23 research outputs found
La tarea hospitalaria del jardín de infantes del SADOP
No full textLa propuesta de este Jardín de Infantes, desde la sala hospitalaria, brinda la posibilidad de inserción en el Nivel Inicial a los niños que, por su condición de internados, son considerados en "situación atípica". Se busca aportarles sostén y contención a través de vínculos acompañantes, en interacción con sus familias y el personal de los hospitales. Uno de los objetivos fundamentales es prevenir la deserción, el abandono y el posterior fracaso escolar.Fil: Reñe, María Teresa. Jardín de Infantes Incorporado con Servicio Hospitalario 1443 (SADOP) ; ArgentinaFil: Azcona, Graciela Alicia. Jardín de Infantes Incorporado con Servicio Hospitalario 1443 (SADOP) ; ArgentinaII Congreso Internacional de Educación La equidad educativa. Una cuestión de todosSanta FeArgentina20 al 22 de septiembre de 2001Universidad Católica de Santa F
Come later. About orphanhood in university students
No full textFil: Fantini, Estefanía Alicia. Universidad Nacional del Litoral. Facultad de Humanidades y Ciencias, Argentina.La investigación tiene como principal propósito acercar sentidos a la idea de orfandad en la educación universitaria. Parte de la detección de una serie de viñetas o escenas breves en las cuales la enseñanza y sus actores se encuentran con un estudiante que parece haberse soltado de las lógicas tradicionales de la transmisión del saber. Para abordar esta complejidad se propone un marco conceptual sostenido en tres nociones claves: transmisión, genealogía, y filiación, razón por la cual, se intenta un diálogo entre autores provenientes, sobre todo, de la filosofía y el psicoanálisis. ¿Qué significa ser huérfano en la universidad? ¿Quién o quiénes ocupan ese rol? ¿Quién o quiénes abandonan el rol paterno gestando un huérfano? Estas preguntas motivan el recorrido por la obra de Pierre Legendre, autor que resulta clave para desandar la noción de ‘transmisión’, dimensión vinculante del traspaso de la ley desde una generación anterior a una posterior.The main purpose of the research is to understand the sense of orphanhood in the university education. It is based on the detection of a series of vignettes or brief scenes in which the teaching and its actors meet a student who seems to have let go of the traditional logics of the transmission of knowledge. To adddress this complexity a conceptual framework based on three key notions is proposed transmission, genealogy and filiation, which is why a dialogue between authors from philosophy and psychoanalysis is attempted. What does it mean to be an orphan in college? Who occupies that role? Who abandons the paternal role thus gestating an orphan?. These questions motivate the journey through the work of Pierre Legendre an author who is key to return to the notion of transmission, a binding dimension of the transfer of the law from one generation to another
Compromiso e imaginación en la narrativa de Graciela Montes
No full text[ES] El estudio de la narrativa de Graciela Montes (1947) desde un análisis de la narratología es uno de los objetivos primordiales de este trabajo. Por otro lado, mostrar su postura comprometida con la sociedad de su tiempo y con la trágica historia de su país es otro de los objetivos con el que se pretende poner de manifiesto la crítica social y política que entraña la obra de esta autora. Y un tercer objetivo sería el ubicar la narrativa de la escritora argentina dentro de un corpus de Literatura Infantil y Juvenil que emplea la crítica social, la ironía, el juego y la fantasía.
La investigación se desarrolla en siete capítulos. En el primero se realiza un somero análisis de lo que supuso la investigación y el reconocimiento de la Literatura Infantil y Juvenil universal. A su vez, relacionar la obra de Montes con otras que la han precedido como por ejemplo, Alicia en la País de las Maravillas, Las aventuras de Huckleberry Finn, o El pequeño Nicolás, entre otras. A continuación, se presentan las características del lector infantil y por último, se realiza un bosquejo sobre como la crítica ha cuestionado el concepto de ficción.
En el segundo capítulo se dibuja una breve panorámica de la Literatura Infantil y Juvenil argentina desde 1960 hasta mediados de 1990. Se vincula la obra de Montes con la de sus coetáneos.
El capítulo tercero es el más extenso al estar dedicado al análisis narratológico de una serie de cuentos y novelas. En él se pretende indagar en las distintas estrategias narrativas de la autora. Al analizar los personajes, el espacio, el tiempo, la visión y la voz de los relatos, se profundiza en la capacidad de la escritora a la hora de construir ficciones.
