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Correspondence between Torao Moriguchi, Lietuenant General Gregory and Yost
No full textCorrespondence between Torao Moriguchi, Lietuenant General Gregory and Yost regarding the death of Haluto Moriguchi
Analisis Pembalasan Tokoh Utama Moriguchi Yuko dalam Novel Confession karya Minato Kanae
No full textNovel karya Minato Kanae dengan judul “Confession” atau “Kokuhaku (告白)” dalam bahasa Jepang, adalah novel dengan tema balas dendam. Peneliti memusatkan fokus pada tokoh Moriguchi Yuko dalam kasus pembalasan dendamnya. Dengan metode penelitian Deskriptif Kualitatif, tujuan penelitian ini untuk menjabarkan latar belakang pembalasan Moriguchi Yuko kepada anak anak SMP yang telah membunuh anaknya, yaitu Manami. Novel Confession karya Minato Kanae juga menjadi sumber data utama dalam penelitian ini. Hasil analisis yang telah dilakukan, menunjukkan bahwa kasus balas dendam menjadi kunci utama dalam novel ini. Penggambaran tata cara penulisan novel, menggunakan narasi satu arah atau sudut pandang orang pertama, pada setiap bagan. Minao Kanae, menghadirkan cita rasa narasi baru, dengan menjabarkan setiap emosi karakter yang ada pada novel Confession. Namun, meskipun begitu, kunci novel terdapat pada karakter utama yaitu Moriguchi Yuko. Moriguchi Yuko digambarkan sebagai seorang guru SMP, dan seorang ibu tunggal yang sangat menyayangi anaknya, Manami. Semua berjalan dengan baik, sampai pada anaknya yaitu “Manami” meninggal dunia secara tidak wajar. Kemudian, mulailah berbagai macam kasus pembalasan dendam yang kompleks dan saling terikat satu sama lain, oleh Moriguchi Yuko sebagai dalang utama. Melalui novel ini, pembaca dapat mendapatkan banyak pesan moral yang berkaitan dengan Keadilan, Moralitas, dan Konsekuensi Psikologis.
Kata kunci: Analisis Karakter, Minato Kanae, Confession, Moriguchi Yuko, Pembalasan Dendam
The novel “Confession” (Kokuhaku, 告白) by Minato Kanae is a story with the theme of revenge. The researcher focuses on the character of Moriguchi Yuko in her case of revenge. Using a descriptive qualitative research method, the aim of this study is to elaborate on the background of Moriguchi Yuko’s revenge against the middle school children who killed her daughter, Manami. The novel *Confession* by Minato Kanae is also the primary source of data for this research. The analysis shows that the theme of revenge is a key element in the novel. The writing style of the novel uses a one-way narrative or first-person perspective for each section. Minato Kanae presents a new narrative flavor by describing the emotions of each character in *Confession*. However, despite this, the key to the novel lies in the main character, Moriguchi Yuko. Moriguchi Yuko is depicted as a middle school teacher and a single mother who deeply loves her daughter, Manami. Everything goes well until her daughter, Manami, dies in an unnatural way. Afterward, a series of complex and interconnected revenge cases begin, with Moriguchi Yuko as the mastermind. Through this novel, readers can gain many moral lessons related to Justice, Morality, and Psychological Consequences.
Keywords: Character Analysis, Minato Kanae, Confession, Moriguchi Yuko, Reveng
Chikashi Moriguchi- Business cycles and manufacturers' short-term production decisions.
No full textDerycke Pierre-Henri. Chikashi Moriguchi- Business cycles and manufacturers' short-term production decisions.. In: Revue économique, volume 20, n°3, 1969. pp. 548-549
MEKANISME PERTAHANAN EGO YUKO MORIGUCHI DALAM FILM CONFESSIONS KAJIAN PSIKOLOGI SASTRA 「告白」という映画にいる悠子森口の自己防衛のメカニズム - 精神分析
Get PDFABSTRACT
Muhammad Yusdwindra. 2018. "Mechanism of Defense Ego Yuko Moriguchi in the film Confessions Literature Psychology Review". Thesis Program of Japanese Literature, Diponegoro University. Advisors Zaki Ainul Fadli, SS, M.Hum.
This study uses a study object in the form of a film entitled Confessions. This research uses library research method in obtaining data to support this research. Theories that support in this research is the theory of personality analysis, instinct theory and psychoanalytic theory that discusses the structure of human personality proposed by Sigmund Freud.
Thesis discussed the conflict experienced by the main character that is Yuko Moriguchi. Moriguchi's id tended to be stronger than the superego in influencing the ego on the Confessions film as well as how the ego defense mechanisms used to overcome the conflicts experienced by Yuko Moriguchi. The results of this study are Yuko Moriguchi is the main character who has a humble, skeptical, ingenious, responsible, loving, and vengeful.The conflict experienced by Yuko Moriguchi is the Moriguchi conflict in an attempt to retaliate against Naoki and Shuya the cause of the death of Manami. Found that Moriguchi has its own uniqueness that is element of id acting based on instinct so dominant than element superego which act based on morality.The way to overcome the conflicts experienced by Yuko Moriguchi is by doing ego defense mechanisms to reduce the anxiety that occurs.
Keywords: Yuko Moriguchi, Confessions, ego defense mechanis
Gangguan Kejiwaan Destruksi Melancholia pada Yuuko Moriguchi dalam Film `Confessions` Karya Kanae Minato
No full textSkripsi ini berjudul Gangguan Kejiwaan Destruksi Melancholia pada Yuuko Moriguchi dalam Film "Confessions" Karya Kanae Minato oleh Eva Riski Amalia. Skripsi ini bertujuan untuk menganalisis perilaku dan psikologis tokoh utama yaitu Yuuko Moriguchi setelah kehilangan anak kesayangannya, Sakuramiya Manami. Analisis menggunakan teori psikoanalisis dan teori mourning and melancholia dari Sigmund Freud. Hasil dari peneltian ini dapat disimpulkan bahwa Yuuko memasuki dua fase kejiwaan, yaitu fase mourning yang muncul karena hilangnya libidinal cathexis dan fase melancholia yang muncul setelah depresi yang tak kunjung reda. Kemudian dari melancholia tersebut menimbulkan efek destruktif, yaitu berubahnya kondisi psikologis dari tokoh Yuuko (efek internal) dan tertekannya mental kedua muridnya yang telah melenyapkan libidinal cathexis milik Yuuko (efek eksternal). Gangguan jiwa melancholia mengharuskan Yuuko untuk memenuhi hasrat balas dendamnya. Balas dendam yang dilakukannya menggunakan pihak ketiga karena si pelaku masih dalam lindungan hukum. Yuuko dapat terlepas dari melancholia setelah pelaku telah merasakan perasaan yang sama seperti yang Yuuko rasakan
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Possibilità terapeutiche e risultati a lungo termine dell’elevazione del seno mascellare
No full textColor strategies of camellias recruiting different pollinators
No full textMori, Shinnosuke, Hasegawa, Yoichi, Moriguchi, Yoshinari (2023): Color strategies of camellias recruiting different pollinators. Phytochemistry (113559) 207: 1-9, DOI: 10.1016/j.phytochem.2022.113559, URL: http://dx.doi.org/10.1016/j.phytochem.2022.11355
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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