1,721,542 research outputs found
Business Development Strategi Formulation: Lessons Learned from Body Care Startup
No full textResearch Dataset of Business Development Strategy Formulation: Lessons Learned from Body Care Startu
Project 2A: Motif & pattern / Anis Zulfah Zulkifli
Full text linkThe poster above is derived from analyzing the compositions of element sand design principles of Orang Ulu’s House. Orang Ulu’s house is known for it being elevated from the ground, supported by its massive columns. The columns are carved with motifs
Project 1B: Cultural collage / Anis Zulfah Zulkifli
Full text linkThe collage created is the appreciation and interpretation of the Iban tattooes. Every stroke, line and image of their tattoos has its own symbolic meaning. The materials used such as tree roots, compact discs, and translucant vellum papers represent the vast meanings of each Iban tattooes. Iban warrior made a promise with spirit named “Hantu Pantang” on continuing the tattoo tradition through Iban’s people generations
Project 2B: Shapes into planes / Anis Zulfah Zulkifli
Full text linkThis project is a continuation of the previous project. The shapes extracted from the basic motifs on the columns and is arranged in a linear manner. The organisation resembles the harmony in flora surrounding the house. The dark to light colour mimics the way the columns
rise from the ground, standing tall safeguarding the house from harm
Project 1A: Graphic cultural poster / Anis Zulfah Zulkifli
Full text linkThe concept is the culture of Iban tribe, emphasizing specifically on their tattoos. The ritual and the process of tattoing are intrepreted in the visualisation of this poster. The Ibans believe that tattoos have mystical powers. Iban headhunters have scorpion tattoo on their body as a symbol of protection from malevolent spirits during battlefield
Studi tentang Batik Gentongan pada Zulfah Batik di Desa Paseseh Kecamatan Tanjungbumi Kabupaten Bangkalan Madura
No full textABSTRAK Widyawati, Melida.2013. Studi Tentang Batik Gentongan pada Zulfah Batik di Desa Paseseh, Kecamatan Tanjungbumi, Kabupaten Bangkalan Madura. Skripsi, Jurusan Teknologi Industri, Fakultas Teknik, Universitas Negeri Malang. Pembimbing: (I) Dra. Nurul Aini, M.Pd., (II) Dra. Endang Prahastuti, M.Pd. Kata kunci: Batik Gentongan Salah satu kota yang memiliki batik dengan ciri khas dan corak tersendiri adalah Madura. Batik Madura memiliki kualitas seni yang tinggi pada setiap motifnya dan pewarnaan yang cukup berani. Salah satu batik Madura yang memiliki tingkat kesulitan pada motifnya dan pewarnaan dengan menggunakan pewarna alami adalah batik gentongan tepatnya di Desa Paseseh Kecamatan Tanjungbumi. Batik gentongan memiliki banyak tarikan garis pada desainnya dan ragam motif diambil dari motif tumbuhan, binatang maupun benda yang terinspirasi dari lingkungan sekitar. Proses pewarnaan batik gentongan menggunakan pewarna alami dan media gentong. Tradisi menggunakan gentong merupakan tradisi yang sudah turun-temurun dan masih dipertahankan sampai sekarang. Penelitian ini dilaksanakan dengan tujuan untuk mendeskripsikan batik gentongan di desa Paseseh, kecamatan Tanjungbumi, kabupaten Bangkalan Madura. Permasalahan yang dikaji dalam penelitian ini, yaitu motif batik gentongan dan proses pewarnaan batik gentongan. Penelitian ini menggunakan pendekatan kualitatif dengan jenis penelitian deskriptif. Informan adalah pemilik industri Zulfah Batik, dan dua karyawan pada Zulfah batik. Teknik pengumpulan data yang digunakan adalah wawancara, observasi dan studi dokumentasi. Data yang diperoleh dianalisis dengan menggunakan analisis model interaksi Miles dan Huberman dengan tahapan (1) pengumpulan data, (2) reduksi dan penyajian data, (3) penarikan kesimpulan. Berdasarkan hasil penelitian diperoleh kesimpulan yaitu motif pada batik gentongan terdiri dari motif cong-congan, sabut, til cantil, panji susi, dan geje sekereng. Motif tersebut merupakan motif yang paling klasik dan paling banyak diminati oleh konsumen. Dilihat dari visualisasi motifnya, ditemukan golongan motif hias tumbuh-tumbuhan, motif hias binatang imajinatif, motif hias benda teknologis. Motif batik gentongan pada Zulfah Batik terdiri dari ornamen utama, tambahan dan isen-isen motif. Warna yang ditampilkan pada batik gentongan antara lain merah, hijau, biru dan coklat. Faktor- faktor yang mempengaruhi terciptanya motif pada batik gentongan antara lain potensi alam dan budaya dari Madura khusunya Tanjungbumi, keinginan untuk memberikan pesan kepada masyarakat lewat motif yang diciptakan, dan kondisi masyarakat Tanjungbumi Madura. Saran dalam penelitian ini adalah motif pada batik gentongan lebih dikembangkan dan divariasikan dari berbagai motif hias yang ada terutama terkait potensi daerah yang dimiliki Madura. Bagi peneliti lain disarankan untuk menggali informasi lainnya