1,334 research outputs found
[Motoristas da FJP]
No full textMotoristas da Fundação João Pinheiro (FJP), da esquerda para direita: José da Silva, Adilson de Souza, João dos Santos da Silva, Diomedes Dalpra e Edson Rodrigues de Souza
A correção monetária nas restituições tributárias
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1980
Jorge Pinheiro - obra figurativa : referenciais/diferenciais
No full textIn the sequence of the dissertation, Jorge Pinheiro: The Referential (2010) [Master’s degree in Painting] in FBAUL, aiming at the figurative work of the author in the last decade of the 20th century and the first decade of the 21st century, the current project of research emerges, deepening the knowledge about the representation and figuration of the pictorial work produced during this period of time. The figurative painting of Jorge Pinheiro, produced over 1990-2010, resorting to models of the Model, is the representation of images culturally produced in images obscurely dreamt in the game Composition and Representation. Jorge Pinheiro states that he first starts from the titles he searches for in Literature. Provocative, the title intertwined with the representation reaches the observer. The recognition of the appropriated figurative fragments is the key to decoding his painting. The initial spectator is the one the author looks for. The myths and symbolic values are represented in the Painting. They are representations of representations on behalf of the shapes of power in Composition and Representation. The Symbol-Figures of Representation taken from Painting, Photography, Cinema, and Photojournalism are sublimated icons, corrupted or ruined in the artwork of Jorge Pinheiro. The artwork questions its legitimacy and simultaneously reiterates it, reflects the concept of originality in the work’s identity, identifies the first authors, and makes us think of the authorship of the second authors, highlighting the position of the artist in relation to society and to his own craft with historical background. The cultural image prevails in the game of representation and aesthetic discourse because the object of imitation is not an object but an idea. Reinventing the Memory recall legacy, the painting of Jorge Pinheiro is a permeable territory where Painting evokes Painting, Art, and Western Humanistic Values, allowing a whole generation to identify itself in the artwork and question our way of being in the worl
Jorge Pinheiro - obra figurativa : referenciais/diferenciais
No full textIn the sequence of the dissertation, Jorge Pinheiro: The Referential (2010) [Master’s degree in Painting] in FBAUL, aiming at the figurative work of the author in the last decade of the 20th century and the first decade of the 21st century, the current project of research emerges, deepening the knowledge about the representation and figuration of the pictorial work produced during this period of time. The figurative painting of Jorge Pinheiro, produced over 1990-2010, resorting to models of the Model, is the representation of images culturally produced in images obscurely dreamt in the game Composition and Representation. Jorge Pinheiro states that he first starts from the titles he searches for in Literature. Provocative, the title intertwined with the representation reaches the observer. The recognition of the appropriated figurative fragments is the key to decoding his painting. The initial spectator is the one the author looks for. The myths and symbolic values are represented in the Painting. They are representations of representations on behalf of the shapes of power in Composition and Representation. The Symbol-Figures of Representation taken from Painting, Photography, Cinema, and Photojournalism are sublimated icons, corrupted or ruined in the artwork of Jorge Pinheiro. The artwork questions its legitimacy and simultaneously reiterates it, reflects the concept of originality in the work’s identity, identifies the first authors, and makes us think of the authorship of the second authors, highlighting the position of the artist in relation to society and to his own craft with historical background. The cultural image prevails in the game of representation and aesthetic discourse because the object of imitation is not an object but an idea. Reinventing the Memory recall legacy, the painting of Jorge Pinheiro is a permeable territory where Painting evokes Painting, Art, and Western Humanistic Values, allowing a whole generation to identify itself in the artwork and question our way of being in the worl
Análisis de la producción científica en Biblioteconomía y Documentación en el periodo 1995-2004 : estudio en los principales programas españoles y brasileños
No full textProjeto de implementação de um sistema de gestão da qualidade baseado na norma NP EN ISO 9001:2015 - estudo de caso Pinheiro Cardoso, Lda
No full textVersão Final (Esta versão contém as críticas e sugestões dos elementos do júri)O projeto apresentado consiste na implementação de um Sistema de Gestão da Qualidade na
organização Pinheiro&Cardoso, Lda., empresa do setor da Construção Civil – Carpintaria
de Limpos. O projeto tem por base um estudo de caso, com o intuito de melhorar o seu
desempenho organizacional. O Sistema de Gestão da Qualidade projetado é apoiado pela
versão portuguesa da Norma Europeia ISO 9001:2015.
O presente estudo foi sustentado por reuniões com a gestão de topo da Pinheiro&Cardoso,
Lda., entrevista com os colaboradores, formação de sensibilização com toda a organização
e observações do autor, permitindo o desenvolvimento de uma proposta para futura
implementação de um Sistema de Gestão da Qualidade na empresa.
