa tanto più paradigmatica perché legata ad un corpo romano, per gli elisabettiani corpo esemplare per antonomasia. Non è un caso che ad aprire le rappresentazioni al Globe nel 1599 sia il ‘Julius Caesar’, il dramma in cui va in scena un potente processo anatomico di “dismemberment and reinscription” (R. Wilson) del corpo regale. L’anatomia è stata più di una volta invocata dalla critica per commentare quel che avviene nel dramma di Shakespeare. Ma in che senso la tensione dissettoria pervade il dramma shakespeariano? In che modo fa capo ai fondamenti filosofici della scienza anatomica rinascimentale? E quale è il personaggio che se ne fa interprete? L’ipotesi di questo saggio è che sia Cassius ad amministrarne lo spirito, più di chiunque altro che insieme a lui ‘macellano’ il corpo di Cesare. E’ infatti Cassius ad eseguire, con lo sguardo e il linguaggio del discorso anatomico rinascimentale, la meditazione intellettuale preliminare; la meditazione che svelerà l’intima struttura mortale di Cesare. Il quale, privato della sua acclamata pelle di sovrano, appare presto come una sorta di rinascimentale écorché, uno scorticato, del tutto simile, argomenta Maria Del Sapio, a quelli resi famosi da artisti e anatomisti del periodo (da Leonardo, a Michelangelo, a Rosso Fiorentino, Berengario da Carpi, Vesalius, Valverde). Il saggio esplora il modo in cui l’inclemente ispezione decostruttiva del corpo di Cesare, la sua tensione disvelante, nascano all’interno di un più ampio progetto conoscitivo che è proprio della ‘nuova scienza’; un progetto di per se cospiratorio in cui Cassius si rivela impegnato fin dall’inizio del dramma. Più in generale, e attraverso l’’anatomia’ del corpo fortemente simbolico e altamente testualizzato di un sovrano, il saggio esplora il modo in cui sotto lo sguardo inquisitivo della scienza in età early modern, il corpo umano diventa un campo di battaglia e il terreno di scontro di concorrenti paradigmi conoscitivi (si veda su questo, di nuovo, anche il saggio introduttivo). E’ per questo che, prima di entrare nell’arena dissettoria dello Shakespeare romano, nel saggio si dà visibilità fisica allo spazio euristico messo a disposizione dalla scienza anatomica. Lo si fa con l’aiuto di Alessandro Benedetti, l’autore di ‘Historia corporis humani sive Anatomice’, uscito a stampa a Venezia nel 1502, l’opera in cui per la prima volta viene prospettata la possibilità di un teatro anatomico smontabile, del tipo realizzato alla fine del secolo (1594) da Fabrici d’Acquapendente . Nell’opera di Benedetti viene anche ampiamente esposta la proposta della pratica anatomica come una performance teatrale altamente istruttiva e dalle intenzioni ‘morali’, tale da poter riguardare non solo i medici, ma anche umanisti e governanti."Anatomy, Knowledge, and Conspiracy: In Shakespeare's Arena with the Words of Cassius", chapter included in 'Questioning Bodies in Shakespeare's Rome ' ed. by M. Del Sapio Garbero(editor in chief), N. Isenberg, and M. Pennacchia. Maria Del Sapio Garbero is the author of the critical introduction "Shakespeare's Rome and Renaissance 'Anthropographie'".
Abstract. The first play to be performed at the Globe in 1599 was Julius Caesar; the play in which a most powerful anatomical “process of dismemberment and reinscription” (R. Wilson) takes place. It is my suggestion in "Anatomy, Knowldge, and Conspiracy,..." that the dissecting method of anatomy belongs to Cassius, more than to those with whom he later executes Caesar’s body, and in a manner quite different from that of Antony who eventually takes control of Caesar’s bleeding body to transform it, through the rhetoric of martyrdom, from “a savage spectacle” (3. 1. 223) into a “piteous spectacle” (3. 2. 195). Indeed, it is Cassius’s task to perform with both the gaze and language of Renaissance anatomical discourse the preceding intellectual meditation that will make Caesar reveal his inner mortal frame, transforming him into a sort of Renaissance écorché, such as those made famous by artists and anatomists alike (Leonardo, Michelangelo, Rosso Fiorentino, Berengario da Carpi, Vesalius, Valverde), and which, I suggest, are visually close to the Caesar flayed by Cassius’s words. The essay explores the ways in which Cassius’s deconstructive inspection of Caesar’s body develops as part of a broader scientific role of unmasking that he seems to enact from the very outset of the play. More in general the essay is concerned with the ways in which the highly textualized order of the early modern human body turns into a battleground, or a territory of increasingly conflicting paradigms and shifting metaphors, as an effect of the inquisitive eye of the anatomist. Advisedly, before entering Shakespeare’s Roman dissecting arena with the anatomizing words of Cassius, I give physical visibility to the heuristic space made available by the Renaissance anatomists with the guidance of Alessandro Benedetti, the author of Historia corporis humani sive Anatomice, first printed in Venice in 1502. Here in fact, in Benedetti’s pioneering work, we find the first envisaging of a movable anatomy theatre and the proposal of dissection as an instructive (or ‘moral’) theatrical performance worthy of attracting not simply physicians, but humanists, and governors alike
, by Morris M. Kleiner and Maria Koumenta
No full textGrease or Grit? International Case Studies of Occupational Licensing and Its Effects on Efficiency and Quality. Edited by Morris M. Kleiner and Maria Koumenta. Kalamazoo, MI: W.E. Upjohn Institute for Employment Research, 2022. 174 pp. ISBN 9780880996860, 9.99 (e-book).
Occupational licensing remains poorly understood. This is true even after decades of illuminating empirical work by Morris Kleiner, one of the authors of Grease or Grit? International Case Studies of Occupational Licensing and Its Effects on Efficiency and Quality, showing that licensing—a government-granted right to perform a particular service—raises prices to consumers, restricts entry into an occupation, reduces interstate mobility of the workforce, and contributes to income inequality. And it remains true after economists studying the phenomenon from other jurisdictions, including his British co-author Maria Koumenta, have shown the same outcomes.
One important missing piece of the licensing puzzle is that we know little about licensing’s payoff. It is not enough to criticize occupational licensing as costly to consumers and workers if we do not know whether its purported benefits, such as safer, better, and more professional service, are worth it. This side of the cost-benefit analysis of professional licensing has been lacking because unlike wages, prices, and employment, service quality is almost impossible to measure objectively. How can researchers code for good legal advice? Which architects make more beautiful buildings? How can a physician’s bedside manner—or surgical competence, for that matter—be reduced to a numerical score and empirically evaluated? Without hard evidence about quality, critics of licensing have few concrete measures to point to when proponents of licensure (usually the professions themselves) seek regulation that in theory (and maybe only in theory) leads to better professional service
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