143 research outputs found
Il "Patavian" autore dell’"Entrée d’Espagne" e Giovanni da Nono
This article contests the identification of Giovanni da Nono as the author of the Entrée d’Espagne, a hypothesis proposed in 1989 by André de Mandach. This revised hypothesis is based on a study of this scholar’s works and suggests on the contrary that the author of the Entrée knew da Nono’s De hedificatione and implicitly criticized it in his own work, a conclusion based on onomastic analysis of the characters in De edificazione urbis Phatolomie
"Luigi Nono : Prometeo, Tragedia dell'ascolto"
L. Feneyrou stellt eine referentielle und begriffliche Analyse einer Etude fiir die "Inseln" vor, auf denen Luigi Nonos letzte Oper Prometeo aufbaut. Da er seine Analyse in eine Geschichte kultureller Prozesse eingehen lassen môchte, stellt er die Hypothese auf, daB eine Beziehung zwischen der Etüde und dem philosophischen Werk des "Librettisten" Massimo Cacciari besteht. Die Entstehungdokumente zu Prometeo stellen somit ein Bezugssystem zu einer Vielzahl von Bereichen her : zur Malerei (das Werk Tintorettos, Goethes und Ittens Farbenlehre), zur Literatur (die Frankfurter Ausgabe der Werke Holderlins, das Werk Edmond Jabès'), zur Musikgeschichte (Tallis, Schumann, Bellini, Wagner usf.), zur Philosophie. Nonos Oper erfordert iiberkreuzte Untersuchungsperspektiven, die letztlich den Begriff des "Avant-texte", des "Vortextes", in Frage stellen.Laurent Feneyrou proposes a referential and conceptual analysis of Luigi Nono's study for the «islands » that form the basis of his last opera : Prometeo. Wishing to position his analysis in a history of cultural symptoms, the author sketches the threads between this study and the philosophical works of the «librettist », Massimo Cacciari. The documents of the genesis of Prometeo open up a space for dialogue between multiple references : to painting (the works of Tintoretto, Goethe's and Itten's theories of colour), to littérature (the Frankfurter Ausgabe of Hôlderlin, the works of Edmond Jabès), to the history of music (Tallis, Schumann, Bellini, Wagner ...), to philosophy. Nono's opera calls for cross-perspectives that seem to question the very notion of «avant-texte ».Laurent Feneyrou propone un' analisi referenziale e concettuale su uno studio che riguarda le "isole" che stanno alla base dell'ultima opera di Luigi Nono : Prometeo. Volendo iscrivere taie analisi in una storia dei sintomi culturali, egli getta le fundamenta di una trama che lega detto studio e l'opéra filisofica del "librettista" Massimo Cacciari I documenti délia genesi del Prometeo aprono uno spazio di dialogo tra referenze multiple : la pittura (l'opéra del Tintoretto, le teorie del colore di Goethe e di Itten), la letteratura (la Frankfurter Ausgabe de Holderlin, l'opéra di Edmond Jabès), la storia musicale (Tallis, Schumann, Bellini, Wagner), la filosofia. L'opéra di Nono produce degli esitti incrociati che conducono a una interrogazione sulla nozione di "avant-texte".Laurent Feneyrou propose une analyse référentielle et conceptuelle d'une étude pour les «îles » qui sont à la base du dernier opéra de Luigi Nono : Prometeo. Souhaitant inscrire son analyse dans une histoire des symptômes culturels, il pose les fondements d'une trame entre cette étude et l'œuvre philosophique du «librettiste », Massimo Cacciari. Les documents de genèse du Prometeo ouvrent ainsi un espace de dialogue entre des références multiples : à la peinture (l'œuvre du Tintoret, les théories de la couleur de Gœthe et d'Itten), à la littérature (la Frankfurter Ausgabe de Hôlderlin, l'œuvre d'Edmond Jabès), à l'histoire musicale (Tallis, Schumann, Bellini, Wagner ...), à la philosophie. L'opéra de Nono appelle donc des perspectives croisées qui aboutissent à une mise en question de la notion d'«avant-texte ».Laurent propone un anàlisis referencial y conceptual de un estudio para las «islas» que estân en la base de la ultima opera de Luigi Nono : Prometeo. Buscando inscribir su anâlisis en una historia de los sfntomas culturales, Feneyrou establece los fundamentos de una trama entre este estudio y la obra filosofica del «libretista», Massimo Cacciari. Los documentos de génesis del Prometeo abren asi un espacio de diâlogo entre referencias multiples : a la pintura (la obra de Tintoreto, las teorfas del color de Goethe y de Itten), a la literatura (la Frankfurter Ausgabe de Holderlin, la obra de Edmond Jabès), a la historia musical (Tallis, Schumann, Bellini, Wagner...), a la filosofïa. La opera de Nono impone asf perspectivas entrecruzadas de las que résulta un cuestionamiento de la notion de «pre-texto».Feneyrou Laurent. "Luigi Nono : Prometeo, Tragedia dell'ascolto". In: Genesis (Manuscrits-Recherche-Invention), numéro 4, 1993. Écritures musicales aujourd'hui. pp. 87-109
