4,811 research outputs found
O curso de licenciatura em educação física da Universidade Federal de Santa Catarina: suas concepções de ensino e de educação física
No full textDissertação (mestrado) - Universidade Federal de Santa Maria. Centro de Educação Fisica e Desporto
Facial Uplift: Plastic Surgery, Cosmetics, and the Retailing of Whiteness in the Work of Maria Cristina Mena
No full textThis article analyzes how Mexican American author María Cristina Mena’s short magazine fiction boldly illustrates the emerging U.S. beauty industry as effectively producing whiteness for sale in the neocolonial marketplace. Her representations of Mexican women’s use of cosmetics articulate how the beauty industry both lends structure to and is structured by the idea of race; at the same time, she reminds her audience that the impact of beauty products and services is in large part determined by the political and economic context of the goods themselves. Through the techniques of role reversals, character development and dramatic irony, Mena’s stories portray the U.S. beauty industry as a dynamic trade that exports new forms of whiteness across its southern border. Far from depicting Mexican women as passive consumers in the neocolonial marketplace, however, Mena shows how beauty products and services can be appropriated as limited yet potent acts of resistance.This article was published as Schuller, Kyla. "Facial Uplift: Plastic Surgery, Cosmetics, and the Retailing of Whiteness in the Work of Maria Cristina Mena," Journal of Modern Literature, Vol. 32, No. 4 (Summer 2009), pp. 82-104. No part of this article may be reproduced, stored in a retrieval system, transmitted, or distributed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Indiana University Press. For educational re-use, please contact the Copyright Clearance Center (508-744-3350). For all other permissions, please visit Indiana University Press' permissions page.Peer reviewe
Imagens de Otto Maria Carpeaux: esboço de biografia
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2015.Este esboço de biografia procura citar algumas imagens de Otto Maria Carpeaux: construções biográficas de naturezas múltiplas, elaboradas em contextos, por atores e sob condições igualmente díspares. Está constituído a partir de uma visão crítica da História, o que permite que ?outras imagens?, fragmentárias e não monumentais, também tenham espaço. Em diálogo com o princípio da montagem, este esboço apresenta-se em duas partes. Na primeira, Imagens possíveis, estão citadas as imagens elaboradas em vida e post mortem acerca do austríaco-brasileiro que nasceu em Viena em 1900, se exilou no Brasil em 1939 e morreu no Rio de Janeiro, em 1978. Na segunda, Montagens possíveis, apresentam-se duas possibilidades de exercício biográfico: pela leitura alegórica do documentário O velho e o Novo (Otto Maria Carpeaux), entendido como instrumento de intervenção no contexto ditatorial brasileiro e de uma reelaboração biográfica concernentes às suas experiências europeias; e pelo Caderno de imagens críticas, registro dos encontros em Carpeaux pelo meio de imagens críticas produzidas a partir da cesura do presente.Abstract : This biographical sketch attempts to quote some images of Otto Maria Carpeaux: various types of biographical constructions, carried out in different contexts by disparate authors under conditions just as distinct. It stems from a critical view of history, allowing for ?other images? fragmented and non-monumental ? to share the space.In dialogue with the montage principle, this sketch has two parts. The first, Possible Images, quotes the images produced during and after the life of the Austrian-Brazilian, who was born in Vienna in 1900, went to Brazil in exile in 1939 and died in Rio de Janeiro in 1978. The second part, Possible Montages, presents two possibilities of a biographical exercise: through the allegorical reading of documentary O Velho e o Novo (Otto Maria Carpeaux), understood as an instrument of intervention in the Brazilian dictatorship context and as a biographical retelling of the author?s European experiences; and through my Scrapbook of Critical Images, a record of the encounters in Carpeaux through critical images produced from the caesura of the present
Appunti per una rilettura del Carteggio fra Maria Savorgnan e Pietro Bembo
No full textNotes for a Rereading of the Carteggio between Maria Savorgnan and Pietro Bembo · This article examines the love correspondence between Maria Savorgnan and Pietro Bembo in the
early years of sixteenth-century Italy by focusing on a philological and epistolographic perspec tive and taking into consideration the recent literature. While the letters written by Savorgnan
to Bembo, which are included in Carlo Dionisotti’s seminal edition of 1950, are original and autographed, Bembo’s letters to her were instead revised and rewritten by the author with the printing press in mind and published posthumously only in 1552. This revision and rewriting resulted in an epistolary romance with partially altered chronology, events and style. Moving from the analysis of Dionisotti’s edition, the article discusses a range of issues connected to this peculiar textual situation while aiming to offer suggestions for a new annotated edition of the Savorgnan–Bembo correspondence