El capítulo cuarto está dedicado a la dimensión significativa de la obra de la escritora. En él se procura evidenciar los significados ocultos que subyacen en la narrativa de esta autora. Algunos de los temas tratados en este apartado son por ejemplo, las dificultades económicas, el hambre, la represión y la dictadura militar. La última parte de esta sección se titula, Un paseo por la fantasía, y enlaza con el capítulo contiguo.
En éste, la intención ha sido reflejar como las grandes obras de la Literatura Infantil y Juvenil universal han demandado el juego, concretamente el juego lingüístico para cuestionar los sistemas educativos y sociales del momento en que fueron escritas.
El capítulo sexto está dedicado a la recepción de la obra de Montes. Mediante tres entrevistas se intenta dar a conocer la sólida personalidad de la autora en cuanto a su determinación ante la lectura y su función en la escuela y en la sociedad como pilar en la búsqueda de librepensadores.
El último capítulo está dedicado a la ilustración. Se trata de dar a conocer los artistas plásticos que han ilustrado los relatos de Graciela Montes. Se analiza la semántica de la imagen a través de la composición, los colores y la perspectiva visual.[EN] The study of narrative Graciela Montes (1947 ) from an analysis of narratology is one of the primary objectives of this work, show its position committed to the society of his time with the tragic history of his country is another objective which aims to highlight the social and political criticism involved the work of this author . A third objective would be to place the narrative of Argentina writer within a corpus of Children's Literature employing social criticism ,irony ,play and fantasy
Childhood in the works of Silvina Ocampo and Alejandra Pizarnik
No full textThis thesis
explores childhood as
theme
and perspective
in
the Argentine
cuentista and
poet
Silvina Ocampo (1903-1993)
and traces this thematic
and vital
link to the
Argentine
poet
Alejandra Pizamik (1936-1972). The
study
looks
at childhood not only
in
relation to their literary texts but
also
in the
writers' construction of self-identity
within
their
socio-literary context, and at
the
role played
by
visual art
in their
aesthetic.
Chapter 1
contrasts Silvina
with
her
elder sister
Victoria Ocampo through their
differing literary
appropriation of a shared childhood. It distinguishes Ocampo from
Adolfo Bioy Casares and
Jorge Luis Borges in terms of
her fictional logic
and
her
treatment of games, drawing comparisons instead with Julio Cortdzar.
Chapter 2
undertakes close reading of various Ocampo texts, including
some
for
children,
in
order to explore
her
vision of childhood through nostalgia, adult-child
power relationships, aging and rejuvenation, and moments of
initiation or
imitation.
Chapter 3
turns to Pizarnik
and the myth of the child-poet.
It
analyses
her
child
personae through Andre Breton's Surrealism, Jean Cocteau
and
Octavio Paz, through
her borrowings from Alice in Wonderland
and
Nadja,
and
through
her
obsession with
madness, death,
orphanhood, violation and transgression.
Chapter 4 is
comparative.
It
outlines the context
in
which
Ocampo
and
Pizamik's
passionate friendship developed,
and considers
Pizamik's
essay on
Elpecado
mortal.
It
then explores their broad
mutual
literary
and
thematic
affinities.
My
conclusion is that Ocampo's works achieve equilibrium between childhood and age,
whereas Pizarnik's
much-discussed poetic crisis of exile
from language itself
parallels
her deep sense of anxiety at being
exiled from the world of childhood.
This thesis
contributes to the
study of
Argentine literature by drawing
revealing
comparisons
between
two key
writers
through their shared obsession with childhood,
arguing that
an understanding of their attitudes
to childhood
is fundamental
to
appreciating
fully their
work.
