429 research outputs found

    Antonius Diogenes, Die unglaublichen Dinge jenseits von Thule

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    The Wonders Beyond Thule by Antonius Diogenes uniquely combines a range of themes, including aspects of a love story, fantastic journeys, and Pythagorean philosophy. The author reassembles this work, which has only been preserved through papyrus fragments as well as later authors’ accounts, into a new edition that offers detailed philological and interpretive commentary on all of the surviving descriptions and fragments

    PERAN GURU PENDIDIKAN AGAMA KATOLIK DALAM MENINGKATKAN KECERDASAN EMOSIONAL SISWA KELAS XI IPA DI SMA SANTO ANTONIUS BANGUN MULIA MEDAN

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    Penelitian ini bertujuan untuk memahami peran Guru Pendidikan Agama Katolik dalam meningkatkan kecerdasan emosional siswa dengan menggambarkan keadaan yang sebenarnya dari objek penelitian. Metode penelitian yang digunakan adalah kualitatif deskriptif dengan pendekatan kualitatif. Penelitian ini dilakukan di SMA St. Antonius Bangun Mulia Medan, melibatkan 13 informan yang terdiri dari siswa, guru, dan kepala sekolah. Pengumpulan data dilakukan melalui observasi, wawancara, dan dokumentasi. Data yang terkumpul kemudian dianalisis melalui tahap pengumpulan data, reduksi, penyajian data, dan penarikan kesimpulan. Hasil pengolahan data menunjukkan pertama: Terjadi peningkatan terhadap kecerdasan emosional siswa kelas XI IPA di SMA St. Antonius Bangun Mulia Medan. Kedua: Peran Guru PAK sangat penting dan sangat memperngaruhi peningkatan kecerdasan emosional siswa. Rekomendasi hasil penelitian ini bahwa guru PAK berupaya tetap berperan terhadap peningkatan kecerdasan emosional siswa kelas XI IPA di SMA St. Antonius Bangun Mulia dan tetap melakukan pendekatan yang kepada siswa tersebut. Kata kunci: kecerdasan emosional, peran guru Pendidikan Agama Katoli

    Links Between Antonius Diogenes and Petronius

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    In this paper I look at the different possible relationships between these two texts: that Antonius Diogenes may be aware of and use the Satyrica of Petronius, that Petronius may use Antonius Diogenes, and that the two texts may be separately influenced by a common Milesian-style source. These hypotheses and their consequences are weighed and examined: all remain possibilities and may be consistent with chronology and relationships to other texts.Ewen Bowie is E.P.Warren Praelector in Classics at Corpus Christi College, Oxford, and Professor of Classical Languages and Literature in the University of Oxford. He is the author of many papers on the ancient novel and associated topics, and is working on a commentary on Daphnis and Chloe

    Antonius Andreae and Classical Culture

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    Tomás y Joaquín Carreras afirmaron (1943) que o bien el Scriptum super Metaphysicam Aristotelis no era una obra genuina de Antonius Andreae († ca. 1333) o bien había sido objeto de interpolaciones porque su autor manifiesta unos conocimientos de cultura clásica y una mentalidad propios del s. XV. Actualmente los especialistas consideran que esta obra es auténtica de Andreae, pero ¿pudo ser objeto de interpolaciones? Solo un examen detallado de la tradición manuscrita e impresa permitirá en el futuro responder definitivamente a esta pregunta. De momento este artículo analiza los conocimientos de cultura clásica manifestados en dicha obra y concluye que son compatibles con un autor de inicios del s. XIV.Tomàs and Joaquim Carreras stated (1943) that either the Scriptum super Metaphysicam Aristotelis was not genuinely by Antonius Andreae († ca. 1333), or it was subjected to interpolations because its author demonstrates knowledge of classical culture and a mentality characteristic of the fifteenth century. Experts currently consider this work to be genuinely by Andreae; but could it also have been subjected to interpolations? Only a detailed examination of the manuscript and printed tradition will, in the future, allow this question to be answered definitively. For the moment, this article analyses the knowledge of classical culture demonstrated in this work, and concludes that it is compatible with the knowledge available to an author from the beginning of the fourteenth century

