39,302 research outputs found

    H. Maria Wright Hall

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    A picture of H. Maria Wright Hall from 10 Genuine Photographs of Taylor University.https://pillars.taylor.edu/genuine-photos/1010/thumbnail.jp

    H. Maria Wright Hall

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    H. Maria Wright Hall was the first building to be constructed on the Upland campus, its bricks formed from Upland clay.https://pillars.taylor.edu/taylor175wingtraditions/1001/thumbnail.jp

    H. Maria Wright (Cornerstone Laying 1893)

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    The program for the 1893 H. Maria Wright cornerstone laying.https://pillars.taylor.edu/campus-dedications/1006/thumbnail.jp

    Maria Bersani

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    La voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur

    Best Interests and Transfers of Proceedings under Article 15 Brussels II Revised in a Public Law Context – Where are we now?

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    Maria Wright, PhD Student at the University of Bristol, addresses how courts must now approach Article 15 transfers of public law proceedings in the light of CJEU and Supreme Court judgments

    Best Interests and Transfers of Proceedings under Article 15 Brussels II Revised in a Public Law Context – Where are we now?

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    Maria Wright, PhD Student at the University of Bristol, addresses how courts must now approach Article 15 transfers of public law proceedings in the light of CJEU and Supreme Court judgments

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Erratum: Lack of immunity against rubella among Italian young adults. [BMC Infect Dis., 17, (2017) (199)] Doi: 10.1186/s12879-017-2295-y

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    After publication of this article [1], the authors noted that the given names and family names of all authors had been inverted, and are therefore incorrect in the original article. In the original article, the author names appear as the following: Gallone Maria Serena, Gallone Maria Filomena, Larocca Angela Maria Vittoria, Germinario Cinzia and Tafuri Silvio. However, this is incorrect, and the author names should appear as per the below: Maria Serena Gallone, Maria Filomena Gallone, Angela Maria Vittoria Larocca, Cinzia Germinario, Silvio Tafuri. The author names have been corrected in the author list and the citation for this Erratum

    Einleitung

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    Louis Henry Sullivan und sein Schüler Frank Lloyd Wright zählen zu Recht zu den bekanntesten Architekten Nordamerikas, deren besondere Bedeutung zweifelsfrei in der Entwicklung einer neuen und individuellen amerikanischen Architektursprache liegt. Im ersten Jahrzehnt des 20. Jahrhunderts kreierte Wright den so genannten Prairie Style, einen neuen Architekturstil, der vorwiegend für Einfamilienhäuser zum Einsatz kam. Dieser wurde - abgesehen von der namen- und umgebenden Landschaft, der Prairie - durch typische Eigenschaften wie Horizontalität, weit auskragende Dächer, den fließenden Übergang zwischen Innen- und Außenraum, offene Grundrisse, deren Zentrum der Kamin bildet, Ehrlichkeit der verwendeten Materialien und die Anwendung eines Gesamtkonzepts, bei dem das Mobiliar und die Haustechnik in das jeweilige Projekt integriert werden, charakterisiert. Inspiriert wurde der Architekt dabei u.a. vom architektonischen Werk seines Mentors und früheren Arbeitgebers Sullivan. Der neue Stil inspirierte Zeitgenossen und ehemalige Kollegen Wrights, die ihn aufgriffen und bei eigenen Bauten anwandten, unter den bekanntesten finden sich Walter B. Griffin, dessen spätere Ehefrau Marion Mahony, Dwight H. Perkins, Robert C. Spencer Jr., Barry Byrne, John S. Van Bergen, Hugh M.G. Garden, Thomas E. Tallmadge und sein Partner Vernon S. Watson, Percy D. Bentley sowie die neben Wright und Sullivan wahrscheinlich bekanntesten Vertreter William G. Purcell und George G. Elmslie. Der Prairie Style entwickelte sich zur Prairie School und kam hauptsächlich im Mittleren Westen der USA zum Einsatz. Die Prairie School war im Sommersemester 2016 Thema des Wahlseminars "Vergleichende Baugeschichte" an der TU Wien, im Zuge dessen Studierende Bauten der o.a. Zeitgenossen von Sullivan und Wright in Zusammenhang mit deren Werk untersuchten und analysierten. Im Fokus der Analyse stand, inwieweit sich die Architekten an Gebäuden ihrer Vorbilder inspirierten und orientierten, ob sie darüber hinaus Motive und Elemente in ihrem eigenen Oeuvre imitierten oder gar kopierten oder eine individuelle Architektursprache entwickelten.Louis Henry Sullivan and his student Frank Lloyd Wright are rightly among the best-known architects in North America, whose special significance undoubtedly lies in the development of a new and individual architectural language for America. In the first decade of the 20th century, Wright created the so-called Prairie Style, a new architectural style used primarily for single-family homes. This style was characterized - apart from its name and surrounding landscape, the Prairie - by typical features such as horizontality, wide overhanging roofs, the smooth transition between interior and exterior spaces, open floor plans centered on the fireplace, honesty of the materials used, and the application of an overall concept in which the furniture and building services were integrated into the respective project. The architect was inspired, among others, by the architectural work of his mentor and former employer Sullivan. The new style inspired contemporaries and former colleagues of Wright, who took it up and applied it to their own buildings; among the best known are Walter B. Griffin, his later wife Marion Mahony, Dwight H. Perkins, Robert C. Spencer Jr, Barry Byrne, John S. Van Bergen, Hugh M.G. Garden, Thomas E. Tallmadge and his partner Vernon S. Watson, Percy D. Bentley, and probably the best known representatives, along with Wright and Sullivan, William G. Purcell and George G. Elmslie. The Prairie Style evolved into the Prairie School and was used primarily in the Midwestern United States. The Prairie School was the topic of the elective seminar "Comparative Architectural History" at the Vienna University of Technology in the summer semester of 2016, in the course of which students examined and analyzed buildings by the above-mentioned contemporaries of Sullivan and Wright in connection with their work. The focus of the analysis was the extent to which the architects were inspired by and oriented towards the buildings of their models, whether they also imitated or even copied motifs and elements in their own oeuvre, or developed an individual architectural language
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