A metodologia utilizada neste trabalho é o estudo de caso de natureza qualitativa.
Primeiramente, foi feita uma análise das práticas da organização face aos requisitos do
referencial normativo, consentindo num conhecimento para desenvolver as ações
necessárias à implementação do Sistema de Gestão da Qualidade. Foi estudado o processo
do trabalho desenvolvido pela organização desde a consulta dos clientes ao fornecimento de
produtos e serviços, sendo parte fundamental a abordagem por processos recomendado pelo
referencial normativo.
O resultado permitiu adequar os processos existentes, analisar o contexto organizacional e
desenvolver a estratégia de implementação do Sistema de Gestão da Qualidade de acordo
com a norma NP EN ISO 9001:2015, sempre com o foco central na satisfação dos clientes e
outras partes interessadas.
A organização Pinheiro&Cardoso, Lda., com a proposta de implementação do presente
projeto, assumiu uma nova postura face ao pensamento sobre a Qualidade e sua importância.
A perceção do funcionamento e a clarificação do seu sistema documental também foram
adquiridos pela empresa, que se comprometeu a corrigir situações, procurando a melhoria
das ligações com todas as partes interessadas.The project presented consists on the implementation of a quality management system at the
Pinheiro&Cardoso, Lda., of the building construction sector, specifically “Carpintaria de
Limpos”. This project is based on a case study with the aim of improving its organizational
performance. The designed Quality Management System is supported by the Portuguese
version of the European Standard ISO 900:2015.
The actual study was supported by meetings with Pinheiro&Cardoso, Lda. leadership, by the
interviews to the employees and by the awareness formation with the whole organization
and author observations, allowing the development of a proposal to a Management System
of Quality future implementation in the company.
The methodology used for this work was the study of a case with a qualitative nature. Firstly,
the organization's practices in relation to the requirements of the normative framework were
analysed, allowing knowledge to develop the actions necessary for the implementation of
the Quality Management System. The work process developed by the organization was
studied from the customers to the products and services suppliers, being a fundamental part
in the approach by processes recommended by the referential normative.
The result allowed the adequacy of the existing processes, not only to analyse the
organizational context but also to develop the strategy of implementation of the Quality
Management System (NP EN ISO 9001: 2015), always with the central focus on the
customers’ satisfaction and other involved parts.
The Pinheiro&Cardoso, Lda. organization, with the proposed implementation of this project,
assumed a new posture regarding the thought about Quality and its importance. The
perception of the functioning and the clarification of its documental system were also
acquired by the company, which undertook to correct situations, seeking the improvement
of the connections with all the interested parts
DUAS LEITURAS DE “JULIETA: CONTO FANTÁSTICO”, DE PINHEIRO CHAGAS
No full textThe Portuguese writer Manuel Pinheiro Chagas (1842-1895) was very productive in the second half of the 19th century. Despite his diversified work, currently, he is practically forgotten, and he is not usually associated to Portuguese fantastic literature. The objective of this work is to read a narrative compiled in the collection A lenda da meia-noite (1874), “Julieta: conto fantástico”, in comparison with an article published in the journal O panorama (1868), in which the author makes theoretical-critical considerations on the fantastic. Our hypothesis is that Pinheiro Chagas, in the referred short story, inserts the fantastic in a similar way to his appointments in the respective article. In addition, we will show two possibilities of reading the short story, which are different, depending on the publication support.O escritor português Manuel Pinheiro Chagas (1842-1895) foi bastante produtivo na segunda metade do século XIX. Embora tenha uma obra diversificada, atualmente, é praticamente esquecido e não costuma ser vinculado à literatura fantástica portuguesa. Objetiva-se, neste estudo, a leitura de uma narrativa compilada na coletânea A lenda da meia-noite (1874), “Julieta: conto fantástico”, em cotejo com um artigo publicado no periódico O panorama (1868), no qual o autor faz considerações teórico-críticas acerca do fantástico. A nossa hipótese é que Pinheiro Chagas, no referido conto, insere o fantástico de forma semelhante aos apontamentos defendidos por ele no respectivo artigo. Além disso, mostraremos duas possibilidades de leitura para o conto, que são diferentes, a depender do suporte de publicação
Elementos para uma análise grafemática de tempos pretéritos: uma experiência metodológica aplicada a um manuscrito oitocentista