Destination Image: perception, experience, and behavioural intention: in the context of West Java, Indonesia as a tourist destination
Pengaruh Kualitas Layanan, Ketersediaan Produk Wisata, Citra Destinasi Terhadap Kepuasan dan Loyalitas Destinasi Kampung Karuhun Sumedang
Sumedang Regency is an area that has various types of tourist attractions but tourist visits to Sumedang fluctuate every year. One of the attractions in Sumedang is Kampung Karuhun which still needs improvement in several aspects. This study aims to identify the influence of the relationship of service quality, tourism product availability, destination image, consumer satisfaction and destination loyalty in Kampung Karuhun Sumedang. The research method used is a quantitative approach using a survey tool in the form of a questionnaire. This study collected data as many as 355 respondents. The analytical technique used is descriptive analysis and Structural Equation Model (SEM) and the sampling technique used is purposive sampling. The results showed that service quality had a significant effect on consumer satisfaction and destination loyalty, the tourism product availability had no significant effect on consumer satisfaction but had an effect on destination loyalty. Furthermore, destination image has a significant effect on consumer satisfaction and destination loyalty. The last finding, consumer satisfaction has a significant effect on destination loyalty. Based on the results of the study, it can be concluded that the study offers evidence of the relationship between service quality, tourism products and destination image on tourist satisfaction and loyalty. The results of this study are expected to provide a tourism planning and marketing strategy in Karuhun Karuhun through an understanding that improving the quality of services, tourism products and destination image will increase tourist satisfaction and loyalty
Le paradoxe postmoderne et l’oeuvre tardive de Luigi Nono
Cet article propose un examen des aspects problématiques qui entourent l’usage du terme postmoderne. L’oeuvre tardive de Luigi Nono (1926-1990) constitue un excellent point de départ pour une telle étude. Les compositions de la fin de sa carrière, telles Omaggio György Kurtág (1983-1986) et Fragmente-Stille, an Diotima (1980), ont surpris et choqué ses collaborateurs de longue date. Les formes fragmentaires et la nature introvertie de cette musique ont créé l’impression d’une profonde rupture stylistique et technique dans le développement du compositeur. Cette apparence de rupture était vue par de nombreux observateurs comme un signe du déclin d’un certain modernisme (c’est-à-dire l’avant-garde du XXe siècle) et l’annonce de l’éclosion de nouvelles approches, dites postmodernes, de l’art et de la culture. L’auteur démontre que, d’une part, l’apparence de rupture dans l’oeuvre tardive de Nono est surestimée et, d’autre part, que l’idée d’un art musical postmoderne est trompeuse dans la mesure où elle détourne l’attention des éléments de continuité dans la nouvelle musique à la fin du XXe siècle.This article seeks to examine some of the problematic issues surrounding the term “postmodern.” The late work of Luigi Nono (1926-1990) provides an interesting foil to such a study. Works such as Omaggio a György Kurtág (1983-1986) and Fragmente-Stille, an Diotima (1980) shocked and surprised many of Nono’s long-time collaborators. The fragmentary forms and intensely intimate nature of this music created the impression that a profound rupture had occurred in the composer’s stylistic and technical development. This presumed rupture was perceived by many commentators as indicative of the apparent decline of modernism (the 20th century avant-garde), and of the beginning of a new, so-called postmodern approach to art and culture. The author first demonstrates that the appearance of rupture in Nono’s personal development is overstated. Secondly, he discusses the fact that a concept of postmodern music is misleading in that it turns attention away from important aspects of continuity in music composed during the final decades of the 20th century
