1,721,322 research outputs found
Sobron Aidit, Razzia Agustus dan cerita-cerita lainnya
No full textChambert-Loir Henri. Sobron Aidit, Razzia Agustus dan cerita-cerita lainnya. In: Archipel, volume 45, 1993. p. 205
Developing Technopreneurship for Society During and Post-Covid-19 in a Mechanical Engineering Perspective
No full textMateri ini disampaikan pada Webinar yang diselenggarakan oleh Teknik Mesin Universitas Medan Area dengan Tema "Menumbuhkembangkan Teknopreneurship Bagi Masyarakat Selama Masa Dan Pasca Pembatasan Sosial Berskala Besar Covid-19 Dalam Perspektif Teknik Mesin". Webinar diadakan pada tanggal 6 juli 2020, narasumber pada acara ini adalah Ir. M. Sobron Yamin Lubis, M.Sc, Ph.D - This material was presented in a Webinar organized by the Mechanical Engineering University of Medan Area with the theme "Developing Technopreneurship for Communities During and Post Covid-19 Large-Scale Social Restrictions in a Mechanical Engineering Perspective". The webinar was held on July 6, 2020, the resource person at this event was Ir. M. Sobron Yamin Lubis, M.Sc, Ph.
Sobron Aidit, Razzia Agustus dan cerita-cerita lainnya
No full textChambert-Loir Henri. Sobron Aidit, Razzia Agustus dan cerita-cerita lainnya. In: Archipel, volume 45, 1993. p. 205
NASIONALISME PARA STATELESS DALAM KUMPULAN PUISI MENCARI LANGIT KARYA SOBRON AIDIT
Full text linkpoetry Mencari Langit by Sobron Aidit. This study has two major
purposes. The first aim is to examine the nationalism on Sobron Aidit's collection
poetry. The second aim is to analyze and formulate the stateless nationalism on a
collection poetry by Sobron Aidit.
This study uses the paradigm of literary sociology. The paradigm in this
study in the process of assessment using the concept of cultural roots of
nationalism, the origin of national consciousness, as well as official nationalism
and imperialism expressed Benedict Anderson. The object studied is poetry then
also used the stages of analysis of poetry Roman Ingarden and J. Elema. The data
of this research is a material object in the form of a collection of poems Mencari
Langit by Sobron Aidit. The data in this research is obtained from the literature
data contained in a collection of poems Mencari Langit, journals, and books
related to the lives of the stateless.
This study has two outlines. The first is nationalism of stateless is a
long-distance nationalism because of they still show a commitment for their
homeland. The nationalism of the stateless is formed through public awareness.
For creating that, it needs struggle, sacrifice, cost, energy and mind. However, all
these sacrifices in order to achieve popular nationalism. When popular
nationalism has been established it will emerge as the official formation of
nationalism. The process of occurrence begins with the collapse of the new order
until the birth of the reform era. The emergence of a period of reform is what is
called the creation of control in government. Second, the meaning of stateless
nationalism reflected in Aidit's collection of poetry is a struggle for rights.
Instinctively, humans will feel really love when something that is owned almost
lost or taken from him. Similarly, citizenship rights are attempted to be recaptured
by the stateless as in the collection of Aidit's Mencari Langit. All forms of
nationalism efforts other than as a form of struggle in general is also a form of
personal struggle Aidit. Obviously, it can improve its position back in the
Indonesian government in particular. Also in the intellectual world (education, art,
culture, or literature) in general
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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