I
refer to unpublished
letters
of
Ocampo,
material
from
private
interviews,
photographs and relevant paintings
by Leonor Fini, Alicia Carletti
and others
Expression of MicroRNAs in Periodontal Disease: A Systematic Review
No full textIntroduction. Periodontal disease (PD) is a chronic inflammation of the soft tissues that support the structure of the tooth, and
miRNAs are highly dynamic molecules that participate in the regulation of gene expression interfering with multiple genetic
targets. The dysregulation of the expression of miRNAs has been associated with different types of pathologies; therefore, they
are excellent molecules to be studied as biomarkers. Material and Methods. A search was made in the electronic databases of
PubMed, Scopus, and Science Direct. The following key words were used: “microRNAs,” “miRNAs,” “periodontal disease,”
“periodontitis,” and “biomarker”; employee independent search strategies with the Boolean operators “OR” and “AND”; a
further search of the references of the selected studies was performed to detect potential studies that met the selection criteria.
The data recollected from each article were author, country, year of publication, sample size, type of sample used to identify
miRNAs, methodology used to identify miRNAs, type of periodontal disease, and miRNAs identified. Results. Of the 13 selected
studies, 6 used gingival tissue as a sample for the identification of miRNAs, 3 used gingival fluid, 2 used saliva, 1 used serum,
and another used periodontal tissue. Chronic periodontitis was the most studied periodontal disease in 9 of the 13 selected
articles; 7 used microarrays as the main technique for the identification of miRNAs. qRT-PCR was the assay choice to validate
the identified miRNAs. Conclusion. The main type of periodontal disease on which most studies are focused is chronic
periodontitis, with the main miRNAs being hsa-miR-146a, hsa-miR-146b, hsa-miR-155, and hsa-miR-200. This systematic
review is one of the first to carry out an analysis of the current role of miRNAs in PD as biomarkers
Julio Ramon Ribeyro: the temptation of the word
No full textO trabalho Julio Ramón Ribeyro: a tentação da palavra tem por objetivo analisar cinco contos do autor peruano (1929-1994), cuja obra se destaca entre os narradores da Geração de 50 daquele país andino, estendendo-se até meados dos anos 90. Nossa hipótese entende que o caráter ambíguo de seus contos, clássico na exposição da matéria literária, mas moderno pelas tensões da trama, dialoga com o conservador processo de modernização peruano. Nesse sentido, sua literatura abrange, entre outras questões, a preocupação do autor com respeito às contradições da cidade de Lima, e seus personagens, espectadores desse processo, trazem como marca recorrente a frustração e o fracasso de suas expectativas.The study \"Julio Ramon Ribeyro: the temptation of the word\" aims to examine five short stories of this Peruvian author (1929-1994), whose work stands out among the narrators of the 50s generation of that Andean country, extending to the mid 90s. Our hypothesis considers the ambiguous nature of his short stories, its classic way of work, but it brings tensions of the modern plot and dialogues with the conservative modernization process in Peru. In this sense, his literature includes, among other issues, the author\'s concern with respect to the contradictions of the city of Lima, and its characters which are viewers of this process, carrying the frustration and failure of their expectations as marks
O ritual dos sádicos: cinema popular, experimental e subversivo nos anos de chumbo
No full textThis dissertation aims to research the cinematographic work of the director / actor / writer José Mojica Marins, particularly in regard of the most emblematic character he created and played: the sadistic gravedigger called Coffin’ Joe. The analysis will cover, specifically, the feature film entitled "Ritual dos Sádicos" (or "The Awakening of the Beast"), produced in 1970, with distribution completely prohibited by the censorship organs of the military dictatorship prevailing in Brazil during the period. It will be highlighted the great popular reception that the character - and the films in which it appears - obtained during the years 1960-70, causing it to "spill" through other media: comic books, folklore fiction literature etc., in addition to the critical fortune that rejected the work of the filmmaker, mostly. The film will also be analyzed according to elements characteristic of the genre called film-essay, and using – as reference – studies carried out by, among others, Theodor W. Adorno and Timothy Corrigan. The main objectives are: to situate the film, in its formal elements and content, within the set of productions categorized as film-essay; to situate the film within the set of cinematographic productions made during the most repressive period of the Brazilian military dictatorship (1968-1975), productions that suffered state censorship and (or) promoted in their film discourse a critique of the current regime; to try tracing the genetic procedures of the film, particularly in regard of its essayistic aspect (with obvious political positions), since its