Analisis Studi Kelayakan Pendirian BUMD Pariwisata (Taman Kehati) di Kabupaten Bandung
Penelitian ini dilatar belakangi potensi pendapatan wisata Taman Kehati yang saat ini dikelola UPTD Taman Kehati, mengingat Tujuan UPTD Taman Kehati sejatinya adalah pelayanan masyarakat dan tidak berorientasi laba/keuntungan maka perlu dilakukan perubahan-perubahan mendasar terkait pengelolaan wisata Taman Kehati yaitu perubahan bentuk UPTD menjadi BUMD sehingga dapat terkelola dengan profesional dan berorientasi pada keuntungan/laba. Dalam pendirian BUMD, dibutuhkan studi kelayakan yang meliputi analisa terhadap aspek financial dan aspek non financial.Hasil penelitian terhadap aspek financial meliputi : proyeksi keuangan (laba rugi dan arus kas) menunjukan laba yang prosfektif, konsisten dan berkesinambungan, Net Present Value (NPV) positif, Internal rate of return (IRR) 18,88% diatas suku bunga dasar kredit (SDBK) bank milik Pemerintah 8,00%, Net Benefit/Cost (Net B/C) 1,72 dan Discounted Payback Period (DPP) 3 tahun 11 bulan sehingga aspek financial dapat dikategorikan layak sedangkan keseluruhan hasil analisa aspek non financial yang meliputi Aspek pasar, aspek teknis, aspek manajemen, aspek hukum, aspek sosial budaya, ekonomi dan lingkungan di kategorikan layak maka disimpulkan bahwa Pendirian BUMD Pariwisata (Taman Kehati) layak untuk dilaksanakan
Il Liber de hedificatione urbis Phatolomie di Giovanni da Nono: edizione critica e studio
The «Liber de hedificatione urbis Phatolomie» is a short prose work written in Latin by Paduan judge Giovanni da Nono around the second decade of 14th century. It tells a foundation of Padua by noble Greeks set more than a generation before the Trojan War. It is comparable in many ways to the contemporary Franco-Italian literary production.
The historical introduction to Giovanni da Nono’s work given in this thesis some aspects of the cultural context underneath De hedificatione are investigated, focusing on its relationship with the traditional legend of foundation by Trojan Antenor. De hedificatione reveals itself as built by its author in opposition to the Antenor legend. Further research deals with recognizing the sources used by Giovanni da Nono to build his Armenian-based narrative.
After this introduction the critical edition is given together with an Italian translation; before it, the thesis comprise a careful study of the manuscript tradition leading to an attempt to resolve the issue given by the fact it is strongly contaminated
Functional Domains of NEAT1 Architectural lncRNA Induce Paraspeckle Assembly through Phase Separation
A class of long noncoding RNAs (lncRNAs) has architectural functions in nuclear body construction; however, specific RNA domains dictating their architectural functions remain uninvestigated. Here, we identified the domains of the architectural NEAT1 lncRNA that construct paraspeckles. Systematic deletion of NEAT1 portions using CRISPR/Cas9 in haploid cells revealed modular domains of NEAT1 important for RNA stability, isoform switching, and paraspeckle assembly. The middle domain, containing functionally redundant subdomains, was responsible for paraspeckle assembly. Artificial tethering of the NONO protein to a NEAT1_2 mutant lacking the functional subdomains rescued paraspeckle assembly, and this required the NOPS dimerization domain of NONO. Paraspeckles exhibit phase-separated properties including susceptibility to 1,6-hexanediol treatment. RNA fragments of the NEAT1_2 subdomains preferentially bound NONO/SFPQ, leading to phase-separated aggregates in vitro. Thus, we demonstrate that the enrichment of NONO dimers on the redundant NEAT1_2 subdomains initiates construction of phase-separated paraspeckles, providing mechanistic insights into lncRNA-based nuclear body formation
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