    Arnfried Antonius, coral diseases, and the AMLC

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    The study of coral diseases, coral pathogens, and the effects of diseases on tropical and subtropical coral reefs are all current, high-profile research areas. This interest has grown steadily since the first report of a coral disease in 1973. The author of this report was Arnfried Antonius and the publication was an abstract in the proceedings of a scientific meeting of the Association of Marine Laboratories of the Caribbean, or AMLC (then known as the Association of Island Marine Laboratories of the Caribbean). Since Antonius’ pioneering communication he continued working on coral diseases on reefs throughout the world, often documenting the first observation of a novel pathology in a novel location. Each of the coral diseases Antonius first described, in particular black band disease, is the subject of current and ongoing investigations addressing pathogens, etiology, and their effects on coral reefs. Many of the points and observations he made in his early papers are highly relevant to research today. This paper reviews aspects of Antonius’ early work, highlighting contributions he made that include the first in situ experimental studies aimed at discerning coral epizootiology and the first quantitative assessments of the role of environmental factors in coral disease. Antonius’ early findings are discussed in terms of relevant current controversies in this research areaEl estudio de las enfermedades de los corales, los patogenos de los corales y los efectos de estas enfermedades sobre los arrecifes tropicales y subtropicales son actualmente areas importantes de investigacion. El interés en este tema ha crecido continuamente desde el primer informe sobre una enfermedad de coral que se publico en 1973. El autor de este informe fue Arnfried Antonius y la publicacion fue un resumen en el Libro de Programa y Resumenes de la Decima Reunion de la Asociacion de Laboratorios Marinos Islenos del Caribe (conocida ahora como la Asociacion de Laboratorios Marinos del Caribe). Desde esta comunicacion pionera, Antonius siguio trabajando sobre las enfermedades de los corales en arrecifes alrededor del mundo, a menudo documentando la primera observacion de una nueva enfermedad en un nuevo lugar. Cada enfermedad de coral descrita por primera vez por Antonius es actualmente el objeto de investigaciones actuales en lo que se refiere a patogenos, ecologia de las enfermedades y los efectos sobre los arrecifes de coral. Muchas de las observaciones en sus trabajos tempranos siguen siendo relevantes en la investigacion actual. Este trabajo examinara ciertos aspectos de los estudios tempranos de Antonius sobre las enfermedades de los corales, poniendo de relieve sus contribuciones novedosas que incluyen los primeros experimentos in situ que tenian como objetivo el estudio de la etiologia de las enfermedades de los corales y los primeros analisis cuantitativos de la incidencia de las enfermedades de corales y de los patrones de distribución en funcion de los factores ambientales. Las contribuciones iniciales de Antonius se discuten en terminos de las controversias actuales sobre el tema

    Penerapan Model Cooperative Learning Pada Pembelajaran SBDP Di Sekolah Dasar St. Antonius 1 Semarang

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    Model pembelajaran berbanding lurus terhadap hasil belajar siswa. Penelitian ini bertujuan untuk menguji model pembelajaran yang efektifserta efisien dalam meningkatkan hasil pembelajaran SBDP pada siswa kelas V sekolah dasar St. Antonius 1 Semarang dengan menerapkan model pembelajaran cooperative learning. Penelitian ini menggunakan pendekatan metode kuantitatif eksperimen di mana jumlah siswa akan dibagi menjadi 2 kelas yaitu kelas kontrol dan kelas eksperimen, dari 2 kelas ini hanya kelas eksperimen yang mendapat treatment penerapan model cooperative learning di mana menjadi pembanding dengan kelas kontrol yang tidak diberikan treatment