author, until then, refused to make politicized films. This research will seek to demonstrate that the work of José Mojica Marins allegorically represents (from the concept of allegory in Walter Benjamin and other authors) - although not in a programmatic way - the institutional violence practiced by the Brazilian State during the military dictatorship, particularly in the forms of: 1. torture; 2. censorship applied to artistic-cultural manifestations.Esta dissertação tem como objetivo pesquisar a obra cinematográfica do diretor / ator / roteirista paulistano José Mojica Marins, particularmente no que se refere ao personagem mais emblemático que ele criou e interpretou: o coveiro sádico chamado Zé do Caixão. Analisar-se-á a figura deste, especificamente, tomando por base o filme de longa-metragem intitulado “Ritual dos Sádicos” (ou “O Despertar da Besta”), realizado em 1970 e proibido de circulação pelos órgãos de censura da ditadura militar vigente no Brasil durante o período. Haverá destaque para a grande recepção popular que o personagem – e os filmes nos quais aparece – obteve durante os anos 1960- 70, fazendo com que se “derramasse” para outras mídias: histórias em quadrinhos, literatura de ficção folhetinesca e até mesmo literatura popular de cordel, para além da fortuna crítica que, majoritariamente, rejeitou a obra do cineasta. O filme em questão também será analisado a partir de elementos característicos do gênero denominado filme-ensaio, e utilizando como referência estudos realizados por, dentre outros autores, Theodor W. Adorno e Timothy Corrigan. Os objetivos principais são: situar o filme em questão, a partir de seus elementos formais e de conteúdo, dentro do conjunto das produções categorizadas como filmes-ensaio; situar o filme em questão dentro do conjunto das produções cinematográficas realizadas durante o período mais repressivo da ditadura militar brasileira, a partir de 1968, produções essas que sofreram censura estatal e(ou) promoveram, em seu discurso fílmico, uma crítica ao regime vigente; tentar traçar os procedimentos genéticos do filme, particularmente no que se refere ao seu aspecto ensaístico (com posicionamentos políticos evidentes), uma vez que seu autor, até então, recusava fazer filmes “politizados”. Este trabalho de pesquisa procurará demonstrar que a obra de José Mojica Marins representa de forma alegórica (a partir do conceito de alegoria em Walter Benjamin e outros autores) – ainda que não de modo programático – a violência institucional praticada pelo Estado brasileiro durante a ditadura militar, particularmente nas formas da: 1. tortura; 2. censura aplicada a manifestações artístico-culturais.Dados abertos - Sucupira - Teses e dissertações (2019
Rudolf Walsh, the cryptographer: relationships between written and policy action in the work of Rudolf Walsh
No full textO presente trabalho é um estudo da poética do escritor, jornalista e militante argentino Rodolfo Jorge Walsh. Tradutor, editor e autor de relatos policiais, soube fazer da atividade literária um ato de reflexão sobre a história do seu país e da própria ação militante. Os procedimentos de escrita utilizados dentro da sua obra procuravam a eficiência persuasiva, mas também a eficiência na representação dos problemas que estavam colocados para o escritor na sua ação política. São objeto de estudo deste trabalho: a passagem do policial de enigma para o hard-boiled e o posterior abandono do subgênero; a opção pela forma breve do conto e não do romance; o abandono da escrita estritamente literária que seria retomada só nos últimos meses da sua vida -processos que coincidiram com o desenvolvimento de investigações sobre crimes de Estado e seu ingresso na militância- e a retomada da autoria, pouco antes de morrer, para a produção de uma série de cartas pessoais no contexto da ditadura que se iniciou em 1976 e da polêmica do autor com a direção da organização Montoneros, na qual militava.The present work is a study of Rodolfo Jorge Walsh\'s poetry. He was an author, a journalist and an activist. Also a translator, editor an author of police short stories. He knew how to transform the literary activity into an act of reflexion about the history of his country and the activist action itself. The writing procedures used inside his works searched not only for a persuasive efficiency, but also the efficiency in representing the problems faced by the author in his political action. They are object of study: the passage from police enigma to hard-boiled and the following desertion of the sub gender; the option for the brief form of the short story and not the novel; desertion of the writing strictly literary that would be taken up again in the last months of his life - processes that coincided with the development of State crime investigations and his participation in an activist life - and getting back the authorship, shortly before his death, into a production of personal letters in a dictatorship context that began in 1976 and the controversy of the author in relation to the direction of the Montoneros organization, for which he was an activist
Crime and literature transgressions: crime fiction in the works of Juan José Saer and Ricardo Piglia.
