322,921 research outputs found
A panyological study of the impact of man on the landscape of central Southern England, with special reference to the chalklands
No full textThe sequence from Winchester provides evidence for the Boreal and Atlantic woodland of the chalk and exhibits an early Ulmus decline clearance. Open conditions appear to have prevailed in at least this area of the Hampshire Downs since the Early Neolithic. The Snelsmore data show that from the end of the UImus decline clearance, woodland was a more common feature of the local landscape.The peripheral sites in general exhibit phases of woodland clearance and regeneration similar to sites elsewhere in Britain. At several of these peripheral sites there is a good correlation between the chronology of episodes in the pollen diagrams and archaeological events on the chalklands, although the representation of pollen from vegetation on the chalk outcrop may have been low. The rapidly accumulating peat at Rimsmoor shows clearance episodes in considerable detail and at Kingswood a phase of Mesolithic disturbance may be recorded.It is proposed that certain areas of the chalk, such as that around Winchester, have been characterised by an essentially open landscape since the Early Neolithic. In other areas, however, as perhaps typified by the Snelsmore analysis, woodland was more common. Edaphlc and socio-economic reasons are advanced for these differences
Un four à tuiles du Ier s. ap. J.-C. à Saint-Maurice-de-Ventalon (Lozère)
No full textA kiln for making tiles has been found in Saint-Maurice-de-Ventalon (Lozère), on the border between the cities of Gabales and Volques Arécomiques. It came from a workshop in the courtyard of a villa or a mansio. The only remnants of this kiln made of schist are the parts buried during Antiquity. The quadragular heating chamber was made with a central channel and secondary oblique conduits, fitted between the six arches which held up the hearth, which has since disappeared. Under the slab of the central channel, there is a drain to evacuate infîltrated water. Constructed during the reign of Tiberius, the kiln ceased functioning around 70 A.D.A Saint-Maurice-de-Ventalon (Lozère), à la limite de la cité des Gabales et de celle des Volques Arécomiques a été mis au jour un four à tuiles qui appartenait à un atelier dépendant d'une villa ou d'une mansio.
Du four construit en schiste, il ne subsiste que les parties qui étaient enterrées dans l'Antiquité. La chambre de chauffe quadrangulaire était constituée d'un canal central et de conduits secondaires obliques, ménagés entre les six arceaux qui soutenaient la sole, aujourd'hui disparue. Sous le dallage du canal central un drain permettait d'évacuer les eaux d'infiltration. Construit sous Tibère, le four cessa toute activité vers 70 après J.-C.Dardaine Sylvie, Waton Marie-Dominique. Un four à tuiles du Ier s. ap. J.-C. à Saint-Maurice-de-Ventalon (Lozère). In: Revue archéologique de Narbonnaise, tome 19, 1986. pp. 337-350
"Sembah" Komposisi Musik Symphony Death Metal Berdasarkan Lirik "Syi'ir Tanpo Waton" Karya Gus Nizam
No full text“Sembah” adalah komposisi musik Symphony Death Metal berdasarkan lirik “Syi’ir Tanpo Waton” karya Guz Nizam. Konsep dan landasan ide karya musik tersebut adalah representasi dari makna lirik “Syi’ir Tanpo Waton” Dalam upaya tersebut penggunaan makna dalam lirik musik direpresentasikan dengan format musik Symphony Death Metal yang merupakan perpaduan antara genre death metal dengan orkes simfoni. Proses penciptaan yang dilakukan adalah dengan merumuskan ide penciptaan dan merancang suasana serta unsur musik yang akan ditonjolkan dari setiap bagian karya sesuai dengan representasi makna lirik “Syi’ir Tanpo Waton”. Selain itu dilakukan observasi karya musik symphony orchestra, band death metal, musikalisasi puisi dan meninjau pustaka yang relevan dengan rumusan ide penciptaan serta mengeksplorasi representasi lirik ke dalam karya musik instrumental symphony death metal. Terdapat langkah pembuatan sketsa dasar, dan penggarapan detail karya dengan memperhatikan isi makna lirik di dalam kandungan tiap bait. Tahapan proses penciptaan tersebut menghasilkan enam bagian karya yang diberi judul Wirid, Luru Ilmu, Kidung Ati Matine Ati, Perintah Ilahi, Sembah, dan Wong Urip Sedelo dengan format symphony death metal. Struktur dan bentuk dalam karya “Sembah” terdiri dari: “Wirid” representasi bait pertama sampai