    Kidung Adi: Buku iringan Organ Jilid I

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    Musik Gamelan Jawa, khususnya karawitan liturgi, memiliki nafas dan jiwa yang dalam dan tidak tergantikan oleh alat musik lainnya. Namun upaya memelihara musik tradisonal ini dengan alat pengganti musik lain yaitu organ dilakukan guna menjadikan musik ini tersebar di kalangan umum dengan menggunakan instrumen musik yang ada. Upaya ini dilakukan untuk memasyarakatkan musik inkulturasi menggunakan alat musik modern. Buku ini memuat iringan lagu-lagu yang sudah termuat dalam buku umat atau kor Kidung Adi dengan gubahan (aransemen), karena beberapa lagu sudah ada iringannya yang dimuat dalam buku Madah Bakti. Penerbitan buku ini dimaksudkan agar para organis bisa mengiringi nyanyian dalam Buku Kidung Adi yang memang belum tersedia iringannya. Aransemen iringan dalam buku ini dilakukan oleh para organis muda Paroki St. Antonius Kotabaru dengan dukungan dari Pastor dan Pengurus Dewan Paroki. Seluruh aransemen iringan sudah diperiksa maupun dikoreksi sehingga selaras dengan ketentuan dalam Kursus Musik Gereja. Dalam edisi revisi ini buku iringan menjadi dua jilid, jilid I berupa nyanyian yang digunakan dalam satu tahun ibadat, sedangkan jilid II merupakan nyayian untuk acara-acara/ibadat tertentu

    Antonius Andreae y la Cultura Clásica

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    Tomàs and Joaquim Carreras stated (1943) that either the Scriptum super Metaphysicam Aristoteliswas not genuinely by Antonius Andreae († ca. 1333), or it was subjected to interpolations because its author demonstrates knowledge of classical culture and a mentality characteristic of the fifteenth century. Experts currently consider this work to be genuinely by Andreae; but could it also have been subjected to interpolations? Only a detailed examination of the manuscript and printed tradition will, in the future, allow this question to be answered definitively. For the moment, this article analyses the knowledge of classical culture demonstrated in this work, and concludes that it is compatible with the knowledge available to an author from the beginning of the fourteenth century.Tomás y Joaquín Carreras afirmaron (1943) que o bien el Scriptum super Metaphysicam Aristotelisno era una obra genuina de Antonius Andreae († ca.1333) o bien había sido objeto de interpolaciones porque su autor manifiesta unos conocimientos de cultura clásica y una mentalidad propios del s. XV. Actualmente los especialistas consideran que esta obra es auténtica de Andreae, pero ¿pudo ser objeto de interpolaciones? Solo un examen detallado de la tradición manuscrita e impresa permitará en el futuro responder definitivamente a esta pregunta. De momento este artículo analiza los conocimientos de cultura clásica manifestados en dicha obra y concluye que son compatibles con un autor de inicios del s. XIV

    KAJIAN STILISTIKA PADA KUMPULAN PUISI SAPE’ JINGGA KARYA ANTONIUS TOTOK PRIYADI

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    Abstract     This study aims to describe the diction, style of language, and imagery contained in the collection of poetry Sape' Jingga by Antonius Totok Priyadi. The research method used is a descriptive method with a qualitative research form. The approach used is a stylistic approach. The data source of this research is a collection of poetry Sape' Jingga by Antonius Totok Priyadi which was written in 2015. The techniques and data collection tools used in this research are documentary studies and the researchers themselves. The data validity testing technique uses reference estimation, peer checking through discussion, and triangulation. The results of this study are about diction, language style and imagery contained in the collection of poetry Sape' Jingg by Antonius Totok Priyadi regarding data analysis carried out by determining the diction or word choice used by the author. The diction used includes the use of connotation, denotation, abstract, special, and vulgar words. The use of language style in the collection of Sape' Jingga poetry by Antonius Totok Priyadi includes hyperbole, personification, metaphor, smile, and repetition. The use of imagery in the collection of poetry Sape' Jingga by Antonius Totok Priyadi includes visual imagery, auditory imagery, movement imagery and olfactory imagery. Keywords: Diction, image, language style, poetry collection

    Antonius Andreae y la cultura clásica / Antonius Andreae and Classical Culture

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    Tomàs and Joaquim Carreras stated (1943) that either the Scriptum super Metaphysicam Aristotelis was not genuinely by Antonius Andreae († ca. 1333), or it was subjected to interpolations because its author demonstrates knowledge of classical culture and a mentality characteristic of the fifteenth century. Experts currently consider this work to be genuinely by Andreae; but could it also have been subjected to interpolations? Only a detailed examination of the manuscript and printed tradition will, in the future, allow this question to be answered definitively. For the moment, this article analyses the knowledge of classical culture demonstrated in this work, and concludes that it is compatible with the knowledge available to an author from the beginning of the fourteenth century.</jats:p
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