yang belum ada pada penelitian ini. Manfaat bagi pelajar maupun masyarakat umum dapat digunakan sebagai sumber informasi dan referensi mengenai batik gentongan yang ada di Tanjungbumi Madura. ABSTRACT Widyawati, Melida.2013. A Study of “Gentongan Batik” in “Zulfah Batik” at Paseseh Village, Tanjungbumi, Bangkalan, Madura.Thesis, Industrial Engineering Department, Faculty of Engineering, State University of Malang. Advisors: (I) Dra. Nurul Aini, M.Pd., (II) Dra. Endang Prahastuti, M.Pd. Keyword : Gentongan Batik Madura is one of cities that has batik with specific characteristics and patterns. Maduranese batiks has high art quality in every motif and brave enough coloring. One of Maduranese batiks that has high level of difficulty in making its motive and coloring by using natural dye, is gentongan batik in Paseseh village, Tanjungbumi. Gentongan batik has towed lines in its design and the motif styles are taken from plants, animals, and surrounding tings motif. Coloring processes of gentongan batik use natural dye and traditional media, gentong (an earthen pot). The tradition of using gentong has been done from generation to generation and is still maintained until now. The objective of this study is to describe gentongan batik in Paseseh village, Tanjungbumi, Bangkalan, Madura. The problems to be observed in this study are motif and coloring process of gentongan batik. This study employed descriptive qualitative research. The informant is the owner and two workers of Zulfah Batik industry. Data collections were carried out by interview, observation, and documentation study. The data were analyzed using Miles dan Huberman’s interaction model analysis: (1) collecting data, (2) reduction and presenting data, and (3) drawing conclusion. Based on the result of the study, it was concluded that gentongan batik’s motif consisted of cong-congan, sabut, tilcantil, panjisusi, and geje sekereng motif. Those motifs are classic motifs that is liked by consumers. From the visualization motif, it was found that the ornament motifs were inspired from plants, imaginary animals, and technology utensils motif. In Zulfah Batik itself, the motifs consisted of main ornament, additional and isen-isen motif. The colors of gentongan batik were red, green, blue, and brown. The influential factors of motif creation in gentongan batik were: culture and natural potency of Madura especially Tanjungbumi, the eagerness to give messages the society through motif creation, and society’s condition of Tanjungbumi, Madura. Based on the conclusions of the study, suggestions are offered. For the batik industry owner, the motif in gentongan batik should be developed into several other motif ornament variations that has been existed especially related to region potency of Madura. For other researcher, it is suggested to excavate other information that has not been in this study. For the students and public society, it can be used as information and reference sources about gentongan batik at Tanjungbumi, Madura
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
PENGARUH PENERAPAN GOOD GOVERNANCE BUSINESS SYARIAH (GGBS) DAN INTELLECTUAL CAPITAL TERHADAP KINERJA BANK SYARIAH DI INSONESIA DENGAN PENDEKATAN ISLAMICITY FINANCIAL PERFORMANCE INDEX
Full text linkFAHMIATUZ ZULFAH AMALIA. The Influence of Implementation of Good
Governance Business Sharia (GGBS) and Intellectual Capital on Sharia Bank
Performance in Indonesia Using The Islamicity Financial Performance Index
Approach. Faculty of Economics, Universitas Negeri Jakarta. 2019.
This research is conducted to determine the influence of Good Governance
Business Sharia (GGBS) and Intellectual Capital on Sharia Bank Performance in
sharia commercial bank listed on the Bank Indonesia (BI) that Using The
Islamicity Financial Performance Index Approach. The period in this research for
4 years 2013-2016. Through the purposive sampling technique selected 36
sampels for 2013-2016 period.
The Sharia Bank Performance as Dependent Variables in this study is proxied by
Zakat Performance Ratio dan Equitable Distribution Ratio indicators. While the
Independent Variable in this study is Good Governance Business Syariah (GGBS)
which is proxied by sharia supervisory board and directors and Intellectual
Capital variable is proxied by physical capital (VACA) and human capital
(VAHU). The influence and relationship of the third variables were tested by
using partial least square (PLS) analysis using SmartPLS 3.
Hypothesis test results show that Good Governance Business Syariah (GGBS) and
Intellectual Capital have a positive and significant effect on sharia bank
performance.
Keyword : good governance business syariah (ggbs), intellectual capital,
islamicity financial performance index
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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