Unknown to Maria C. Nelson (20 December 1863)
No full textConcerning the enlistment, remaining in Mississippi and their inability to find clothing for the author and Ameliahttps://egrove.olemiss.edu/ciwar_corresp/1700/thumbnail.jp
MARIA DA CONCEIÇÃO TAVARES
No full textRESUMO: Biografia de Maria da Conceição Tavares, da professora emérita do IE-UFRJ. Este texto foi originalmente apresentado na forma de um discurso proferido pelo autor durante a homenagem prestada a Maria da Conceição Tavares durante o Seminário “30 Anos de Pós-graduação”, realizado pelo Instituto de Economia da UFRJ em 23 de novembro de 2009, no Salão Pedro Calmon do Fórum de Ciência e Cultura da UFRJ, campus da Praia Vermelha.ABSTRACT: Biography of Maria da Conceição Tavares, emeritus professor at the IE-UFRJ. This text is based on a speech in honor of professor M. C. Tavares made by the author during the seminar "30 years of the Post-Graduate Program in Economics", which took place on November 23, 2009, at the Institute of Economics / UFRJ
Resistência e denúncia no discurso de Carolina Maria de Jesus na obra Quarto de despejo
No full textUsing the foundations of French Discourse Analysis, this research examines the process of
subjectivation and canonical literary discursivity in Carolina Maria de Jesus. Its main
objective was to carry out a discursive analysis of the work Quarto de Despejo: diário de uma
favelada (2001), which had great repercussions and success in the publishing market in the
1960s. I specifically sought to analyze the author's discourse as the fruit of denunciation and
resistance to her condition as a slum dweller. Our specific objectives, in turn, are
developments of the guiding question. They are: a) to situate the discourse under investigation
historically, considering its conditions of production; b) to identify, in the discourses under
analysis, the construction of the author's subjectivity; c) to observe, in the discursive practices,
traces of political activism and resistance. In order to achieve the objectives of this work, the
corpus consisted mainly of discursive sequences taken from the work Quarto de despejo:
diário de uma favelada, written between 1955 and 1960. The effects of resistance mean that
this literary production can be recognized as a literature of social confrontation and, finally,
contributes to reflecting on the absence of black authors, raising some questions about
silencing. This study is based on authors from French Discourse Analysis, such as Pêcheux
(1979, 1990, 1995, 1996, 1997, 2014); Orlandi (1998, 1996, 2005, 2012), although there are
also contributions from other authors, such as Bauman (1998, 2001, 2003) on identity,
Mussalin (2003), Carvalho (2012), among others. The analysis shows that Carolina Maria de
Jesus' writing is an act of denunciation and resistance because, as well as revealing the chaotic
situation she and other favela residents were going through, it breaks with an imaginary
formation of a white, middle-class, highly educated, intellectual author. By discussing the
"hunger for writing and the writing of hunger", through the weaving of the poetic, the subjectauthor pays attention to the formation of a literature of denunciation and social confrontation.
Furthermore, by materializing meanings, this subject-author works the interdiscourse in the
intradiscourse in order to build his writing project, bringing other spaces to our literature,
from its non-place in the historiography of Brazilian literature. This approach has allowed us
to understand a little more about the condition of black women and how they fit into literary
discourse at a given historical moment.En s'appuyant sur les fondements de l'analyse du discours français, cette recherche examine le
processus de subjectivation et de discursivité littéraire canonique chez Carolina Maria de
Jesus. Son objectif principal était de réaliser une analyse discursive de l'œuvre Quarto de
Despejo : diário de uma favelada (2001), qui a eu un grand retentissement et un grand succès
sur le marché de l'édition dans les années 1960. Je cherche en particulier à analyser le
discours de l'auteur comme le fruit d'une dénonciation et d'une résistance à sa condition
d'habitante d'un bidonville. Nos objectifs spécifiques, à leur tour, sont des développements de
la question directrice. Il s'agit de : a) situer historiquement le discours étudié, en considérant
ses conditions de production ; b) identifier, dans les discours analysés, la construction de la
subjectivité de l'auteur ; c) observer, dans les pratiques discursives, les traces d'un activisme
politique et d'une résistance. Pour atteindre les objectifs de ce travail, le corpus a été constitué
principalement de séquences discursives extraites du roman Quarto de despejo : diário de uma
favelada, écrit entre 1955 et 1960. Les effets de résistance permettent de reconnaître cette
production littéraire comme une littérature de confrontation sociale et, enfin, de contribuer à
la réflexion sur l'absence d'auteures noires, en soulevant quelques questions sur le silence.