No full textThis article aims to present a methodological experience, based on the graphematic study of the representation of the phonemes /z/, /s/ and /ʃ/, based on the semidiplomatic edition of the Livro de Razão do Campo Seco, a manuscript produced between 1794 and 1838, by three members of the Pinheiro Canguçu family (Antônio Pinheiro Pinto, Inocêncio José Pinheiro Pinto and Miguel Joaquim de Castro Mirante) in Bom Jesus dos Meiras, present-day Brumado. For that, we briefly characterize the manuscript, defining it, highlighting the material support and the profile of the main writers - Antônio Pinheiro Pinto, Inocêncio José Pinheiro Pinto. Then, we demonstrate how knowledge of the history of Portuguese orthography and the set of metalinguistic evidence from the time of the document, in addition to identifying the level of schooling of the scriptores, are essential factors for the graphematic analysis of past tenses. The results obtained reveal that the Campo Seco writers mirror in the Livro de Razão a graphic production similar to that circulated in the newspapers, dictionaries and letters of illustrious scholars consulted. The data reinforce the hypothesis of pendular spelling defended by Barbosa (1999) and contradict the idea that the people of Campo Seco had little schooling, since they had little linguistic knowledge, according to Santos Filho (2012).Este artigo tem como objetivo apresentar uma experiência metodológica, pautada no estudo grafemático da representação dos fonemas /z/, /s/ e /ʃ/, a partir da edição semidiplomática do Livro de Razão do Campo Seco, manuscrito produzido entre 1794 e 1838, por três pessoas da família Pinheiro Canguçu (Antônio Pinheiro Pinto, Inocêncio José Pinheiro Pinto e Miguel Joaquim de Castro Mirante[1]) em Bom Jesus dos Meiras, atual cidade de Brumado. Para tanto, caracterizamos , brevemente, o manuscrito, definindo-o, destacando o suporte material e o perfil dos principais scriptores - Antônio Pinheiro Pinto, Inocêncio José Pinheiro Pinto. Em seguida, demostramos como o conhecimento da história da ortografia portuguesa e o conjunto de evidências metalinguísticas da época do documento, além da identificação do grau de escolarização dos scriptores, são fatores essenciais para a análise grafemática de tempos pretéritos. Os resultados obtidos revelam que os scriptores do Campo Seco espelham no Livro de Razão uma produção gráfica semelhante ao que circulava nos jornais, dicionários e cartas de letrados ilustres consultados. Os dados reforçam a hipótese de ortografia pendular defendida por Barbosa (1999) e descontroem a ideia de que os senhores o Campo Seco tinham pouca escolarização, já que possuíam pouco conhecimento linguístico, conforme Santos Filho (2012).
 
Influence of hydroclimatic variations on solute concentration dynamics in nested subtropical catchments with heterogeneous landscapes
No full textISI Document Delivery No.: GK8RITimes Cited: 0Cited Reference Count: 53Piazza, Gustavo Antonio Dupas, Remi Gascuel-Odoux, Chantal Grimaldi, Catherine Pinheiro, Adilson Kaufmann, VanderCNPq [403739/2013-6, 309980/2017-8]; FAPESC [2016TR2525]; CAPES [PDSE - 88881.134429/2016-01]Long-term monitoring in the Concordia catchment is supported by CNPq (Process 403739/2013-6 and 309980/2017-8) and FAPESC (Process 2016TR2525). The first author acknowledges CAPES for the scholarship (process PDSE - 88881.134429/2016-01). The authors would like to thank all those who helped with the field and lab work.Elsevier science bvAmsterdamDespite global efforts to monitor water quality in catchments worldwide, tropical and subtropical zones still lack data to study the influence of human activities and climate variations on solute dynamics. In this study, we monitored ten solutes every two weeks for six years (2010-2015) in three nested catchments (2 to 30 km(2)), which contained heterogeneous landscapes composed of forests and agricultural land, and one small neighboring forested catchment (0.4 km(2)). Data analysis revealed that i) rainfall, discharge and solute concentrations displayed no clear seasonal patterns, unlike many catchments of the temperate zone; ii) solute concentrations in the agricultural area were higher than those in the forested area, but both areas displayed similar temporal patterns due to a common hydroclimatic driver; iii) all four catchments displayed a chemostatic export regime for most of the solutes, similar to catchments of the temperate zone; and iv) a positive correlation was observed between anion concentrations and ENSO (El Nino-Southern Oscillation) index. ENSO appeared to influence both hydroclimatic and anion dynamics in these subtropical catchments. (C) 2018 Elsevier B.V. All rights reserved
Navegar é preciso - 30 anos na Linha D'Água
No full textDois versos: “é preciso estar atento e forte”, “Quando um muro separa uma ponte une”. O primeiro é de Caetano Veloso e Gilberto Gil, o segundo de Paulo Sérgio
Pinheiro e Maurício Tapaós
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