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    SCHEDA TESI La narrativa degli hijos argentini nell’esilio: un approccio liminale

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    SCHEDA TESI La narrativa degli hijos argentini nell’esilio: un approccio liminale di Federico Cantoni RELATORE: prof.ssa Laura Scarabelli CORRELATORE: prof.ssa Emilia Perassi CORSO DI LAUREA: Laurea magistrale in lingue e letterature europee ed extraeuropee UNIVERSITÀ: Università degli Studi di Milano ANNO ACCADEMICO: 2017-201

    Construcciones lingüístico-humorísticas para ablandar la violencia. El caso de Líbranos del bien de Alonso Sánchez Baute

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    El objetivo de este estudio es analizar Líbranos del bien de Alonso Sánchez Baute (2008), crónica novelada de la violencia de la sociedad colombiana del siglo XXI, partiendo de sus numerosas construcciones lingüístico-humorísticas, de las que el autor dota a la narradora, Josefina Palmera, una mujer centenaria sentada en una mecedora contando las vicisitudes de una región aniquilada por la inhumanidad. Las construcciones lingüístico-humorísticas se clasificarán con base en la teoría del humor de Leonor Ruiz Gurillo (2012), al considerar el texto de la obra un monólogo con marcas, esto es, humorísticas. Estas se taxonomizarán dependiendo de sus rasgos de planificación, inmediatez, interacción cara a cara y retroalimentación (Ruiz Gurillo 2019). Los resultados de esta taxonomía proporcionarán los matices conceptuales útiles para explicar la manera en la que el autor ablanda la violencia de la sociedad colombiana del siglo XXI, al enfrentarse los ejércitos de las Fuerzas Armadas Revolucionarias de Colombia (FARC) y de las Autodefensas Unidas de Colombia (AUC) por medio de Ricardo Palmera (alias Simón Trinidad) y Jorge Tovar Pupo (alias Jorge 40), vecinos en Valledupar y divididos por una guerra civil interminable. Quizás solo el humor pueda contar lo incontable, suavizando la crueldad para detallar la verdad

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    El ’73 en primera persona: respuestas estéticas al horror

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    El ’73 en primera persona:  respuestas estéticas al horror (editado por) Rubí Carreño Bolívar, Laura Scarabelli, Federico Cantoni y Giuseppe Cal

    1973 in first person: Aesthetic responses to horror|El '73 en primera persona: respuestas estéticas al horror

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    El ’73 en primera persona:  respuestas estéticas al horror (editado por) Rubí Carreño Bolívar, Laura Scarabelli, Federico Cantoni y Giuseppe Cali

    La reconfiguración del campo político en San Juan. Una aproximación a los gobiernos de Cantoni y Bravo.

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    A partir del análisis sociohistórico (basado en los procesos de larga duración desarrollados por Norbert Elias) y del concepto de conservadurismo reconvertido (trabajado por Bourdieu y Boltanski), se indagan las formas concretas que asume el poder político durante los gobiernos de Federico Cantoni y Leopoldo Bravo en la provincia de San Juan. La presencia de la Unión Cívica Radical Bloquista en el campo político sanjuanino, nos muestra particularidades, cambios y mutaciones signadas por la representación que, desde el poder político y social, ejercieron Federico Cantoni y Leopoldo Bravo

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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