Cette étude s'appuie sur des auteurs de l'analyse du discours français, tels que Pêcheux (1979,
1990, 1995, 1996, 1997, 2014) ; Orlandi (1998, 1996, 2005, 2012), bien qu'il y ait également
des contributions d'autres auteurs, tels que Bauman (1998, 2001, 2003) sur l'identité, Mussalin
(2003), Carvalho (2012), parmi d'autres. Les analyses montrent que l'écriture de Carolina
Maria de Jesus est un acte de dénonciation et de résistance car, en plus de révéler la situation
chaotique qu'elle et d'autres habitants de la favela vivaient, elle rompt avec la formation
imaginaire d'un auteur blanc, de classe moyenne, hautement éduqué et intellectuel. En
discutant de la "faim d'écrire et de l'écriture de la faim" à travers le tissage poétique, le sujetauteur attire l'attention sur la formation d'une littérature de dénonciation et de confrontation
sociale. De plus, en matérialisant les significations, ce sujet-auteur travaille l'interdiscours
dans l'intradiscours afin de construire son projet d'écriture, en apportant d'autres espaces à
notre littérature, à partir de sa non-place dans l'historiographie de la littérature brésilienne.
Cette approche nous a permis de comprendre un peu mieux la condition des femmes noires et
leur place dans le discours littéraire à un moment historique donné.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESPor meio dos fundamentos da Análise de Discurso francesa, esta pesquisa examina o processo
de subjetivação e da discursividade literária canônica em Carolina Maria de Jesus. Teve como
objetivo precípuo realizar uma análise discursiva da obra Quarto de Despejo: diário de uma
favelada (2001), que apresentou grande repercussão e êxito no mercado editorial, na década
de 1960. Busquei analisar, especificamente, o discurso da referida autora como fruto de
denúncia e resistência à sua condição de favelada. Os nossos objetivos específicos, por sua
vez, são desdobramentos da questão norteadora. São eles: a) situar historicamente o discurso
investigado, considerando suas condições de produção; b) identificar, nos discursos em
análise, a construção da subjetividade da autora; c) observar, nas práticas discursivas, traços
de ativismo político e resistência. Para a realização dos objetivos deste trabalho, o corpus se
constituiu, sobretudo, de sequências discursivas retiradas da obra Quarto de despejo: diário de
uma favelada, escrita no período entre 1955 a 1960. Os efeitos de sentido de resistência
possibilitam que essa produção literária possa ser reconhecida como literatura de
enfrentamento social e contribuem, por fim, para a reflexão sobre a ausência de autoras
negras, apontando alguns questionamentos acerca do silenciamento. Esse estudo fundamentase em autores da Análise do Discurso francesa, tais como Pêcheux (1979, 1990, 1995, 1996,
1997, 2014); Orlandi (1998, 1996, 2005, 2012), embora haja também contribuições de autores
diversos, a exemplo de Bauman (1998, 2001, 2003) sobre identidade, de Mussalin (2003),
Carvalho (2012), dentre outros. As análises apontam que a escrita de Carolina Maria de Jesus
é um ato de denúncia e resistência porque, além de revelar a situação caótica pela qual ela e
outros moradores da favela passavam, rompe com uma formação imaginária de autor branco,
classe média, com alto grau de escolaridade, intelectual. O sujeito-autor ao discorrer sobre a
“fome da escrita e a escrita da fome”, pela tessitura do poético, atenta para a formação de uma
literatura de denúncia e enfrentamento social. Além do mais, ao materializar sentidos, esse
sujeito-autor trabalha o interdiscurso no intradiscurso a fim de construir o seu projeto de
escritura, trazendo outros espaços para nossa literatura, a partir do seu não-lugar na
historiografia da literatura brasileira. Essa abordagem nos permitiu compreender um pouco
mais sobre a condição da mulher negra e como se insere no discurso literário em determinado
momento histórico.São Cristóvã
Proposta di collocare nella Facoltà una lapide in ricordo di Maria Montessori
No full textThe author suggests to put an inscriptional on marble at the entrance of the Faculty of Education of the University "Roma Tre" in memory of Maria Montessori who gave in it a course in "Hygiene
Wedding Planning Industry and Launch of Maria Catherine Events
No full textabstract: The goal of this project was to discover more intricate aspects of the wedding planning industry as well as learn more about what it takes to get started in wedding planning, then apply this knowledge to the launch of my own company. I conducted research of the wedding planning industry throughout the United States then moving to Arizona and later to the Phoenix Metropolitan Area. I discuss the importance of wedding planners, the skills they bring as well as the knowledge they must have to offer their clients. Then I go into the launch of my company Maria Catherine Events and what the research means for my company launch. (abstract
Code C++ - transforming cartesian coordinates into geodetic coordinates
No full textThe file contains the C++ code which implements two algorithms, developed by Gema Maria Diaz-Toca and Ioana Necula, for transforming cartesian coordinates into geodetic coordinates. The author of the implementation in C++ is Leandro Marin
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