No full textEste trabalho tem por objetivo analisar as relações entre o gênero policial e os romances La pesquisa (1994), de Juan José Saer, e Plata quemada (1997), de Ricardo Piglia. Inseridos nas poéticas singulares e originais de seus autores, ambos os textos refletem, por um lado, as práxis narrativas que tanto Saer quanto Piglia já vinham desenvolvendo havia vários anos quando da publicação dos livros, nos anos noventa. Por outro lado, a leitura dos romances sob a perspectiva das narrativas policiais, frequentemente associadas a uma literatura popular ou de massas, leva à indagação de se e como é possível o desenvolvimento de uma escrita mais complexa e ambiciosa esteticamente em diálogo com as convenções que, em princípio, caracterizam o gênero literário. A partir desta questão, a hipótese de leitura se concentrará no conceito de transgressão dentro da literatura, partindo da ideia de Michel Foucault desenvolvida no ensaio Prefacio a la transgresión. A transgressão pensada na escrita de La pesquisa e Plata quemada, então, pode consistir em um gesto que, ao franquear os limites genéricos, não só reconfigura as poéticas de Saer e Piglia, como também repensa o conceito de gênero policial, bem como a relação dos dois escritores com o contexto cultural em que desenvolvem suas obras.This study aims to analyze the relations between crime fiction as a literary genre and the novels La pesquisa [The investigation] (1994), by Juan José Saer, and Plata quemada [Burnt money] (1997), by Ricardo Piglia. Inserted into their author´s unique and original poetics, both texts reflect, on the one hand, the narrative praxis that both Saer and Piglia had already been developing for several years when the books were published in the nineties. On the other hand, the reading of the novels from the perspective of crime fiction, a genre often associated with popular or mass literature, leads to the question of how is it possible to develop a more complex and ambitious writing, aesthetically speaking, in dialog with the conventions that, in principle, distinguish the literary genre. From this point on, the hypothesis of reading will focus on the concept of transgression in literature, as it is developed by Michel Foucault in his essay Prefacio a la transgresión [A Preface to Transgression]. Back to the way La pesquisa and Plata quemada are conceived, the transgression can be figured out as a gesture that, by crossing the genre limits, not only reconfigure the way the narrative of Saer and Piglia could be read, but also rethink the crime fiction as a genre and the relations of both authors with the cultural context in which they develop their works
Specific Arabidopsis thaliana malic enzyme isoforms can provide anaplerotic pyruvate carboxylation function in Saccharomyces cerevisiae
No full textNAD(P)-malic enzyme (NAD(P)-ME) catalyzes the reversible oxidative decarboxylation of malate to pyruvate, CO2, and NAD(P)H and is present as a multigene family in Arabidopsis thaliana. The carboxylation reaction catalyzed by purified recombinant Arabidopsis NADP-ME proteins is faster than those reported for other animal or plant isoforms. In contrast, no carboxylation activity could be detected in vitro for the NAD-dependent counterparts. In order to further investigate their putative carboxylating role in vivo, Arabidopsis NAD(P)-ME isoforms, as well as the NADP-ME2del2 (with a decreased ability to carboxylate pyruvate) and NADP-ME2R115A (lacking fumarate activation) versions, were functionally expressed in the cytosol of pyruvate carboxylase-negative (Pyc−) Saccharomyces cerevisiae strains. The heterologous expression of NADP-ME1, NADP-ME2 (and its mutant proteins), and NADP-ME3 restored the growth of Pyc− S. cerevisiae on glucose, and this capacity was dependent on the availability of CO2. On the other hand, NADP-ME4, NAD-ME1, and NAD-ME2 could not rescue the Pyc− strains from C4 auxotrophy. NADP-ME carboxylation activity could be measured in leaf crude extracts of knockout and overexpressing Arabidopsis lines with modified levels of NADP-ME, where this activity was correlated with the amount of NADP-ME2 transcript. These results indicate that specific A. thaliana NADP-ME isoforms are able to play an anaplerotic role in vivo and provide a basis for the study on the carboxylating activity of NADP-ME, which may contribute to the synthesis of C4 compounds and redox shuttling in plant cells.Accepted Author Manuscript Title Manuscript differs from the publishers versionBT/Industriele Microbiologi
