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Obraz kobiety w filmach o PRL
No full textThe article presents images of women in selected feature films set in the Polish People’s Republic: Rewers (dir. Borys Lankosz, 2009), Wszystko co kocham (dir. Jacek Borcuch, 2009), Różyczka (dir. Jan Kidawa-Błoński, 2010), Sztuka kochania. Historia Michaliny Wisłockiej (dir. Maria Sadowska,
2017), Bo we mnie jest seks (dir. Katarzyna Klimkiewicz, 2021), Marzec ’68 (dir. Krzysztof Lang, 2022). The selected films
(purposefully chosen) represent various genres, and female characters play diverse narrative and plot roles in them. The aim of this article is to analyze the image of female characters, taking into account the following categories: physical characteristics, personality traits and attitude towards the world, relationships with men, and social roles. Referring to the literature on female characters in cinema and the assumptions of the media and textual image of the world, I propose my own profiles of women in films about the Polish People’s Republic: women as tools of repression, women as revolutionaries, and women caught up in conflicts between generations and ideologies. The article uses a triangulation of methods: content analysis and the cognitive definition method proposed by representatives of the so-called Lublin school of ethnolinguistics.Artykuł prezentuje obrazy kobiet w wybranych filmach fabularnych, których akcja osadzona jest w Polskiej Rzeczpospolitej Ludowej: Rewers (reż. Borys Lankosz, 2009), Wszystko co kocham (reż. Jacek Borcuch, 2009), Różyczka (reż. Jan Kidawa-Błoński, 2010), Sztuka kochania. Historia Michaliny
Wisłockiej (reż. Maria Sadowska, 2017), Bo we mnie jest seks
(reż. Katarzyna Klimkiewicz, 2021), Marzec ’68 (reż. Krzysztof Lang, 2022). Wybrane filmy (dobór celowy) reprezentują różne gatunki, a postacie kobiece pełnią w nich zróżnicowane role narracyjne i fabularne. Celem artykułu jest analiza obrazu kobiecych postaci z uwzględnieniem następujących kategorii: cechy fizyczne, cechy osobowości i postawa wobec świata, relacje z mężczyznami oraz role społeczne. Odwołując się do literatury przedmiotu o postaciach kobiecych w kinie oraz założeń medialnego i tekstowego obrazu świata, proponuję autorskie profile kobiet w filmach o PRL: kobieta jako narzędzie w aparacie represji, kobieta rewolucjonistka, kobieta uwikłana w konflikt pokoleń i ideologii. W artykule zastosowano triangulację metod: analizy zawartości oraz metody definicji kognitywnej zaproponowanej przez przedstawicieli tzw. lubelskiej szkoły etnolingwistycznej
Historical figures as pop culture superheroes in selected films about the Polish People's Republic
Full text linkNiniejszy artykuł stanowi analizę postaci historycznych w wybranych filmach fabularnych, których akcja rozgrywa się w Polskiej Rzeczpospolitej Ludowej. W artykule scharakteryzowano struktury narracyjne oraz elementy fabularne, za pomocą których postacie historyczne kreowane są na popkulturowych superbohaterów, w oparciu o publikację włoskiego intelektualisty Umberto Eco pt. "Superman w literaturze masowej. Powieść popularna: między retoryką a ideologią". W tekście przedstawiono rozwój powieści popularnej i występującego w niej bohatera, określanego mianem nadczłowieka. Wyszczególniono powtarzalne elementy fabularne oraz struktury narracyjne, w których wyodrębniono następujące schematy zatytułowane: "Opozycje w strukturach narracyjnych"; "Toposy i atrybuty wizualne w kreacji superbohatera"; "PRL-owski pocieszyciel".This article is an analysis of historical characters in selected feature films, whose plot is set in the Polish People's Republic. The article characterizes the narrative structures and plot elements by means of which historical characters are created into pop-culture superheroes, based on the publication of the by Italian intellectual Umberto Eco entitled: "The Superman of the Masses: Rhetoric and Ideology in the Popular Novel". The text presents the development of the popular novel and the protagonist appearing in it, described as a superhuman. Repetitive plot elements and narrative structures are singled out, with the following schemes titled: "Oppositions in narrative structures", "Topoi and Visual Attributes in the Creation of the Superhero"; "The comforter of the PRL era"
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Validation of the method of determining the composition of the natural gas with the help of the gas chromatography
No full textpraca inżyniersk
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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