1,808,204 research outputs found
ديوان كانى (MS 384); منشأت (MS 385)
No full textBirbirinden farklı 2 adet yazmanın bir araya getirilmesiyle oluşturulmuş ve ciltlenmiş bir eserdir (Yazma numaraları : MS 384, MS 385). Her iki yazma da Osmanlıca olup 1797 yılında yazılmıştır. MS 384 : 1b-2a: mensur dibace; 2b-9a: besmele manzumeleri, naatler ve tarikat pirlerine yazılan kasideler; 9b-30a: kasideler; 30a-35a: bir mecmuanın zahrına yazdıkları ebyat ve mersiyeler; 35a-41b: tarih manzumeleri; 41b-45a: musammatlar; 45a-91b: gazeller; 91b-99a: mukattaat; 99a-102b: ebyât. Ayrıca 1a’da bir beyit, kısa bir not ve okunamayan bir mühür, 1b’de Muhyiddin adına ikinci bir mühür vardır. Divanın sonunda şairin münşeatı (bkz. 230/II). Eserin tenkitli metni yayımlanmıştır (bkz. kaynakça). MS 385 : Eser bir çoğu mizahi bir vurgu taşıyan ve inşa üslubuyla yazılmış mektupların bir araya gelmesiyle oluşmuş bir derlemedir. İlk metin “sûret-i arzıhâl ez-cânib-i hod”, son metin “fıkra-i âher” başlığını taşır. Son sayfada Hüseyin adına mühür vardır
PowerTAC 2015-04 Qualifying 381-385
No full text<p>Log and boot files of games 381 - 385</p>
Resolución UNRN N° 385/2009. Contratar personal temporario
No full textFil: Universidad Nacional de Río Negro (U). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución UNRN N° 385/2009. Contratar personal temporariofals
Gemeindenachrichten Ottensheim 2017 / 385 (2017 / 385)
No full textGEMEINDENACHRICHTEN OTTENSHEIM 2017 / 385
Gemeindenachrichten Ottensheim (-)
Gemeindenachrichten Ottensheim 2017 / 385 (2017 / 385) ([1]
Opal and Ba/Ti ratio for IODP Holes 385-U1545A and 385-U1549A
No full textThe dataset compiles paleoproductivity proxies from sediments recovered from the first 42.29 meters below the seafloor (mbsf) at Hole 385-U1545A, with a resolution of 30 cm for opal, Ba, Ti and Ba/Ti, and from the first 29.19 mbsf at Hole 385-U1549A, with a resolution of 60 cm for opal, Ba, Ti, and Ba/Ti. Sediment cores were obtained aboard the deep-sea vessel R/V JOIDES Resolution during International Ocean Discovery Program (IODP) Expedition 385 in the Guaymas Basin. The data includes Ages (cal yr BP), opal, Ba, Ti, Ba/Ti ratios, and opal difference between Site 385-U1545A and 385-U1549A
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Science politique : 385-941-76, 385-945-76, 385-946-76
No full textTitre de la couv.: Science politique : 385-941-76, 385-945-76, 385-946-76Bibliogr.: f. 16-22Comprend des notes bibliogr
Bulletin No. 385 - Biochemical and Chemical Studies on Astragalus Leaves and Roots
No full textBulletin No. 385 - Biochemical and Chemical Studies on Astragalus Leaves and Root
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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