ketiga dengan struktur musik introduksi, A, B, C dan format musik symphony orchestra. Bagian kedua “Luru Ilmu” representasi bait keempat dengan struktur musik A, B, C, D, E, F dan format musik symphony orchestra. Bagian ketiga “Kidung Ati Matine Ati”, representasi bait kelima, enam, dan ke-13 dengan struktur musik A, B, C dan format musik symphony orchestra. Bagian keempat representasi bait ketujuh, sembilan, dan sepuluh dengan struktur musik A, B, C, D dan format musik symphony orchestra. Bagian kelima representasi bait kedelapan, ke-11, dan ke-12 dengan struktur musik A, B, C, D, E, F dan format musik symphony Death Metal. Bagian terakhir representasi bait ke-15 dengan struktur musik A, B, C, D, E dan format musik symphony Death Metal
Diffusive author(s), cohesive author: Analysis of S/N (1994)
No full textThis study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Hubungan antara Karakteristik Kepribadian Orang Tua terhadap Sikap Sosial Siswa di Mts Nurul Waton Desa Sungsang 3 Kecamatan Banyuasin II Kabupaten Banyuasin
No full textSome parents in Sungsang 3 Village, Banyuasin II District, Banyuasin Regency speak harshly to their children, because of the factor of living in the sea area, parents scold their children by saying impolite, lack of motivation of parents in doing spiritual activities, the lack of Parents' religious knowledge to children, some parents give authoritarian punishment to their children who make mistakes, the lack of moral education in the family for the child.
This research is a descriptive study with a quantitative approach. The research was conducted at MTs Nurul Waton, Sungsang 3 Village, Banyuasin II District, Banyuasin Regency. The population in this study were all students of MTs Nurul Waton Sungsang 3 Village, Banyuasin II District, Banyuasin Regency, totaling 180 students, while the sample used was 64 students obtained through the proportionate stratified random simpling technique (proportional stratified random sample). The data collection techniques used were questionnaires, observation and documentation. The data analysis technique uses the Product Moment correlation technique.
From the results of the research that has been done, the data obtained are: 1) The characteristics of the personality of the parents in Sungsang 3 Village Banyuasin Ii District, Banyuasin Regency are included in the low category with an average score of 57.75 or 58, as many as 29 people or 45%. 2) The social attitudes of MTs Nurul Waton students are in the high category with an average score of 78.9 or 79, 24 people or 37%. 3) Based on the results of the significant correlation test, the results of the comparison of r table (0.3198)> r count (-0.267) with a significant level of 10%, it is concluded that there is no significant relationship between the Personality Characteristics of Parents and the Social Attitudes of Students at MTs Nurul Waton Sungsang 3 Village, Banyuasin II District, Banyuasin Regency
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author's address:
No full textCan archives of audiovisual TV interviews be used to make authors more visible to students, and thereby reduce the learning gap between native and non-native language speakers in college classes? We examined students in a college course who learned about one scholar's ideas through watching an audiovisual TV interview (i.e., visible author format) and about another scholar's ideas through reading a formal text description (i.e., invisible author format). For the invisible author, native language speakers scored significantly higher than the non-native language speakers on a corresponding exam question (i.e., a cognitive measure), generated more words on the exam question (i.e., a motivational measure), and mentioned the author's name more often in answering the exam question (i.e., an affective measure). For the visible author, the groups did not differ on any of these measures. These findings provide evidence for the idea that making the author visible through audiovisual TV interviews can eliminate the learning gap between native and non-native language speakers. 3 Universities around the world serve students who are non-native speakers of th
The vanishing author in computer-generated works: a critical analysis of recent Australian case law
No full textAbstract
The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals
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